Magic Part 10

CHAPTER IX

MISCELLANEOUS TRICKS

FLASH PAPER.--Having had occasion several times during the course of the present work to make use of "flash paper," I will now describe the manner in which it is prepared. It is not, however, practical to manufacture it at home, as it can be obtained in large quant.i.ties at a very small cost.

A mixture of nitric and sulphuric acids, one part of the former to two of the latter, is made, and allowed to stand for twelve hours before using. The experiment should be made in the open air. Ordinary tissue paper is then immersed in the fluid for a few seconds, after which it is taken out and washed well in clear water, until all trace of the acid has been removed. This can be ascertained by the use of blue litmus paper, which when dipped into the water will betray the presence of the acid by turning red. The paper should then be dried in a warm atmosphere, but not near a fire, and it is ready for use.

Flash handkerchiefs are prepared in a similar manner. For this purpose take a piece of fine cambric, wash it well in hot water to remove all grease and other impurities, and then treat it in the same way as the paper.

A NEW FIRE FLASH.--This forms a very good opening trick. The performer steps on the stage and, in what appears to be a careless manner, picks up a piece of paper from the floor, rolls it up in his hands, and throws it in the air, where it disappears in a flame, leaving no trace behind.

To produce this effect you must obtain some very fine gla.s.s tubing about the thickness of a darning needle, and having broken off several pieces about an inch long, fill them with sulphuric acid. This can be done with the aid of a long piece of india-rubber tubing, the acid being drawn into the gla.s.s by suction. The ends of the tube are then sealed hermetically in the flame of a spirit lamp. You must next prepare a powder composed of equal parts of chlorate of pota.s.s and powdered lump sugar. Wrap a very small quant.i.ty of this powder--about as much as will lie on a penny--together with one of the acid tubes in a piece of flash paper, and all is ready.

When rolling up the paper in the hands the tube is broken; the acid escapes and fires the powder, which in turn sets fire to the paper and produces the desired result.

CAUTION.--To prevent accidents never prepare the papers or even mix the powder, until actually required for use.

CONJURER'S AMMUNITION.--The magic pistol described on p. 61 is usually loaded with a small charge of powder. This is excellent for stage purposes, but hardly suitable for the drawing-room, where some objection might be taken to the employment of powder, even in a small quant.i.ty. The pistol, however, need not be discarded, as it can still be used in a manner that will in no way detract from the charm of the trick. Load the pistol with a piece of flash paper, place a percussion cap on the nipple, and pull the trigger. The paper will take fire and be thrown from the pistol, vanis.h.i.+ng in a sheet of flame at the opposite end of the room.

Again, the pistol need not be loaded at all, but just as you are about to fire you appear to understand that the ladies object, and remark--"Oh! I see the ladies object to the report--well in that case I will use the pistol as an air-gun." Saying this, you remove the conical tube and blow through it to cause the supposed transmission.

SMOKE FROM TWO EMPTY PIPES.--Two empty and clean clay pipes are pa.s.sed round for examination and proved ostensibly to be unprepared. The bowls are then placed one over the other, when the performer, by simply inserting one of the stems in his mouth, commences to blow clouds of smoke from the pipes.

The solution of the mystery is as follows:--A few drops of hydrochloric acid (spirits of salts) are placed in one of the pipes, while the other is similarly treated with ammonia. The union of the two chemicals produces a thick vapor, which has all the appearance of smoke produced from tobacco.

A good combination trick may be formed by preparing a gla.s.s tumbler and the bottom of a tea plate, as above described; the plate is then placed over the tumbler, the whole being covered with a handkerchief. The smoke so mysteriously produced from the pipes may now be caused, apparently by some occult means, to find its way into the closed tumbler.

FIRE-EATING TRICK.--This, although a very startling trick, is quite harmless, and can be performed by any one. Small b.a.l.l.s of fire are placed in the mouth and, apparently, swallowed, being immediately afterward produced from the ears, or any part of the body that fancy may suggest.

