Walking Dead: Fall of The Governor: Book Two Part 8

Nine.

Lilly spends most of that day holed up in her apartment, chewing aspirin, prowling around her living room in her sweatpants and Georgia Tech football jersey, taking inventory of her storehouse of firearms and weaponry. The overcast daylight filters through the blinds, making her skull throb, but she ignores the aches and pains, operating now on the adrenal charge of pure hatred coursing through her like an electric current.

After a sleepless night and a series of tense exchanges with Austin, she is galvanized now, buzzing with contempt for these b.a.s.t.a.r.ds who barged into Woodbury and made her lose her baby. After nearly two years of living amid the plague, Lilly has developed a unified theory of proper behavior among survivors. You either help one another-if you can-or leave each other the f.u.c.k alone. But these intruders have trampled over all decent modes of interaction and ruined everything, and the outrage burns brightly in Lilly. Thankfully, the tenderness in her midsection has faded slightly-along with the shock of all her dreams going up in smoke-which now only serves to make room for the white-hot loathing for these people that blazes within her as she paces the cluttered apartment.

All the crates and boxes and secondhand furniture have been pushed aside, stacked along the walls to make room for the a.r.s.enal of small arms, bladed weapons, and excess ammunition spread out across the floor. It hadn't even occurred to her how much of this stuff she had been stockpiling over the months-perhaps out of paranoia, or maybe via some kind of dark intuition-but now she sees it all laid out in orderly rows. Her two .22 caliber Ruger MK IIs lay side by side at the top of the heap like crests on a coat of arms. An extra pair of 10-round magazines are lined up next to the pistols, and a web belt is coiled directly below the mags. Under this is a row of cartons filled with 40-caliber rounds, a machete, a row of a.s.sorted suppressors, Austin's Glock on a stock of spare magazines, a Remington .308 bolt-action MSR rifle, three long-blade knives with varying degrees of sharpness, a long-handled pickax, and an odd a.s.sortment of holsters, sheaths, and pouches lined up in a neat little row.

Austin's voice rings out from the adjacent kitchen. "Soup's on!" He announces this with as much vigor and cheer as he can muster, but the sadness is apparent in his voice, a constant weight now dragging him down. "Whaddaya say we eat together in the back room?"

"Not hungry," she calls to him.

"Lilly, c'mon ... don't do this to me," he says, coming into the room wringing his hands on a towel. He wears a shopworn REM T-s.h.i.+rt, his long curls undone and spilling down his back. He looks nervous. "You need your nourishment."

"What for?"

"Lilly, please."

"Look ... I appreciate the thought." She doesn't even look at him, just keeps studying the a.r.s.enal at her feet. "You go ahead and eat-I'm fine."

He licks his lips, thinking, choosing his words carefully. "You do realize that we may never see these people again."

"Oh, we'll see them ... I promise you ... we'll see them again."

"What does that mean?"

She stares at the weapons. "It means we're not going to stop until we find them."

"Why? What good is it going to do?"

She looks at him. "Did the IQ level just drop in here to, like, room temperature?"

"Lilly-"

"Have you not been paying attention to anything that's been going on?"

"That's the problem!" He throws the towel on the floor. "I've been with you every step of the way, I've been paying f.u.c.king close attention to everything." He swallows hard, takes a breath, and then tries to calm down and measure his words. "I can see you're hurting, Lilly, but I'm hurting, too."

Lilly looks back down at the firearms and says very softly, "I know that."

He comes over to her and touches her shoulder. "This is insane."

She doesn't move her gaze from the weapons. "It is what it is."

"And what is that?"

She looks at him. "It's f.u.c.king war."

"War? Really? That sounds more like the Governor talking."

"It's us or them, Austin."

Austin lets out an exasperated sigh. "I'm not worried about them, Lilly ... I'm worried about us."

She scorches him with her gaze. "You better pull your head out of your a.s.s and start worrying about them, or there's not going to be an us ... there's not going to be a Woodbury, there's not going to be f.u.c.king anything."

Austin looks down, and says nothing.

Lilly starts to say something else when she stops herself. She sees something in Austin's expression change, his eyes welling up, and a single tear tracking down his face. The tear drips off his chin and falls to the floor. All the fight goes out of Lilly, and her guts tighten with sadness. She goes to him and puts her arms around him. He hugs her back, and then she hears Austin's voice in her ear, barely a whisper, all strangled with sorrow. "I feel helpless," he utters breathlessly. "Losing the baby ... and now ... I feel like you're pulling away ... and I can't lose you ... I can't ... I just can't."

