The Tatler Volume I Part 4

[Footnote 85: By Wycherley, first acted in 1683.]

[Footnote 86: Mrs. Bicknell (or Bignell) was born about 1695. It is not clear whether she was married, or whether the name Bicknell was taken to distinguish her from her sister, Mrs. Young, who was also an actress. We first hear of her acting in 1706; she took parts in which sauciness and coquetry were the chief features. Her last recorded appearance was on the 2nd of April, 1723; and she died in May. She signed a pet.i.tion "M.

Bicknell"; probably her name was Margaret, her mother's name. Steele alludes to her as "pretty Mrs. Bignell" in No. 11, and as his friend in the _Guardian_, No. 50. She was Miss Prue in Congreve's "Love for Love,"

and Miss Hoyden in Vanbrugh's "Relapse." In the _Spectator_ (No. 370) Steele praises her dancing.]

[Footnote 87: Cibber writes thus of this actress: "Mrs. Mountford, whose second marriage gave her the name of Verbruggen, was mistress of more variety of humour than I ever knew in any one woman actress. This variety, too, was attended with an equal vivacity, which made her excellent in characters extremely different.... She was so fond of humour, in what low part soever to be found, that she would make no scruple of defacing her fair form to come heartily into it." She could act admirably as a Devons.h.i.+re la.s.s, a pretty fellow, or a fine lady.

Mrs. Verbruggen's first husband, the actor Mountford, was killed by Captain Hill, with the a.s.sistance of Lord Mohun, in 1692, because Hill, who was making unsuccessful suit to Mrs. Bracegirdle was jealous of her fellow-actor. Mountford was then in his thirty-third year. Mrs.

Mountford's second husband, John Verbruggen, is described by Tony Aston as "nature without extravagance." ... "That rough diamond shone more bright than all the artful polished brilliants that ever sparkled on our stage." The same writer says of Mrs. Verbruggen: "She was all art, but dressed so nice, it looked like nature. She was the most easy actress in the world. Her maiden name was Percival."]

[Footnote 88: Various Societies for the Reformation of Manners were founded in the reign of William III. An "Account" of these societies was published in 1699, and Defoe often wrote on the subject. In 1708 the Society for London and Westminster secured the conviction of 3299 "lewd and scandalous" persons, guilty of Sunday trading swearing, drunkenness, &c.]

[Footnote 89: See Steele's apology to Blackmore, author of this poem, in No. 14. Sir Richard Blackmore (died 1729) was a Whig physician who wrote epics on religious and other subjects, and was often at loggerheads with the actors and wits. Though he was not a poet, Addison and Steele praised him on account of the religious tone of his work (see _Spectator_, Nos. 6, 339).]

[Footnote 90: Vanderbank, or as his father sometimes wrote his name, Vandrebanc, was a son of Peter Vanderbank, a Parisian, who came into England with Gascar the painter, about 1674, and died at Bradfield, in Hertfords.h.i.+re, in 1697. His father was admired for the softness of his prints, and still more for the size of them, some of his heads being the largest that had then appeared in England; but the prices he received by no means compensated for the time employed on his works, and he was reduced to want, and died at the house of Mr. Forester, his brother-in-law. After his death, his widow sold his plates to one Brown, a print-seller, who made a great profit by them. His eldest son had some share in the theatre at Dublin; the youngest, William, was a poor labourer, who gave an account of his father and the family to Vertue.

The person mentioned in this paper was probably his father's name-son, and might be, as Walpole conjectures, an engraver. Whatever concern the father might have had in any manufacture of tapestry, he could not be the person meant here, for at this time he had been dead above ten years. The suite of tapestry, in the Duke of Ancaster's sale, with Vanderbank's name to it, mentioned by Walpole, must therefore be supposed to belong to the son, who is said, upon the authority of the French translator of the _Tatler_, to have represented nature very happily in works of tapestry, and to have been a man inimitable in this way. (See Walpole's "Anecdotes of Painting," 1782, vol. v. p. 166.)]

[Footnote 91: Trick (the early editions have "gigg").]

[Footnote 92: Waller wrote "Instructions to a Painter" and "Advice to a Painter," and Denham "Directions to a Painter."]

[Footnote 93: Farquhar's "Beaux' Stratagem," 1707.]

[Footnote 94: Bickerstaff acted the part of the Captain in Mrs.

Centlivre's farce, "A Bickerstaff's Burying; or, Work for the Upholders"

(1713), which was dedicated to the "magnificent Company of Upholders, whom the judicious Censor of Great Britain has so often condescended to mention." In the "British Apollo," vol. ii. No. 107 (Feb. 27 to March 1, 1710), is a "New Prologue to 'Don Quixote' for Mr. Bickerstaff's Benefit at the Theatre Royal, spoken by himself." The prologue ends:

"I need not from the ladies fear my doom, When it shall thus be said, in my behalf, He bears the awful name of BICKERSTAFF."

