The Wild Tribes of Davao District, Mindanao Part 3

Wild chickens are captured by means of snares (Fig. 16). A tame rooster is fastened in the jungle and around him is placed a snare, consisting of running knots attached to a central band. The crowing of this fowl soon attracts the wild birds which, coming in to fight, are almost sure to become entangled in one of the nooses. Slip loops, attached to a bent twig and released by disturbing the bait, are also employed in the capture of wild fowl.

FIG. 16. CHICKEN SNARE AND CARRYING CASE.

Birds of all sizes are secured by use of bows and arrows, blow guns, or nets. Wooden decoys (Plate XVIII) are tied to the branches of trees in which the hunters are concealed. The bows used are of _palma brava_, in each end of which notches are cut to hold the rattan bow strings (Fig.

17). The arrow shafts are of light reeds and are fitted with one or two bamboo points. These weapons are effective only for close range, and even then the Bagobo are far from being expert marksmen. Boys use a reed blow gun through which they shoot light darts tufted with cotton (Fig.

18). The missile is not poisoned and is of little use at a distance of more than twenty feet.

FIG. 17. BOWS AND ARROWS.

FIG. 18. BLOW GUNS AND DARTS.

By far the most effective means of securing birds is to stretch a net between trees or poles where the birds are accustomed to fly. Wooden decoys are attached to the net in order to attract the game which, once enmeshed, is easily caught.

Various devices are employed in the capture of fresh water fish,[16] but the most common is a torpedo-shaped trap of bamboo (Fig. 19). Stone conduits lead the water from streams into the open ends of these traps, thus carrying in fish and shrimps. The funnel-shaped opening has the sharpened ends set close together so that it is quite impossible for the prisoners to escape, although the water readily pa.s.ses between the bamboo strips.

[16] Along the coast the methods of the Christianized natives are used in salt water fis.h.i.+ng.

FIG. 19. BAMBOO FISH TRAP.

A hook and line is employed, especially for eels; while in clear pools fish are secured by means of a four-pointed spear which is thrust or thrown (Fig. 20). Perhaps the most interesting device used is a lure, known as _boro_ (Fig. 21). A live minnow is fastened at the end of the rod near to a rattan noose. A cord running from the noose to the end of the stick allows the fisherman to draw up the noose as he desires. The struggles of the captive fish soon attract others, and when one enters the loop the line is drawn taut, securely binding the intruder. Several fish can be taken from a single pool by this method. A berry (_anamirta coccithis L_.) is used in the capture of fish. It is crushed to a powder, is wrapped with vines and leaves, and is thrown into pools. The fish become stupified[sic] and float to the surface where they are easily captured. After being cooked they are eaten without any ill effects.

FIG. 20. (LEFT) FOUR-POINTED FISH SPEAR.

FIG. 21. (RIGHT) FISH LURE.

OCCUPATIONS.

Mention has already been made of some of the daily occupations of the people. We have found the women caring for the home and preparing the rice and other foods which are served in the house. At no time did the writer see a man, other than a slave, take any part in such household duties; but when on the trail each would do his share in preparing the meals. In the village we found the women and children carrying the water and wood and, at rare intervals, doing laundry work. Instead of soaping and rubbing soiled clothing, they soak the garments in water, then place them on stones and beat them with wooden paddles or clubs. The articles are alternately soaked and beaten until at least a part of the dirt has been removed. It is also the privilege of any woman to engage in the manufacture of basketry, or to act as a potter.

In the manufacture of baskets the woman makes use chiefly of bamboo and rattan, though other materials, such as _panda.n.u.s_ are sometimes brought into service. Three weaves or their variants are employed. The first is the common diagonal or twilled weave, in which each element of the weft pa.s.ses over two or more of the warp elements. In this way most of the rice winnowers, transportation baskets, knife sheaths, and the like are made. In the second weave (Fig. 22), the foundation of the basket is made up of parallel horizontal rods, or strips of bamboo. These are laced together by warp strips which pa.s.s alternately under one and over one of the foundation rods, crossing each other at an angle, one above the other below the rod. The trinket baskets carried by the women, the larger waterproof receptacles known as _binota_, and the covers for wild chicken snares are in this technic. A variant of this weave is found in the rattan carrying frames and in some fish traps (Fig. 23). Here the warp strips cross one another at an angle, at each meeting place enclosing the horizontal foundation strips. Unlike the second weave described, the warp strips do not pa.s.s alternately above and below the horizontal foundation, but retain the same relation to it throughout the entire length of each strip. A coiled weave (Fig. 24) is used in the manufacture of tobacco boxes (Plate XIX) and in the rims of women's baskets. In this type the foundation consists of a series of horizontal rattan strips or rods which are sewed together in the following manner.

