Under One Flag Part 2

"I believe you. You sound honest, and you look it. But that there's a mystery somewhere I'm persuaded. I'm in a desperate strait, and I want you to do something for me. I'll pay you for it well."

"I don't want your pay."

The other went on unheeding.

"I want you to use your eyes, and to find out who it is at the Cerulean he is after. That there is someone I have the best of reasons for knowing. When you have found out I want you to tell me. And if you won't do it for pay, do it out of kindness."

Lizzie hesitated.

"I'm not fond of spying, and I'm not fond of them as is, but as he don't seem to be using you well, if I do find out who he's playing it off with--though, mind you, I don't see how I'm going to--still, as I say, if I should happen to find out, why, I'll tell you, straight!"

"Thank you."

Agnes Graham held out her hand, in order that, by grasping it, the girl might ratify the bargain. And she did.

When she was again alone, Liz Emmett was lost in wonder. As she had said, she also was a dreamer and, as became a dreamer, had her heroes and her heroines. Theatrical heroines hers, for the most part, were; not, that is, the creations of the dramatist's fancy, but their flesh-and-blood enactors. The popular actress was the ideal creature of her waking visions. Who, on the contemporary stage, was more popular, in her own line, than Agnes Graham? There was a time when Lizzie had been more than half inclined to bate her voice when uttering her name.

Even to this hour she had regarded her with a kind of reverence. Now this idol, whom the public voice had set upon such a lofty pedestal, had actually been to visit her; had come unceremoniously into her room and filled it with her presence, with, for purpose, such an errand.

The errand was not the least strange part of this strange happening.

Agnes Graham, famous as she was beautiful, in the theatrical firmament a bright particular star, had supposed that she, Lizzie Emmett, was her rival for the heart, and possibly the hand, of an earl; a belted earl, as she remembered to have seen it printed somewhere. The thing was most confounding. How could such a notion have got into the air?

Lizzie, taking down the oblong s.h.i.+lling mirror from the nail on which it hung, surveyed her face in it relentlessly. She was conscious of her imperfections, and indifferent to them. She had supple limbs, was fairly quick upon her feet, sufficiently smart at rehearsals, equal to the average _figurante_. She was aware that, when so much was said, about all was said. She had neither good looks nor cleverness, was no scholar, nor wished to be, had a rough tongue, a quick temper, and a clumsy, if a willing, hand. And Agnes Graham had imagined that she had out-distanced her in the affections of a belted earl! Was ever idea more ludicrous? As the ridiculous side struck Lizzie she began to laugh; she continued laughing till her merriment threatened to become hysterical.

As it approached a climax she caught sight of the package which she had thrown upon the bed. She checked herself.

"Then there was that foreign bloke. I wonder what rubbish is in that paper of his."

Putting down the looking-gla.s.s, she took up the parcel. She cut it open with her scissors with a contemptuous air. Inside was a leather case.

She paused to examine it. She had seen others like it in the windows of jewellers' shops. Pressing a spring, the top flew open. As it did so she gave a sort of gasp. On a bed of satin reposed a necklace of s.h.i.+mmering crystals. They gleamed and glistened like drops of dew. The pupils of her eyes dilated. She spoke in a whisper.

"Diamonds? They can't be diamonds?" She had seen diamonds in shop windows and on other women. "They can't be real."

Suddenly she gave utterance to an exclamation which the squeamish would have called an oath and a vulgarity. Presently she joined to it a s.n.a.t.c.h from the slang of the streets.

"This cops the biscuit."

She was staring, with wide-open eyes, at a strip of pasteboard which was in the centre of the necklace, so that it was surrounded by a stream of light. It was a gentleman's visiting-card. On it was engraved "Earl of Bermondsey." She glared at it, as if she fancied that her seeing sense must be playing her tricks. Her voice, when she spoke, was vibrant; in it there was a curious ringing.

"Well, if this don't take the blooming barrowful, straight it does.

'Earl of Bermondsey'! If that ain't the bloke she was a-talking of. If this ain't a case of Queer Street, I'm a daisy!"

She picked the card up between her finger and thumb gingerly, as if she was afraid it might burn her. She turned it over; on the reverse something was scribbled in pencil. Not being skilled in reading illegible handwriting, it was with difficulty she deciphered it: "With Mr Jack Smith's compliments."

"And who may Mr Jack Smith be, I'd like to know, when he's at home.

Anyhow, one thing's certain sure, this little lot ain't meant for me. I don't know nothing about no Jack Smith, nor yet about no Earl of Bermondsey neither, and I don't want to; and as for oily foreigners, I can't abide 'em. I'll just take the entire boiling to Miss Graham.

Perhaps she'll be able to twig the bloke's little lay; it's more than I can."

II

Lizzie Emmett had already departed some time when fresh visitors made an unceremonious entry into her empty room. The door was opened and, without giving any premonitory notice of her intention, a girl came in.

"Lizzie!" she cried. Then perceived that there was no one there. "Well, if Lizzie isn't out!" She slightly raised her voice. "Tom, Lizzie's out, but she's not gone far, because she hasn't locked the door. You can come in--I'll give you leave. We'll wait for her."

