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I wait until he has reached the highway, and then I back out. He s.h.i.+fts gears and pulls away slowly, looking back at me in his rearview mirror. I stop the car on the shoulder and put my head on the wheel.
The casket is closed and covered with floral sprays. The organ begins soon after I take a seat near the back of the chapel. People begin to file in and find chairs, some middle-aged and older people, but most of them in their early twenties or even younger. They are people who look uncomfortable in their suits and ties, sport coats and slacks, their dark dresses and leather gloves. One boy in flared pants and a yellow short-sleeved s.h.i.+rt takes the chair next to mine and begins to bite his lips. A door opens at one side of the chapel and I look up and for a minute the parking lot reminds me of a meadow. But then the sun flashes on car windows. The family enters in a group and moves into a curtained area off to the side.
Chairs creak as they settle themselves. In a few minutes a slim, blond man in a dark suit stands and asks us to bow our heads. He speaks a brief prayer for us, the living, and when he finishes he asks us to pray in silence for the soul of Susan Miller, departed. I close my eyes and remember her picture in the newspaper and on television. I see her leaving the theater and getting into the green Chevrolet. Then I imagine her journey down the river, the nude body hitting rocks, caught at by branches, the body floating and turning, her hair streaming in the water. Then the hands and hair catching in the overhanging branches, holding, until four men come along to stare at her. I can see a man who is drunk (Stuart?) take her by the wrist. Does anyone here know about that? What if these people knew that? I look around at the other faces. There is a connection to be made of these things, these events, these faces, if I can find it. My head aches with the effort to find it.
He talks about Susan Miller's gifts: cheerfulness and beauty, grace and enthusiasm. From behind the closed curtain someone clears his throat, someone else sobs. The organ music begins. The service is over.
Along with the others I file slowly past the casket. Then I move out onto the front steps and into the bright, hot afternoon light. A middle aged woman who limps as she goes down the stairs ahead of me reaches the sidewalk and looks around, her eyes falling on me. "Well, they got him," she says. "If that's any consolation. They arrested him this morning. I heard it on the radio before I came. A guy right here in town. A longhair, you might have guessed." We move a few steps down the hot sidewalk. People are starting cars. I put out my hand and hold on to a parking meter.
Sunlight glances off polished hoods and fenders. My head swims. "He's admitted having relations with her that night, but he says he didn't kill her." She snorts. "They'll put him on probation and then turn him loose."
"He might not have acted alone," I say. "They'll have to be sure. He might be covering up for someone, a brother, or some friends."
"I have known that child since she was a little girl," the woman goes on, and her lips tremble. "She used to come over and I'd bake cookies for her and let her eat them in front of the TV." She looks off and begins shaking her head as the tears roll down her cheeks.
Stuart sits at the table with a drink infront of him. His eyes are red and for a minute I think he has been crying. He looks at me and doesn't say anything. For a wild instant I feel something has happened to Dean, and my heart turns.
"Where is he?" I say. "Where is Dean?"
"Outside," he says.
"Stuart, I'm so afraid, so afraid," I say, leaning against the door.
"What are you afraid of, Claire? Tell me, honey, and maybe I can help. I'd like to help, just try me.
That's what husbands are for."
"I can't explain," I say. "I'm just afraid. I feel like, I feel like, I feel like...."
He drains his gla.s.s and stands up, not taking his eyes from me. "I think I know what you need, honey.
Let me play doctor, okay? Just take it easy now." He reaches an arm around my waist and with his other hand begins to unb.u.t.ton my jacket, then my blouse. "First things first," he says, trying to joke.
"Not now, please," I say.
"Not now, please," he says, teasing. "Please nothing." Then he steps behind me and locks an arm around my waist. One of his hands slips under my bra.s.siere.
"Stop, stop, stop," I say. I stamp on his toes.