A narrow strip _A_ pa.s.ses over two of these parallel rods _2_ and _3_ in a left handed spiral. At the top of the loop the strip pa.s.ses under a similar strip _B_ which binds rod _2_ to the one above. Pa.s.sing downward inside the basket, the strip _A_ goes beneath the strip _C_ which binds rods _3_ and _4_ together. These are drawn tightly while damp, thus forcing the foundation rods so closely together as to make the basket practically water-tight. Pitch from the _tabon-tabon_ nuts may also be rubbed over the outside surface, thus making the receptacle impervious to water.

FIG. 22.

FIG. 23.

FIG. 24. TYPES OF WEAVING USED IN BASKETRY.

In the great majority of baskets the surface is divided into three parallel zones or decorative bands. These are produced by making a slight variation in the weave, by the use of blackened strips of bamboo and rattan, or by subst.i.tuting in their place the black cuticle of a fern.

As a rule the women of this tribe are not good potters and take little pride in their work. In some districts the art has been entirely lost, and the people depend on the coast natives for their cooking utensils.

At the village of Bansalan the women were found still to be proficient in their work. After the dampened clay had been carefully kneaded in order to remove lumps and gravel, the bottom of the jar was moulded with the fingers and placed on a dish which was turned on a bit of cloth or a board and answered the purpose of a potter's wheel. As the dish was turned with the right hand the operator shaped the clay with the fingers of the left adding fresh strips of material from time to time until the desired size was obtained. The final shaping was done with a wooden paddle and the jar was allowed to dry, after which it was smoothed off with a stone. When ready for firing it was placed in the midst of a pile of rubbish, over which green leaves were placed to cause a slow fire.

Other dishes are made by splitting a cocoanut in half and removing the "meat." This is readily accomplished by the use of a sc.r.a.per fitted with a rough iron blade (Fig. 25), over which the concave side or the half nut is drawn. The cocoanut meat is used for food and oil.

FIG. 25. COCOANUT Sc.r.a.pER.

A little later we shall describe the active part woman takes in the planting and care of the fields, but now we shall take up in some detail the industry in which she stands pre-eminent, the preparation and weaving of hemp.

The hemp ordinarily stripped by the men is considered too fine to be used in the manufacture of clothing, so a smaller stripping device is employed by the woman (Plate XX). On this she cleans the outer layers of the hemp stalk, from which a stronger and coa.r.s.er thread can be obtained. The fiber is tied in a continuous thread and is wound onto a reel. The warp threads are measured on sharpened sticks driven into a hemp or banana stalk, and are then transferred to a rectangular frame (Plate XXI). The operator, with the final pattern in mind, overties or wraps with waxed threads, such portions of the warp as she desires to remain white in the completed garment. So carefully does she wrap these sections, that, when the thread is removed from the frame and placed in the liquid dye, no portion of the coloring matter penetrates to the portions thus protected. If a red color is desired the root of the _sikarig_[17] palm is sc.r.a.ped and the sc.r.a.pings placed in bark vats filled with cold water. The thread is first washed in, and is later boiled with the dye for a half hour, after which it is placed in a basket to drain and dry. The process is repeated daily for about two weeks, or until the thread a.s.sumes a brick red color. If a purple hue is desired a little lime is added to the dye. Black is obtained by a slightly different method. The leaves, root, and bark of the _pinarrEm_ tree are crushed in water. This yields a black liquor which is poured into a jar containing the thread and the whole is placed over a slow fire where it remains until the liquid is near the boiling point. When this is reached the thread is removed and placed in a gourd, the open end of which fits over the jar so as to catch the steam coming from the dye. After a time the thread is removed and dried, and the process is repeated until at last a permanent black is obtained. After the coloring is complete the thread is again placed on the rectangular frame, the over-tying is removed and the warp is ready for the loom (Plate XXII.) In the loom (Plate XXIII) the threads encircle a bamboo pole attached to the wall, and are held tense by a strap which pa.s.ses around the waist of the operator. The weft threads are forced up against the fabric by means of the comber board and are beaten in with a baton. The warp threads are held in their relative positions, first by the comber board, second by loops which pa.s.s under the lower threads and over a small stick or lease rod, and lastly by pa.s.sing over and under, or around, other lease rods.

These are rolled away as the work progresses.

[17] _Morinda Bracteata Roxb_.

[18] Woof threads are generally of one color. A somewhat similar process used in Java is described by SIR THOS. RAFFLES in The History of Java, Vol. I, p. 189.

[Transcriber's note: Although footnote 2 appears on the same page as the above paragraph, it is not clear to what particular part of that paragraph it refers.]

After the cloth is removed from the loom it is polished. A long pole of _palma brava_ is fitted into a notch in the roof. The operator seats herself on the floor with a smooth board before her, or in her lap, and on it places the dampened cloth. A sh.e.l.l is fitted over the lower end of the pole, which is bent and made bowlike, until the sh.e.l.l rests on the cloth. It is then ironed rapidly to and fro until the fabric has received a high polish (Plate XXIV).

