The Judgment House Part 37

"The war--it means so much to him," said Lady Tynemouth. Yet she had seen the note of abstraction too, and it had made her wonder what was happening in this household.

The other demurred.

"But I imagine he has been prepared for the war for some time. He didn't seem excessively worried about it before dinner, yet he seemed upset too, so pale and anxious-looking."

"I'll make her talk, make her tell me what it is, if there is anything," said Lady Tynemouth to herself. "I'll ask myself to stay with her for a couple of days."

Superficial as Lady Tynemouth seemed to many, she had real sincerity, and she was a friend in need to her friends. She loved Jasmine as much as she could love any woman, and she said now, as she looked at Jasmine's face, so alert, so full of raillery, yet with such an undertone of misery:

"She looks as if she needed a friend."

After dinner she contrived to get her arm through that of her hostess, and gave it an endearing pressure. "May I come to you for a few days, Jasmine?" she asked.

"I was going to ask if you would have me," answered Jasmine, with a queer little smile. "Rudyard will be up to his ears for a few days, and that's a chance for you and me to do some shopping, and some other things together, isn't it?"

She was thinking of appearances, of the best way to separate from Rudyard for a little while, till the longer separation could be arranged without scandal. Ian Stafford had said that things could go on in this house as before, that Rudyard would never hint to her what he knew, or rather what the letter had told him or left untold: but that was impossible. Whatever Rudyard was willing to do, there was that which she could not do. Twenty-four hours had accomplished a complete revolution in her att.i.tude towards life and in her sense of things.

Just for these immediate days to come, when the tragedy of Fellowes'

death would be made a sensation of the hour, there must be temporary expedients; and Lady Tynemouth had suggested one which had its great advantages.

She could not bear to remain in Rudyard's house; and in his heart of hearts Rudyard would wish the same, even if he believed her innocent; but if she must stay for appearance' sake, then it would be good to have Lady Tynemouth with her. Rudyard would be grateful for time to get his balance again. This bunch of violets was the impulse of a big, magnanimous nature; but it would be followed by the inevitable reaction, which would be the real test and trial.

Love and forgiveness--what had she to do with either! She did not wish forgiveness because of Adrian Fellowes. No heart had been involved in that episode. It had in one sense meant nothing to her. She loved another man, and she did not wish forgiveness of him either. No, no, the whole situation was impossible. She could not stay here. For his own sake Rudyard would not, ought not, to wish her to stay. What might the next few days bring forth?

Who had killed Adrian Fellowes? He was not man enough to take his own life--who had killed him? Was it her husband, after all? He had said to Ian Stafford that he would do nothing, but, with the maggot of revenge and jealousy in their brains, men could not be trusted from one moment to another.

The white violets? Even they might be only the impulse of the moment, one of those acts of madness of jealous and revengeful people. Men had kissed their wives and then killed them--fondled them, and then strangled them. Rudyard might have made up his mind since morning to kill Fellowes, and kill herself, also. Fellowes was gone, and now might come her turn. White violets were the flowers of death, and the first flowers he had ever given her were purple violets, the flowers of life and love.

If Rudyard had killed Adrian Fellowes, there would be an end to everything. If he was suspected, and if the law stretched out its hand of steel to clutch him--what an ignominious end to it all; what a mean finish to life, to opportunity, to everything worth doing!

And she would have been the cause of everything.

The thought scorched her soul.

Yet she talked on gaily to her guests until the men returned from their cigars; as though Penalty and Nemesis were outside even the range of her imagination; as though she could not hear the snap of the handcuffs on Rudyard's--or Ian's--wrists.

Before and after dinner only a few words had pa.s.sed between her and Rudyard, and that was with people round them. It was as though they spoke through some neutralizing medium, in which all real personal relation was lost. Now Rudyard came to her, however, and in a matter-of-fact voice said: "I suppose Al'mah will be here. You haven't heard to the contrary, I hope? These great singers are so whimsical."