In the _Daily Courant_ for Feb. 4, 1710, there was advertised a performance of the "Comical History of Don Quixote" at Drury Lane, "at the desire of Isaac Bickerstaff, Esq., for the benefit of his cousin, John Bickerstaff."]

[Footnote 95: George Powell, actor and dramatist, gave way often to drink. He died in 1714. Addison praised his acting of tragic parts in No. 40 of the _Spectator_. See also No. 31. An order to the comedians in Dorset Gardens forbade them acting till further order, because they had allowed Powell to play after he was committed for drawing his sword on Colonel Stanhope and Mr. Davenant. This is dated May 3, 10 Will. III.

(1698); but on May 4 there was another order for the comedians to resume acting. (Lord Chamberlain's Records, Warrant Book No. 19, p. 80.) Cibber's remarks on this incident will be found in his "Apology," chap.

x.]

No. 4. [STEELE.

From _Sat.u.r.day April 16_, to _Tuesday, April 19, 1709_.

It is usual with persons who mount the stage for the cure or information of the crowd about them, to make solemn professions of their being wholly disinterested in the pains they take for the public good. At the same time, those very men, who make harangues in plush doublets, and extol their own abilities and generous inclinations, tear their lungs in vending a drug, and show no act of bounty, except it be, that they lower a demand of a crown, to six, nay, to one penny. We have a contempt for such paltry barterers, and have therefore all along informed the public that we intend to give them our advices for our own sakes, and are labouring to make our lucubrations come to some price in money, for our more convenient support in the service of the public. It is certain, that many other schemes have been proposed to me; as a friend offered to show me a treatise he had writ, which he called "The Whole Art of Life, or the Introduction to Great Men, ill.u.s.trated in a Pack of Cards." But being a novice at all manner of play I declined the offer. Another advised me, for want of money, to set up my coach and practise physic, but having been bred a scholar, I feared I should not succeed that way neither; therefore resolved to go on in my present project. But you are to understand, that I shall not pretend to raise a credit to this work, upon the weight of my politic news only, but, as my Latin sentence in the t.i.tle-page informs you, shall take anything that offers for the subject of my discourse. Thus, new persons, as well as new things, are to come under my consideration; as, when a toast, or a wit, is first p.r.o.nounced such, you shall have the freshest advice of their preferment from me, with a description of the beauty's manner, and the wit's style; as also, in whose places they are advanced. For this town is never good-natured enough to raise one, without depressing another. But it is my design, to avoid saying anything, of any person, which ought justly to displease; but shall endeavour, by the variety of the matter and style, to give entertainment for men of pleasure, without offence to those of business.

White's Chocolate-house, April 18.

All hearts at present pant for two ladies only[96], who have for some time engrossed the dominion of the town. They are indeed both exceeding charming, but differ very much in their excellences. The beauty of Clarissa is soft, that of Chloe piercing. When you look at Clarissa, you see the most exact harmony of feature, complexion, and shape; you find in Chloe nothing extraordinary in any one of those particulars, but the whole woman irresistible. Clarissa looks languis.h.i.+ng; Chloe, killing. Clarissa never fails of gaining admiration; Chloe, of moving desire. The gazers at Clarissa are at first unconcerned, as if they were observing a fine picture. They who behold Chloe, at the first glance, discover transport, as if they met their dearest friend. These different perfections are suitably represented by the last great painter Italy has sent us, Mr. Jervas.[97] Clarissa is, by that skilful hand, placed in a manner that looks artless, and innocent of the torments she gives; Chloe drawn with a liveliness that shows she is conscious, but not affected, of her perfections. Clarissa is a shepherdess; Chloe, a country girl. I must own, the design of Chloe's picture shows, to me, great mastery in the painter; for nothing could be better imagined than the dress he has given her, of a straw hat and riband, to represent that sort of beauty which enters the heart with a certain familiarity, and cheats it into a belief, that it has received a lover as well as an object of love. The force of their different beauties is seen also in the effects it makes on their lovers. The admirers of Chloe are eternally gay and well-pleased: those of Clarissa, melancholy and thoughtful. And as this pa.s.sion always changes the natural man into a quite different creature from what he was before, the love of Chloe makes c.o.xcombs; that of Clarissa, madmen. There were of each kind just now here. Here was one that whistles, laughs, sings, and cuts capers, for love of Chloe.

Another has just now written three lines to Clarissa, then taken a turn in the garden, then came back again, then tore his fragment, then called for some chocolate, then went away without it.

