Scottish Cathedrals and Abbeys Part 11

Only fragments of the conventual buildings remain. "An octagonal turret marks the south-east corner of the chapter-house with the south and east return walls, and adjoining the south transept is the slype, the walls of which determine the other walls of the chapter-house. On the wall of the south transept is clearly seen the mark of the dormitory roof, with the door between the church and dormitory now built up."[446] The north wall and a portion of the west wall proceeding southward from it are all that remain of the extensive enclosure of the abbey. The enclosure was said to have been of great height and to have extended 1150 feet on the east and west, 760 feet on the north, and 480 feet on the south. There were great towers at the angles and entrance gateways on the north and at the south-east angle. In the centre of the north wall is the portcullis entrance gatehouse. The front wall is almost entire, and the upper floor window is crossed by the corbels which carried the movable wooden h.o.a.rding that was erected over the gateway when required for its defence.[447] At the western extremity of the north enclosing wall there is a large square tower, three stories in height in the inside, and four stories on the outside, owing to the fall of the ground. The two lower floors are round-vaulted, and the cape-house on top is said to have been removed during this century.[448] The building adjoining the tower to the east was called the Regality Court-house, and had a groined ceiling. The abbot's house is on the south side of the cloister, and is the best preserved abbot's house in Scotland. It is three stories high, and the two upper floors have been converted into a modern private dwelling-house. It has been altered externally and spoiled of its ancient internal fittings, with the exception of two fine carved panels, one representing the Virgin, and the other a large Scotch thistle. The kitchen has central pillars supporting a groined roof,[449] and the other offices connected with the kitchen are all vaulted. The abbey suffered from fire in 1272 and in 1380, while in 1350 it was injured "from the frequent a.s.saults of the English s.h.i.+ps."[450] Service was up to 1590 conducted in the lady chapel "stripped of its altars and images."

_Melrose Abbey (Roxburghs.h.i.+re)._--The editor of the _Liber de Melros_ has said in reference to this abbey:--

"The incidental mention of the condition of the abbey itself at different times strongly ill.u.s.trates the history of the district and the age. At one time powerful and prosperous, acc.u.mulating property, procuring privileges, commanding the support of the most powerful, and proudly contending against the slightest encroachment; at another, impoverished and ruined by continual wars, obliged to seek protection from the foreign invader: in either situation it reflects back faithfully the political condition of the country.

But the political events of a country of so narrow bounds and small resources as Scotland are insignificant unless they are a.s.sociated with the development of principles and feelings that know no limits of place or power. How rich Scotland has been in such a.s.sociations is testified by the general sympathy which attends her history and her literature, and gives a pride to her children that forms not the weakest safeguard of their virtue. It is in recalling freshly the memory of times in which the proud and virtuous character of her people was formed, and which it is their delight and their duty to look back upon, that such studies as the present are most useful.

Every local a.s.sociation, every faint ill.u.s.tration of antiquity, each indication of the bygone manners of a simple age, are in this view to be treasured, not only as filling a page of a meagre history, but as so many moral ties to bind us closer in affection to the country of our fathers."[451]

This abbey has a charming site in the hill-girt hollow known as the vale of Melrose, occupying one of those peaceful situations near a river which the Cistercians delighted to choose and colonise. An ancient monastery of Melrose had existed since the seventh century, on a broad meadow nearly surrounded by a "loop" of the Tweed, about 2-1/2 miles lower down the river. It was established about 650 by St. Aidan, the missionary from Iona, who preached in Northumbria, and founded the abbey of Lindisfarne. Eata was the first abbot we hear of, and he was a disciple of St. Aidan. St. Cuthbert spent much of his early life at this monastery of old Melrose, and afterwards chose as the scene of his labours Hexham and Lindisfarne. The monks of Lindisfarne, when expelled by the Danes, took refuge at Melrose, and brought with them St.

Cuthbert's body, which afterwards found its resting-place at Durham. In the eleventh century this old monastery of Melrose had become a ruined and desolate place. It afterwards became the retreat of a few monks, amongst whom was the celebrated Turgot, the confessor of Queen Margaret.

