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Through Night to Light Part 11

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"'You are hard to please,' said the emperor. 'How do you like the little Malikowsky?'

"'What name was that?' suddenly asked Berger, who had been sitting immovable, his brow buried in his hand, and who now, for the first time, raised his head.

"Malikowsky, old gentleman," repeated Mr. Schmenckel. "Another Russian slice, landlord. With your leave, gentlemen. I'll fill my pipe once more."

Oswald looked at Berger. He felt as if a strange nervous twitching was agitating his calm, serious features, and as if the eyes betrayed an unusual excitement but the next moment Berger had again hid his brow in his hand. Mr. Schmenckel continued his story:

"'The little Malikowsky?' I asked. 'Who is she?'

"'Have you never noticed a lady in black who sits very near the imperial box? Pale face, large eyes, chin rather long?'

"'Certainly, your majesty; but she seems to be a shy bird.'

"'Nonsense! dear Schmenckel; sheer nonsense! Between us be it said, the lady once stood in somewhat nearer relations to our house than I liked.

We have given her a husband, a Polish n.o.bleman who was ruined; her reputation was not very good, his is very bad; he has nothing, she has half a million souls----'"

"How much is that in Prussian money?" inquired the fat habitue of the Green Hat, who kept a grocery-store in the town.

"Five million dollars, twenty-six silver groschen, and fourpence--'thus they suit each other exactly. When she wants to get rid of him for a time, she sends him to his estates in Poland. Just now he is again on his travels. You had better make a conquest of her, and I will say then that Schmenckel, of Vienna, is not only the strongest and the handsomest, but also the luckiest man on earth.'

"'Your majesty's wish is my command,' I replied, and went home considering how I could win the heart of the beauty. 'Only by doing something which no man ever yet has been able to do,' I said to myself, and then, gentlemen, it was I invented the famous Schmenckel-act, with the three cannon b.a.l.l.s of forty-eight pounds each. On the first evening I played with one of them as with a boy's ball--she smiled; on the second I played with two--she clapped her tiny hands; on the third I played with all three of them--she threw me a bouquet. I was sure of my success now. But here, gentlemen, I must beg you to excuse me if I follow my invariable custom when a lady is mentioned in my recollections, and if I only suggest, therefore, in a general way, that the same evening a pretty maid presented herself at my rooms and asked me to follow her to her mistress who was dying of love for me. I may add that Schmenckel, of Vienna, has too good a heart to let anybody die for him, and least of all for love for him, if he can help it, and that the next four weeks belonged to the happiest of his whole life."

"You are a fortunate man, director," said the native of Fichtenau, who had been for four years secretly in love with the daughter of an alderman, and had already triumphed so far over all obstacles as to have obtained, almost, a kiss from her.

"As you take it, young man," replied Mr. Schmenckel, with paternal benevolence, "where there is much light, there must also be dark shadows. I ought properly to let my story end here, but I suppose I must finish it for the benefit of such young hot-blooded creatures as you are. Master Miller, and you Cotterby, you abominably fast man, and you Pierrot, the greatest scamp I know. Well, just listen, gentlemen!

The pretty maid was not less pa.s.sionately fond of me than her mistress, for, as I said just now, in that matter of love all the women are alike What happens, therefore? One fine evening, as I was drinking my cup of tea with the lady--in all honor and propriety, gentlemen, upon my word of honor--somebody suddenly knocks with great violence at the door which leads into the count's apartment, and which was locked from inside. 'Open the door! open the door!----'

"'Great G.o.d, the count!' whispered the countess, pale with terror.

'Nadeska has betrayed us.'

"'Open the door'--and here followed a fearful oath--'open the door!'

"'Well,' said I, 'that's a nice predicament; what's to be done next?'

"'Schmenckel, you must save me.'

"'With pleasure; but how?'

"'I'll slip into my chamber, and lock the door behind me.'

"'Very good; but what am I to do?'

"'You have broken into the house, through that window'--and as she said this she opened the window, took the candelabra with the lights, pa.s.sed through the second door, locked it, and began to cry as loud as she could--'Help! Help! Thieves!'

"Well, gentlemen, just imagine my position, if you can. Before I could collect my five senses the door was broken open, and the count rushed in, holding two pistols in his hands, and five men-servants with lights and big sticks behind him."

"How did the count look?" Berger asked in a low voice, without raising his head.

