A Complete Guide to Heraldry Part 41

570 shows another German example of this type, being taken from the _Eneit_ of Heinrich von Veldeke, a MS. now in the Royal Library in Berlin, belonging to the end of the twelfth century. The crest depicted in this case, a red lion, must be one of the earliest instances of a crest. These {307} are the helmets which we find on early seals and effigies, as will be seen from Figs. 571-574.

[Ill.u.s.tration: FIG. 571.--Helmet of Hamelin, Earl of Surrey and Warenne (d.

1202). (From MS. Cott., Julius, C. vii.)]

[Ill.u.s.tration: FIG. 572.--From the seal of Richard de Clare, Earl of Gloucester and Hertford (d. 1262).]

[Ill.u.s.tration: FIG. 573.--From the seal of John de Warenne, Earl of Surrey (d. 1305).]

[Ill.u.s.tration: FIG. 574.--From the seal (1315) of John de Bretagne, Earl of Richmond.]

The cylindrical or "pot-shaped" helmet of the Plantagenets, however, disappears in the latter part of the thirteenth century, when we first find mention of the "bascinet" (from Old French for a basin), Figs. 575-579.

This was at first merely a hemispherical steel cap, put over the coif of mail to protect the top of the head, when the knight wished to be relieved from the weight of his large helm (which he then slung at his back or carried on his saddlebow), but still did not consider the mail coif sufficient protection. It soon became pointed at the top, and gradually lower at the back, though not so much as to protect the neck. In the fourteenth century the mail, instead of being carried over the top of the head, was hung to the bottom rim of the helmet, and {308} spread out over the shoulders, overlapping the cuira.s.s. This was called the "camail," or "curtain of mail." It is shown in Figs. 576 and 577 fastened to the bascinet by a lace or thong pa.s.sing through staples.

The large helm, which throughout the fourteenth century was still worn over the bascinet, did not fit down closely to the cuira.s.s (though it may have been fastened to it with a leather strap), its bottom curve not being sufficiently arched for that purpose; nor did it wholly rest on the shoulders, but was probably wadded inside so as to fit closely to the bascinet.

[Ill.u.s.tration: FIG. 575.]

[Ill.u.s.tration: FIG. 576.]

[Ill.u.s.tration: FIG. 577.]

[Ill.u.s.tration: FIG. 578.]

[Ill.u.s.tration: FIG. 579.]

It is doubtful if any actual helm previous to the fourteenth century exists, and there are very few of that period remaining. In that of the Black Prince at Canterbury (Fig. 271) the lower, or cylindrical, portion is composed of a front and back piece, riveted together at the sides, and this was most likely the usual form of construction; but in the helm of Sir Richard Pembridge (Figs. 580 and 581) the three pieces (cylinder, conical piece, and top piece) of which it is formed are fixed with nails, and are so welded together that no trace of a join is visible. The edges of the metal, turned outwards round the ocularium, are very thick, and the bottom edge is rolled inwards over a thick wire, so as not to cut the surcoat.

There are many twin holes in the helmet for the aiglets, by which the crest and lambrequin were attached, and in front, near the bottom, are two + shaped holes for the T bolt, which was fixed by a chain to the cuira.s.s.

The helm of Sir Richard Hawberk (Figs. 582 and 583), who died in 1417, is made of five pieces, and is very thick and heavy. It is much more like the later form adapted for jousting, and was probably only for use in the tilt-yard; but, although more firmly fixed to the cuira.s.s than the earlier helm, it did not fit closely down to it, as all later helms did.

Singularly few examples of the pot-helmet actually exist. The "Linz"

example (Figs. 584 and 585), which is now in the {309} Francisco-Carolinum Museum at Linz, was dredged out of the Traun, and is unfortunately very much corroded by rust. The fastening-place for the crest, however, is well preserved. The example belongs to the first half of the fourteenth century.

[Ill.u.s.tration: FIG. 580.]

[Ill.u.s.tration: FIG. 581.]

[Ill.u.s.tration: FIG. 582.]

[Ill.u.s.tration: FIG. 583.]

The so-called "Pranker-Helm" (Fig. 586), from the chapter of Seckau, now in the collection of armour in the Historical Court Museum at Vienna, and belonging to the middle of the fourteenth century, could only have been used for tournaments. It is made of four strong hammered sheets of iron 1-2 millimetres thick, with other strengthening plates laid on. The helmet by itself weighs 5 kilogrammes 357 grammes. {310}

[Ill.u.s.tration: FIGS. 584 and 585.--The "Linz" Pot-Helmet.]

[Ill.u.s.tration: FIG. 587.]