Chloe has so many admirers in the room at present, that there is too much noise to proceed in my narration, so that the progress of the loves of Clarissa and Chloe, together with the bottles that are drank each night for the one, and the many sighs which are uttered, and songs written, on the other, must be our subject on future occasions.

Will's Coffee-house, April 18.

Letters from the Haymarket inform us, that on Sat.u.r.day night last the opera of "Pyrrhus and Demetrius"[98] was performed with great applause.

This intelligence is not very acceptable to us friends of the theatre; for the stage being an entertainment of the reason and all our faculties, this way of being pleased with the suspense of them for three hours together, and being given up to the shallow satisfaction of the eyes and ears only, seems to arise rather from the degeneracy of our understanding, than an improvement of our diversions.[99] That the understanding has no part in the pleasure is evident, from what these letters very positively a.s.sert, to wit, that a great part of the performance was done in Italian: and a great critic fell into fits in the gallery, at feeling, not only time and place, but languages and nations confused in the most incorrigible manner. His spleen is so extremely moved on this occasion, that he is going to publish a treatise against operas, which, he thinks, have already inclined us to thoughts of peace, and if tolerated, must infallibly dispirit us from carrying on the war. He has communicated his scheme to the whole room, and declared in what manner things of this kind were first introduced. He has upon this occasion considered the nature of sounds in general, and made a very elaborate digression upon the London cries,[100] wherein he has shown from reason and philosophy why oysters are cried, card-matches[101] sung, and turnips and all other vegetables neither cried, sung, nor said, but sold, with an accent and tone neither natural to man or beast. This piece seems to be taken from the model of that excellent discourse of Mrs. Manly the schoolmistress, concerning samplers.[102] Advices from the upper end of Piccadilly say that Mayfair is utterly abolished;[103] and we hear Mr. Pinkethman[104] has removed his ingenious company of strollers to Greenwich: but other letters from Deptford say, the company is only making thither, and not yet settled; but that several heathen G.o.ds and G.o.ddesses, which are to descend in machines, landed at the King's Head Stairs last Sat.u.r.day. Venus and Cupid went on foot from thence to Greenwich; Mars got drunk in the town, and broke his landlord's head; for which he sat in the stocks the whole evening; but Mr. Pinkethman giving security that he should do nothing this ensuing summer, he was set at liberty. The most melancholy part of all, was, that Diana was taken in the act of fornication with a boatman, and committed by Justice Wrathful, which has, it seems, put a stop to the diversions of the theatre of Blackheath. But there goes down another Diana and a patient Grissel next tide from Billingsgate.[105]

St. James's Coffee-house, April 18.

They write from Saxony of the 13th instant, N.S., that the Grand General of the Crown of Poland was so far from entering into a treaty with King Stanislaus, that he had written circular letters, wherein he exhorted the Palatinates to join against him; declaring, that this was the most favourable conjuncture for a.s.serting their liberty.

Letters from the Hague of the 23rd instant, N.S., say, they have advices from Vienna, which import, that his Electoral Highness of Hanover had signified to the Imperial Court, that he did not intend to put himself at the head of the troops of the Empire, except more effectual measures were taken for acting vigorously against the enemy the ensuing campaign.

Upon this representation, the Emperor has given orders to several regiments to march towards the Rhine, and despatched expresses to the respective princes of the Empire to desire an augmentation of their forces.

These letters add, that an express arrived at the Hague on the 20th instant, with advice, that the enemy having made a detachment from Tournay of 1500 horse, each trooper carrying a foot-soldier behind him, in order to surprise the garrison of Alost; the allies, upon notice of their march, sent out a strong body of troops from Ghent, which engaged the enemy at Asche, and took 200 of them prisoners, obliging the rest to retire without making any further attempt. On the 22nd in the morning a fleet of merchant s.h.i.+ps coming from Scotland, were attacked by six French privateers at the entrance of the Meuse. We have yet no certain advice of the event: but letters from Rotterdam say, that a Dutch man-of-war of forty guns, which was convoy to the said fleet, was taken, as were also eighteen of the merchants. The Swiss troops, in the service of the States, have completed the augmentation of their respective companies. Those of Wirtemberg and Prussia are expected on the frontiers within few days; and the auxiliaries from Saxony, as also a battalion of Holstein, and another of Wolfemb.u.t.tel, are advancing thither with all expedition. On the 21st instant, the deputies of the States had a conference near Woerden with the President Rouille, but the matter which was therein debated is not made public. His Grace the Duke of Marlborough and Prince Eugene continue at the Hague.

From my own Apartment, April 18.

