On the Cross Part 14

Meanwhile the countess delivered her invitation, which was accepted with great enthusiasm.

A stately, athletic man in a blouse, carrying a chest on his shoulder, pa.s.sed the ladies. The burden was terribly heavy, for even his powerful, well-knit frame staggered under it, and his handsome kingly head was bowed almost to the earth.

"Look, Countess, that is Thomas Rendner the Roman procurator. We shall soon make the acquaintance of the whole company. We sit here in the summer-house like a spider in its web, not a fly can pa.s.s unseen."

"Good Heavens, that Pilate!" exclaimed the countess, watching him with sympathizing eyes, "Poor man, to-day panting under an oppressive burden, to-morrow robed in purple and crowned with a diadem, only to exchange them again on the third day, for the porter's dusty blouse, and take the yoke upon himself once more. What a contrast, and yet he loses neither his balance nor his temper! Indeed I think that we can learn as much here outside of the Pa.s.sion Play, as from the spectacle itself."

"Yes, if we watch with your deep, thoughtful eyes, my dear Countess!"

said the d.u.c.h.ess, kissing the speaker's brow. "We will discuss this subject farther when we drive with you the day after to-morrow."

The ladies parted. Madeleine von Wildenau, leaning on the prince's arm, walked silently through the crowd which now, on the eve of the play, thronged the narrow streets. The din and tumult were enough to deprive one of sight and hearing. Dazed by the confusion, she clung closely to her companion's arm.

"Good Heavens, is it possible that Christianity still possesses such a power of attraction!" she murmured, involuntarily, while struggling through the throng.

The ground in the Ettal road trembled under the roll of carriage wheels. The last evening train had arrived, and a flood of people and vehicles poured into the village already almost crushed beneath the tide of human beings. Horses half driven to death, dragging at a gallop heavy landaus crowded with six or eight persons. Lumbering wagons containing twenty or thirty travellers just as they had climbed in, sometimes half clinging to the steps or the boxes of the wheels, swayed to and fro; intoxicated, excited by the mad rush and the fear of being left behind--raging and shrieking like a horde of unchained fiends come to disturb the sacred drama rather than pious pilgrims who wished to witness it, the frantic mob poured in. "_Sauve qui peut_" was the motto, the prince lifted the countess on a small post by the roadside.

Just at that moment the fire-brigade marched by to watch the theatre.

It was said that several of the neighboring parishes, envious of Ammergau, had threatened to ruin the Play by setting the theatre on fire. Fire engines and strangers' carriages pa.s.sed pell-mell. The people of Ammergau themselves, alarmed and enraged by the cruel threat, were completely disconcerted; pa.s.sionate discussions, vehement commands, and urgent entreaties were heard on all sides. Prompt and energetic action was requisite, the fate of all Ammergau was at stake.

The bells now began to ring and at the same moment the first of the twenty-five cannon shots which were to consecrate the morrow's festival was discharged, and the musicians pa.s.sed through the streets.

The air fairly quivered with the deafening uproar of all these mingling waves of sound. Darkness was gathering, the countess grew giddy, she felt as if she were stifling in the tumult. A pair of horses fell just below them, causing a break in the line of carriages, which the prince used to get his companion across, and she at last reached home, almost fainting. Her soul was stirred to its inmost depths. What was the power which produced such effects?

Was this the calm, petty doctrine, which had been inculcated so theoretically and coldly at the school-room desk and from the pulpit, and with which, when a child, she has been disgusted by an incomprehensible school-catechism? Was this the doctrine which, from earliest childhood, had been nothing more than a wearisome dead letter, to which, as it had become the religion of the state, an official visit to church was due from time to time, just as, on certain days, cards were left on amba.s.sadors and government officials?

The wind still bore from the village the noise of the throngs of people, the ringing of the bells, and the thunder of the cannon, blended with occasional bursts of music. The countess had had similar experiences when tidings of great victories had been received during the last war, but those were _facts_. For the first time in her life she asked herself if Christianity was a fact? And if not, if it was only an idea, what inherent power, after the lapse of nearly two thousand years, produced such an effect?

Why did all these people come--why did she _herself_? The human race is homesick, it no longer knows for what; it is only a vague impulse, but one which instinctively draws it in the direction where it perceives a sign, a vestige of what it has lost and forever seeks. Such, she knows it now, such is the feeling of all the throngs that have flocked hither to-day, she realized that at this moment she was a microcosm of weary, wandering mankind seeking for salvation.

And as when, deceived and disappointed in everything, we seek the picture of some dead friend, long since forgotten, and press it weeping to our lips, she clung to the image of the Redeemer. Now that everything had deluded her, no system which had boastfully promised a victory over calamity and death had stood the test, after one makes.h.i.+ft had supplanted another without supplying what was lacking, after all the vaunted remedies of philosophy and materialism proved mere palliatives which make the evil endurable for the moment but do not heal it, suffering, cheated humanity was suddenly seeking the image of the lost friend so long forgotten. But a dead friend cannot come forth from a picture, a painted heart can no longer beat. Could _Christ_ rise again in His image? Could _His_ word live once more on the lips of a stranger? And would the drops of artificial blood, trickling from the brow of the personified Messiah, possess redeeming power?

