Astounding Stories of Super-Science February 1930 Part 38

they explained, "and we want him forestalled from entering while we are examining the premises."

"Hadn't we better notify the police?" asked the building manager, who had broken out in a sweat when he heard the dire disaster which might be in store for the stately Acme building.

"Not yet," said Linane. "You see, we are not sure: we have just been putting two and two together."

"We'll get the building detective, anyway," insisted the manager.

"Let him come along, but do not let him know until we are sure. If we are right we will find a most unusual infernal machine," said Linane.

The three men entered the suite with a pa.s.s-key. The detective was left outside in the hall to halt anyone who might disturb the searchers. It was as Jenks had thought. In an inner room they found a diabolical machine--a single string stretched across two bridges, one of bra.s.s and one of wood. A big horsehair bow attached to a shaft operated by a motor was automatically sawing across the string. The note resulting was evidently higher than the range of the human ear, because no audible sound resulted. It was later estimated that the destructive note was several octaves higher than the highest note on a piano.

The entire machine was enclosed in a heavy wire-net cage, securely bolted to the floor. Neither the string or bow could be reached. It was evidently the Mad Musician's idea that the devilish contrivance should not be reached by hands other than his own.

How long the infernal machine had been operating no one knew, but the visitors were startled when the building suddenly began to sway perceptibly. Jenks jumped forward to stop the machine but could not find a switch.

"See if the machine plugs in anywhere in a wall socket!" he shouted to Linane, who promptly began examining the walls. Jenks shouted to the building manager to phone the police to clear the streets around the big building.

"Tell the police that the Acme Theater building may crash at any moment," he instructed.

The engineers were perfectly cool in face of the great peril, but the building manager lost his head completely and began to run around in circles muttering: "Oh, my G.o.d, save me!" and other words of supplication that blended into an incoherent babel.

Jenks rushed to the man, trying to still his wild hysteria.

The building continued to sway dangerously.

Jenks looked from a window. An enormous crowd was collecting, watching the big building swinging a foot out of plumb like a giant pendulum. The crowd was growing. Should the building fall the loss of life would be appalling. It was mid-morning. The interior of the building teemed with thousands of workers, for all floors above the third were offices.

Teddy Jenks turned suddenly. He heard the watchman in the hall scream in terror. Then he heard a body fall. He rushed to the door to see the Mad Musician standing over the prostrate form of the detective, a devilish grin on his distorted countenance.

The madman turned, saw Jenks, and started to run. Jenks took after him.

Up the staircase the madman rushed toward the roof. Teddy followed him two floors and then rushed out to take the elevators. The building in its mad swaying had made it impossible for the lifts to be operated.

Teddy realized this with a distraught gulp in his throat. He returned to the stairway and took up the pursuit of the madman.

The corridors were beginning to fill with screaming men and wailing girls. It was a sight never to be forgotten.

Laboriously Jenks climbed story after story without getting sight of the madman. Finally he reached the roof. It was waving like swells on a lake before a breeze. He caught sight of the Mad Musician standing on the street wall, thirty stories from the street, a leer on his devilish visage. He jumped for him.

The madman grasped him and lifted him up to the top of the wall as a cat might have lifted a mouse. Both men were breathing heavily as a result of their 15-story climb.

The madman tried to throw Teddy Jenks to the street below. Teddy clung to him. The two battled desperately as the building swayed.

The dense crowd in the street had caught sight of the two men fighting on the narrow coping, and the shout which rent the air reached the ears of Jenks.

The mind of the engineer was still working clearly, but a wild fear gripped his heart. His strength seemed to be leaving him. The madman pushed him back, bending his spine with brute strength. Teddy was forced to the narrow ledge that had given the two men footing. The fingers of the madman gripped his throat.

He was dimly conscious that the swaying of the building was slowing down. His reason told him that Linane had found the wall socket and had stopped the sawing of the devil's bow on the engine of h.e.l.l.

He saw the madman draw a big knife. With his last remaining strength he reached out and grasped the wrist above the hand which held the weapon.

In spite of all he could do he saw the madman inching the knife nearer and nearer his throat.

Grim death was peering into the bulging eyes of Teddy Jenks, when his engineering knowledge came to his rescue. He remembered the top stories of the Acme building were constructed with a step of ten feet in from the street line, for every story of construction above the 24th floor.

"If we fall," he reasoned, "we can only fall one story." Then he deliberately rolled his own body and the weight of the madman, who held him, over the edge of the coping. At the same time he twisted the madman's wrist so the point of the knife pointed to the madman's body.

There was a dim consciousness of a painful impact. Teddy had fallen underneath, but the force of the two bodies coming together had thrust the knife deep into the entrails of the Mad Musician.

Clouds which had been collecting in the sky began a splattering downpour. The storm grew in fury and lightning tore the heavens, while thunder boomed and crackled. The rain began falling in sheets.

This served to revive the unconscious Teddy. He painfully withdrew his body from under that of the madman. The falling rain, stained with the blood of the Mad Musician, trickled over the edge of the building.

Teddy dragged himself through a window and pa.s.sed his hand over his forehead, which was aching miserably. He tried to get to his feet and fell back, only to try again. Several times he tried and then, his strength returning, he was able to walk.

He made his way to the studio where he had left Linane and found him there surrounded by police, reporters and others. The infernal machine had been rendered harmless, but was kept intact as evidence.

Catching sight of Teddy, Linane shouted with joy. "I stopped the d.a.m.ned thing," he chuckled, like a pleased schoolboy. Then, observing Teddy's exhausted condition he added:

"Why, you look like you have been to a funeral!"

"I have," said Teddy. "You'll find that crazy fiddler dead on the twenty-ninth story. Look out the window of the thirtieth story," he instructed the police, who had started to recover the body. "He stabbed himself. He is either dead or dying."

It proved that he was dead.

No engineering firm is responsible for the actions of a madman. So the Muller Construction Company was given a clean bill of health.

Jenks and Elaine Linane were with the girl's father in his study. They were asking for the paternal blessing.

Linane was pretending to be hard to convince.

"Now, my daughter," he said, "this young man takes $500 of my good money by sounding me out, as he calls it. Then he comes along and tries to take my daughter away from me. It is positively high-handed. It dates back to the football game--"

"Daddy, dear, don't be like that!" said Elaine, who was on the arm of his chair with her own arms around him.

"I tell you, Elaine, this dates back to the fall of 1927."

"It dates back to the fall of Eve," said Elaine. "When a girl finds her man, no power can keep him from her. If you won't give me to Teddy Jenks, I'll elope with him."

"Well, all right then. Kiss me," said Linane as he turned towards his radio set.

"One and one makes one," said Teddy Jenks.