The Guardian Angel Part 7

"I know that my eyes were open, and I was awake while I was looking at this cross. I think my eyes were open when I saw these other appearances, but I felt just as if I were dreaming while awake.

"I heard a faint rustling sound, and on looking up I saw many figures moving around me, and I seemed to see myself among them as if I were outside of myself.

"The figures did not walk, but slid or glided with an even movement, as if without any effort. They made many gestures, and seemed to speak, but I cannot tell whether I heard what they said, or knew its meaning in some other way.

"I knew the faces of some of these figures. They were the same I have seen in portraits, as long as I can remember, at the old house where I was brought up, called The Poplars. I saw my father and my mother as they look in the two small pictures; also my grandmother, and her father and mother and grandfather, and one other person, who lived a great while ago. All of these have been long dead, and the longer they had been dead the less like substance they looked and the more like shadows, so that the oldest was like one's breath of a frosty morning, but shaped like the living figure.

"There was no motion of their b.r.e.a.s.t.s, and their lips seemed to be moving as if they were saying, Breath! Breath! Breath! I thought they wanted to breathe the air of this world again in my shape, which I seemed to see as it were empty of myself and of these other selves, like a sponge that has water pressed out of it.

"Presently it seemed to me that I returned to myself, and then those others became part of me by being taken up, one by one, and so lost in my own life.

"My father and mother came up, hand in hand, looking more real than any of the rest. Their figures vanished, and they seemed to have become a part of me; for I felt all at once the longing to live over the life they had led, on the sea and in strange countries.

"Another figure was just like the one we called the Major, who was a very strong, hearty-looking man, and who is said to have drank hard sometimes, though there is nothing about it on his tombstone, which I used to read in the graveyard. It seemed to me that there was something about his life that I did not want to make a part of mine, but that there was some right he had in me through my being of his blood, and so his health and his strength went all through me, and I was always to have what was left of his life in that shadow-like shape, forming a portion of mine.

"So in the same way with the shape answering to the portrait of that famous beauty who was the wife of my great-grandfather, and used to be called the Pride of the County.

"And so too with another figure which had the face of that portrait marked on the back, Ruth Bradford, who married one of my ancestors, and was before the court, as I have heard, in the time of the witchcraft trials.

"There was with the rest a dark, wild-looking woman, with a head-dress of feathers. She kept as it were in shadow, but I saw something of my own features in her face.

"It was on my mind very strongly that the shape of that woman of our blood who was burned long ago by the Papists came very close to me, and was in some way made one with mine, and that I feel her presence with me since, as if she lived again in me; but not always,--only at times,--and then I feel borne up as if I could do anything in the world. I had a feeling as if she were my guardian and protector.

"It seems to me that these, and more, whom I have not mentioned, do really live over some part of their past lives in my life. I do not understand it all, and perhaps it can be accounted for in some way I have not thought of. I write it down as nearly as I can give it from memory, by request, and if it is printed at this time had rather have all the real names withheld.

"MYRTLE HAZARD."

NOTE BY THE FRIEND.

"This statement must be accounted for in some way, or pa.s.s into the category of the supernatural. Probably it was one of those intuitions, with objective projection, which sometimes come to imaginative young persons, especially girls, in certain exalted nervous conditions. The study of the portraits, with the knowledge of some parts of the history of the persons they represented, and the consciousness of instincts inherited in all probability from these same ancestors, formed the basis of Myrtle's 'Vision.' The lives of our progenitors are, as we know, reproduced in different proportions in ourselves. Whether they as individuals have any consciousness of it, is another matter. It is possible that they do get a second as it were fractional life in us. It might seem that many of those whose blood flows in our veins struggle for the mastery, and by and by one or more get the predominance, so that we grow to be like father, or mother, or remoter ancestor, or two or more are blended in us, not to the exclusion, however, it must be understood, of a special personality of our own, about which these others are grouped. Independently of any possible scientific value, this 'Vision' serves to ill.u.s.trate the above-mentioned fact of common experience, which is not sufficiently weighed by most moralists.

"How much it may be granted to certain young persons to see, not in virtue of their intellectual gifts, but through those direct channels which worldly wisdom may possibly close to the luminous influx, each reader must determine for himself by his own standards of faith and evidence.

"One statement of the narrative admits of a simple natural explanation, which does not allow the lovers of the marvellous to cla.s.s it with the quasi-miraculous appearance seen by Colonel Gardiner, and given in full by Dr. Doddridge in his Life of that remarkable Christian soldier.

Decaying wood is often phosph.o.r.escent, as many readers must have seen for themselves. The country people are familiar with the sight of it in wild timber-land, and have given it the name of 'Fox-fire.' Two trunks of trees in this state, lying across each other, will account for the fact observed, and vindicate the truth of the young girl's story without requiring us to suppose any exceptional occurrence outside of natural laws."

CHAPTER IX. MR. CLEMENT LINDSAY RECEIVES A LETTER, AND BEGINS HIS ANSWER.