And. then I am lifted up and then falling. I sit on the floor looking up at him and my neck hurts and my skirt is over my knees. He leans down and says, "You go to h.e.l.l then, do you hear, b.i.t.c.h? I hope your c.u.n.t drops off before I touch it again." He sobs once and I realize he can't help it, he can't help himself either. I feel a rush of pity for him as he heads for the living room.
He didn't sleep at home last night.
This morning, flowers, red and yellow chrysanthemums. I am drinking coffee when the doorbell rings.
"Mrs. Kane?" the young man says, holding his box of flowers.
I nod and pull the robe tighter at my throat.
"The man who called, he said you'd know." The boy looks at my robe, open at the throat, and touches his cap. He stands with his legs apart, feet firmly planted on the top step. "Have a nice day," he says.
A little later the telephone rings and Stuart says, "Honey, how are you? I'll be home early, I love you.
Did you hear me? I love you, I'm sorry, I'll make it up to you. Goodbye, I have to run now."
I put the flowers into a vase in the center of the dining room table and then I move my things into the extra bedroom.
Last night, around midnight, Stuart breaks the lock on my door. He does it just to show me that he can, I suppose, for he doesn't do anything when the door springs open except stand there in his underwear looking surprised and foolish while the anger slips from his face. He shuts the door slowly, and a few minutes later I hear him in the kitchen prying open a tray of ice cubes.
I'm in bed when he calls today to tell me that he's asked his mother to come stay with us for a few days. I wait a minute, thinking about this, and then hang up while he is still talking. But in a little while I dial his number at work. When he finally comes on the line I say, "It doesn't matter, Stuart. Really, I tell you it doesn't matter one way or the other."
"I love you," he says.
He says something else and I listen and nod slowly. I feel sleepy. Then I wake up and say, "For G.o.d's sake, Stuart, she was only a child."
The Calm
I was getting a haircut. I was in the chair and three men were sitting along the wall across from me. Two of the men waiting I'd never seen before. But one of them I recognized, though I couldn't exactly place him. I kept looking at him as the barber worked on my hair. The man was moving a toothpick around in his mouth, a heavyset man, short wavy hair. And then I saw him in a cap and uniform, little eyes watchful in the lobby of a bank.
Of the other two, one was considerably the older, with a full head of curly gray hair. He was smoking.
The third, though not so old, was nearly bald on top, but the hair at the sides hung over his ears. He had on logging boots, pants s.h.i.+ny with machine oil.
The barber put a hand on top of my head to turn me for a better look. Then he said to the guard, "Did you get your deer, Charles?"
I liked this barber. We weren't acquainted well enough to call each other by name. But when I came in for a haircut, he knew me. He knew I used to fish. So we'd talk fis.h.i.+ng. I don't think he hunted. But he could talk on any subject. In this regard, he was a good barber.
"Bill, it's a funny story. The d.a.m.nedest thing," the guard said. He took out the toothpick and laid it in the ashtray. He shook his head. "I did and I didn't. So yes and no to your question."
I didn't like the man's voice. For a guard, the voice didn't fit. It wasn't the voice you'd expect.
The two other men looked up. The older man was turning the pages of a magazine, smoking, and the other fellow was holding a newspaper. They put down what they were looking at and turned to listen to the guard.
"Go on, Charles," the barber said. "Let's hear it." The barber turned my head again, and went back to work with his clippers.
We were up on Fikle Ridge. My oldman and me and the kid. We were hunting those draws. My old man was stationed at the head of one, and me and the kid were at the head of another. The kid had a hangover, G.o.dd.a.m.n his hide. The kid, he was green around the gills and drank water all day, mine and his both. It was in the afternoon and we'd been out since daybreak. But we had our hopes. We figured the hunters down below would move a deer in our direction. So we were sitting behind a log and watching the draw when we heard this shooting down in the valley."
"There's orchards down there," said the fellow with the newspaper. He was fidgeting a lot and kept crossing a leg, swinging his boot for a time, and then crossing his legs the other way. "Those deer hang out around those orchards."