A chapel was erected and dedicated to St. Cuthbert, which at first belonged to Coldingham, but was gifted finally by David I. to the new abbey of Melrose.

This abbey was founded in 1136 at a place then called Fordell, and was endowed by David I. and his n.o.bles with extensive lands. The monks were of the Cistercian order, and were brought from Rievalle in Yorks.h.i.+re.

The original buildings were not finished till 1146, and on the 28th of July in that year the church was solemnly consecrated and dedicated to the Virgin Mary. It is thought that such buildings with an oratory were probably the residence of the monks, and their period would suggest the Norman style, like that of the abbeys of Kelso, Jedburgh, and Dryburgh.

Every trace of these early buildings has disappeared, and, situated as it was on the border-country, Melrose Abbey was exposed to danger, and frequently suffered in the wars between the two countries. It was in the chapter-house at Melrose that the Yorks.h.i.+re barons united against King John and swore fealty to Alexander II. in 1215. In 1295 Edward I. gave formal protection to its monks, and in 1296 he issued a writ ordering a rest.i.tution to them of all the property they had lost in the preceding struggle. In 1321 or 1322 the original structure was destroyed by the English under Edward II., and the abbot, with a number of the monks, was killed. In 1326 Robert I. gave a grant of 2000 to be applied to the rebuilding of the church, and in 1329, a few months before his death, he wrote a letter to his son David, requesting that his heart should be buried at Melrose and commending the monastery and the church to his successor's favour. His wish was granted, and so late as 1369 we hear of King David II. renewing his father's gift, and it is to this grant we owe a considerable part of the present building. In 1328 Edward III.

ordered the restoration to the abbey of pensions and lands which it had held in England, and which had been seized by Edward II. In 1334 the same king granted a protection to Melrose in common with the other Border abbeys, and in 1341 he came to Melrose to spend Christmas. In 1385 Richard II., exasperated by his fruitless expedition into Scotland, spent a night in the abbey and caused it to be burned. Notwithstanding these disasters, the abbey increased in wealth and architectural splendour, and it was not till more severe damage and dilapidations befell it during the reigns of Henry VIII., Edward VI. and Elizabeth, that ruin began finally to impend. The approach of the Reformation influenced its downfall, and though donations for rebuilding were given by various individuals, the abbey never recovered the damage then suffered. In 1541 James V. obtained from the Pope the abbeys of Melrose and Kelso, to be held _in commendam_ by his illegitimate son James, who died in 1558. In 1560 all the "abbacie" was annexed to the Crown, and in 1566 Mary granted the lands to James, Earl of Bothwell, with the t.i.tle of Commendator. After pa.s.sing through the hands of Douglas of Lochleven and Sir John Ramsay, the estates were ultimately acquired by the Scotts of Buccleuch. The abbey gradually fell into decay through neglect. The materials were used for the erection of other structures, and Douglas built from the ruins a house which still stands to the north of the cloisters and bears the date 1590. The masonry also formed a quarry for the neighbourhood, and in 1618 the remaining portion of the structure was fitted up as the parish church, "and in order to render it secure, a plain pointed barrel vault was thrown across the nave, and was supported by plain square piers built against the old piers on the north side. The original vaulting seems to have been previously demolished."[452] A great number of the stone images of saints which filled the numerous wall niches were left untouched till 1649, when they were almost all cast down and destroyed, but by whose order is unknown. Of the abbey there now only remain the ruins of the church, and of it the most competent authorities say:--