It was already morning when a young man living in the town of Alderbank, after lying awake for an hour thinking the unutterable thoughts that nineteen years of life bring to the sleeping and waking dreams of young people, rose from his bed, and, half dressing himself, sat down at his desk, from which he took a letter, which he opened and read. It was written in a delicate, though hardly formed female hand, and crossed like a checker-board, as is usual with these redundant ma.n.u.scripts. The letter was as follows:

OXBOW VILLAGE, June 13, 1859.

MY DEAREST CLEMENT,--You was so good to write me such a sweet little bit of a letter,--only, dear, you never seem to be in quite so good spirits as you used to be. I wish your Susie was with you to cheer you up; but no, she must be patient, and you must be patient too, for you are so ambitious! I have heard you say so many times that n.o.body could be a great artist without pa.s.sing years and years at work, and growing pale and lean with thinking so hard. You won't grow pale and lean, I hope; for I do so love to see that pretty color in your cheeks you have always had ever since I have known you; and besides, I do not believe you will have to work so very hard to do something great,--you have so much genius, and people of genius do such beautiful things with so little trouble. You remember those beautiful lines out of our newspaper I sent you? Well, Mr. Hopkins told me he wrote those lines in one evening without stopping! I wish you could see Mr. Hopkins,--he is a very talented person. I cut out this little piece about him from the paper on purpose to show you,--for genius loves genius,--and you would like to hear him read his own poetry,--he reads it beautifully. Please send this piece from the paper back, as I want to put it in my sc.r.a.pbook, under his autograph:--

"Our young townsman, Mr. Gifted Hopkins, has proved himself worthy of the name he bears. His poetical effusions are equally creditable to his head and his heart, displaying the highest order of genius and powers of imagination and fancy hardly second to any writer of the age. He is destined to make a great sensation in the world of letters."

Mrs. Hopkins is the same good soul she always was. She is very proud of her son, as is natural, and keeps a copy of everything he writes. I believe she cries over them every time she reads them. You don't know how I take to little Sossy and Minthy, those two twins I have written to you about before. Poor little creatures,--what a cruel thing it was in their father and mother not to take care of them! What do you think? Old bachelor Gridley lets them come up into his room, and builds forts and castles for them with his big books! "The world's coming to an end,"

Mrs. Hopkins said the first time he did so. He looks so savage with that scowl of his, and talks so gruff when he is scolding at things in general, that n.o.body would have believed he would have let such little things come anywhere near him. But he seems to be growing kind to all of us and everybody. I saw him talking to the Fire-hang-bird the other day.

You know who the Fire-hang-bird is, don't you? Myrtle Hazard her name is. I wish you could see her. I don't know as I do, though. You would want to make a statue of her, or a painting, I know. She is so handsome that all the young men stand round to see her come out of meeting. Some say that Lawyer Bradshaw is after her; but my! he is ten years older than she is. She is nothing but a girl, though she looks as if she was eighteen. She lives up at a place called The Poplars, with an old woman that is her aunt or something, and n.o.body seems to be much acquainted with her except Olive Eveleth, who is the minister's daughter at Saint Bartholomew's Church. She never has beauxs round her, as some young girls do--they say that she is not happy with her aunt and another woman that stays with her, and that is the reason she keeps so much to herself. The minister came to see me the other day,--Mr. Stoker his name is. I was all alone, and it frightened me, for he looks, oh, so solemn on Sundays! But he called me "My dear," and did n't say anything horrid, you know, about my being such a dreadful, dreadful sinner, as I have heard of his saying to some people,--but he looked very kindly at me, and took my hand, and laid his hand on my shoulder like a brother, and hoped I would come and see him in his study. I suppose I must go, but I don't want to. I don't seem to like him exactly.

I hope you love me as well as ever you did. I can't help feeling sometimes as if you was growing away from me,--you know what I mean,--getting to be too great a person for such a small person as I am.

I know I can't always understand you when you talk about art, and that you know a great deal too much for such a simple girl as I am. Oh, if I thought I could never make you happy!... There, now! I am almost ashamed to send this paper so spotted. Gifted Hopkins wrote some beautiful verses one day on "A Maiden Weeping." He compared the tears falling from her eyes to the drops of dew which one often sees upon the flowers in the morning. Is n't it a pretty thought?

I wish I loved art as well as I do poetry; but I am afraid I have not so much taste as some girls have. You remember how I liked that picture in the ill.u.s.trated magazine, and you said it was horrid. I have been afraid since to like almost anything, for fear you should tell me some time or other it was horrid. Don't you think I shall ever learn to know what is nice from what is n't?

Oh, dear Clement, I wish you would do one thing to please me. Don't say no, for you can do everything you try to,--I am sure you can. I want you to write me some poetry,--just three or four little verses TO SUZIE. Oh, I should feel so proud to have some lines written all on purpose for me.

Mr. Hopkins wrote some the other day, and printed them in the paper, "To M----e." I believe he meant them for Myrtle,--the first and last letter of her name, you see, "M" and "e."

Your letter was a dear one, only so short! I wish you would tell me all about what you are doing at Alderbank. Have you made that model of Innocence that is to have my forehead, and hair parted like mine! Make it pretty, do, that is a darling.