"Well, old gentleman, I had not exactly time to look closely at him. I only know that he was a fine-looking, tall man, with a pair of eyes that fairly burnt with fury. 'Ah, I have caught you, rascal?' he cried.

Crack! went a ball past my left ear--crack! and another ball went past my right ear. Well, gentlemen, that was, after all, a little too strong, and not exactly the way to make Caspar Schmenckel's acquaintance. What could I do? I seized the count around the body, and threw him out of the window; and in case he should have broken something in falling, I threw one of the servants right after him. The others were frightened and ran away as fast as they could. I ran after them through the other rooms across the hall and down the stairs, and, gentlemen, when I had gotten so far I found the way into the street easily enough by myself. How do you like my story, professor?" and Mr.

Schmenckel put his broad hand upon Berger's shoulder.

Berger raised his head. His face was deadly pale, his eyes were rolling fearfully, his gray hair hung down into his face.

"If you can tell the truth, man," he said, with weird-sounding voice, "answer me; have you told the truth?"

"I believe the old gentleman has taken a little too much," said Mr.

Schmenckel, good-naturedly.

"Yes, I have drunk too much," cried Berger, gesticulating violently with his hands--"too much of the wretched beverage of this miserable life, which is utterly good for nothing, and the liquor has gotten into my head. Ha! ha! ha!"

It was a terrible laughter; but the half-drunk visitors thought it highly amusing.

"Oh, ho! the professor is taking to it very kindly," cried Mr.

Schmenckel, holding his sides. "Speech, speech! Let the professor give us a speech!"

Oswald had jumped up and stood by Berger's side. He tried in his anxiety to calm the over-excited man, and to persuade him to leave the house.

Berger paid no attention to him. He stood there, leaning with both his hands upon the table, as Oswald had seen him do so often in his lecture-room.

"Write, gentlemen," he said, "this is the quintessence of the long syllogism, the parts of which I have just explained to you:

"I climbed on a pear-tree, I wanted to dig beets, Then have I all my life Eaten no better plums.

"You will say that this is not a speculative idea, but an old drinking song; but, gentlemen, in a world where good people are made fun of, and led by the nose by impudent demons--where folly with the fool's cap on the head is ruling supreme, and causes its lofty conceptions to be executed by stupidity, vulgarity, and brutality--there speculation becomes a drinking song, and the idea--the grand, all-sublime idea--why, you are the idea yourselves, gentlemen, rough, vulgar fellows as you are."

"Oh, ho! old man, I won't stand that," cried Mr. Schmenckel, who could hardly laugh any longer.

"Yes indeed, yourself," continued Berger, growing more and more violent. "You, Director Caspar Schmenckel, of Vienna, you represent the justice of heaven! The idea can do nothing without you; you are the idea, the incarnate idea. I told you life was good for nothing, but no--that is saying too much--it is worthy of you. I detest you, but I honor you; I shudder at the sight of you, but I wors.h.i.+p you. Come into my arms, that I may measure the depths of this wretchedness, that I may touch with my own hands the incredible."

"Come to my heart, old boy," cried Mr. Schmenckel returning the embrace. "You are a trump--a perfect brick; let us be brothers."

He let go Berger and seized his gla.s.s.

At the same moment Berger fell, pressing his hand upon his heart, with a fearful cry, and fainted away.

It was a fearful cry indeed--like the cry for help of a drowning man at the instant of sinking--a cry that was heard high above the din in the room, that silenced all the chatting and chaffing, and made the drinkers jump up from their seats in utter consternation. They crowded around the fallen man, and glared with stupid, half-drunken eyes at him, as Oswald tried in vain to raise him from the floor. No one lent a hand to a.s.sist the young man. The fright seemed to have paralyzed the crowd.

"Will n.o.body help me?" cried Oswald, supporting the burden of the lifeless body in his arms.

These words were addressed to Mr. Schmenckel, who until now had been quietly standing near, with open mouth and fixed eyes, his pipe in one hand, the gla.s.s of beer in the other.

Oswald's appeal brought him back to his senses.

"You are right, count," he said, "we must do something for the old gentleman."

He put his pipe on the table, took Berger, who was still unconscious, from Oswald's arms, lifted him without effort on his shoulder, and carried him out of the room as a lion bears off a dead gazelle.

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About Through Night to Light Part 11 novel

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