There entered the room, with something of a shuffle, a man with a rough, untrimmed brown beard. He was big and broad, also, it seemed, a little shy; attired, obviously, in his best clothes. He seemed ill at ease in them, as if, somehow, they deprived his limbs of their wonted freedom. He gripped the brim of his brown billyc.o.c.k with both his large red hands. There was on his good-natured face a mixture of amus.e.m.e.nt with confusion, as though he was in possession of some happiness of which he was, at one and the same time, proud yet ashamed.

The girl looked him up and down, as if searching for something wrong in his costume or his bearing.

"Now you've got to behave yourself."

He shuffled from one foot to the other. And he grinned.

"Don't I always behave myself?"

"You've got to behave yourself extra special well, you're in a lady's room." He looked about him, his grin continually expanding. The girl, propping up the mirror which Lizzie had left upon the table against a box, began, by its aid, to fidget with her hat, talking as she did so.

"Tom Duffield, you're on your good behaviour; as I might say, you're on appro. If I'm going to be your wife you've got to do something to show that you deserve it, so don't you seem to forget it." The man laughed, for so big a fellow, with curious softness. "It's all very well for you to laugh, but perhaps it is not all so cut and dried as you quite think. You're going to take two ladies out for a holiday to Kew Gardens, Mr Duffield, by the boat, so just you behave to them in a way that'll show you'll do credit to me as a husband." He laughed again.

She faced him. "Well, and what might you be laughing at?"

He shuffled with his feet.

"Nothing--at you."

"That's a nice thing to say, upon my word. If you think I'm nothing, or that I'm going to be treated as nothing, you'll soon find that you're mistaken, and so I tell you. Don't stand fidgeting there like a great gawk; go and get some sweets--chocolates--good ones, none of your cheap truck, mind, and some fruit--grapes; Lizzie'll be ready by the time you're back."

The man put on his hat. He went, without a word, to do her bidding, with the obedience and the silence of a well-trained dog. Indeed, on his face, in his eyes, even in his bearing, there was something which was dog-like. The girl stared for a moment at the door through which he had gone.

"He's useful if he's not ornamental."

She returned to the mirror. Not impossibly it suggested to her that exactly the contrary might have been said of herself--she was ornamental if she was not useful. Even stronger than the man's resemblance to a dog was hers to a humming-bird. Like it, she was small; like it, too, she was exquisitely, daintily fas.h.i.+oned, almost too fragile for human nature's daily food. She seemed singularly out of place in that poor, tawdry chamber. Fitted, rather, for a gilded cage, or at least for some shrine of elegance and glitter. Everything about her was in proportion, tiny, and, if she was a little overdressed--if, for instance, in the details of her costume there was too much colour, the accentuation became her peculiarly exotic beauty. Her att.i.tudes, her gestures, her little tricks of movement, all were bird-like; one felt, so free from grossness was her frame, that she scarcely was a thing of earth at all.

She preened herself before the poor apology for a looking-gla.s.s as if there was nothing in the world which could be better worth her doing.

In it her pretty black eyes flashed back their enjoyment of the situation; they loved to see themselves imaged in a mirror; nor were they ashamed to confess their pleasure. If, on her cheeks, there was the suspicion of a bloom which was not Nature's, it was not there because either youth or health was failing; when one earns one's living behind the floats one's roses fade. The blood-red line of her lips was real enough, as also was the rose-pink of her delicate nostrils.

She had scarcely been alone a minute, and with so small a looking-gla.s.s had had no time to examine all that there was of herself that would repay examining, when she heard the sound of footsteps coming up the stairs. She listened.

"Who's that?" Her small white teeth gleamed between her scarlet lips.

"It's that silly Tom come back again. Now, what's he forgotten? Perhaps he's met Liz, so they've both come back together." The steps were but a single pair, hardly a woman's. There was an audible uncertainty in the way in which they negotiated each separate tread which suggested that the road was unfamiliar. "It's that Tom! Now, what's he want, I wonder?" Someone tapped at the door. "That doesn't sound like Tom.

Someone, I expect, for Lizzie. Bother!" Then aloud, "Come in."

The abuse which had been on the tip of the girl's tongue, ready to be hurled at the offending Tom, gave place to something very different indeed. She appeared, for the moment, to be overcome by something which was akin to consternation, to have lost her presence of mind, her readiness of speech. Nor, possibly, was her confusion lessened by the fact that the newcomer seemed to be, every whit, as embarra.s.sed as she was. He was a young man, except, perhaps, in a legal sense, nothing but a boy. Not a very intellectual nor healthy-looking boy either. For a person of his age he was unpleasantly stout; so stout as almost to merit the epithet of bloated. His cheeks were puffy, so also was his body. That the redness of his face was not the ruddiness of physical vigour was demonstrated by the obvious fact that the mere exertion of climbing the staircase had made him short of breath. Although his dress was that of a man of fas.h.i.+on he scarcely seemed a gentleman. Not only was he _gauche_ and clumsy, there was about him an atmosphere of coa.r.s.eness which was redolent rather of the tap-room than the drawing-room. One perceived, instinctively, that the society in which he would be most at home would be that of the _convives_ of the bar.

That the girl knew him was evident--as evident as that he knew her. He looked at her with something in his eyes which was not spiritual; she at him as if she would infinitely have preferred his room to his company.

She was the first to speak.

"Well, you've got a cheek! Upon my word! What do you mean by coming here?"

There was a curious quality in his voice as he replied, which almost amounted to an impediment in his speech.