"No building in Scotland affords such an extensive and almost inexhaustible field for minute investigation and enjoyment of detail such as this. Whether we consider the great variety of the beautifully sculptured figures of monks and angels playing on musical instruments, or displaying 'the scrolls which teach us to live and die,' or turn to the elaborate canopies and beautiful pinnacles of the b.u.t.tresses, or examine the rich variety of foliage and other sculptures on the capitals of the nave and the doorway and arches of the cloisters; or if, again, we take a more general view of the different parts of the edifice from the numerous fine standpoints from which it can be so advantageously contemplated, we know of no Scottish building which surpa.s.ses Melrose either in the picturesqueness of its general aspect or in the profusion or value of its details. It occupies an important position also historically, and it in part supplies an admirable example of that decorated architecture, the existence of which in this country has been so often denied, but of which, we trust, a sufficient number of examples are now provided to render that reproach to Scottish architecture no longer justifiable. We have to thank the fine red sandstone of the district, of which the church is built, for the perfect preservation of all the details of the structure. These remain, even in the minutest carving, as perfect and complete as the day they were executed."[453]

The cloister and domestic buildings, including the hall of Abbot Matthew, were situated on the _north_ side of the church. They have now entirely disappeared, leaving only a portion of the cloister which indicates their position. The church is cruciform, and the choir is unusually short and the nave unusually long. The aisled choir extends only two bays eastwards from the crossing, beyond which point the presbytery is carried one bay farther, without aisles, and is lighted by large north and south windows as well as by the great eastern window.

The shortness of the choir rendered it necessary that part of the nave should be appropriated for the monks, and the enclosing screen wall of this portion of the "choir" extended to the fourth pier west from the crossing, where it was carried across the nave and formed the rood screen. The screen was wide and contained a gallery, on the top of which stood the rood.[454] The nave extends to eight bays, but it has been intended to be longer--the west end being incomplete. Extending southwards, beyond the south aisle, is a series of eight chapels, which produced externally, along with the south aisle, the appearance of a double aisle.[455] The north aisle is narrower than the south aisle, and the position of the cloister may have hampered the design.

This difference may have arisen from the plan of the original abbey of the twelfth century being adhered to in the later construction.[456]

The transepts contain the usual eastern aisle only, in which are situated four chapels.

The superstructure of the church has severely suffered and the western part is greatly demolished. The portion eastwards from the rood screen is in better preservation. The vaulting of the aisles is well-preserved, but that of the centre aisle is demolished--a pointed tunnel vault having been constructed in 1618. The eight chapels are well preserved, but some parts of the three furthest west ones are damaged and have lost their vaulting. The tracery in the chapel windows is lovely; the vaulting of the nave, south aisle and chapels, is supported by a series of flying b.u.t.tresses, "which form one of the most prominent and beautiful elements of the building. No church in Scotland retains such a striking example of that important feature of Gothic architecture."[457]

The eastern piers of the crossing were demolished probably in Henry VIII.'s time, and their destruction entailed that of the central tower, of which the western wall only remains. The transepts have suffered by the fall of the tower, but fortunately the south wall of the transept with its finely decorated window is still preserved.

From the south transept access is obtained to the roof of the nave aisle and to the uppermost parts of the structure by a turnpike stair, which also forms the only mode of approach to the tower.[458]

"The choir, so far as the east is concerned, is well preserved, the b.u.t.tresses and gable, the celebrated eastern window, and the remarkable vaulting of the presbytery being all in good order. The remainder of the choir, however, has been greatly wrecked by the fall of the central tower; but many of the windows of the choir and transept with their perpendicular tracery have escaped destruction, and afford the best example in Scotland of that form of design."[459]

The building, as it now stands, is, generally speaking,[460] of a date subsequent to Bruce's time, and much of it is later than the destruction which occurred under Richard II. in 1385.[461] "The nave, from the crossing to the rood loft, and part of the transepts are, undoubtedly, the oldest portions of the existing edifice. The work in these is, for the most part, of the Scottish decorated period. The nave piers, with their beautifully carved caps, and the mouldings of the arches are distinctly decorated work; and the flying b.u.t.tresses and pinnacles on the south side of the nave are, without doubt, of the same period. So also is the south wall of the transept, with its magnificent window and tracery and its b.u.t.tresses, enriched with fine canopies and quaint figures carved as corbels.

