The Memoirs of Victor Hugo Part 2

On arriving in the cathedral square I saw a gun drawn up near the portal and beside it gunners with lighted fuses in their hands. As I had seen artillery there on May 27, 1825, I supposed it was customary to keep a cannon in the square, and paid little attention to it. I pa.s.sed on and entered the church.

A beadle in violet sleeves, a sort of priest, took me in charge and conducted me all over the church. The stones were dark, the statues dismal, the altar mysterious. No lamps competed with the sun. The latter threw upon the sepulchral stones in the pavement the long white silhouettes of the windows, which through the melancholy obscurity of the rest of the church looked like phantoms lying upon these tombs. No one was in the church. Not a whisper, not a footfall could be heard.

This solitude saddened the heart and enraptured the soul. There were in it abandonment, neglect, oblivion, exile, and sublimity. Gone the whirl of 1825. The church had resumed its dignity and its calmness. Not a piece of finery, not a vestment, not anything. It was bare and beautiful. The lofty vault no longer supported a canopy. Ceremonies of the palace arc not suited to these severe places; a coronation ceremony is merely tolerated; these n.o.ble ruins are not made to be courtiers.

To rid it of the throne and withdraw the king from the presence of G.o.d increases the majesty of a temple. Louis XIV. hides Jehovah from sight.

Withdraw the priest as well. All that eclipsed it having been taken away, you will see the light of day direct. Orisons, rites, bibles, formulas, refract and decompose the sacred light. A dogma is a dark chamber. Through a religion you see the solar spectre of G.o.d, but not G.o.d. Desuetude and crumbling enhance the grandeur of a temple. As human religion retires from this mysterious and jealous edifice, divine religion enters it. Let solitude reign in it and you will feel heaven there. A sanctuary deserted and in ruins, like Jumieges, like St.

Bertin, like Villers, like Holyrood, like Montrose Abbey, like the temple of Paestum, like the hypogeum of Thebes, becomes almost an element, and possesses the virginal and religious grandeur of a savannah or of a forest. There something of the real Presence is to be found.

Such places are truly holy; man has meditated and communed with himself therein. What they contained of truth has remained and become greater.

The _a-peu-pres_ has no longer any voice. Extinct dogmas have not left their ashes; the prayer of the past has left its perfume. There is something of the absolute in prayer, and because of this, that which was a synagogue, that which was a mosque, that which was a paG.o.da, is venerable. A stone on which that great anxiety that is called prayer has left its impress is never treated with ridicule by the thinker. The trace left by those who have bowed down before the infinite is always imposing.

In strolling about the cathedral I had climbed to the triforium, then under the arched b.u.t.tresses, then to the top of the edifice. The timber-work under the pointed roof is admirable; but less remarkable than the "forest" of Amiens. It is of chestnut-wood.

These cathedral attics are of grim appearance. One could almost lose one's self in the labyrinths of rafters, squares, traverse beams, superposed joists, traves, architraves, girders, madriers, and tangled lines and curves. One might imagine one's self to be in the skeleton of Babel. The place is as bare as a garret and as wild as a cavern.

The wind whistles mournfully through it. Rats are at home there. The spiders, driven from the timber by the odour of chestnut, make their home in the stone of the bas.e.m.e.nt where the church ends and the roof begins, and low down in the obscurity spin their webs in which you catch your face. One respires a mysterious dust, and the centuries seem to mingle with one's breath. The dust of churches is not like the dust of houses; it reminds one of the tomb, it is composed of ashes.

The flooring of these colossal garrets has crevices in it through which one can look down into the abysm, the church, below. In the corners that one cannot explore are pools of shadow, as it were. Birds of prey enter through one window and go out through the other. Lightning is also familiar with these high, mysterious regions. Sometimes it ventures too near, and then it causes the conflagration of Rouen, of Chartres, or of St. Paul's, London.

My guide the beadle preceded me. He looked at the dung on the floor, and tossed his head. He knew the bird by its manure, and growled between his teeth:

"This is a rook; this is a hawk; this is an owl."

"You ought to study the human heart," said I.

A frightened bat flew before us.