The b.a.l.l.s are small pieces of camphor cut to shape, and are lighted in the flame of a candle. They should be tossed from one hand to the other, and finally into the mouth, which should forthwith be closed.

This, of course, extinguishes the b.a.l.l.s, which should be secretly removed at the earliest opportunity.

The reproduction of the b.a.l.l.s of fire is managed with the aid of the acid tubes mentioned on p. 160, which, together with a small quant.i.ty of the powder, should be wrapped up in flash paper, and deposited about the person as required. The best effect, however, is obtained by producing them from behind the ears; it is also a very convenient method, as the tubes are not so likely to be prematurely fractured.

EXPLODING SOAP-BUBBLES.--This is a novelty, and will be found to produce a very good effect. The bubbles are blown in the usual way with an ordinary clay pipe, the only preparation necessary being that the bowl of the pipe must be filled with cotton-wool soaked in gasolene.

Bubbles blown with a pipe thus prepared will be found to explode in a flame when approached with a light.

THE TUBE AND BALL.--This is a very ingenious trick, and well worth the attention of the most fastidious performer. It can be used in several ways.

The apparatus consists of a piece of one and one-half inch bra.s.s tubing about seven inches long, with a cap of the same metal fitting loosely over one end; also two billiard b.a.l.l.s about the size of the diameter of the tube. The audience, however, are not supposed to know of the existence of more than one ball. (See Fig. 35.) The tube and cap, together with the ball, are given for examination, attention being drawn to the fact that the ball will readily pa.s.s through the tube.

After examination the tube is stood on one end on the table and covered with the cap. The operator then takes the ball and vanishes it by means of sleight of hand, when, on the tube being raised, it has to all appearance been pa.s.sed underneath.

[Ill.u.s.tration: Fig. 36.-Tube and Ball]

The secret lies in the fact that there is a very small dent in the side of the tube at the centre; also that one of the b.a.l.l.s--that given for examination--is slightly smaller than the other. The small ball runs freely through the tube, but the large one will not pa.s.s the centre on account of the indentation.

On receiving back the tube the performer secretly drops the large ball into it, which, owing to the force of the fall, is pinched in the centre and will not fall out. In this condition the tube can be turned about in all directions and will still appear empty. When placing it on the table the performer is careful to bring it down rather smartly on the end at which the ball was introduced, when, owing to the concussion, the ball is released and falls on the table.

The tube can be used to cause the disappearance of a ball in the following manner:--Place the ball on a tea plate and cover it with the tube, which in turn cover with a second plate. By reversing the position of the structure the ball falls into the tube, where it is retained in the manner described, and after a little more twisting and turning, to add to the general confusion, the plates are removed and the ball is proved to have disappeared.

The ball can of course be reproduced if desired; or if two tubes are used it may be, apparently, pa.s.sed from one to the other. In this case, however, it is suggested that round discs of wood be used in place of the plates, as the latter would be likely to get fractured in the act of bringing the tube down with sufficient force to dislodge the ball.

THE UBIQUITOUS THIMBLE.--This is one of the prettiest sleight of hand tricks in existence, and requires very little practice. For the purpose of the trick, in its entirety, the performer must be provided with two thimbles exactly alike; but very many surprising pa.s.ses can be made with one thimble only. The idea of the trick proper is to cause a thimble placed on the forefinger of the right hand to disappear and be found on the corresponding finger of the left hand, without the hands approaching each other. It is usual, however, in the first place, to execute a number of pa.s.ses with one thimble only, as by this means the audience will be the less likely to suspect the introduction of the second one. The main thing necessary is to acquire the knack of holding a thimble in the fleshy portion of the hand at the root of the thumb, in which position it can be placed, or removed at pleasure, by simply bending the forefinger. (See Figs. 37 and 38.) This sleight must be executed with equal facility with both hands.

