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Matsus.h.i.+ta, Takaaki. Ink Painting. New York: Weatherhill/s.h.i.+- bundo, 1974.
Morrison, Arthur. The Painters of j.a.pan. New York: Stokes, 1911.
Nakata, Yujiro. The Art of j.a.panese Calligraphy. New York: Weatherhill, 1973.
Noma, Seiroku. Artistry in Ink. New York: Crown, 1957.
Siren, Osvald. The Chinese on the Art of Painting. New York: Schocken, 1963.
s.h.i.+mizu, Yos.h.i.+aki, and Wheelwright, Carolyn, eds. j.a.panese Ink Paintings from American Museums: The Muromachi Period. Princeton, N.J.: Princeton University Press, 1976.
Sugahara, Hisao. j.a.panese Ink Painting and Calligraphy. Brooklyn, N.Y.: Brooklyn Museum, 1967.
Sze, Mai-Mai. The Way of Chinese Painting. New York: Random House, 1959.
Tanaka, Ichimatsu. j.a.panese Ink Painting: Shubun to Sesshu. New York: Weatherhill, 1972.
ZEN AND HAIKU
Basho, Matsuo. Monkey's Raincoat. New York: Grossman, 1973.
Blyth, R. H. Senryu: j.a.panese Satirical Verses. Tokyo: Hokuseido, 1949.
. Haiku, vol. 1: Eastern Culture-, vol. 2: Spring; vol. 3:
Summer-Autumn; Vol. 4: Autumn-Winter. Tokyo: Hokuseido, 1949-1952.
. A History of Haiku. 2 vols. Tokyo: Hokuseido, 1963-1964.
Bownas, Geoffrey, and Thwaite, Anthony, eds. The Penguin Book of j.a.panese Verse. Baltimore: Penguin, 1964.
de Bary, Win. Theodore, ed. The Manyoshu. New York: Columbia University Press, 1965.
Giroux, Joan. The Haiku Form. Rutland, Vt.: Tuttle, 1974.
Henderson, Harold G. An Introduction to Haiku. Garden City, N.Y.: Doubleday Anchor, 1958.
Honda, II. H. The Kokin Waka-Shu. Tokyo: Hokuseido, 1970.
Isaacson, Harold J., trans. Peonies Kana: Haiku by the Upasaka s.h.i.+ki.
New York: Theatre Arts Books, 1972.
Issa. The Year of My Life. 2nd ed. Translated by n.o.buyuki Yuasa.
Berkeley: University of California Press, 1972.
Janeira, Armando Martins. j.a.panese and Western Literature. Rutland, Vt.: Tuttle, 1970.
Keene, Donald. j.a.panese Literature. New York: Grove Press, 1955.
, ed. Anthology of j.a.panese Literature. New York: Grove
Press, 1955.
Miner, Earl. An Introduction to j.a.panese Court Poetry. Stanford, Calif.: Stanford University Press, 1968.
Rexroth, Kenneth. One Hundred Poems from the j.a.panese. New York: New Directions, 1964.
Ueda, Makoto. Literary and Art Theories in j.a.pan. Cleveland: Press of Western Reserve University, 1967.
. Mats...o...b..sho. New York: Twayne, 1970.
Yasuda, Kenneth. A Pepper-Pod. New York: Knopf, 1947.
. The j.a.panese Haiku. Rutland, Vt.: Tuttle, 1957.
Yuasa, n.o.buyuki, trans. Basho: The Narrow Road to the Deep North and Other Travel Sketches. Middles.e.x, England: Penguin Books, 1966.
Glossary
_amado_: sliding, removable panels around exterior of traditional house.
_Amida_: widely wors.h.i.+ped figure in Buddhist pantheon and central figure of adoration in Jodo and Jodo s.h.i.+n Buddhism.
_As.h.i.+kaga_: dynasty of shoguns (1333-1573) whose patronage inspired great cla.s.sic age of Zen culture.
_atman_: Hindu concept of the "soul" or a personal element in the larger G.o.d-head.
_aware_: aesthetic concept which arose in Heian era, originally meaning a pleasant emotion evoked unexpectedly but later evolving to include poignancy.
Basho (1644-1694): foremost Haiku poet of j.a.pan.
Bodhidharma: Indian monk who appeared in China around 520 and laid the basis for the Ch'an sect of Buddhism, becoming the First Patriarch of Zen.
Brahman: supreme G.o.d-head of Brahmanism.
Brahman: priest caste of Brahmanism.
_bugaku_: ancient court dances in j.a.pan, imported from Asia.
Buddha: historic figure from sixth century B.C. in northeast Asia whose teachings became the basis for Buddhism.
_chabana_: spare and elegant flower arrangement prepared to accompany the tea ceremony.
