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Complete Plays of John Galsworthy Part 81

Complete Plays of John Galsworthy - LightNovelsOnl.com

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LADY CHEs.h.i.+RE. I just wondered whether you'd like to ask my advice.

Your engagement with Dunning's broken off, isn't it?

ROSE. Yes--but I've told him he's got to marry me.

LADY CHEs.h.i.+RE. I see! And you think that'll be the wisest thing?

ROSE. [Stolidly] I don't know, my lady. He's got to.



LADY CHEs.h.i.+RE. I do hope you're a little fond of him still.

ROSE. I'm not. He don't deserve it.

LADY CHEs.h.i.+RE: And--do you think he's quite lost his affection for you?

ROSE. I suppose so, else he wouldn't treat me as he's done. He's after that--that--He didn't ought to treat me as if I was dead.

LADY CHEs.h.i.+RE. No, no--of course. But you will think it all well over, won't you?

ROSE. I've a--got nothing to think over, except what I know of.

LADY CHEs.h.i.+RE. But for you both t0 marry in that spirit! You know it's for life, Rose. [Looking into her face] I'm always ready to help you.

ROSE. [Dropping a very slight curtsey] Thank you, my lady, but I think he ought to marry me. I've told him he ought.

LADY CHEs.h.i.+RE. [Sighing] Well, that's all I wanted to say. It's a question of your self-respect; I can't give you any real advice. But just remember that if you want a friend----

ROSE. [With a gulp] I'm not so 'ard, really. I only want him to do what's right by me.

LADY CHEs.h.i.+RE. [With a little lift of her eyebrow--gently] Yes, yes--I see.

ROSE. [Glancing back at the door] I don't like meeting the servants.

LADY CHEs.h.i.+RE. Come along, I'll take you out another way. [As they reach the door, DOT comes in.]

DOT. [With a glance at ROSE] Can we have this room for the mouldy rehearsal, Mother?

LADY CHEs.h.i.+RE. Yes, dear, you can air it here.

Holding the door open for ROSE she follows her out. And DOT, with a book of "Caste" in her hand, arranges the room according to a diagram.

DOT. Chair--chair--table--chair--Das.h.!.+ Table--piano--fire--window!

[Producing a pocket comb] Comb for Eccles. Cradle?--Cradle--[She viciously dumps a waste-paper basket down, and drops a footstool into it] Brat! [Then reading from the book gloomily] "Enter Eccles breathless. Esther and Polly rise-Esther puts on lid of bandbox."

Bandbox!

Searching for something to represent a bandbox, she opens the workroom door.

DOT. Freda?

FREDA comes in.

DOT. I say, Freda. Anything the matter? You seem awfully down.

[FREDA does not answer.]

DOT. You haven't looked anything of a lollipop lately.

FREDA. I'm quite all right, thank you, Miss Dot.

DOT. Has Mother been givin' you a tonic?

FREDA. [Smiling a little] Not yet.

DOT. That doesn't account for it then. [With a sudden warm impulse]

What is it, Freda?

FREDA. Nothing.

DOT. [Switching of on a different line of thought] Are you very busy this morning?

FREDA. Only this cloak for my lady.

DOT. Oh! that can wait. I may have to get you in to prompt, if I can't keep 'em straight. [Gloomily] They stray so. Would you mind?

FREDA. [Stolidly] I shall be very glad, Miss Dot.

DOT. [Eyeing her dubiously] All right. Let's see--what did I want?

JOAN has come in.

JOAN. Look here, Dot; about the baby in this scene. I'm sure I ought to make more of it.

DOT. Romantic little beast! [She plucks the footstool out by one ear, and holds it forth] Let's see you try!

JOAN. [Recoiling] But, Dot, what are we really going to have for the baby? I can't rehea.r.s.e with that thing. Can't you suggest something, Freda?

FREDA. Borrow a real one, Miss Joan. There are some that don't count much.

JOAN. Freda, how horrible!

DOT. [Dropping the footstool back into the basket] You'll just put up with what you're given.

Then as CHRISTINE and MABEL LANFARNE Come in, FREDA turns abruptly and goes out.

DOT. Buck up! Where are Bill and Harold? [To JOAN] Go and find them, mouse-cat.

But BILL and HAROLD, followed by LATTER, are already in the doorway. They come in, and LATTER, stumbling over the waste-paper basket, takes it up to improve its position.

DOT. Drop that cradle, John! [As he picks the footstool out of it]

Leave the baby in! Now then! Bill, you enter there! [She points to the workroom door where BILL and MABEL range themselves close to the piano; while HAROLD goes to the window] John! get off the stage!

Now then, "Eccles enters breathless, Esther and Polly rise." Wait a minute. I know now. [She opens the workroom door] Freda, I wanted a bandbox.

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