Nostromo, a Tale of the Seaboard Part 2

Then the tension of old Giorgio's att.i.tude relaxed, and a smile of contemptuous relief came upon his lips of an old fighter with a leonine face. These were not a people striving for justice, but thieves. Even to defend his life against them was a sort of degradation for a man who had been one of Garibaldi's immortal thousand in the conquest of Sicily. He had an immense scorn for this outbreak of scoundrels and leperos, who did not know the meaning of the word "liberty."

He grounded his old gun, and, turning his head, glanced at the coloured lithograph of Garibaldi in a black frame on the white wall; a thread of strong suns.h.i.+ne cut it perpendicularly. His eyes, accustomed to the luminous twilight, made out the high colouring of the face, the red of the s.h.i.+rt, the outlines of the square shoulders, the black patch of the Bersagliere hat with c.o.c.k's feathers curling over the crown. An immortal hero! This was your liberty; it gave you not only life, but immortality as well!

For that one man his fanaticism had suffered no diminution. In the moment of relief from the apprehension of the greatest danger, perhaps, his family had been exposed to in all their wanderings, he had turned to the picture of his old chief, first and only, then laid his hand on his wife's shoulder.

The children kneeling on the floor had not moved. Signora Teresa opened her eyes a little, as though he had awakened her from a very deep and dreamless slumber. Before he had time in his deliberate way to say a rea.s.suring word she jumped up, with the children clinging to her, one on each side, gasped for breath, and let out a hoa.r.s.e shriek.

It was simultaneous with the bang of a violent blow struck on the outside of the shutter. They could hear suddenly the snorting of a horse, the restive tramping of hoofs on the narrow, hard path in front of the house; the toe of a boot struck at the shutter again; a spur jingled at every blow, and an excited voice shouted, "Hola! hola, in there!"

CHAPTER FOUR

All the morning Nostromo had kept his eye from afar on the Casa Viola, even in the thick of the hottest scrimmage near the Custom House. "If I see smoke rising over there," he thought to himself, "they are lost."

Directly the mob had broken he pressed with a small band of Italian workmen in that direction, which, indeed, was the shortest line towards the town. That part of the rabble he was pursuing seemed to think of making a stand under the house; a volley fired by his followers from behind an aloe hedge made the rascals fly. In a gap chopped out for the rails of the harbour branch line Nostromo appeared, mounted on his silver-grey mare. He shouted, sent after them one shot from his revolver, and galloped up to the cafe window. He had an idea that old Giorgio would choose that part of the house for a refuge.

His voice had penetrated to them, sounding breathlessly hurried: "Hola!

Vecchio! O, Vecchio! Is it all well with you in there?"

"You see--" murmured old Viola to his wife. Signora Teresa was silent now. Outside Nostromo laughed.

"I can hear the padrona is not dead."

"You have done your best to kill me with fear," cried Signora Teresa.

She wanted to say something more, but her voice failed her.

Linda raised her eyes to her face for a moment, but old Giorgio shouted apologetically--

"She is a little upset."

Outside Nostromo shouted back with another laugh--

"She cannot upset me."

Signora Teresa found her voice.

"It is what I say. You have no heart--and you have no conscience, Gian'

Battista--"

They heard him wheel his horse away from the shutters. The party he led were babbling excitedly in Italian and Spanish, inciting each other to the pursuit. He put himself at their head, crying, "Avanti!"

"He has not stopped very long with us. There is no praise from strangers to be got here," Signora Teresa said tragically. "Avanti! Yes! That is all he cares for. To be first somewhere--somehow--to be first with these English. They will be showing him to everybody. 'This is our Nostromo!'"

She laughed ominously. "What a name! What is that? Nostromo? He would take a name that is properly no word from them."

Meantime Giorgio, with tranquil movements, had been unfastening the door; the flood of light fell on Signora Teresa, with her two girls gathered to her side, a picturesque woman in a pose of maternal exaltation. Behind her the wall was dazzlingly white, and the crude colours of the Garibaldi lithograph paled in the suns.h.i.+ne.