That was the miracle which attracted the throngs from far and near, _that_ must be the marvel, and tomorrow it would be revealed.

"Of what are you dreaming, Countess Madeleine?" asked the prince after a pause which she had spent in the wild-grape arbor near the house gazing into vacancy, with her head resting on her hand. She looked up, glancing at him as if she had entirely forgotten his presence. "I don't know what is the cause of my emotion, the tumult in the village has stirred me deeply! I feel that only potent things could send such a storm before them, and it seems as if it was the portent of some wonderful event!"

"Good Heavens! What extravagant fancies, my dear Countess! I believe you add to all your rich gifts the dangerous one of poesy! I admire and honor you for it--but I can perceive in this storm nothing save a proof that curiosity is the greatest and most universal trait in human character, and that these throngs desire nothing more than the satisfaction of their curiosity. The affair is fas.h.i.+onable just now, and that explains the whole."

"Prince, I pity you for what you have just said," replied the countess, rising. Her face wore the same cold, lifeless expression as on the day of her arrival.

"But, my dearest friend, for Heavens's sake tell me, did _you_ and _I_ come from any other motive than curiosity?"

"You, no! I, yes!"

"Don't say that, _chere amie_. You, the scholar, superior to us all in learning; you, the disciple of Schopenhauer, the proud philosopher, the believer in Nirvana."

"Yes, I, Prince!" cried the countess, "The philosopher who was not happy for an hour, not content for a moment. What is this Nirvana? A stone idol, which the fruitless speculation of our times has conjured from the rubbish of archaeological excavations, and which stares at us with its vacant eyes until we fall into an intellectual hypnotism which we mistake for peace." An expression of bitter sarcasm rested on her lips. "I came here to bring pessimism and Christianity face to face. I thought it would be very novel to see the stone idol Nirvana, with his hands on his lap and the silence of eternal death on his lips, watch the martyr, dripping with sweat and blood, bear His own cross to the place of execution and cheerfully take up the work where Buddha faltered; on the boundary of non-existence. I wanted to see how the two would treat each other, if for nothing more than a comparative study of religion."

"You are irresistible in your charming mockery, dearest Countess, yet logically I cannot confess myself conquered!" replied the prince. The countess smiled: "Of course, when did a man ever acknowledge that to a woman, where intellectual matters were concerned? A sunny curl, the seductive arch of an upper lip, a pair of blue eyes sparkling with tears will make you lords of creation the dupes of the most ordinary coquette or even the yielding toy of the dullest ignorance. We women all know it! But, if we a.s.sail your dry logic, you are as unconquerable as Antaeus so long as he stood upon the earth! You, too, could only be vanquished by whoever had the power to lift you from the ground where _you_ stand."

"You might have that power, Countess. Not by your arguments, but by your eyes. You know that _one_ loving glance would not only lift me from the earth but into heaven, and then you could do with me what you would."

"You have forfeited the loving glance! Perhaps it might have _rewarded_ your a.s.sent, but it would never _purchase_ it, I scorn bribed judges, for I am sure of my cause!"

"Countess, pardon my frankness: it is a pity that you have so much intellect."

"Why?"

"Because it leads you into sophistical by-ways; your tendency to mysticism gives an apparently logical foundation and thereby strengthens you the more in this dangerous course. A more simple, temperate judgment would _guard_ you from it."

"Well, Prince--" she looked at him pityingly, contemptuously--"may Heaven preserve me from _such_ a judgment as well as from all who may seek to supply its place to me. Excuse me for this evening. I should like to devote an hour to these worthy people and soothe my nerves--I have been too much excited by the scenes we have witnessed. Goodnight, Prince!"

Prince Emil turned pale. "Good-night, Countess. Perhaps to-morrow you will be somewhat more humane in this cat and mouse game; to-day I am sent home with a bleeding wound." With lips firmly compressed, he bowed his farewell and left the garden. Madeleine looked after him: "He is angry. I cannot help him, he deserved it. Oh, foolish man, who deemed yourself so clever! Do you suppose this glowing heart desires no other revelations than those of pure reason? Do you imagine that the arguments of all the philosophical systems of humanity could offer it that for which it longs? Shall I find it? Heaven knows! But one thing is certain, I shall no longer seek it in _you_."

The sound of moans and low sobs came from the chamber above the countess' room. It was Josepha. Countess Wildenau pa.s.sed through the little trap-door and entered it. The girl was kneeling beside the bed, with her face buried in the pillows, to shut out the thunder of the cannon and the sound of the bells, which summoned the actors in the sacred Play from which she alone, the sinner, the outcast, was shut out.

Mary Magdalene, too, had sinned and erred, yet she had been suffered to remain near the Lord. She was permitted to touch His divine body and to wipe His feet with her hair! But _she_ was not allowed to render this service to His _image_! She grasped the ma.s.s of wonderful silken locks which fell in loosened ma.s.ses over her shoulders. What did she care for this beautiful hair now? She would fain cut it off and throw it into the Ammer or, better still, bury it in the earth, the earth on which the Pa.s.sion Theatre stood. With a hasty movement, she s.n.a.t.c.hed a pair of shears which lay beside the bed, and just as the countess' foot touched the threshold, a sharp, cutting sound was heard and the most beautiful red hair that ever adorned a girl's head fell like a dying flame at her feet. "Josepha, what are you doing?" cried the countess, "Oh, what a pity to lose that magnificent hair!"