She holds him and strokes his long hair and murmurs softly in his ear, "You're not going to lose me. You're my man. Do you understand? It's you and me-end of story. You understand?"

"Yes..." His voice is barely audible. "I understand ... thank you ... thank you."

For a long moment they hold each other in the ashen light of that cluttered living room, saying nothing, just holding each other as though bracing themselves. She can hear Austin's heavy breaths in her ear, can feel his heart beating against her chest.

"I know what it's like to feel helpless," she says at last, looking into his eyes, their faces nearly touching, their breath mingling. "Not long ago I was the poster girl for helplessness. I was a train wreck. But somebody helped me, gave me confidence, taught me how to survive."

Austin holds her tighter, and he whispers, "That's what you've done for me, Lilly."

She plants a soft, tender kiss on his forehead and pulls him into a tighter embrace. G.o.d help her, she loves him. She will fight for him, she will fight for their future, she will fight to the death. She cradles the back of his head, stroking his long hair, but all she can think about now is getting into the s.h.i.+t and exterminating each and every one of these f.u.c.king monsters who remain a threat.

At dusk that night, the Governor sits by himself in the empty bleachers of the speedway, the wind tossing litter across the deserted infield. The sky, heavy with toxic particulates, streaks with ribbons of gold and fuchsia as the sun dips below the clouds and dust devils swirl across the track on the bl.u.s.ter of the day's end-all of it reflecting Philip Blake's pensive mood.

A great military leader once called this time "the great inhalation before the storm," and Philip feels a similar weight in the air. Sitting in the waning light, he marshals his energy and fantasizes about the glory of battle and the satisfaction of seeing that b.i.t.c.h who crippled him come apart at the seams like a blood-filled pinata. Philip's mind percolates with the dark energy of war like an atomic particle accelerator-humming with rage-turning this magic-hour light into an unholy rite, a sacred invocation.

Then, almost as if conjured by his thoughts, a harbinger appears-a stocky figure in camo pants, boots, and army surplus jacket-materializing in the shadows of the speedway's far portal.

Philip looks up.

Gabe trots across the infield, breathless from running, his portly face filled with urgency, eyes blazing with excitement. He sees Philip. He circles around the end of the stands, hopping over the iron cordons and climbing the bench seats until he approaches the Governor. "They said I'd find you here," he says, hyperventilating, leaning over and putting his hands on his knees.

"Take it easy, Kemosabe," the Governor says. "I hope you got good news for me."

Gabe looks at him and nods. "We found it."

The words seem to hang in the air for a moment, the expression on Philip's face unreadable in the fading blue light. He stares. "Start talking."

According to Gabe, when they heard the shots that day, they crept through the thick woods adjacent to the two-lane until they snuck up on a couple of chicks and some older dude in a clearing doing some target practice. Gabe and his men stayed out of sight, huddling behind the trees, watching from a distance, as the three unidentified folks took down a few biters, and then started dragging one of the bodies back toward a high fence in the distance.

At first, none of it made any sense, but when Gabe and the boys finally followed a path up a hill to get a better view from higher land-and they got a good glimpse of what lay beyond the fence, spreading across the neighboring patchwork of farm fields like a vast housing block that had simply dropped out of s.p.a.ce-all the pieces fell together.

The place once known as the Meriwether County Correctional Facility stretches almost as far as the eye can see across the pastureland on the eastern edge of the county, a zigzagging network of gray-brick postwar buildings situated behind three layers of security fencing. Gabe realized instantly that the reason n.o.body in Woodbury had thought of this place is probably due to the fact that it had been defunded by the state of Georgia in the crash of '87, and for years it had been off the radar, sitting out here in the rural hinterlands like a ghost s.h.i.+p. The only reason that Gabe's memory was jogged by the sight of the place was the fact that Gabe's cousin, Eddie, a drug dealer from Jacksonville, had been held here in the late '90s pending his appeal. The state had taken to using the place as a glorified waiting room-technically, a jail for convicted felons-running it on a skeleton crew but essentially keeping it stocked and armed and locked and loaded.

For the most part, the property seemed fairly secure to Gabe-but not by any stretch of the imagination invulnerable. Inside the perimeter of razor wire and guard towers, the exercise yards and run-down basketball courts lay deserted, cleared long ago of any biters. And although the outer edges of the fences swarmed here and there with stray walkers-cl.u.s.ters of them drawn to the scent of the human inhabitants like bees drawn to honey-the soot-stained buildings looked relatively solid, with good bones, and stacks on the roof pitches pluming puffs of exhaust. Somebody must have gotten the generators and emergency apparatus up and running. The condition of the place suggested the potential for refrigeration, showers, air-conditioning, cafeterias stocked with food and supplies, amenities such as gyms and weight-training rooms and arcades-all of it just begging to be taken.

