April's Lady Part 21

"Tut!" says he. "I have preached in vain."

"You would have me believe in good only," says she. "You a.s.sure me very positively that all the best virtues are still riding to and fro, redeeming the world, with lances couched and hearts on fire. But where to find them? In you?"

It is a very gentle smile she gives him as she says this.

"Yes: so far, at least, as you are concerned," says he, stoutly. "I shall be true and honest to you so long as my breath lives in my body.

So much I can swear to."

"Well," says she, with a rather meagre attempt at light-heartedness, "you almost persuade me with that truculent manner of yours into believing in you at all events, or is it," a little sadly, "that the ways of others drive me to that belief? Well," with a sigh, "never mind how it is, you benefit by it, any way."

"I don't want to force your confidence," says Dysart; "but you have been made unhappy by somebody, have you not?"

"I have not been made happy," says she, her eyes on the ground. "I don't know why I tell you that. You asked a hard question."

"I know. I should have been silent, perhaps, and yet----"

At this moment the sound of approaching footsteps coming up the steps startles them.

"Joyce!" says he, "grant me one request."

"One! You rise to tragedy!" says she, as if a little amused in spite of the depression under which she is so evidently laboring. "Is it to be your last, your dying prayer?"

"I hope not. Nevertheless I would have it granted."

"You have only to speak," says she, with a slight gesture that is half mocking, half kindly.

"Come with me after luncheon, to-morrow, up to St. Bridget's Hill?"

"Is that all? And to throw such force into it. Yes, yes; I shall enjoy a long walk like that."

"It is not because of the walk that I ask you to go there with me," says Dysart, the innate honesty that distinguishes him compelling him to lay bare to her his secret meaning. "I have something to say to you. You will listen?"

"Why should I not?" returns she, a little pale. He might, perhaps, have said something further, but that now the footsteps sound close at hand.

A glance towards the door that leads from the fragrant night into the still more perfumed air within reveals to them two figures.

Mr. Beauclerk and Miss Maliphant come leisurely forward. The blood receding to Joyce's heart leaves her cold and singularly calm.

CHAPTER XVI.

"Out of the day and night A joy has taken flight."

"Life, I know not what thou art."

"You two," cries Miss Maliphant pleasantly, in her loud, good-natured voice. She addresses them as though it has been borne in upon her by constant reminding that Joyce and Dysart are for the best of all reasons generally to be found together. There is something not only genial, but sympathetic in her tones, something that embarra.s.ses Dysart, and angers Joyce to the last degree. "Well, I'm glad to have met you for one moment out of the hurly-burly," goes on the ma.s.sive heiress to Joyce, with the friendliest of smiles. "I'm off at c.o.c.k-crow, you know, and so mightn't have had the opportunity of saying good-bye to you, but for this fortunate meeting."

"To-morrow?" says Joyce, more with the manner of one who feels she must say something than from any desire to say it.

"Yes, and so early that I shall not have it in my power to bid farewell to any one. Unless, indeed," with a glance at Beauclerk, meant, perhaps, to be coquettish, but so elephantine in its proportions as to be almost anything in the world but that, "some of my friends may wish to see the sun rise."

"We shall miss you," says Joyce, gracefully, though with an effort.

"Just what I've been saying," breaks in Beauclerk at this juncture, who hitherto has been looking on, with an altogether delightful smile upon his handsome face. "We shall all miss Miss Maliphant. It is not often that one meets with an entirely genial companion. My sister is to be congratulated on securing such an acquisition, if only for a short time."

Joyce, lifting her eyes, stares straight at him. "For a short time!"

What does that mean? If Miss Maliphant is to be Lady Baltimore's sister-in-law, she will undoubtedly secure her for a lifetime!

"Oh, you are too good," says Miss Maliphant, giving him a playful flick with her fan.

"Well, what would you have me say?" persists Beauclerk still lightly, with wonderful lightness, in fact, considering the weight of that playful tap upon his bent knuckles. "That we shall not be sorry? Would you have me lie, then? Fie, fie, Miss Maliphant! The truth, the truth, and nothing but the truth! At all risks and hazards!" here he almost imperceptibly sends flying a shaft from his eyes at Joyce, who receives it with a blank stare. "We shall, I a.s.sure you, be desolated when you go, specially Isabel."

This last pretty little speech strikes Dysart as being specially neat: This putting the onus of the regret on to Isabel's shoulders. All through, Beauclerk has been careful to express himself as one who is an appreciative friend of Miss Maliphant, but nothing more; yet so guarded are these expressions, and the looks that accompany them, that Miss Maliphant might be pardoned if she should read a warmer feeling in them.

A sensation of disgust darkens his brow.

"I must say you are all very nice to me," says the heiress complacently.

Poor soul! No doubt, she believes in every bit of it, and a large course of kow-towing from the world has taught her the value of her pile.

"However," with true Manchester grace, "there's no need for howling over it. We'll all meet again, I dare say, some time or other. For one thing, Lady Baltimore has asked me to come here again after Christmas; February, I dare say."

"So glad!" murmurs Joyce rather vaguely.

"So you see," said Miss Maliphant with ponderous gayety, "that we are all bound to put in a second good time together; you're coming, I know, Mr. Dysart, and Miss Kavanagh is always here, and Mr. Beauclerk "--with a languis.h.i.+ng glance at that charming person, who returns it in the most open manner--"has promised me that he will be here to meet me."

"Well, if I can, you know," says he, now beaming at her.

"How's that?" says the heiress, turning promptly upon him. It is strange how undesirable the very richest heiress can be at times. "Why, it's only just this instant that you told me nothing would keep you away from the Court next spring. What d'ye mean?"

She brings him to book in a most uncompromising fas.h.i.+on; a fas.h.i.+on that betrays unmistakably her plebeian origin. Dysart, listening, admires her for it. Her rough and ready honesty seems to him preferable to the best bred shuffling in the world.

"Did I say all that?" says Beauclerk lightly, coloring a little, nevertheless, as he marks the fine smile that is curling Joyce's lips.

"Why, then," gayly, "if I said it, I meant it. If I hesitated about indorsing my intentions publicly, it is because one is never sure of happiness beforehand; believe me, Miss Maliphant," with a little bow-to her, but with a direct glance at Joyce, "every desire I have is centered in the hope that next spring may see me here again."

"Well, I expect we all have the same wish," says Miss Maliphant cheerfully, who has not caught that swift glance at Joyce. "I'm sure I hope that nothing will interfere with my coming here in February."

"It is agreed, then," says Beauclerk, with a delightfully comprehensive smile that seems to take in every one, even the plants and the dripping fountain and the little marble G.o.d in the corner, who is evidently listening with all his might. "We all meet here again early next year if the fates be propitious. You, Dysart, you pledge yourself to join our circle then?"

"I pledge myself," says Dysart, fixing a cold gaze on him. It is so cold, so distinctly hostile, that Beauclerk grows uncomfortable beneath it. When uncomfortable his natural bias leads him towards a display of bonhomie.

"Here we have before us a prospect to cheer the soul of any man,"

declares he, s.h.i.+fting his eyes from Dysart to Miss Maliphant.

"It cheers me certainly," responds that heavy maiden with alacrity. "I like to think we shall all meet again."

"Like the witches in Macbeth," says Joyce, indifferently.