While walking almost at hazard, following this bat, looking at this manure of the birds, respiring this dust, in this obscurity among the cobwebs and scampering rats, we came to a dark corner in which, on a big wheelbarrow, I could just distinguish a long package tied with string and that looked like a piece of rolled up cloth.

"What is that?" I asked the beadle.

"That," said he, "is Charles X.'s coronation carpet."

I stood gazing at the thing, and as I did so--I am telling truthfully what occurred--there was a deafening report that sounded like a thunder-clap, only it came from below. It shook the timber-work and echoed and re-echoed through the church. It was succeeded by a second roar, then a third, at regular intervals. I recognised the thunder of the cannon, and remembered the gun I had seen in the square.

I turned to my guide:

"What is that noise?"

"The telegraph has been at work and the cannon has been fired."

"What does it mean?" I continued.

"It means," said the beadle, "that a grandson has just been born to Louis Philippe."

The cannon announced the birth of the Count de Paris.

These are my recollections of Rheims.

RECOUNTED BY EYE-WITNESSES

I. THE EXECUTION OF LOUIS XVI.

II. THE ARRIVAL OF NAPOLEON I IN PARIS IN 1815.

I. THE EXECUTION OF LOUIS XVI.

There were certain characteristic details connected with the execution of Louis XVI. that are not recorded in history. They were recounted to me by an eye-witness* and are here published for the first time.

* This eye witness was one Leboucher, who arrived in Paris from Bourges in December, 1792, and was present at the execution of Louis XVI. In 1840 he recounted to Victor Hugo most of these details which, as can easily be imagined, had impressed themselves deeply upon his mind.

The scaffold was not, as is generally believed, erected in the very centre of the Place, on the spot where the obelisk now stands, but on a spot which the decree of the Provisional Executive Council designates in these precise terms: "between the pied d'estal and the Champs-Elysees."

What was this pedestal? Present generations who have seen so many things happen, so many statues crumble and so many pedestals overthrown do not quite know what meaning to give to this very vague designation, and would be embarra.s.sed to tell for what monument the mysterious stone which the Executive Council of the Revolution laconically calls the "pied d'estal" served as a base. This stone had borne the statue of Louis XV.

Let it be noted _en pa.s.sant_ that this strange Place which had been called successively the Place Louis XV., Place de la Revolution, Place de la Concorde, Place Louis XVI., Place du Garde-Meuble and Place des Champs-Elysees, and which could not retain any name, could not keep any monument either. It has had the statue of Louis XV., which disappeared; an expiatory fountain which was to have laved the b.l.o.o.d.y centre of the Place was projected, but not even the first stone was laid; a rough model of a monument to the Charter was made: we have never seen anything but the socle of this monument. Just when a bronze figure representing the Charter of 1814 was about to be erected, the Revolution of July arrived with the Charter of 1830. The pedestal of Louis XVIII. vanished, as fell the pedestal of Louis XV. Now on this same spot we have placed the obelisk of Sesostris. It required thirty centuries for the great Desert to engulf half of it; how many years will the Place de la Revolution require to swallow it up altogether?

In the Year II of the Republic, what the Executive Council called the "pied d'estal" was nought but a shapeless and hideous block. It was a sort of sinister symbol of the royalty itself. Its ornaments of marble and bronze had been wrenched off, the bare stone was everywhere split and cracked. On the four sides were large square gaps showing the places where the destroyed bas reliefs had been. Scarcely could a remnant of the entablature still be distinguished at the summit of the pedestal, and beneath the cornice a string of ovolos, defaced and worn, was surmounted by what architects call a "chaplet of paternosters." On the table of the pedestal one could perceive a heap of debris of all kinds, in which tufts of gra.s.s were growing here and there. This pile of nameless things had replaced the royal statue.

The scaffold was raised a few steps distant from this ruin, a little in rear of it. It was covered with long planks, laid transversely, that masked the framework. A ladder without banisters or bal.u.s.trade was at the back, and what they venture to call the head of this horrible construction was turned towards the Garde-Meuble. A basket of cylindrical shape, covered with leather, was placed at the spot where the head of the King was to fall, to receive it; and at one of the angles of the entablature, to the right of the ladder, could be discerned a long wicker basket prepared for the body, and on which one of the executioners, while waiting for the King, had laid his hat.

