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Makers Part 8

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That week, Suzanne tweeted constantly, filed two columns, and blogged ten or more items a day: photos, bits of discussion between Lester, Perry and Tjan, a couple videos of the Boogie Woogie Elmos doing improbable things. Turned out that there was quite a cult following for the BWE, and the news that there was a trove of some thousands of them in a Hollywood dump sent a half-dozen pilgrims winging their way across the nation to score some for the collectors' market. Perry wouldn't even take their money: "Fella," he told one persistent dealer, "I got forty *thousand* of these things. I won't miss a couple dozen. Just call it good karma."

When Tjan found out about it he pursed his lips for a moment, then said, "Let me know if someone wants to pay us money, please. I think you were right, but I'd like to have a say, all right?"

Perry looked at Suzanne, who was videoing this exchange with her keychain. Then he looked back at Tjan, "Yeah, of course. Sorry -- force of habit. No harm done, though, right?"

That footage got downloaded a couple hundred times that night, but once it got slashdotted by a couple of high-profile headline aggregators, she found her server hammered with a hundred thousand requests. The Merc had the horsepower to serve them all, but you never knew: every once in a while, the web hit another tipping point and grew by an order of magnitude or so, and then all the server-provisioning -- calculated to survive the old slashdottings -- shredded like wet kleenex.

From: [email protected]



To:

Subject: Re: Embedded journalist?

This stuff is amazing. Amazing! Christ, I should put you on the payroll. Forget I wrote that. But i should. You've got a fantastic eye. I have never felt as in touch with my own business as I do at this moment. Not to mention proud! Proud -- you've made me so proud of the work these guys are doing, proud to have some role in it.

Kettlebelly

She read it sitting up in her coffin, just one of several hundred emails from that day's blog-posts and column. She laughed and dropped it in her folder of correspondence to answer. It was nearly midnight, too late to get into it with Kettlewell.

Then her computer rang -- the net-phone she forwarded her cellphone to when her computer was live and connected. She'd started doing that a couple years back, when soft-phones really stabilized, and her phone bills had dropped to less than twenty bucks a month, down from several hundred. It wasn't that she spent a lot of time within arm's reach of a live computer, but given that calls routed through the laptop were free, she was perfectly willing to defer her calls until she was.

"Hi Jimmy," she said -- her editor, back in San Jose. 9PM Pacific time on a weeknight was still working hours for him.

"Suzanne," he said.

She waited. She'd half expected him to call with a little shower of praise, an echo of Kettlewell's note. Jimmy wasn't the most effusive editor she'd had, but it made his little moments of praise more valuable for their rarity.

"Suzanne," he said again.

"Jimmy," she said. "It's late here. What's up?"

"So, it's like this. I love your reports but it's not Silicon Valley news. It's Miami news. McClatchy handed me a thirty percent cut this morning and I'm going to the bone. I am firing a third of the newsroom today. Now, you are a stupendous writer and so I said to myself, 'I can fire her or I can bring her home and have her write about Silicon Valley again,' and I knew what the answer had to be. So I need you to come home, just wrap it up and come home."

He finished speaking and she found herself staring at her computer's screen. Her hands were gripping the laptop's edges so tightly it hurt, and the machine made a plasticky squeak as it began to bend.

"I can't do that, Jimmy. This is stuff that Silicon Valley needs to know about. This may not be what's happening *in* Silicon Valley, but it sure as s.h.i.+t is what's happening *to* Silicon Valley." She hated that she'd cussed -- she hadn't meant to. "I know you're in a hard spot, but this is the story I need to cover right now."

"Suzanne, I'm cutting a third of the newsroom. We're going to be covering stories within driving distance of this office for the foreseeable future, and that's it. I don't disagree with a single thing you just said, but it doesn't matter: if I leave you where you are, I'll have to cut the guy who covers the school boards and the city councils. I can't do that, not if I want to remain a daily newspaper editor."

"I see," she said. "Can I think about it?"

"Think about what, Suzanne? This has not been the best day for me, I have to tell you, but I don't see what there is to think about. This newspaper no longer has correspondents who work in Miami and London and Paris and New York. As of today, that stuff comes from bloggers, or off the wire, or whatever -- but not from our payroll. You work for this newspaper, so you need to come back here, because the job you're doing does not exist any longer. The job you have with us is here. You've missed the night-flight, but there's a direct flight tomorrow morning that'll have you back by lunchtime tomorrow, and we can sit down together then and talk about it, all right?"

"I think --" She felt that oh-s.h.i.+t-oh-s.h.i.+t feeling again, that needing-to-pee feeling, that tension from her toes to her nose. "Jimmy," she said. "I need a leave of absence, OK?"