"All these features bear a close affinity to the decorated work of the nave of York Minster, erected about 1400. The flying b.u.t.tresses, with pinnacles enriched with crockets and foliaged finials; the niches, with their elaborate canopies and corbels composed of figures of monks and angels; the statues which formerly filled the niches, of which very few now remain; the decorated tracery of the south transept window, and the whole character of the work, both in its general scope and in its details, is of fine decorated design, and vividly recalls that of York, Beverley, and other English examples. It is not improbable that some parts of the nave and transept were erected during the period between the death of King Robert Bruce and the invasion of Richard II. It should be mentioned that Bruce's bequest was not all received till 1399, and the operations also probably proceeded slowly. The doorway in the south wall of the south transept is apparently an insertion in older work."[462] The south chapels of the nave have apparently been added during the repairs in the earlier part of the fifteenth century; the b.u.t.tresses were probably executed towards the middle of that century, and the east one contains the arms of Abbot Hunter.[463]

There is a distinct change in the transept's design from that of the nave, as if the former had been added to the latter at a later period.[464] The east wall and the other eastern parts of the choir are more recent than the nave, and probably this portion of the church had been more damaged by Richard II. than the nave, and required to be almost wholly rebuilt. The style here corresponds closely with the "perpendicular" of England which prevailed in the fifteenth century.[465] The great eastern window is exceptional and unique, and has more of the character of perpendicular than any other style. Scott, referring to it, has described the moon as s.h.i.+ning

Through slender shafts of shapely stone, By foliaged tracery combined; Thou would'st have thought some fairy's hand, Twixt poplars straight, the osier wand, In many a freakish knot, had twined; Then framed a spell, when the work was done, And changed the willow-wreaths to stone.

The design of the west wall of the north transept is different from that of the other parts of the building, but the clerestory windows are of the same design as the rest of the older church. "The wall ribs of the vaulting include two windows in each; and the s.p.a.ce between the windows is occupied by two niches, each carried up from a shaft--with late canopies, containing statues of St. Peter and St.

Paul, the former having the keys and the latter holding his sword.

These are the best preserved statues in the church, but they are not of very remarkable workmans.h.i.+p."[466] The building or restoration of the eastern part of the edifice is regarded as indicating, from its style, work of the middle of the fifteenth century, and the vaulting of the south transept appears to have been erected by Abbot Hunter about the same time,[467] probably from 1450 to 1460. More of the vaulting in the eastern part of the nave may have been carried out at that epoch. The vaults all contain, besides the main and ridge ribs, subsidiary ribs, or tiercerons, indicating a similarity to English examples.[468]

The vaulting of the presbytery is peculiar, and points to a somewhat later time; examples of vaulting similar to that of the presbytery of Melrose may be seen at Winchester Cathedral, and other English examples of the fifteenth century.[469]

The south chapels to the west of the fifth b.u.t.tress west from the transept, on which b.u.t.tress another specimen of Abbot Hunter's arms is engraved, are of comparatively late date.[470] "This b.u.t.tress belongs to the earlier part of the nave, and the chapel seems to have been repaired when the additional chapels to the west were erected. Besides the three hunting horns in the s.h.i.+eld of Abbot Hunter in the examples above mentioned, the arms engraved on the fifth b.u.t.tress contain two crosiers, saltierwise, and the initials A. H. on the right and left; also, in chief a rose, and in base a mason's mell for Melrose. The work in the chapels to the west is inferior to that of those to the eastward, although copied from them. The chapels each contain an enriched piscina, and these are so inferior in style of workmans.h.i.+p as to lead to the belief that they were inserted after the chapels were built. One of them contains the initials of Abbot William Turnbull, whose date is the beginning of the sixteenth century. A late piscina has also been inserted in the south transept.

"Work in the nave and in the south chapels was apparently in progress during the reign of James IV., as the royal arms, with the letters I. Q. (Jacobus Quartus) and the date 1505 on the westmost b.u.t.tress testify."[471] On the south side of the cloister is a very lovely doorway that leads into the church. To the right of this and along the east wall of the cloister, are arched recesses of a late style, and in the south wall is an arcade of trefoil form, with nail-head enrichments. The latter is an example of the late revival of early forms which prevailed towards the close of the Gothic epoch.[472]

It has been stated that the arcade of the cloister formerly extended 150 feet each way. The cloister wall is now reduced to the portions which abut against the nave and transept--50 feet on the east side and 80 feet on the south side. "The former side contains a wall arcade of seven arches. These are of the form called drop arches, with crocketed ogee hood moulding, and have plain spandrils above, over which there runs a straight cornice, enriched with flowers and sh.e.l.ls of all descriptions very beautifully carved."[473] Of these Sir Walter Scott said:--

Nor herb nor floweret glistened there But was carved in the cloister arches as fair.