"What do I care for it?" sobbed Josepha, "It can never be seen in the Play! When the performance is over, I will slip into the theatre before we leave and bury it under the stage, where the cross stands. There I will leave it, there it shall stay, since I am no longer able to make it serve Him." She threw herself into the countess' arms and hid her tear-stained face upon her bosom. Alas, she was not even allowed to appear among the populace, she alone was banished from the cross, yet she knew that the _real_ Saviour would have suffered her to be at His feet as well as Mary Magdalene.

"Console yourself, Josepha, your belief does not deceive you. The real Christ would not have punished you so cruelly. Men are always more severe than G.o.d. Whence should they obtain divine magnanimity, they are so petty. They are like a servant who is arrogant and avaricious for his master because he does not understand his wishes and turns from the door the poor whom his master would gladly have welcomed and refreshed." She kissed the young girl's brow. "Be calm, Josepha, gather up your hair, you shall bury it to-morrow in the earth which is so dear to you. I promise that I will think of you when the other Magdalene appears; your shadow shall stand between her and me, so that I shall see you alone! Will this be a slight consolation to you?"

Josepha, for the first time, looked up into the countess' eyes with a smile. "Yes, it is a comfort. Ah, you are so kind, you take pity on me while all reproach and condemn me."

"Oh, Josepha! If people judged thus, which of us would be warranted in casting the first stone at you?" The countess uttered the words with deep earnestness, and thoughtfully left the room.

CHAPTER VII.

THE Pa.s.sION PLAY.

Day was dawning. The first rays of the morning sun, ever broader and brighter, were darting through the air, whose blue waves surged and quivered under the flaming couisers of the ascending G.o.d of day.

Aphrodite seemed to have bathed and left her veil in the foam of the wild mountain stream into which the penitent Magdalene had tried to throw herself. Apollo in graceful sport, had gathered the little white clouds to conceal the G.o.ddess and they waved and fluttered merrily in the morning breeze around the rus.h.i.+ng chariot. Then, as if the thundering hoof-beats of the fiery chargers had echoed from the vaulted arch of the firmament, the solemn roar of cannon announced the approach of the _other_ G.o.d, the poor, una.s.suming, scourged divinity in His beggar-garb. The radiant charioteer above curbed his impatient steeds and gazed down from his serene height upon the conflict, the torturing, silent conflict of suffering upon the b.l.o.o.d.y battlefield of the timorous earth. Smiling, he shook his divine head, for he could not understand the cause of all this. Why should a G.o.d impose upon Himself such misery and humiliation! But he knows that He was a more powerful G.o.d, for _he_ was forced to fly from the zenith when the former rose from His grave.--So thought Helios, glancing over at the gentle G.o.ddess Selene, whose wan face, paling in his presence, was turned full toward the earth. She could not bear to behold the harrowing spectacle, she was the divinity of peace and slumber, so, averting her mild countenance, she bade Helios farewell and floated away to happier realms.

Blest G.o.ds, ye who sit throned in eternal beauty, eternal peace; ye who are untouched by the grief and suffering of the human race, who descend to earth merely to taste the joys of mortals when it pleases ye to add them to your divine delights, look down upon the G.o.ds whom sorrowing humanity, laden with the primeval curse, summoned from his heaven to aid, where none of ye aided, to give what none of ye gave, _the heart's blood of love!_ Gaze from your selfish pleasures, ye gay h.e.l.lenic deities, behold from your Valhalla, grim divinities of the Nors.e.m.e.n, look hither, ye dull, stupid idols of ancient India, hither where, from love for the human race, a G.o.d bleeds upon the martyr's cross--behold and turn pale! For when the monstrous deed is done, and the night has pa.s.sed. He will cast aside His humble garb and s.h.i.+ne in His divine glory. Ye will then be nothing but the rainbow which s.h.i.+mmers in changeful hues above His head! "Excelsior!" echoes a voice through the pure morning-sky and: "Gloria in excelsis, Deo!" peals from the church, as the priests chant the early ma.s.s.

An hour later the prince stopped before the door in a carriage to convey the countess to the Pa.s.sion Theatre, for the way was long and rough.

He gave the Gross sisters strict orders to have everything ready for Countess Wildenau's departure at the close of the performance.

"The carriages must stand packed with the luggage before the theatre when we come out. The new maid must not be late."

Madeleine von Wildenau made no objection to all this, she was very pale and deeply agitated. Ludwig Gross, who was also just going to the theatre, was obliged to enter the carriage, too; the countess would listen to no refusal. The prince looked coldly at him. Ludwig Gross raised his hat, saying courteously:

"May I request an introduction?"

The lady blushed. "Herr Gross, head-master of the drawing-school!" She paused a moment in embarra.s.sment, Ludwig's bronze countenance still retained its expectant expression.