Imagine, now, in the middle of the Place, these two lugubrious things, a few paces from each other: the pedestal of Louis XV. and the scaffold of Louis XVI.; that is to say, the ruins of royalty dead and the martyrdom of royalty living; around these two things four formidable lines of armed men, preserving a great empty square in the midst of an immense crowd; to the left of the scaffold, the Champs-Elysees, to the right the Tuileries, which, neglected and left at the mercy of the public had become an unsightly waste of dirt heaps and trenches; and over these melancholy edifices, over these black, leafless trees, over this gloomy mult.i.tude, the bleak, sombre sky of a winter morning, and one will have an idea of the aspect which the Place de la Revolution presented at the moment when Louis XVI., in the carriage of the Mayor of Paris, dressed in white, the Book of Psalms clasped in his hands, arrived there to die at a few minutes after ten o'clock on January 21, 1793.

Strange excess of abas.e.m.e.nt and misery: the son of so many kings, bound and sacred like the kings of Egypt, was to be consumed between two layers of quicklime, and to this French royalty, which at Versailles had had a throne of gold and at St. Denis sixty sarcophagi of granite, there remained but a platform of pine and a wicker coffin.

Here are some unknown details. The executioners numbered four; two only performed the execution; the third stayed at the foot of the ladder, and the fourth was on the waggon which was to convey the King's body to the Madeleine Cemetery and which was waiting a few feet from the scaffold.

The executioners wore breeches, coats in the French style as the Revolution had modified it, and three-cornered hats with enormous tri-colour c.o.c.kades.

They executed the King with their hats on, and it was without taking his hat off that Samson, seizing by the hair the severed head of Louis XVI., showed it to the people, and for a few moments let the blood from it trickle upon the scaffold.

At the same time his valet or a.s.sistant undid what were called "les sangles" (straps); and, while the crowd gazed alternately upon the King's body, dressed entirely in white, as I have said, and still attached, with the hands bound behind the back, to the swing board, and upon that head whose kind and gentle profile stood out against the misty, sombre trees of the Tuileries, two priests, commissaries of the Commune, instructed to be present, as Munic.i.p.al officials, at the execution of the King, sat in the Mayor's carriage, laughing and conversing in loud tones. One of them, Jacques Roux, derisively drew the other's attention to Capet's fat calves and abdomen.

The armed men who surrounded the scaffold had only swords and pikes; there were very few muskets. Most of them wore large round hats or red caps. A few platoons of mounted dragoons in uniform were mingled with these troops at intervals. A whole squadron of dragoons was ranged in battle array beneath the terraces of the Tuileries. What was called the Battalion of Ma.r.s.eilles formed one of the sides of the square.

The guillotine--it is always with repugnance that one writes this hideous word--would appear to the craftsmen of to-day to be very badly constructed. The knife was simply suspended to a pulley fixed in the centre of the upper beam. This pulley and a rope the thickness of a man's thumb const.i.tuted the whole apparatus. The knife, which was not very heavily weighted, was of small dimensions and had a curved edge, which gave it the form of a reversed Phrygian cap. No hood was placed to shelter the King's head and at the same time to hide and circ.u.mscribe its fall. All that crowd could see the head of Louis XVI. drop, and it was thanks to chance, thanks perhaps to the smallness of the knife which diminished the violence of the shock, that it did not bound beyond the basket to the pavement. Terrible incident, which often occurred at executions during the Terror. Nowadays a.s.sa.s.sins and poisoners are decapitated more decently. Many improvements in the guillotine have been made.

At the spot where the King's head fell, a long rivulet of blood streamed down the planks of the scaffold to the pavement. When the execution was over, Samson threw to the people the King's coat, which was of white molleton, and in an instant it disappeared, torn by a thousand hands.

At the moment when the head of Louis XVI. fell, the Abbe Edgeworth was still near the King. The blood spirted upon him. He hastily donned a brown overcoat, descended from the scaffold and was lost in the crowd.

The first row of spectators opened before him with a sort of wonder mingled with respect; but after he had gone a few steps, the attention of everybody was still so concentrated upon the centre of the Place where the event had just been accomplished, that n.o.body took any further notice of Abbe Edgeworth.