Thoughts on Art and Life Part 10

And in this case I know that I shall make not a few enemies, since no one will believe what I say of him; because there are but few whom his vices have disgusted, indeed they only disgusted those men whose natures are contrary to such vices; and many hate their fathers and break off friends.h.i.+p with those who reprove their vices, and they will have no examples brought up against them, nor tolerate any advice. And if you meet with any one who is good and virtuous drive him not away from you, do him honour, so that he may not have to flee from you and hide in hermitages, or caverns and other solitary spots, in order to escape from your treachery; and if there be such an one do him honour, because these are your G.o.ds upon earth, they deserve statues from you and images ... but remember that you are not to eat their images, as is practised still in some parts of India, where, when images have performed some miracle, the priests cut them in pieces (since they are of wood) and distribute them among the people of the country, not {51} without payment, and each one grates his portion very fine and puts it upon the first food he eats; and thus they believe that they have eaten their saint by faith, who will preserve them from all perils. What is thy opinion, O man, of thy own species? Art thou so wise as thou believest to be? Are these things to be done by men?

[Sidenote: Pleasure and Pain]

123.

This represents pleasure together with pain because one is never separated from the other; they are depicted back to back because they are opposed to each other; they are represented in one body because they have the same basis, because the source of pleasure is labour mingled with pain, and the pain issues from the various evil pleasures.

And it is therefore represented with a reed in its right hand which is ineffectual and devoid of strength, and the wounds inflicted by it are poisonous. In Tuscany such reeds are placed to support beds, to signify that this is the place of idle dreams, that here a great part of life is consumed, here much useful time is wasted, that is, the morning hours when the mind is sober and rested and the body disposed to start on fresh labours; there, again, many vain pleasures are enjoyed by the mind, which pictures to itself impossible things, and by the body, which indulges in those pleasures that are so often the cause of the {52} failing of life; and for this reason the reed is used as their support.

[Sidenote: Brain and Soul]

124.

The spirit returns to the brain whence it had departed, with a loud voice and uttering these words:

O blissful and fortunate spirit, whence comest thou? I have known this man well, against my will. He is a receptacle of villainy, he is a very heap of the highest ingrat.i.tude combined with all the other vices.

But why should I tire myself with vain words? Nothing is to be found in him save the acc.u.mulation of all sins, and if there is to be found among them any that possess good, they will not be treated differently than I have been by other men; in short I have come to the conclusion that they are bad if they are enemies, and worse if they are friends.

[Sidenote: Of the Eye]

125.

The eye, which reflects the beauty of the universe to those who see, is so excellent a thing that he who consents to its loss deprives himself of the spectacle of the works of nature; and it is owing to this spectacle, effected by means of the eye, which enables the soul to behold the various objects of nature, that the soul is content to remain in the prison of the body; but he who loses his eyesight leaves the soul in a dark prison, where {53} all hope of once more beholding the sun, the light of the whole world, is lost.... And how many are they who feel great hatred for the darkness of night, although it is brief. Oh! what would they do were they constrained to abide in this darkness during the whole of their life? Certainly there is no one who would not rather lose his hearing or his sense of smell than his eyesight, and the loss of hearing includes the loss of all sciences which find expression in words; and this loss a man would incur solely so as not to be deprived of the sight of the beauty of the world which consists in the surfaces of bodies artificial as well as natural, which are reflected in the human eye.

[Sidenote: The Eye in Animal Life]

126.

Animals suffer greater loss in losing their sight than their hearing for many reasons: firstly, because it is by means of their sight that they find the food which is their nourishment, and is necessary for all animals; secondly, because by means of sight the beauty of created things is apprehended, especially those which lead to love, while he who is born blind cannot apprehend such beauty by hearing, because he has never received any knowledge as to what is beauty of any kind.

There remains hearing, by which I mean only the human voice and speech; they contain the names of all things whatsoever. It is possible to live happily without the knowledge of these {54} words, as is seen in those who are born deaf, that is to say, the dumb, who take delight in drawing.

[Sidenote: Ascension of Monte Rosa]

127.

I say that the azure we see in the atmosphere is not its true colour, but is caused by warm moisture evaporated in minute and insensible atoms which the solar rays strike, rendering them luminous against the darkness of the infinite night of the fiery region which lies beyond and includes them. And this may be seen, as I saw it, by him who ascends Mounboso (Monte Rosa), a peak of the Alps which separates France from Italy. The base of this mountain gives birth to the four large rivers which in four different directions water the whole of Europe; and no mountain has its base at so great a height as this. It rises to such a height that it almost lifts itself up above the clouds; snow seldom falls on it, but only hail in summer, when the clouds are at their greatest height, and this hail is preserved there so that were it not for the absorption of the rising and falling clouds, which does not occur twice in an age, a great quant.i.ty of ice would be piled up there by the hail, which in the middle of July I found to be very considerable; and I saw above me the dark air, and the sun which struck the mountain shone far lighter than in the plains below, because a lesser quant.i.ty of atmosphere lay between the summit of the mountain and the sun.

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[Sidenote: Prophecies]

128.

Men will communicate with each other from the most distant countries, and reply.

Many will abandon their own habitations and take with them their own goods, and go and inhabit other countries.

Men will pursue the thing which they most greatly fear; that is to say, they will be miserable in order to avoid falling into misery.

Men standing in separate hemispheres will converse with each other, embrace each other, and understand each other's language.

129.

We should not desire the impossible.

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II

THOUGHTS ON ART

[Sidenote: Painting declines when aloof from Nature]

The painter's work will be of little merit if he takes the painting of others as his standard, but if he studies from nature he will produce good fruits; as is seen in the case of the painters of the age after the Romans, who continued to imitate one another and whose art consequently declined from age to age. After these came Giotto the Florentine, who was born in the lonely mountains, inhabited only by goats and similar animals; and he, being drawn to his art by nature, began to draw on the rocks the doings of the goats of which he was the keeper; and thus he likewise began to draw all the animals which he met with in the country: so that after long study he surpa.s.sed not only all the masters of his age, but all those of many past centuries. After him art relapsed once more, because all artists imitated the painted pictures, and thus from century to century it went on declining, until Tomaso the Florentine, called Masaccio, proved by his perfect work that they who set up for themselves a standard other than nature, the mistress of all masters, labour in vain.

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Thus I wish to say, in regard to these mathematical matters, that they who merely study the masters and not the works of nature are the grandchildren, and not the children, of nature, the mistress of good masters. I abhor the supreme folly of those who blame the disciples of nature in defiance of those masters who were themselves her pupils.

[Sidenote: Its Origin]

2.

The first picture was a single line, drawn round the shadow of a man cast by the sun on the wall.

3.

Vastness of the field of painting: All that is visible is included in the science of painting.

[Sidenote: Defence of Painting]

4.

With due lamentation Painting complains that it has been expelled from the liberal arts, because it is the true daughter of nature and is practised by means of the most worthy of the senses. Whence wrongly, O writers, you have excluded painting from the liberal arts, since it not only includes in its range the works of nature, but also infinite things which nature never created.