"They've got the fences," Gabe explains now, standing on a metal bench only inches away from where the Governor sits intently listening. "And they seem to be letting the biters form a perimeter around those fences, maybe by accident-or maybe they're smarter than we thought." Gabe pauses to let this sink in.

"Go on," the Governor says, not taking his eyes off the empty racetrack, thinking it over as the gathering darkness pulls a curtain down on the arena. "I'm listening."

"The thing is," Gabe says, his voice dropping an octave, getting taut and thick with antic.i.p.ation. "There ain't a whole lot of them, and they can't have that many weapons."

The Governor doesn't say anything, just keeps gazing at the hazy shadows that are deepening at the edges of the track, his single visible eye narrowing.

"We watched them for hours, man," Gabe goes on. "We hit them tomorrow and they go down like chumps. I'm telling you ... they'd barely put up a fight-"

"No."

The word pops like a firecracker in the gloom, and it has the effect of a splash of cold water on Gabe's face. He does a double take. He looks down at the Governor, and he tilts his head with consternation.

The Governor stares at the night for a moment, and then gazes up at Gabe. "We wait."

Anger and dismay flare inside the stocky man. "G.o.dd.a.m.nit, Governor! After what they did to Bruce?! We need to take them down now!"

"Excuse me?" The Governor's one good eye holds Gabe in its thrall for a moment, the tiny pinp.r.i.c.k of light in the center of his iris reflecting the moon like a fuse that's been lit. "After they escaped, their guard was up, probably for weeks. We couldn't find them." He pauses with the theatricality of a professor giving a lecture. "After Martinez betrayed them-and they butchered him-their guard was up again. Still, nothing from us."

By this point, Gabe has begun to nod slowly, almost to himself, finally getting it.

"Now they've raided our territory, killed some of our men," the Governor goes on with that dark, glittering gaze locked onto Gabe. "They've got to be expecting us to follow them back. We wait. We wait for them to relax again. That way, they don't expect it. They convince themselves they're safe-that we've given up or we can't find them."

Gabe nods.

"That's when we f.u.c.king strike," the Governor says. "And if you want to be along for the ride and not a rotting piece of biter food, you'll shut your G.o.dd.a.m.n mouth and get the f.u.c.k outta my sight."

Gabe stands there for a moment, swallowing back the dismay and shame.

"NOW!"

The booming echo of the Governor's voice carries over the empty stands.

The next day, the dynamic in Woodbury changes. Every man, woman, and child can feel it, but few can articulate the tension that looms sharklike beneath the surface of daily life-the way children are kept mostly indoors and quiet and occupied by coloring books or board games, or the way conversations among the adults become muted and hushed and urgent. Any trace of the gallows humor that once peppered the b.i.t.c.h sessions around the coffee urn at the Main Street diner now fade away completely, replaced by a grim sort of purpose to each exchange, each task, each anxious meeting.

Over the next week, Gabe and Lilly huddle with the town's elders and explain what's going on. In private meetings they prepare the heads of families and the strongest of the young adults-those who will be on the front line-for the coming a.s.sault on the prison. They delegate duties required to get the town on its war footing, and soon a kind of organic hierarchy emerges. If the Governor is the high command, then Lilly and Gabe become his generals, relaying orders to the rank and file, organizing the ragtag battalion of residents into a ferocious invasion force. Lilly becomes the self-appointed standard-bearer, turning the fear to righteous rage, spreading the word that this will be a just mission, the only way to protect the children of Woodbury.

The racetrack becomes the official command center, with stockpiles of materiel and ordnance gathered in the garages underneath the stadium and under rain tarps across the infield. The Governor's inner sanctum is established high up in the press boxes, with maps of Meriwether County taped up onto the walls and across the surfaces of folding tables. Late at night, the one-armed warrior can be glimpsed pacing the press box, alone, silhouetted by the yellow light of bare bulbs, compulsively studying the twenty-three-mile distance between Woodbury and the prison-plotting the invasion with the intensity of Eisenhower planning the Allied attack on Anzio.

