Complete Plays of John Galsworthy - LightNovelsOnl.com
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MRS. H. [Approaching] What is it?
HILLCRIST. Hypocrite!
[JILL comes running in at the window.]
JILL. Dodo, she's moved; she's spoken. It may not be so bad.
HILLCRIST. Thank G.o.d for that!
[FELLOWS enters, Left.]
FELLOWS. The Jackmans, ma'am.
HILLCRIST. Who? What's this?
[The JACKMANS have entered, standing close to the door.]
MRS. J. We're so glad we can go back, sir--ma'am, we just wanted to thank you.
[There is a silence. They see that they are not welcome.]
Thank you kindly, sir. Good night, ma'am.
[They shuffle out. ]
HILLCRIST. I'd forgotten their existence. [He gets up] What is it that gets loose when you begin a fight, and makes you what you think you're not? What blinding evil! Begin as you may, it ends in this --skin game! Skin game!
JILL. [Rus.h.i.+ng to him] It's not you, Dodo; it's not you, beloved Dodo.
HILLCRIST. It is me. For I am, or should be, master in this house!
MRS. H. I don't understand.
HILLCRIST. When we began this fight, we had clean hands--are they clean' now? What's gentility worth if it can't stand fire?
CURTAIN
FROM THE SERIES OF SIX SHORT PLAYS
Contents:
The First and The Last The Little Man Hall-marked Defeat The Sun Punch and Go
THE FIRST AND THE LAST
A DRAMA IN THREE SCENES
PERSONS OF THE PLAY
KEITH DARRANT, K.C.
LARRY DARRANT, His Brother.
WANDA.
SCENE I. KEITH'S Study.
SCENE II. WANDA's Room.
SCENE III. The Same.
Between SCENE I. and SCENE II.--Thirty hours.
Between SCENE II. and SCENE III.--Two months.
SCENE I
It is six o'clock of a November evening, in KEITH DARRANT'S study. A large, dark-curtained room where the light from a single reading-lamp falling on Turkey carpet, on books beside a large armchair, on the deep blue-and-gold coffee service, makes a sort of oasis before a log fire. In red Turkish slippers and an old brown velvet coat, KEITH DARRANT sits asleep. He has a dark, clean-cut, clean-shaven face, dark grizzling hair, dark twisting eyebrows.
[The curtained door away out in the dim part of the room behind him is opened so softly that he does not wake. LARRY DARRANT enters and stands half lost in the curtain over the door. A thin figure, with a worn, high cheek-boned face, deep-sunk blue eyes and wavy hair all ruffled--a face which still has a certain beauty. He moves inwards along the wall, stands still again and utters a gasping sigh. KEITH stirs in his chair.]
KEITH. Who's there?
LARRY. [In a stifled voice] Only I--Larry.
KEITH. [Half-waked] Come in! I was asleep. [He does not turn his head, staring sleepily at the fire.]
The sound of LARRY's breathing can be heard.
[Turning his head a little] Well, Larry, what is it?
LARRY comes skirting along the wall, as if craving its support, outside the radius of the light.