The tower was doubtless erected about the same time as the transept.[474] In the south transept are two inscriptions that have given rise to much speculation and continue to exercise Border antiquaries. One of these is carved over the doorway in the west wall which gives access to the wheel stair, and part of the inscription is carried down one side for want of room. It is the following:--

Sa gays the c.u.mpas evyn about, Sa trouth and laute. do but duite.

Behald to ye hende q. Johne Morvo.[475]

The other inscription is carved on a tablet in the wall on the south side of the same door:--

John Morow sum tym callit was I And born in Parysse certanly And had in kepyng al masoun werk Of Santandroys ye hye kyrk Of Glasgw Melros and Paslay Of Nyddysdayll and of Galway I pray to G.o.d and Mari bath And sweet S. John kep this haly kirk frae skaith.

In the centre of the former inscription is a sunk panel containing a s.h.i.+eld with two masons' compa.s.ses, arranged somewhat like a saltier, and beneath a figure resembling a _fleur-de-lys_.

The late Dr. John Smith, in the _Proceedings of the Antiquarian Society of Scotland_, considers these inscriptions as applying to one man, who may have been the master mason of the building. But Mr.

Pinches, in his account of the abbey, mentions that John Murdo, or Morow, was engaged in building a church in Galloway in 1508. It thus seems likely that these inscriptions are not earlier than that date, and have been added to the building after its completion.[476]

An interesting view regarding John Morow will be found in _A Mediaeval Architect_, by Mr. P. MacGregor Chalmers. He believes that the south chapel of the transept was that of St. John, and as John Morrow's tablet is opposite this chapel, his prayer to "sweet St.

John" is most appropriate. Mr. Chalmers also points out that the chapels at the east end of Glasgow Cathedral are dedicated to the same saints and in the same order as those in the east aisle of the transept at Melrose.[477]

Immediately beneath the site of the high altar at Melrose is the resting-place of the heart of Robert Bruce, and to the south of it is a dark-coloured polished slab of encrinital limestone said to mark the grave of Alexander II., who was buried near the high altar in 1249. Others maintain, however, that it marks the burial-place of St. Waltheof or Waldeve, who was the second abbot of the monastery founded by King David, and that it is the slab placed here by Ingram, Bishop of Glasgow (1164-1174).

The chancel was also the burial-place of the Douglases. The Douglas tombs were all defaced by Sir Ralph Evers in 1544. At the northern end of the north transept a small doorway leads into the sacristy, in which is the tombstone of Johanna, Queen of Alexander II., with the inscription "Hic jacet Johanna d. Ross." Melrose is the Kennaquhair of the _Abbot_ and the _Monastery_.

CHAPTER VII

GENERAL SURVEY OF SCOTTISH MEDIaeVAL ARCHITECTURE

Mediaeval architecture of Scotland arranged according to the periods stated in Chapter II.:[478]--

_Transition from Celtic to Norman Architecture_:--_Abernethy Round Tower_, Perths.h.i.+re (p. 7). _Restennet Priory_, Forfars.h.i.+re (p. 7). _St.

Regulus, St. Andrews_, Fifes.h.i.+re (p. 18).