By the end of that week, Lilly has made an exhaustive inventory of the armaments at Woodbury's disposal. They have twenty-seven crates of 7.62 and 5.56 rounds and enough magazines for a small army, as well as enough Kevlar to outfit half the adults. They have three .50 caliber machine guns and scores of rifles, of both the a.s.sault and the long-range sniper variety. They have enough fuel to convey at least a dozen vehicles-most of them from the Guard station-across the twenty-three miles of rural roads to the battlefront. They have six mine-resistant armored trucks, a couple of cargo vehicles, a personnel carrier, two Humvees, and a pair of big Buick four-door sedans that will do in a pinch.

Gabe spends the bulk of the second week getting the single Abrams M1 tank-discovered in mothb.a.l.l.s at the Guard station-in working order. The armored tank features a remotely operated .50 caliber turret on top and a 105 mm cannon with forty-two rounds in the hull. Since the tank's turbine engine runs on diesel, Gabe has to send two separate parties on fuel runs to nearby truck stops for the last drops of diesel available in the county.

By the end of that second week of waiting and girding and preparing, Lilly has completely shed her fears and finds herself sleeping soundly for the first time since the plague began. She has no dreams now, and she awakes every morning replenished, her spine tingling with antic.i.p.ation for the fight. Even Austin is on board. He has been target shooting regularly and has gotten very handy with the sniper rifle. Lilly feels a strange tie binding her with Austin-not just the shared grief over the miscarriage, but also the galvanizing purpose of their mission, their common hunger for a better future. They have convinced themselves that this is the only way, and the collective resolve has drawn them closer together.

The following Tuesday night, after dusk has settled down on the town-almost three weeks after Gabe's discovery of the prison-Lilly finishes loading the last of the high-capacity ammo magazines that are lined up on long tables in the corridor under the racetrack. She decides to head home ... and she is just emerging from the west exit, stepping into the darkness of the speedway parking lot, when she hears a shuffling noise behind her-coming from the shadows of the portal-that raises her hackles and causes her to draw her Ruger and whirl around with the muzzle coming up instinctively in the general vicinity of the noise.

A voice out of the darkness: "Young lady walking around a bad neighborhood alone at night." The slender male figure lurking in the shadows smokes a cigarette, the orange firefly of its tip the only thing visible. "It's a recipe for disaster."

"Who's there?" Lilly holds her gun on the silhouette shrouded in the shadows. The husky voice sounds familiar, but she can't be sure. "Identify yourself, please...."

The Governor steps out of the shadows into the pool of yellow security light. "Good to see your reflexes are sound," he says, tossing the cigarette.

"Jesus, you scared the s.h.i.+t outta me." She holsters her gun and feels her neck muscles relaxing. "You shouldn't surprise people around this place, not if you want to keep your head from being shot off."

"Point well taken." He smiles at her, the fingers of his surviving hand stroking his whiskers thoughtfully. He wears his new trademark fas.h.i.+on statement-the makes.h.i.+ft eye patch-along with his customary camo pants and hunting vest, the stump of his right arm swaddled in yellowing bandages. In the scant illumination, his single surviving eye s.h.i.+mmers. "I've been keeping tabs on you, Lilly."

"Oh?"

"You've been whipping these people into shape, and I appreciate it."

"We gotta be ready."

"You got that right." He tilts his good eye toward her, the iris glittering. "Especially since we're gonna be riding just before dawn."

She looks at him. "Tomorrow?"

"Yes, ma'am." He holds her in the thrall of that single eye. "You're the first one to know this ... didn't want to get everybody all bent outta shape too soon. I want to come in from the east with the rising sun-through the trees-G.o.dd.a.m.n trucks make a lot of noise, don't want to tip anybody off. Pa.s.s the word for me, will ya?"

"Absolutely." She gives him a nod, her guts going cold, her brain swimming with antic.i.p.ation. "We're ready, Governor. We're with you a hundred and ten percent."

"Yeah? Good." He rubs his chin some more. "How about that hunka-hunka burning love of yours? He finally master that scope?"

"Austin? He's good. He's ready. We're all ready. You want me to drive the lead truck?"

"You take the transport wagon. I'll have Gabe take the lead in the armored rig on the way out. We're gonna take it nice and slow."

"Right."

"The tank is fast-it tops out at fifty-some miles per hour-but we're gonna take it nice and easy."

"Got it." She looks at him. "Where are you gonna ride?"

"On the way out? I'm gonna be in the back of your transport truck with the boys."

"Okay."

"I'll be on the b.i.t.c.h box the whole way, staying in close contact with you and Gabe and Gus and Rudy. But when we get close, I want to pull everybody over, say a few words, get everybody ready to rock."