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Wally was not so easily satisfied.
"You've no proof whatever ..."
Jill shook her head.
"It's true, Wally. I know Uncle Chris. It must be true."
"But, Jill ... !"
"It must be. How else could Uncle Chris have got the money?"
Mr Pilkington, much encouraged by this ready acquiescence in his theories, got under way once more.
"The man's a swindler! A swindler! He's robbed me! I have been robbed! He never had any intention of starting a motion-picture company. He planned it all out ... !"
Jill cut into the babble of his denunciations. She was sick at heart, and she spoke almost listlessly.
"Mr Pilkington!" The victim stopped. "Mr Pilkington, if what you say is true, and I'm afraid there is no doubt that it is, the only thing I can do is to give you back your property. So will you please try to understand that everything is just as it was before you gave my uncle the money. You've got back your ten thousand dollars and you've got back your piece, so there's nothing more to talk about."
Mr Pilkington, dimly realizing that the financial aspect of the affair had been more or less satisfactorily adjusted was nevertheless conscious of a feeling that he was being thwarted. He had much more to say about Uncle Chris and his methods of doing business, and it irked him to be cut short like this.
"Yes, but I do think... . That's all very well, but I have by no means finished ..."
"Yes, you have," said Wally.
"There's nothing more to talk about," repeated Jill. "I'm sorry this should have happened, but you've nothing to complain about now, have you? Good night."
And she turned quickly away, and walked towards the door.
"But I hadn't _finished!_" wailed Mr Pilkington, clutching at Wally.
He was feeling profoundly aggrieved. If it is bad to be all dressed up and no place to go, it is almost worse to be full of talk and to have no one to talk it to. Otis Pilkington had at least another twenty minutes of speech inside him on the topic of Uncle Chris, and Wally was the nearest human being with a pair of ears.
Wally was in no mood to play the part of confidant. He pushed Mr Pilkington earnestly in the chest and raced after Jill. Mr Pilkington, with the feeling that the world was against him, tottered back into the arms of Mr Goble, who had now recovered his breath and was ready to talk business.
"Have a good cigar," said Mr Goble, producing one. "Now, see here, let's get right down to it. If you'd care to sell out for twenty thousand ..."
"I would _not_ care to sell out for twenty thousand!" yelled the overwrought Mr Pilkington. "I wouldn't sell out for a million! You're a swindler! You want to rob me! You're a crook!"
"Yes, yes," a.s.sented Mr Goble gently. "But, all joking aside, suppose I was to go up to twenty-five thousand ... ?" He twined his fingers lovingly in the slack of Mr Pilkington's coat. "Come now! You're a good kid! Shall we say twenty-five thousand?"
"We will _not_ say twenty-five thousand! Let me go!"
"Now, now, _now!_" pleaded Mr Goble. "Be sensible! don't get all worked up! Say, _do_ have a good cigar!"
"I _won't_ have a good cigar!" shouted Mr Pilkington.
He detached himself with a jerk, and stalked with long strides up the stage. Mr Goble watched him go with a lowering gaze. A heavy sense of the unkindness of fate was oppressing Mr Goble. If you couldn't gyp a bone-headed amateur out of a piece of property, whom could you gyp?
Mr Goble sighed. It hardly seemed to him worth while going on.
4.
Out in the street Wally had overtaken Jill, and they faced one another in the light of a street lamp. Forty-first Street at midnight is a quiet oasis. They had it to themselves.
Jill was pale, and she was breathing quickly, but she forced a smile.
"Well, Wally," she said. "My career as a manager didn't last long, did it?"
"What are you going to do?"
Jill looked down the street.
"I don't know," she said. "I suppose I shall have to start trying to find something."
"But ..."
Jill drew him suddenly into the dark alley-way leading to the stage-door of the Gotham Theatre's nearest neighbor: and, as she did so, a long, thin form, swathed in an overcoat and surmounted by an opera-hat, flashed past.
"I don't think I could have gone through another meeting with Mr Pilkington," said Jill. "It wasn't his fault, and he was quite justified, but what he said about Uncle Chris rather hurt."
Wally, who had ideas of his own similar to those of Mr Pilkington on the subject of Uncle Chris and had intended to express them, prudently kept them unspoken.
"I suppose," he said, "there is no doubt ... ?"
"There can't be. Poor Uncle Chris! He is like Freddie. He means well!"
There was a pause. They left the alley and walked down the street.
"Where are you going now?" asked Wally.
"I'm going home."
"Where's home?"
"Forty-ninth Street. I live in a boarding-house there." A sudden recollection of the boarding-house at which she had lived in Atlantic City smote Wally, and it turned the scale. He had not intended to speak, but he could not help himself.
"Jill!" he cried. "It's no good. I must say it! I want to get you out of all this. I want to take care of you. Why should you go on living this sort of life, when... . Why won't you let me ... ?"
He stopped. Even as he spoke, he realized the futility of what he was saying. Jill was not a girl to be won with words.
They walked on in silence for a moment. They crossed Broadway, noisy with night traffic, and pa.s.sed into the stillness on the other side.
"Wally," said Jill at last.
She was looking straight in front of her. Her voice was troubled.
"Yes?"
Jill hesitated.