_Norman Architecture_:--_Markinch Tower_ (Fifes.h.i.+re). Present church modern, early church consecrated 1243; the tower is an ancient Norman building. _Muthill Church_ (Perths.h.i.+re), has Norman tower at the west end, with nave having north and south aisles and an aisleless choir. The church is now in ruins, and was built by Michael Ochiltree, who was Dean of Dunblane (1425) and Bishop (1430). _St. Serf's, Dunning_ (Perths.h.i.+re), has Norman tower, with elaborately carved and pointed archway opening from the tower into the church, which has been greatly altered. The W. gable wall of the church and part of the N. and E. wall are original. There appears to have been a chancel; the ancient corbels at N. parapet survive, and the raggle of the original roof is seen against the E. side of the tower. Church mentioned here in 1219 (ecclesia sancti servani de Dunnyne). _Cruggleton Church_ (Wigtowns.h.i.+re), in ruins; has early Norman chancel arch and north doorway recently restored; the plan shows a simple oblong with chancel arch. _Monymusk Church_ (Aberdeens.h.i.+re), founded by Malcolm Canmore; remains of ancient Norman church in lower part of the tower and chancel arch, incorporated in modern church on old site. Ancient Celtic centre.

_St. Brandon's, Birnie_ (Morays.h.i.+re), has nave and chancel without aisles; chancel has no window in E. wall, but round-headed windows in N.

and S. walls; chancel arch has semicircular attached shaft with moulded base and heavy Norman cap, with numerous sub-divisions. Advanced date.

Stone font of Norman design, and Celtic bell. _St. Oran's Chapel, Iona_ (p. 65). _St. Margaret's Chapel, Edinburgh Castle_, comprises a nave with chancel arch and chancel, which has a round apse, formed within the square E. end of the exterior. The genuine surviving Norman masonry begins below the line of the S. windows; rest later work. Chancel has locker and piscina, chancel arch decorated with chevron design, nave arched roof is later than the walls. Chapel is a fairly advanced example of Norman work in plan and decoration. _Dunfermline Abbey_ (p. 139).

_Kirkwall Cathedral_ (p. 69). _St. Blane's Church_ (Bute) has oblong nave and chancel separated by lofty wall with chancel arch. Norman masonry in nave and chancel arch. _Dalmeny Church_ (p. 102). _Leuchars Church_ (p. 104). _Bunkle Church_ (Berwicks.h.i.+re) has Norman work in ruined semicircular apse, with arch leading into it, and may be earlier than 12th century. _Edrom Church_ (Berwicks.h.i.+re) has still surviving a Norman doorway of beautiful design, now an entrance to a burial vault.

An aisle is attached to the church, and was founded by Archbishop Blackadder in 1499; two angle b.u.t.tresses are of interest. _Legerwood_ (Berwicks.h.i.+re) has attached to the parish church (old, but frequently repaired), and cut off by a wall, the roofless ruins of the original Norman chancel. A Celtic interlaced stone is built into the S. wall near the W. end. _Chirnside_ (Berwicks.h.i.+re) has Norman work in the doorway of the ruined church, and at the sides there are remains of a projection, probably a porch. A western tower, vaulted in stone, was removed in 1750. _St. Helen's Church_ (Berwicks.h.i.+re), near c.o.c.kburnspath, now in ruins, was a Norman structure, with the exception of the W. gable wall (14th or 15th century). It was barrel-vaulted throughout, and the N.

chancel wall is entire. There is a narrow E. window. _Tyninghame Church_ (Haddingtons.h.i.+re) was one of the churches dedicated to St. Baldred; the structural remains exhibit elaborate ornamental work of the Norman style. _Stobo Church_ (Peebless.h.i.+re) is a Norman structure, to which alterations and additions have been made in the 16th and 17th centuries.

It was the church of a plebania, with subordinate churches.

_Duddingston_ (Mid-Lothian) is a Norman edifice, used since 12th century as the parish church. It has been much altered, originally consisting of nave, chancel, and perhaps tower, and the chancel arch is the only Norman feature now remaining in the interior. _St. Andrew's Church, Gullane_ (Haddingtons.h.i.+re), is now a roofless ruin, and was made collegiate in 1446. The semicircular chancel arch is almost the only part of the 12th century work now surviving. _Uphall Church_ and _St.

Nicholas Church_ (Linlithgows.h.i.+re). Uphall Church, consisting of nave, chancel, western tower, is a Norman structure throughout, much altered.