There was no time for Jasmine to answer, for through one of the far entrances of the drawing-room Al'mah entered. Her manner was composed--if possible more composed than usual, and she looked around her calmly. At that moment a servant handed Byng a letter. It contained only a few words, and it ran:

"DEAR BYNG,--Fellowes is gone. I found him dead in his rooms. An inquest will be held to-morrow. There are no signs of violence; neither of suicide or anything else. If you want me, I shall be at my rooms after ten o'clock to-night. I have got all his papers." Yours ever,

"IAN STAFFORD."

Jasmine watched Rudyard closely as he read. A strange look pa.s.sed over his face, but his hand was steady as he put the note in his pocket. She then saw him look searchingly at Al'mah as he went forward to greet her.

On the instant Rudyard had made up his mind what to do. It was clear that Al'mah did not know that Fellowes was dead, or she would not be here; for he knew of their relations, though he had never told Jasmine.

Jasmine did not suspect the truth, or Al'mah would not be where she was; and Fellowes would never have written to Jasmine the letter for which he had paid with his life.

Al'mah was gently appreciative of the welcome she received from both Byng and Jasmine, and she prepared to sing.

"Yes, I think I am in good voice," she said to Jasmine, presently. Then Rudyard went, giving his wife's arm a little familiar touch as he pa.s.sed, and said:

"Remember, we must have some patriotic things tonight. I'm sure Al'mah will feel so, too. Something really patriotic and stirring. We shall need it--yes we shall need cheering very badly before we've done. We're not going to have a walk-over in South Africa. Cheering up is what we want, and we must have it."

Again he cast a queer, inquiring look at Al'mah, to which he got no response, and to himself he said, grimly: "Well, it's better she should not know it--here."

His mind was in a maze. He moved as in a dream. He was pale, but he had an air of determination. Once he staggered with dizziness, then he righted himself and smiled at some one near. That some one winked at his neighbour.

"It's true, then, what we hear about him," the neighbour said, and suggestively raised fingers to his mouth.

Al'mah sang as perhaps she had seldom sung. There was in her voice an abandon and tragic intensity, a wonderful resonance and power, which captured her hearers as they had never been captured before. First she sang a love-song, then a song of parting. Afterwards came a lyric of country, which stirred her audience deeply. It was a challenge to every patriot to play his part for home and country. It was an appeal to the spirit of sacrifice; it was an inspiration and an invocation. Men's eyes grew moist.

And now another, a final song, a combination of all--of love, and loss and parting and ruin, and war and patriotism and destiny. With the first low notes of it Jasmine rose slowly from her seat, like one in a dream, and stood staring blindly at Al'mah. The great voice swelled out in a pa.s.sion of agony, then sank away into a note of despair that gripped the heart.

"But more was lost at Mohacksfield--"

Jasmine had stood transfixed while the first words were sung, then, as the last line was reached, staring straight in front of her, as though she saw again the body of Adrian Fellowes in the room by the river, she gave a cry, which sounded half laughter and half torture, and fell heavily on the polished floor.

Rudyard ran forward and lifted her in his arms. Lady Tynemouth was beside him in an instant.

"Yes, that's right--you come," he said to her, and he carried the limp body up-stairs, the white violets in her dress crushed against his breast.

"Poor child--the war, of course; it means so much to them."

Thus, a kindly dowager, as she followed the Royalties down-stairs.

CHAPTER XXIV

ONE WHO CAME SEARCHING

"A lady to see you, sir."

"A lady? What should we be doing with ladies here, Gleg?"

"I'm sure I have no use for them, sir," replied Gleg, sourly. He was in no good humour. That very morning he had been told that his master was going to South Africa, and that he would not be needed there, but that he should remain in England, drawing his usual pay. Instead of receiving this statement with grat.i.tude, Gleg had sniffed in a manner which, in any one else, would have been impertinence; and he had not even offered thanks.

"Well, what do you think she wants? She looks respectable?"

"I don't know about that, sir. It's her ladys.h.i.+p, sir."

"It's what 'ladys.h.i.+p,' Gleg?"