"That's right," said the guard. "They'll go in there at night, the b.a.s.t.a.r.ds, and eat those little green apples.
Well, we heard this shooting and we're just sitting there on our hands when this big old buck comes up out of the underbrush not a hundred feet away. The kid sees him the same time I do, of course, and he throws down and starts banging. The knothead. That old buck wasn't in any danger. Not from the kid, as it turns out. But he can't tell where the shots are coming from. He doesn't know which way to jump.
Then I get off a shot. But in all the commotion, I just stun him."
"Stunned him?" the barber said.
"You know, stun him," the guard said. "It was a gut shot. It just like stuns him. So he drops his head and begins this trembling. He trembles all over. The kid's still shooting. Me, I felt like I was back in Korea.
So I shot again but missed. Then old Mr. Buck moves back into the brush. But now, by G.o.d, he doesn't have any oompf left in him. The kid has emptied his G.o.dd.a.m.n gun all to no purpose. But I hit solid. I'd rammed one right in his guts. That's what I meant by stunned him."
"Then what?" said the fellow with the newspaper, who had rolled it and was tapping it against his knee. "Then what? You must have trailed him. They find a hard place to die every time." "But you trailed him?" the older man asked, though it wasn't really a question.
"I did. Me and the kid, we trailed him. But the kid wasn't good for much. He gets sick on the trail, slows us down. That chucklehead." The guard had to laugh now, thinking about that situation. "Drinking beer and chasing all night, then saying he can hunt deer. He knows better now, by G.o.d. But, sure, we trailed him. A good trail, too. Blood on the ground and blood on the leaves. Blood everywhere. Never seen a buck with so much blood. I don't know how the sucker kept going."
"Sometimes they'll go forever," the fellow with the newspaper said. "They find them a hard place to die every time."
"I chewed the kid out for missing his shot, and when he smarted off at me, I cuffed him a good one.
Right here." The guard pointed to the side of his head and grinned. "I boxed his G.o.dd.a.m.n ears for him, that G.o.dd.a.m.n kid. He's not too old. He needed it. So the point is, it got too dark to trail, what with the kid laying back to vomit and all."
"Well, the coyotes will have that deer by now," the fellow with the newspaper said. "Them and the crows and the buzzards."
He unrolled the newspaper, smoothed it all the way out, and put it off to one side. He crossed a leg again. He looked around at the rest of us and shook his head.
The older man had turned in his chair and was looking out the window. He lit a cigarette.
"I figure so," the guard said. "Pity too. He was a big old son of a b.i.t.c.h. So in answer to your question, Bill, I both got my deer and I didn't. But we had venison on the table anyway. Because it turns out the old man has got himself a little spike in the meantime. Already has him back to camp, hanging up and gutted slick as a whistle, liver, heart, and kidneys wrapped in waxed paper and already setting in the cooler. A spike. Just a little b.a.s.t.a.r.d. But the old man, he was tickled."
The guard looked around the shop as if remembering. Then he picked up his toothpick and stuck it back in his mouth.
The older man put his cigarette out and turned to the guard. He drew a breath and said, "You ought to be out there right now looking for that deer instead of in here getting a haircut."
"You can't talk like that," the guard said. "You old fart. I've seen you someplace."
"I've seen you too," the old fellow said.
"Boys, that's enough. This is my barbershop," the barber said.
"I ought to box your ears," the old fellow said.
"You ought to try it," the guard said.
"Charles," the barber said.
The barber put his comb and scissors on the counter and his hands on my shoulders, as if he thought I was thinking to spring from the chair into the middle of it. "Albert, I've been cutting Charles's head of hair, and his boy's too, for years now. I wish you wouldn't pursue this."
The barber looked from one man to the other and kept his hands on my shoulders.
"Take it outside," the fellow with the newspaper said, flushed and hoping for something.