[Ill.u.s.tration: Fig. 37.--Thimble Trick]

When about to present the trick the performer comes forward with a thimble on the forefinger of the right hand, the second one being in the left-hand trousers pocket. He now appears to place the thimble in the left hand, but really, when the right hand is in motion toward the left, it is palmed as described. The left hand is then brought down with some force on the head and the thimble produced from the mouth on the forefinger of the right hand. This can be done with perfect ease, as, so long as the hand is kept in motion during the recovery of the thimble, there is no fear of the movement being detected.

[Ill.u.s.tration: Fig. 38.--Thimble at Root of Thumb]

The thimble is then apparently placed in the mouth, really being palmed as before, and afterward produced from the bottom of the vest. While doing this the performer stands with the left hand in the trousers pocket and palms the second thimble. Both hands are now held palms away from the spectators, and kept in continual motion. Under cover of this the right-hand thimble is palmed, and that in the left hand produced, when it will appear to have been pa.s.sed from one hand to the other.

This can be repeated as often as desired.

Finally the second thimble should be secretly disposed of, and the trick brought to a conclusion with a pa.s.s performed with the one only.

An additional effect may be obtained by the use of two thimbles, one fitting over the other. These should be made in thin metal so as to be, in point of size, as near alike as possible. The two thimbles, which appear as one only, are placed on the forefinger of the right hand, and covered with a small paper cone, with the remark, "You see the cone just fits the thimble; I will now show you a rather extraordinary experiment with the same." The cone is then removed, with slight pressure at the base, and placed on the table on the supposition that it is empty, but it really contains the uppermost thimble. The one left on the finger is then vanished, under cover of a throwing movement toward the cone, which is then removed by the apex and the thimble discovered.

While all attention is drawn to the table the duplicate thimble is dropped into the profonde.

THE MYSTERIOUS TAMBOURINE.--It is generally understood that, should the silk hat go out of fas.h.i.+on, conjurers would be at a loss for a suitable article wherewith to work the numerous "production" tricks. Should such a calamity ever befall the profession the mysterious tambourine will, to some extent, come to the rescue.

The apparatus consists of two nickel-plated bra.s.s rings, eight inches in diameter and one inch deep; the one fitting easily over the other.

(See Fig. 39.) The tambourine is constructed by placing a sheet of paper between the two rings, and pressing the upper one down over the lower, the edges of the paper being afterward trimmed round with scissors. Thus prepared it is shown back and front.

[Ill.u.s.tration: Fig. 39.--Tambourine Trick]

The prestidigitateur then makes a small hole in the centre of the paper with his wand, and immediately commences to twist out yard after yard of colored paper ribbon, sufficient being obtained to fill a large clothes basket. If the performer desires to add to the effect of the trick the production of the ribbon may be preceded by that of a number of handkerchiefs, also a quant.i.ty of spring flowers and other articles of a like nature. Finally a rabbit or a large bird cage containing a live bird may be produced from the pile of ribbon.

The explanation is very simple. The tambourine is put together at the rear edge of the table, and when taking it up prior to tr.i.m.m.i.n.g the edges, the coil, which was on the servante or suspended at the back of the table, is brought away under cover of the paper and pressed into the ring. The back of the colored coil should be rubbed over with chalk to match the white paper used in the construction of the tambourine, which can then be shown back and front, but will still appear empty.

The flowers should be done up in three packets of twenty each and laid on the coil, being covered with the handkerchiefs, which should be folded up neatly. The packet is then tied together with thin cotton, which can easily be broken when required.

The rabbit is in readiness in the profonde on the right side, and is introduced into the ribbon when picking it up from the floor.

The cage, which should be a folding one, is suspended behind the back of a chair, over which the ribbon would be thrown while performing a simple trick with one of the handkerchiefs. In the act of taking the ribbon from the chair opportunity would be found for introducing the cage un.o.bserved.

THE BRAN AND DOVE PLATES.--The trick about to be described, in its primary form, consists of changing a quant.i.ty of bran or flour into a live dove. It can, however, like the tambourine, be made available for the production of various articles, and is especially suitable for the magical distribution of bonbons, sweets, etc.