The custom of wearing the large helm over the bascinet being clumsy and troublesome, many kinds of visor were invented, so as to dispense with the large helm, except for jousting, two of which are represented in Figs. 575 and 579. In the first a plate shaped somewhat to the nose was attached to the part of the camail which covered the mouth. This plate, and the mail mouth-guard, when not in use, hung downwards towards the breast; but when in use it was drawn up and attached to a staple or locket on the front of the bascinet. This fas.h.i.+on, however, does not appear to have been adopted in England, but was peculiar to Germany, Austria, &c. None of these contrivances seem to have been very satisfactory, but towards the end of the fourteenth century the large and salient beaked visor was invented (Fig. 587). It was fixed to hinges at the sides of the bascinet with pins, and was removable at will. A high collar of steel was next added as a subst.i.tute for the camail. This form of helmet remained in use during the first half of the fifteenth century, and the large helm, which was only used for jousting, took a different form, or rather several different forms, which may be divided into three kinds. In this connection it should be remembered that the heavy jousting helmet to which the crest had relation was probably never used in actual warfare. The first was called a bascinet, and was used for combats on foot. It had an almost spherical crown-piece, and came right down to the cuira.s.s, to which it was firmly fixed, and was, like all large helms of the fifteenth century, large enough for the wearer to move his head about freely inside. The helm of Sir Giles Capel (Fig. 588) is a good specimen of this cla.s.s; it has a visor of great thickness, in which are a great number of holes, thus enabling the wearer to see in every direction. The "barbute," or ovoid bascinet, with a chin-piece riveted to it, was somewhat like this helm, and is often seen on the bra.s.ses of {311} 1430-1450; the chin-piece retaining the name of "barbute," after the bascinet had gone out of fas.h.i.+on.

[Ill.u.s.tration: FIG. 586.--Pranker-Helm.]

[Ill.u.s.tration: FIG. 591.--German Tilting Armour, 1480, from the Collection in the Museum at Vienna.]

[Ill.u.s.tration: FIG. 592.--Tilting-Helmet of Sir John Gostwick, 1541.]

[Ill.u.s.tration: FIG. 588.]

The second kind of large helm used in the fifteenth century was the "jousting-helm," which was of great strength, and firmly fixed to the cuira.s.s. One from the Brocas Collection (Figs. 589 and 590, date about 1500) is perhaps the grandest helm in existence. It is formed of three pieces of different thicknesses (the front piece being the thickest), which are fixed together with strong iron rivets with salient heads and thin bra.s.s caps soldered to them. The arrangements for fixing it in front and behind are very complete and curious.

The manner in which the helmet was connected with the rest of the armour is shown in Fig. 591, which is a representation of a German suit of tilting armour of the period about 1480, now in the collection of armour at the Royal Museum in Vienna.

Of the same character, but of a somewhat different shape, is the helmet (Fig. 592) of Sir John Gostwick, who died in 1541, which is now in Willington Church, Bedfords.h.i.+re. The ill.u.s.tration here given is taken from the _Portfolio_, No. 33. The visor opening on the right side of the helmet is evidently taken from an Italian model.

[Ill.u.s.tration: FIG. 589.]

The third and last kind of helm was the "tournament helm," and was similar to the first kind, and also called a "bascinet"; but the visor was generally barred, or, instead of a movable visor, the bars were riveted on the helm, and sometimes the face was only protected by a sort of wire-work, like a fencing-mask. It was only used for the tourney or melee, when the weapons were the sword and mace.

[Ill.u.s.tration: FIG. 590.]

The "chapelle-de-fer," which was in use in the thirteenth, fourteenth, and fifteenth centuries, was a light iron head-piece, with a broad, flat brim, somewhat turned down. Fig. 593 represents one belonging to the {312} end of the fifteenth century, which is one of the few remaining, and is delicately forged in one piece of thin, hard steel.

During the fourteenth century a new kind of helmet arose, called in England the "sallad," or "sallet." The word appears to have two derivations, each of which was applied to a different form of head-piece. First, the Italian "celata" (Fig. 594), which seems originally to have been a modification of the bascinet. Second, the German "schallern," the form of which was probably suggested by the chapelle-de-fer. Both of these were called by the French "salade," whence our English "sallad." The celata came lower down than the bascinet, protected the back and sides of the neck, and, closing round the cheeks, often left only the eyes, nose, and mouth exposed. A standard of mail protected the neck if required. In the fifteenth century the celata ceased to be pointed at the summit, and was curved outwards at the nape of the neck, as in Fig. 595.

[Ill.u.s.tration: FIG. 593.]