The woman's duties do not end with the manufacture of cloth, for all the garments worn by the members of the tribe are the result of her handiwork. She sews the strips of hemp cloth into skirts, men's trousers, carrying bags, and sometimes into jackets. The women devote hours of labor to these jackets, covering arms, necks, and waist bands with colored embroidery or designs in applique, while on the better garments they place elaborate designs in beads or sh.e.l.l disks.

After the evening meal is over the women of the household gather around the flickering lights, and until far into the night work on these garments, bead necklaces, or other ornaments.

Only a few of the weavers attempt to make the peculiar chocolate-colored head covering worn by the _magani_. For these kerchiefs the woman weaves a square cotton cloth of the desired size, and at one corner attaches a small bra.s.s hook. Joined to the hook, by means of a chain, is a loop which fits over the toes of the operator, thus enabling her to keep the fabric taut while her hands are left free for work. Small sections of this cloth are raised and are wrapped with waxed thread, so that when the fabric is dyed these portions will not receive the coloring matter (Plate XXV). Later the overtying is removed, leaving small white rings or squares on a chocolate-colored background. These cloths are meant primarily for the warriors, but expert weavers, who are under the protection of a certain powerful spirit, are also permitted to wear an upper garment of this material.

A considerable part of the man's time is consumed in preparation for, or actual partic.i.p.ation in, hunting or warfare, but in addition to this he does a goodly portion of the work in the fields, and is the house builder. When a man is about to erect a dwelling he notifies his friends to come and aid him. This they will do without pay, but when in need of similar services they will expect and will receive similar help. All sorts of house-furnis.h.i.+ngs, such as spoons, meat blocks, or rice mortars are made by the man, and not infrequently, he a.s.sists in the making or waterproofing of baskets. A few of the old men of Cibolan still engage in the manufacture of small sh.e.l.l disks with which valuable suits are decorated, but the greater part of those now in use have been inherited, or are purchased from neighboring peoples. The men carve beads out of "Job's tears"[19] and make them into necklaces. For this purpose a peculiarly carved and decorated stick is employed (Plate XXVI). This is placed in the palm of the left hand so that the thumb and forefinger can hold the seed which fits into a depression in the top. A knife in the right hand of the artist is worked over the seed thus cutting a line into which dirt is rubbed. Women's combs are made by shaping a half circle out of light wood and then cutting teeth into it with a saw-like blade of tin or iron.

[19] _Coix lachryma Johi L_.

Among the men, as with the women, certain industries are monopolized by a few individuals. In this community no men stand higher in the estimation of their fellows than do the smiths and the casters of copper. The writer spent many hours watching I-o, the bra.s.s and copper worker of Cibolan, while he shaped bells, bracelets, and betel boxes at his forge on the outskirts of the village (Plate XXVII). Feathered plungers, which worked up and down in two bamboo cylinders, forced air through a small clay-tipped tube into a charcoal fire. This served as a bellows, while a small cup made of straw ashes formed an excellent crucible. The first day I watched I-o, he was making bells. Taking a ball of wax the size of a bucket shot, he put it on the end of a stick (Fig. 26a), and over this moulded the form of a bell in damp ashes obtained from rice straw (b). When several bells were thus fas.h.i.+oned they were dipped in melted wax and were turned on a leaf until smooth, after which an opening was cut through the wax at the bottom of each form (c). Strips of wax were rolled out and laid in shallow grooves which had been cut in the sides of the bells and were pressed in, at intervals, with a small bamboo knife (d). The top stick was then withdrawn, leaving an opening down to the wax ball inside. Into this hole a thin strip of wax was inserted and was doubled back on itself so as to form a hanger (e). For three days the forms were allowed to harden and were covered with several coats of damp straw ashes. Finally they were laid in a bed of the same material with a thin strip of wax leading from each bell to a central core (f). [FIG. 26] The whole, with the exception of the top of the central wax strip, was covered with a thick coating of damp ashes, and when this had hardened pieces of copper, secured from broken gongs, were placed in the crucible, melted and poured into the open end of the clay form. The molten metal took the place of the wax as it was dissolved and flowed to all parts where it had been. After being dropped in water the form was broken open, revealing six nearly perfect little bells which were ready for use as soon as the ashes were removed from them. The same method was used for all other casting. Clay forms were made as desired, were covered with wax, and the final coating of ashes applied before the casting. The workers in copper and bra.s.s are under the care and guidance of a spirit, Tolus ka tow.a.n.gan, for whom they make a yearly ceremony, _Gomek tow.a.n.gan_.

FIG. 26. STAGES IN THE MANUFACTURE OF METAL BELLS.

FIG. 26. STAGE IN THE MANUFACTURE OF METAL BELLS.