Old Viola, at the door, moved his arm upwards as if referring all his quick, fleeting thoughts to the picture of his old chief on the wall.

Even when he was cooking for the "Signori Inglesi"--the engineers (he was a famous cook, though the kitchen was a dark place)--he was, as it were, under the eye of the great man who had led him in a glorious struggle where, under the walls of Gaeta, tyranny would have expired for ever had it not been for that accursed Piedmontese race of kings and ministers. When sometimes a frying-pan caught fire during a delicate operation with some shredded onions, and the old man was seen backing out of the doorway, swearing and coughing violently in an acrid cloud of smoke, the name of Cavour--the arch intriguer sold to kings and tyrants--could be heard involved in imprecations against the China girls, cooking in general, and the brute of a country where he was reduced to live for the love of liberty that traitor had strangled.

Then Signora Teresa, all in black, issuing from another door, advanced, portly and anxious, inclining her fine, black-browed head, opening her arms, and crying in a profound tone--

"Giorgio! thou pa.s.sionate man! Misericordia Divina! In the sun like this! He will make himself ill."

At her feet the hens made off in all directions, with immense strides; if there were any engineers from up the line staying in Sulaco, a young English face or two would appear at the billiard-room occupying one end of the house; but at the other end, in the cafe, Luis, the mulatto, took good care not to show himself. The Indian girls, with hair like flowing black manes, and dressed only in a s.h.i.+ft and short petticoat, stared dully from under the square-cut fringes on their foreheads; the noisy frizzling of fat had stopped, the fumes floated upwards in suns.h.i.+ne, a strong smell of burnt onions hung in the drowsy heat, enveloping the house; and the eye lost itself in a vast flat expanse of gra.s.s to the west, as if the plain between the Sierra overtopping Sulaco and the coast range away there towards Esmeralda had been as big as half the world.

Signora Teresa, after an impressive pause, remonstrated--

"Eh, Giorgio! Leave Cavour alone and take care of yourself now we are lost in this country all alone with the two children, because you cannot live under a king."

And while she looked at him she would sometimes put her hand hastily to her side with a short twitch of her fine lips and a knitting of her black, straight eyebrows like a flicker of angry pain or an angry thought on her handsome, regular features.

It was pain; she suppressed the twinge. It had come to her first a few years after they had left Italy to emigrate to America and settle at last in Sulaco after wandering from town to town, trying shopkeeping in a small way here and there; and once an organized enterprise of fis.h.i.+ng--in Maldonado--for Giorgio, like the great Garibaldi, had been a sailor in his time.

Sometimes she had no patience with pain. For years its gnawing had been part of the landscape embracing the glitter of the harbour under the wooded spurs of the range; and the suns.h.i.+ne itself was heavy and dull--heavy with pain--not like the suns.h.i.+ne of her girlhood, in which middle-aged Giorgio had wooed her gravely and pa.s.sionately on the sh.o.r.es of the gulf of Spezzia.

"You go in at once, Giorgio," she directed. "One would think you do not wish to have any pity on me--with four Signori Inglesi staying in the house." "_Va bene, va bene_," Giorgio would mutter. He obeyed. The Signori Inglesi would require their midday meal presently. He had been one of the immortal and invincible band of liberators who had made the mercenaries of tyranny fly like chaff before a hurricane, "_un uragano terribile_." But that was before he was married and had children; and before tyranny had reared its head again amongst the traitors who had imprisoned Garibaldi, his hero.

There were three doors in the front of the house, and each afternoon the Garibaldino could be seen at one or another of them with his big bush of white hair, his arms folded, his legs crossed, leaning back his leonine head against the side, and looking up the wooded slopes of the foothills at the snowy dome of Higuerota. The front of his house threw off a black long rectangle of shade, broadening slowly over the soft ox-cart track.