Now don't make a face at my letter. It is n't a very good one, I know; but your poor little Susie does the best she can, and she loves you so much!

Now do be nice and write me one little bit of a mite of a poem,--it will make me just as happy!

I am very well, and as happy as I can be when you are away.

Your affectionate SUSIE.

(Directed to Mr. Clement Lindsay, Alderbank.)

The envelope of this letter was unbroken, as was before said, when the young man took it from his desk. He did not tear it with the hot impatience of some lovers, but cut it open neatly, slowly, one would say sadly. He read it with an air of singular effort, and yet with a certain tenderness. When he had finished it, the drops were thick on his forehead; he groaned and put his hands to his face, which was burning red.

This was what the impulse of boyhood, years ago, had brought him to! He was a stately youth, of n.o.ble bearing, of high purpose, of fastidious taste; and, if his broad forehead, his clear, large blue eyes, his commanding features, his lips, firm, yet plastic to every change of thought and feeling, were not an empty mask, might not improbably claim that Promethean quality of which the girl's letter had spoken,--the strange, divine, dread gift of genius.

This poor, simple, innocent, trusting creature, so utterly incapable of coming into any true relation with his aspiring mind, his large and strong emotions,--this mere child, all simplicity and goodness, but trivial and shallow as the little babbling brooklet that ran by his window to the river, to lose its insignificant being in the swift torrent he heard rus.h.i.+ng over the rocks,--this pretty idol for a weak and kindly and easily satisfied wors.h.i.+pper, was to be enthroned as the queen of his affections, to be adopted as the companion of his labors!

The boy, led by the commonest instinct, the mere attraction of biped to its female, which accident had favored, had thrown away the dearest possession of manhood,--liberty,--and this bauble was to be his lifelong reward! And yet not a bauble either, for a pleasing person and a gentle and sweet nature, which had once made her seem to him the very paragon of loveliness, were still hers. Alas! her simple words were true,--he had grown away from her. Her only fault was that she had not grown with him, and surely he could not reproach her with that.

"No," he said to himself, "I will never leave her so long as her heart clings to me. I have been rash, but she shall not pay the forfeit.

And if I may think of myself, my life need not be wretched because she cannot share all my being with me. The common human qualities are more than all exceptional gifts. She has a woman's heart; and what talent of mine is to be named by the love a true woman can offer in exchange for these divided and cold affections? If it had pleased G.o.d to mate me with one more equal in other ways, who could share my thoughts, who could kindle my inspiration, who had wings to rise into the air with me as well as feet to creep by my side upon the earth,--what cannot such a woman do for a man!

"What! cast away the flower I took in the bud because it does not show as I hoped it would when it opened? I will stand by my word; I will be all as a man that I promised as a boy. Thank G.o.d, she is true and pure and sweet. My nest will be a peaceful one; but I must take wing alone,--alone."

He drew one long sigh, and the cloud pa.s.sed from his countenance. He must answer that letter now, at once. There were reasons, he thought, which made it important. And so, with the cheerfulness which it was kind and becoming to show, so far as possible, and yet with a little excitement on one particular point, which was the cause of his writing so promptly, he began his answer.

ALDERBANK, Thursday morning, June 16, 1859.

MY DEAR SUSIE,--I have just been reading your pleasant letter; and if I do not send you the poem you ask for so eloquently, I will give you a little bit of advice, which will do just as well,--won't it, my dear?

I was interested in your account of various things going on at Oxbow Village. I am very glad you find young Mr. Hopkins so agreeable a friend. His poetry is better than some which I see printed in the village papers, and seems generally unexceptionable in its subjects and tone. I do not believe he is a dangerous companion, though the habit of writing verse does not always improve the character. I think I have seen it make more than one of my acquaintances idle, conceited, sentimental, and frivolous,--perhaps it found them so already. Don't make too much of his talent, and particularly don't let him think that because he can write verses he has nothing else to do in this world. That is for his benefit, dear, and you must skilfully apply it.

Now about yourself. My dear Susie, there was something in your letter that did not please me. You speak of a visit from the Rev. Mr. Stoker, and of his kind, brotherly treatment, his cordiality of behavior, and his asking you to visit him in his study. I am very glad to hear you say that you "don't seem to like him." He is very familiar, it seems to me, for so new an acquaintance. What business had he to be laying his hand on your shoulder? I should like to see him try these free-and-easy ways in my presence! He would not have taken that liberty, my dear! No, he was alone with you, and thought it safe to be disrespectfully familiar.

I want you to maintain your dignity always with such persons, and I beg you not to go to the study of this clergyman, unless some older friend goes with you on every occasion, and sits through the visit. I must speak plainly to you, my dear, as I have a right to. If the minister has anything of importance to say, let it come through the lips of some mature person. It may lose something of the fervor with which it would have been delivered at first hand, but the great rules of Christian life are not so dependent on the particular individual who speaks them, that you must go to this or that young man to find out what they are. If to any man, I should prefer the old gentleman whom you have mentioned in your letters, Father Pemberton. You understand me, my dear girl, and the subject is not grateful. You know how truly I am interested in all that relates to you,--that I regard you with an affection which--

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