Oscar Wilde: Art and Morality - LightNovelsOnl.com
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Mr. Robert Buchanan, the well-known writer, in a letter dated April 23rd, 1895, expressed his own views on this subject in the columns of _The Star_. Referring to an anonymous correspondent in the same newspaper who had accused Mr. Wilde of "pagan viciousness"--this was more than a month before a verdict of "Guilty" had been returned against him--Mr. Buchanan asks, "Has even a writer like this no sense of humour?
Does he seriously contend that the paradoxes and absurdities with which Mr. Wilde once amused us were meant as serious attacks on public morality? Two thirds of all Mr. Wilde has written is purely ironical, and it is only because they are now told that the writer is a wicked man that people begin to consider his writings wicked."
"I think," he adds, "I am as well acquainted as most people with Mr.
Wilde's works, and I fearlessly a.s.sert that they are, for the most part, as innocent as a naked baby. As for the much misunderstood "Dorian Gray," it would be easy to show that it is a work of the highest morality, since its whole purpose is to point out the effect of selfish indulgence and sensuality in destroying the character of a beautiful human soul. But it is useless to discuss these questions with people who are colour-blind. I cordially echo the cry that, failing a little knowledge of literature, a little Christian charity is sorely wanted."
COMPARATIVE TABLE OF CHAPTERS IN THE FIRST TWO EDITIONS OF 'THE PICTURE OF DORIAN GRAY'.
1890 1891 I I II II III III IV V IV VI V VII VI VIII VII IX VIII X IX XI X XII XI XIII XII XIV XV XVI XVII XVIII XIII XIX, XX
Pa.s.sAGES WHICH APPEAR IN THE 1890 EDITION ONLY.
The following are the chief pa.s.sages in the 1890 edition which are omitted (or have undergone alteration) in the 1891 edition. (_The figures in brackets refer to the page in the 1891 edition where the omission or alteration is made_).
LIPPINCOTT'S MONTHLY MAGAZINE, 1890 (Volume xlvi.)
CHAPTER I.
Page
6 "Well, I will tell you what it is."
"Please don't."
"I must. I want you to explain...." (7)
6 "Well, this is incredible," repeated Hallward, rather bitterly,--"incredible to me at times. I don't know what it means. The story is simply this...."(8)
6 You know yourself, Harry, how independent I am by nature. My father destined me for the army. I insisted on going to Oxford. Then he made me enter my name at the Middle Temple. Before I had eaten half a dozen dinners I gave up the Bar, and announced my intention of becoming a painter. I have always been my own master.... (9)
7 I knew that if I spoke to Dorian I would become absolutely devoted to him, and that I ought not to speak to him. I grew afraid.... (9)
7 perfectly audible to everybody in the room, something like, 'Sir Humpty Dumpty--you know--Afghan frontier. Russian intrigues: very successful man--wife killed by an elephant--quite inconsolable--wants to marry a beautiful American widow--everybody does now-a-days--hates Mr.
Gladstone--but very much interested in beetles: ask him what he thinks of Schouvaloff.' I simply fled....(11)
8 'Charming boy--poor dear mother and I quite inseparable--engaged to be married to the same man--I mean married on the same day--how very silly of me! Quite forget what he does....(11)
9 I couldn't be happy if I didn't see him every day. Of course sometimes it is only for a few minutes. But a few minutes with somebody one wors.h.i.+ps mean a great deal."
"But you don't really wors.h.i.+p him?"
"I do."
"How extraordinary. I thought you would never care for anything but your painting,--your art, I should say. Art sounds better, doesn't it?"...
(14)
10 After some time he came back. "You don't understand, Harry," he said.
"Dorian Gray is merely to me a motive in art.... (16)
10 "Because I have put into it all the extraordinary romance of which, of course, I have never dared to speak to him.... (16)
10 I give myself away. As a rule, he is charming to me, and we walk home together from the club arm in arm, or sit in the studio.... (17)
11, 12 Don't take away from me the one person that makes life absolutely lovely to me, and that gives to my art whatever wonder or charm it possesses. Mind, Harry, I trust you." ... (20, 21)
CHAPTER II.
12 No wonder Basil Hallward wors.h.i.+pped him. He was made to be wors.h.i.+pped.... (23)
16 You are a wonderful creature. You know more than you think.... (31)
19, 20 "This is your doing, Harry," said Hallward, bitterly.
"My doing?"
"Yes, yours, and you know it." Lord Henry shrugged his shoulders (40)
20 "And you know you have been a little silly, Mr. Gray, and that you don't really mind being called a boy."
"I should have minded very much this morning, Lord Henry.".... (42)
21 It has nothing to do with our own will. It is either an unfortunate accident, or an unpleasant result of temperament. Young men want....(44)
CHAPTER III. (IV). 22, 23 I think my husband has got twenty-seven of them."
"Not twenty-seven, Lady Henry?"
"Well, twenty-six, then...." (66)
23 leaving a faint odor of patchouli behind her. Then he shook hands with Dorian Gray, lit a cigarette, and flung himself down on the sofa.... (68)
24 "About three weeks. Not so much. About two weeks and two days."
"How did you come across her?".... (70)
24, 25 Its splendid sinners, and its sordid sins, as you once said....
(71)
27 thanks,--tell me what are your relations with Sibyl Vane?".... (76)
27 "I am not surprised."