"What? Suzanne, I'm sure we owe you some vacation but now isn't the time --"

"Not a vacation, Jimmy. Six months leave of absence, without pay." Her savings could cover it. She could put some banner ads on her blog. Florida was cheap. She could rent out her place in California. She was six steps into the plan and it had only taken ten seconds and she had no doubts whatsoever. She could talk to that book-agent who'd pinged her last year, see about getting an advance on a book about Kodacell.

"Are you quitting?"

"No, Jimmy -- well, not unless you make me. But I need to stay here."

"The work you're doing there is fine, Suzanne, but I worked really hard to protect your job here and this isn't going to help make that happen."

"What are you saying?"

"If you want to work for the Merc, you need to fly back to San Jose, where the Merc is published. I can't make it any clearer than that."

No, he couldn't. She sympathized with him. She was really well paid by the Merc. Keeping her on would mean firing two junior writers. He'd cut her a lot of breaks along the way, too -- let her feel out the Valley in her own way. It had paid off for both of them, but he'd taken the risk when a lot of people wouldn't have. She'd be a fool to walk away from all that.

She opened her mouth to tell him that she'd be on the plane in the morning, and what came out was, "Jimmy, I really appreciate all the work you've done for me, but this is the story I need to write. I'm sorry about that."

"Suzanne," he said.

"Thank you, Jimmy," she said. "I'll get back to California when I get a lull and sort out the details -- my employee card and stuff."

"You know what you're doing, right?"

"Yeah," she said. "I do."

When she unscrewed her earpiece, she discovered that her neck was killing her. That made her realize that she was a forty-five-year-old woman in America without health insurance. Or regular income. She was a journalist without a journalistic organ.

She'd have to tell Kettlewell, who would no doubt offer to put her on the payroll. She couldn't do that, of course. Neutrality was hard enough to maintain, never mind being financially compromised.

She stepped out of the coffin and sniffed the salty air. Living in the coffin was expensive. She'd need to get a condo or something. A place with a kitchen where she could prep meals. She figured that Perry's building would probably have a vacancy or two.

The second business that Tjan took Perry into was even more successful than the first, and that was saying something. It only took a week for Tjan to get Perry and Lester cranking on a Kitchen Gnome design that mashed together some Homeland Security gait-recognition software with a big solid-state hard-disk and a microphone and a little camera, all packaged together in one of a couple hundred designs of a garden-gnome figurine that stood six inches tall. It could recognize every member of a household by the way they walked and play back voice-memos for each. It turned out to be a killer tool for context-sensitive reminders to kids to do the dishes, and for husbands, wives and roommates to nag each other without getting on each others'

nerves. Tjan was really jazzed about it, as it tied in with some theories he had about the changing US demographic, trending towards blended households in urban centers, with three or more adults co-habitating.

"This is a rich vein," he said, rubbing his hands together. "Living communally is hard, and technology can make it easier. Roommate ware. It's the wave of the future."

There was another Kodacell group in San Francisco, a design outfit with a bunch of stringers who could design the gnomes for them and they did great work. The gnomes were slightly lewd-looking, and they were the product of a generative algorithm that varied each one. Some of the designs that fell out of the algorithm were jaw-droppingly weird -- Perry kept a three-eyed, six-armed version on his desk. They tooled up to make them by the hundred, then the thousand,then the tens of thousand. The fact that each one was different kept their margins up, but as the Gnomes gained popularity their sales were steadily eroded by knock-offs, mostly from Eastern Europe.

The knockoffs weren't as cool-looking -- though they were certainly weirder looking, like the offspring of a Norwegian troll and an anime robot -- but they were more feature-rich. Some smart hacker in Russia was packing all kinds of functionality onto a single chip, so that their trolls cost less and did more: burglar alarms, baby-monitors, streaming Internet radio source, and low-reliability medical diagnostic that relied on quack a.n.a.lysis of eye pigment, tongue coating and other newage (rhymes with sewage) indicators.

Lester came back from the Dollar Store with a big bag of trolls, a dozen different models, and dumped them out on Tjan's desk, up in old foreman's offices on the catwalk above the works.p.a.ces. "Christ, would you look at these? They're selling them for less than our cost to manufacture. How do we compete with this?"

"We don't," Tjan said, and rubbed his belly. "Now we do the next thing."

"What's the next thing?" Perry said.

"Well, the first one delivered a return-on-investment at about twenty times the rate of any Kodak or Duracell business unit in the history of either company. But I'd like to shoot for thirty to forty times next, if that's all right with you. So let's go see what you've invented this week and how we can commercialize it."

Perry and Lester just looked at each other. Finally, Lester said, "Can you repeat that?"

"The typical ROI for a Kodacell unit in the old days was about four percent. If you put a hundred dollars in, you'd get a hundred and four dollars out, and it would take about a year to realize. Of course, in the old days, they wouldn't have touched a new business unless they could put a hundred million in and get a hundred and four million out. Four million bucks is four million bucks.

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About Makers Part 8 novel

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