[Transcriber's note: Two different figures on different pages are both labeled FIG. 26.]

Of even greater importance are the smiths who are also under the care of a powerful spirit for whom the _Gomek-gomanan_ ceremony is celebrated each year, just prior to the planting time. Their forges are hidden away in the hemp fields, and I was repeatedly informed that no woman might see the smith at work. Whether or no such a rule is rigidly enforced at all times I cannot say, but at no time did I see a woman about the forge while the fire was burning, and although I was allowed to see and photograph the process, my wife was at all times prevented from doing so. The forge differs in no material respects from that used by the bra.s.s casters, except that hollowed out logs replace the bamboo tubes, and that a metal anvil and iron hammers are used. After an iron knife or spear head has been roughly shaped, the smith splits the edge to a slight depth and inserts a band of steel. The iron is pounded down on the harder metal and the whole is brought to a white heat in the charcoal fire. Removing it to the anvil the smith gives the blade one or two light blows and returns it to the fire. This is repeated many times before he begins to add the heavy strokes which finally weld the iron and steel together. The blade having been given its final shape is again heated and is held above a tube of water until the glowing metal begins to turn a yellowish green, when it is plunged into the cold water. This process, repeated many times, gives a fair temper to the whole weapon.

Charcoal for the fire is secured by burning logs and chilling them suddenly with cold water.

Bra.s.s wire, secured in trade, is made into bracelets in the following manner. In order to soften it and make it more easily worked the roll of wire is heated until it begins to turn grey, when it is allowed to cool and is sc.r.a.ped, so as to restore the yellow color. One end is laid on an anvil made of an iron strip on a wooden block (Plate XXVII), and is cut into various designs by means of metal dies. A wooden cone is used as a form, about which the wire is placed in order to shape and measure it.

Hemp[20] grows wild in the Davao District and the Bagobo have, for generations, used it in the manufacture of their clothing. In recent years the demand for fiber has shown the people an easy way to secure the trade articles which they desire and, as a result, rather extensive plantings are found even in the more remote districts. The women strip a large part of the fiber in local use, but all that prepared for trade is produced by the men. When the ever-present cogon gra.s.s begins to invade a clearing, the young hemp is planted. In about eighteen months it has grown to a height of some sixteen feet and is ready to be cut. The man goes to the fields, cuts down some stalks and, having removed the leaves, splits off the outer fiber layers from the cellular matter of the interior, using a bone knife for this purpose. When he has acc.u.mulated a sufficient number of strips he carries them to the hemp machine (Fig. 27). This consists of a knife which rests on a wooden block. The handle turns on a pivot and the end is drawn upwards by means of a bent twig, or sapling, which acts as a spring. This spring is lowered and the knife blade raised by means of a foot treadle; a strip of hemp is laid on the block; the foot pressure is removed, and the knife descends. Taking a firm hold of one end of the strip, the operator draws it toward him under the blade, thus removing the pulp and leaving the free hemp threads. These are hung in the sun until dry, when they are tied in bundles ready to be carried to the coast. The work is hard and, unless necessity forces him to greater effort, a man seldom engages in it for more than three or four days in a month. He thinks his duty ceases with this expenditure of energy and, unless he is fortunate enough to possess animals or slaves, is quite content to allow his wife, or wives, to carry the product to the coast trader.

[20] _Musa textilis_.

FIG. 27. HEMP MACHINE.

During ceremonies and at festivals a fermented drink made of sugar cane is served, and in antic.i.p.ation of its pleasurable effects the Bagobo is willing to expend a considerable amount of effort. The juice of the cane is extracted by means of a press made of two logs arranged in parallel horizontal positions, so that the end of a wooden lever can slip under one and rest in a groove cut in the other (Fig. 28). The cane is placed in the groove and the operator bears his weight on the lever, thus squeezing out the juice. After being boiled with the bark of certain trees and lime juice, the liquor is sealed in jars or bamboo tubes and is stored away until needed.

FIG. 28. SUGAR CANE PRESS.

The sago palm is found in parts of the Bagobo territory, and in times of need, the people make temporary camps near to the sago districts, where they prepare the flour. This is done in the same manner as is fully described on page 140.

The most important thing in the life of the Bagobo is the care of the rice, for on this crop he depends for the greater part of his food supply, and by its condition he can ascertain with what favor he is looked upon by the spirits. So closely is the cultivation of this cereal coupled with the religious beliefs that it is necessary, in this relation, to describe the ceremonies connected with it.

We have previously stated that the incursion of the cogon gra.s.s into the fields makes necessary some new clearings each year. In the month of December a constellation known as _Balatik_ appears in the sky. This has a double significance; first, it is the reminder for the yearly sacrifice; and secondly, it notifies all workers that the tools, which are to be used in making new clearings, shall be placed in readiness.