"That'll be enough," the barber said. "Charles, I don't want to hear anything more on the subject. Albert, you're next in line. Now." The barber turned to the fellow with the newspaper. "I don't know you from Adam, mister, but I'd appreciate it if you wouldn't put your oar in."
The guard got up. He said, "I think I'll come back for my cut later. Right now the company leaves something to be desired."
The guard went out and pulled the door closed, hard.
The old fellow sat smoking his cigarette. He looked out the window. He examined something on the back of his hand. He got up and put on his hat.
"I'm sorry, Bill," the old fellow said. "I can go a few more days."
"That's all right, Albert," the barber said.
When the old fellow went out, the barber stepped over to the window to watch him go.
"Albert's about dead from emphysema," the barber said from the window. "We used to fish together. He taught me salmon inside out. The women. They used to crawl all over that old boy. He's picked up a temper, though. But in all honesty, there was provocation."
The man with the newspaper couldn't sit still. He was on his feet and moving around, stopping to examine everything, the hat rack, the photos of Bill and his friends, the calendar from the hardware showing scenes for each month of the year. He flipped every page. He even went so far as T to stand and scrutinize Bill's barbering license, which was up on the wall in a frame. Then he turned and said, "I'm going too," and out he went just like he said.
"Well, do you want me to finish barbering this hair or not?" the barber said to me as if I was the cause of everything.
The barber turned me in the chair to face the mirror. He put a hand to either side of my head. He positioned me a last time, and then he brought his head down next to mine.
We looked into the mirror together, his hands still framing my head.
I was looking at myself, and he was looking at me too. But if the barber saw something, he didn't offer comment.
He ran his fingers through my hair. He did it slowly, as if thinking about something else. He ran his fingers through my hair. He did it tenderly, as a lover would.
That was in Crescent City, California, up near the Oregon border. I left soon after. But today I was thinking of that place, of Crescent City, and of how I was trying out a new life there with my wife, and how, in the barber's chair that morning, I had made up my mind to go. I was thinking today about the calm I felt when I closed my eyes and let the barber's fingers move through my hair, the sweetness of those fingers, the hair already starting to grow.
Vitamins
I had a job and Patti didn't. I worked a few hours a night for the hospital. It was a nothing job. I did some work, signed the card for eight hours, went drinking with the nurses. After a while, Patti wanted a job.
She said she needed a job for her self-respect. So she started selling multiple vitamins door to door.
For a while, she was just another girl who went up and down blocks in strange neighborhoods, knocking on doors. But she learned the ropes. She was quick and had excelled at things in school. She had personality. Pretty soon the company gave her a promotion. Some of the girls who weren't doing so hot were put to work under her. Before long, she had herself a crew and a little office out in the mall. But the girls who worked for her were always changing. Some would quit after a couple of days- after a couple of hours, sometimes. But sometimes there were girls who were good at it. They could sell vitamins.
These were the girls that stuck with Patti. They formed the core of the crew. But there were girls who couldn't give away vitamins.
The girls who couldn't cut it would just quit. Just not show up for work. If they had a phone, they'd take it off the hook. They wouldn't answer the door. Patti took these losses to heart, like the girls were new converts who had lost their way. She blamed herself. But she got over it. There were too many not to get over it.
Once in a while a girl would freeze and not be able to push the doorbell. Or maybe she'd get to the door and something would happen to her voice. Or she'd get the greeting mixed up with something she shouldn't be saying until she got inside. A girl like this, she'd decide to pack it in, take the sample case, head for the car, hang around until Patti and the others finished. There'd be a conference. Then they'd all ride backto the office. They'd say things to buck themselves up. "When the going gets tough, the tough get going." And, "Do the right things and the right things will happen." Things like that.
Sometimes a girl just disappeared in the field, sample case and all. She'd hitch a ride into town, then beat it. But there were always girls to take her place. Girls were coming and going in those days. Patti had a list. Every few weeks she'd run a little ad in The Pennysaver. There'd be more girls and more training.