Through the gaps, chopped out in the oleander hedges, the harbour branch railway, laid out temporarily on the level of the plain, curved away its s.h.i.+ning parallel ribbons on a belt of scorched and withered gra.s.s within sixty yards of the end of the house. In the evening the empty material trains of flat cars circled round the dark green grove of Sulaco, and ran, undulating slightly with white jets of steam, over the plain towards the Casa Viola, on their way to the railway yards by the harbour. The Italian drivers saluted him from the foot-plate with raised hand, while the negro brakesmen sat carelessly on the brakes, looking straight forward, with the rims of their big hats flapping in the wind.

In return Giorgio would give a slight sideways jerk of the head, without unfolding his arms.

On this memorable day of the riot his arms were not folded on his chest.

His hand grasped the barrel of the gun grounded on the threshold; he did not look up once at the white dome of Higuerota, whose cool purity seemed to hold itself aloof from a hot earth. His eyes examined the plain curiously. Tall trails of dust subsided here and there. In a speckless sky the sun hung clear and blinding. Knots of men ran headlong; others made a stand; and the irregular rattle of firearms came rippling to his ears in the fiery, still air. Single figures on foot raced desperately. Hors.e.m.e.n galloped towards each other, wheeled round together, separated at speed. Giorgio saw one fall, rider and horse disappearing as if they had galloped into a chasm, and the movements of the animated scene were like the pa.s.sages of a violent game played upon the plain by dwarfs mounted and on foot, yelling with tiny throats, under the mountain that seemed a colossal embodiment of silence. Never before had Giorgio seen this bit of plain so full of active life; his gaze could not take in all its details at once; he shaded his eyes with his hand, till suddenly the thundering of many hoofs near by startled him.

A troop of horses had broken out of the fenced paddock of the Railway Company. They came on like a whirlwind, and dashed over the line snorting, kicking, squealing in a compact, piebald, tossing mob of bay, brown, grey backs, eyes staring, necks extended, nostrils red, long tails streaming. As soon as they had leaped upon the road the thick dust flew upwards from under their hoofs, and within six yards of Giorgio only a brown cloud with vague forms of necks and cruppers rolled by, making the soil tremble on its pa.s.sage.

Viola coughed, turning his face away from the dust, and shaking his head slightly.

"There will be some horse-catching to be done before to-night," he muttered.

In the square of sunlight falling through the door Signora Teresa, kneeling before the chair, had bowed her head, heavy with a twisted ma.s.s of ebony hair streaked with silver, into the palm of her hands.

The black lace shawl she used to drape about her face had dropped to the ground by her side. The two girls had got up, hand-in-hand, in short skirts, their loose hair falling in disorder. The younger had thrown her arm across her eyes, as if afraid to face the light. Linda, with her hand on the other's shoulder, stared fearlessly. Viola looked at his children. The sun brought out the deep lines on his face, and, energetic in expression, it had the immobility of a carving. It was impossible to discover what he thought. Bushy grey eyebrows shaded his dark glance.

"Well! And do you not pray like your mother?"

Linda pouted, advancing her red lips, which were almost too red; but she had admirable eyes, brown, with a sparkle of gold in the irises, full of intelligence and meaning, and so clear that they seemed to throw a glow upon her thin, colourless face. There were bronze glints in the sombre cl.u.s.ters of her hair, and the eyelashes, long and coal black, made her complexion appear still more pale.

"Mother is going to offer up a lot of candles in the church. She always does when Nostromo has been away fighting. I shall have some to carry up to the Chapel of the Madonna in the Cathedral."

She said all this quickly, with great a.s.surance, in an animated, penetrating voice. Then, giving her sister's shoulder a slight shake, she added--

"And she will be made to carry one, too!"

"Why made?" inquired Giorgio, gravely. "Does she not want to?"

"She is timid," said Linda, with a little burst of laughter. "People notice her fair hair as she goes along with us. They call out after her, 'Look at the Rubia! Look at the Rubiacita!' They call out in the streets. She is timid."

"And you? You are not timid--eh?" the father p.r.o.nounced, slowly.