I have lately been very studious for intelligence, and have just now, by my astrological flying-post, received a packet from Felicia,[106] an island in America, with an account that gives me great satisfaction, and lets me understand that the island was never in greater prosperity, or the administration in so good hands, since the death of their late valiant king. These letters import, that the chief minister has entered into a firm league with the ablest and best men of the nation, to carry on the cause of liberty, to the encouragement of religion, virtue, and honour. Those persons at the helm are so useful, and in themselves of such weight, that their strict alliance must needs tend to the universal prosperity of the people. Camillo,[107] it seems, presides over the deliberations of state; and is so highly valued by all men, for his singular probity, courage, affability, and love of mankind, that his being placed in that station has dissipated the fears of that people, who of all the world are the most jealous of their liberty and happiness. The next member of their society is Horatio,[108] who makes all the public despatches. This minister is master of all the languages in use to great perfection: he is held in the highest veneration imaginable for a severe honesty, and love of his country: he lives in a court, unsullied with any of its artifices, the refuge of the oppressed, and terror of oppressors. Martio[109] has joined himself to this council; a man of most undaunted resolution and great knowledge in maritime affairs; famous for destroying the navy of the Franks,[110] and singularly happy in one particular, that he never preferred a man who has not proved remarkably serviceable to his country. Philander[111] is mentioned with particular distinction; a n.o.bleman who has the most refined taste of the true pleasures and elegance of life, joined to an indefatigable industry in business; a man eloquent in a.s.semblies, agreeable in conversation, and dextrous in all manner of public negotiations. These letters add, that Verono,[112] who is also of this council, has lately set sail to his government of Patricia, with design to confirm the affections of the people in the interests of his queen.

This minister is master of great abilities, and is as industrious and restless for the preservation of the liberties of the people, as the greatest enemy can be to subvert them. The influence of these personages, who are men of such distinguished parts and virtues, makes the people enjoy the utmost tranquillity in the midst of a war, and gives them undoubted hopes of a secure peace from their vigilance and integrity.[113]

[Footnote 96: In a copy of the original edition of the _Tatler_, with MS. notes written early in the last century, which was sold at Messrs.

Sotheby's, in April, 1887, the ladies here described were said to be Mrs. Chetwine and Mrs. Hales respectively. Mrs. Hales was a maid of honour who married Mr. c.o.ke, vice-chamberlain, in July, 1709 (Luttrell's "Brief Relation," vi. 462); "Mrs. Chetwine" was probably the wife of William Richard Chetwynd, afterwards third Viscount Chetwynd, who married Honora, daughter of John Baker, Consul at Algiers; or the wife of his brother Walter, M.P. for Stafford, and Master of the Buckhounds.

In 1717, Lady M. W. Montagu, describing a week spent by a fas.h.i.+onable lady, said, 'Friday, Mrs. Chetwynd's, &c.; a perpetual round of hearing the same scandal' (Pope's Works, ix. 385).]

[Footnote 97: Charles Jervas, portrait painter (died 1739), became princ.i.p.al painter to George I. and George II. He also made a translation of "Don Quixote," first published in 1742.]

[Footnote 98: A translation of Owen McSwiney (1709) from the Italian of Scarlatti.]

[Footnote 99: In the _Spectator_ (Nos. 1, 5, 13, &c.) Addison often wrote against the Italian opera. In 1706, Dennis published "An Essay on the Operas after the Italian Manner, which are about to be established on the English Stage: with some reflections on the damage which they may bring to the Public." He traces to the recent alterations in the entertainments of the stage, the fact that familiar conversation among all cla.s.ses was confined to two points, news and toasting, neither of which required much intelligence.]

[Footnote 100: The street cries of 1709 are described in Lauron's "Habits and Cries of the City of London." They included "Any card-matches or save-alls" and "Twelve-pence a peck, oysters."]

[Footnote 101: Matches made by dipping pieces of card in melted sulphur.

In the _Spectator_ (No. 251), Addison speaks of vendors of card-matches as examples of the fact that those made most noise who had least to sell.]

[Footnote 102: In vol. ii. of Dr. W. King's Works (1776) is "An Essay on the Invention of Samplers, by Mrs. Arabella Manly, schoolmistress at Hackney."]

[Footnote 103: May Fair was abolished in 1709, after it had on several occasions been presented as a nuisance by the Grand Jury at Westminster.

This fair was granted by King James II. under the Great Seal, in the fourth year of his reign, to Sir John Coell and his heirs for ever, in trust for Henry Lord Dover and his heirs for ever, to be held in the field called Brookfield, in the parish of St. Martin's, Westminster, to commence on the first day of May, and to continue fifteen days yearly.

It soon became the resort of the idle, the dissipated, and the profligate, insomuch that the peace-officers were frequently opposed in the performance of their duty; and, in the year 1702, John Cooper, one of the constables, was killed, for which a fencing-master, named Cook, was executed. (See also No. 20.) The fair was revived under George I., but was finally abolished through the exertions of the sixth Earl of Coventry.]