The "schallern" (from _shale_, a sh.e.l.l, or bowl), was really a helmet and visor in one piece; it had a slit for the eyes, a projecting brim, and a long tail, and was completed by a chin-piece, or "bavier" (Eng. "beaver"), which was strapped round the neck. Fig. 596 shows a German sallad and a Spanish beaver. The sallad was much used in the fifteenth century, during the latter half of which it often had a visor, as in one from Rhodes (Fig.

597), which has a spring catch on the right side to hold the visor in place when down. The rivets for its lining-cap have large, hollow, twisted heads, which are seldom found on existing sallads, though often seen in sculpture.

[Ill.u.s.tration: FIG. 594.]

[Ill.u.s.tration: FIG. 595.]

[Ill.u.s.tration: FIG. 596.]

[Ill.u.s.tration: FIG. 597.]

The schale, schallern (_schelern_), or sallad, either with or without a {313} visor, is very seldom seen in heraldic use. An instance, however, in which it has been made use of heraldically will be found in Fig. 598, which is from a pen and ink drawing in the _Fest-Buch_ of Paulus Kel, a MS. now in the Royal Library at Munich. This shows the schallern with the slit for seeing through, and the fixed neck-guard. The "bart," "baviere," or beaver, for the protection of the under part of the face, is also visible. It is not joined to the helmet. The helmet bears the crest of Bavaria, the red-crowned golden lion of the Palatinate within the wings of the curiously disposed Bavarian tinctures. Fig. 599 (p. 316) is a very good representation of a schallern dating from the latter part of the fifteenth century, with a sliding neck-guard. It is reproduced from the _Deutscher Herold_, 1892, No. 2.

[Ill.u.s.tration: FIG. 598.--Schallern, with Crest of Bavaria (Duke Ludwig of Bavaria, 1449).]

Until almost the middle of the fifteenth century all helmets fitted on the top of the head, or were put right over; but about 1440 the Italians made a great improvement by inventing the "armet," the lower part of which opened out with hinges, so that when put on it enclosed the head, fitting closely round the lower part of it, while its weight was borne by the steel collar, or "gorget." The Italian armet had a roundel or disc to protect the opening at the back of the neck, and a bavier strapped on in front to cover the joining of the two {314} cheek-pieces. The earlier armets, like the beaked bascinet, had a camail attached by a row of staples (Fig. 600), which was continued later, but then fixed either to a metal band or leather strap and riveted to the base of the armet. This form of helmet was not in common use in England until about 1500.

Fig. 600 shows the earliest form of Italian armet, with a reinforcing-piece on the forehead, and a removable visor. Date 1450-1480. Fig. 601 represents an armet of very fine form (probably Italian), which is a nearer approach to the close-helmet of the sixteenth century, as the visor cannot be removed, and the eye-slit is in the visor, instead of being formed by the s.p.a.ce between it and the crown-piece, and there is also no reinforcing-piece in the crown. Date 1480-1500. Fig. 602 is still more like the sixteenth-century helmet, for it opens down the sides instead of down the chin and back, and the same pivot which secures the visor also serves as a hinge for the crown and chin-piece. The small mentonniere, or bavier, is equal on both sides, but it was often of less extent on the right. Date about 1500.

Fig. 603 shows a German fluted helmet, of magnificent form and workmans.h.i.+p, which is partly engraved and gilded. Date 1510-1525. It opens down the chin, like the early armets, but the tail-piece of the crown is much broader. The skill shown in the forging of the crown and the fluting of the twisted comb is most remarkable, and each rivet for the lining-strap of the cheek-pieces forms the centre of an engraved six-leaved rose. A grooved rim round the bottom of the helmet fitted closely on a salient rim at the top of the steel gorget or hause col, so that when placed on its gorget and closed, it could not be wrenched off, but could yet be moved round freely in a horizontal direction. The gorget being articulated, the head could also be raised or lowered a little, but not enough to make this form of joint very desirable, and a looser kind was soon subst.i.tuted.

Fig. 604 shows what is perhaps the most perfect type of close helmet. The comb is much larger than was the custom at an earlier date, and much resembles those of the morions of this period. The visor is formed of two separate parts; the upper fits inside the lower, and could be raised to facilitate seeing without unfixing the lower portion. It is engraved with arabesques, and is probably Italian. Date 1550-1570. Fig. 605 is an English helmet, half-way between a close helmet and a "burgonet." It is really a "casque," with cheek-pieces to meet in front. The crown-piece is joined down the middle of the comb. This helmet was probably made for the Earl of Leicester. Date about 1590.

The word "burgonet" first appeared about the beginning of the fifteenth century, and described a form of helmet like the "celata," and {315} called by that name in Italy. It was completed by a "buffe," or chin-piece, similar to the bavier.