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"Sure! Why?"
"Nothing! Thought maybe you'd find it sort of lonesome."
Back to the dismissed subject Quade returned, with the persistence of a guilty conscience. "Say," he said, "while we're talking about it, you don't happen to believe what Lowrie said?"
"Lowrie was pretty sick; maybe he was raving. So you're all along up here? n.o.body near?"
His restless, impatient eye ran over the surroundings. There was not a soul in sight. The mountains were growing stark and black against the flush of the western sky. His glance fell back upon Quade.
"But how did Lowrie happen to die?"
"He got shot."
"Did a gang drop him?"
"Nope, just one gent."
"You don't say! But Lowrie was a pretty slick hand with a gun--next to Bill Sandersen, the best I ever seen, almost! Somebody got the drop on him, eh?"
"Nope, he killed himself!"
Quade gasped. "Suicide?"
"Sure."
"How come?"
"I'll tell you how it was. He seen a gent coming. In fact he looked out of the window of his hotel and seen Riley Sinclair, and he figured that Riley had come to get him for what happened to his brother, Hal. Lowrie got sort of excited, lost his nerve, and when the hotel keeper come upstairs, Lowrie thought it was Sinclair, and he didn't wait. He shot himself."
"You seem to know a pile," said Quade thoughtfully.
"Well, you see, I'm Riley Sinclair." Still he smiled, but Quade was as one who had seen a ghost.
"I had to make sure that you was alone. I had to make sure that you was guilty. And you are, Quade. Don't do that!"
The hand of Quade slipped around the b.u.t.t of his gun and clung there.
"You ain't fit for a gun fight right now," went on Riley Sinclair slowly. "You're all shaking, Quade, and you couldn't hit the side of the mountain, let alone me. Wait a minute. Take your time. Get all settled down and wait till your hand stops shaking."
Quade moistened his white lips and waited.
"You give Hal plenty of time," resumed Riley Sinclair. "Since Lowrie told me that yarn I been wondering how Hal felt when you and the other two left him alone. You know, a gent can do some pretty stiff thinking before he makes up his mind to blow his head off."
His tone was quite conversational.
"Queer thing how I come to blunder into all this information, partner.
I come into a room where Lowrie was. The minute he heard my name he figured I was after him on account of Hal. Up he comes with his gun like a flash. Afterward he told me all about it, and I give him a pretty fine funeral. I'll do the same by you, Quade. How you feeling now?"
"Curse you!" exclaimed Quade.
"Maybe I'm cursed, right enough, but, Quade, I'd let 'em burn me, inch by inch in a fire, before I'd quit a partner, a bunkie in the desert!
You hear? It's a queer thing that a gent could have much pleasure out of plugging another gent full of lead. I've had that pleasure once; and I'm going to have it again. I'm going to kill you, Quade, but I wish there was a slower way! Pull your gun!"
That last came out with a snap, and the revolver of Quade flicked out of its holster with a convulsive jerk of the big man's wrist. Yet the spit of fire came from Riley Sinclair's weapon, slipping smoothly into his hand. Quade did not fall. He stood with a bewildered expression, as a man trying to remember something hidden far in the past; and Sinclair fingered the b.u.t.t of his gun lightly and waited. It was rather a crumbling than a fall. The big body literally slumped down into a heap.
Sinclair reached down without dismounting and pulled the body over on its back.
"Because," he explained to what had been a strong man the moment before, "when the devil comes to you, I want the old boy to see your face, Quade! Git on, old boss!"
As he rode down the trail toward Sour Creek he carefully and deftly cleaned his revolver and reloaded the empty chamber.
4
Perhaps, in the final a.n.a.lysis, Riley Sinclair would not be condemned for the death of Lowrie or the killing of Quade, but for singing on the trail to Sour Creek. And sing he did, his voice ringing from hill to hill, and the echoes barking back to him, now and again.
He was not silent until he came to Sour Creek. At the head of the long, winding, single street he drew the mustang to a tired walk. It was a very peaceful moment in the little town Yonder a dog barked and a coyote howled a thin answer far away, but, aside from these, all other sounds were the happy noises of families at the end of a day. From every house they floated out to him, the clamor of children, the deep laughter of a man, the loud rattle of pans in the kitchen.
"This ain't so bad," Riley Sinclair said aloud and roused the mustang cruelly to a gallop, the hoofs of his mount splas.h.i.+ng through inches of pungent dust.
The heaviness of the gallop told him that his horse was plainly spent and would not be capable of a long run before the morning. Riley Sinclair accepted the inevitable with a sigh. All his strong instincts cried out to find Sandersen and, having found him, to shoot him and flee. Yet he had a sense of fatality connected with Sandersen. Lowrie's own conscience had betrayed him, and his craven fear had been his executioner. Quade had been shot in a fair fight with not a soul near by. But, at the third time, Sinclair felt reasonably sure that his luck would fail him. The third time the world would be very apt to brand him with murder.
It was a bad affair, and he wanted to get it done. This stay in Sour Creek was entirely against his will. Accordingly he put the mustang in the stable behind the hotel, looked to his feed, and then went slowly back to get a room. He registered and went in silence up to his room.
If there had been the need, he could have kept on riding for a twenty-hour stretch, but the moment he found his journey interrupted, he flung himself on the bed, his arms thrown out crosswise, crucified with weariness.
In the meantime the proprietor returned to his desk to find a long, gaunt man leaning above the register, one brown finger tracing a name.
"Looking for somebody, Sandersen?" he asked. "Know this gent Sinclair?"
"Face looked kind of familiar to me," said the other, who had jerked his head up from the study of the register. "Somehow I don't tie that name up with the face."
"Maybe not," said the proprietor. "Maybe he ain't Riley Sinclair of Colma; maybe he's somebody else."
"Traveling strange, you mean?" asked Sandersen.
"I dunno, Bill, but he looks like a hard one. He's got one of them nervous right hands."
"Gunfighter?"
"I dunno. I'm not saying anything about what he is or what he ain't.
But, if a gent was to come in here and tell me a pretty strong yarn about Riley Sinclair, or whatever his name might be, I wouldn't incline to doubt of it, would you, Bill?"
"Maybe I would, and maybe I wouldn't," answered Bill Sandersen gloomily.
He went out onto the veranda and squinted thoughtfully into the darkness. Bill Sandersen was worried--very worried. The moment he saw Sinclair enter the hotel, there had been a ghostly familiarity about the man. And he understood the reason for it as soon as he saw the name on the register. Sinclair! The name carried him back to the picture of the man who lay on his back, with the soft sands already half burying his body, and the round, purple blur in the center of his forehead. In a way it was as if Hal Sinclair had come back to Me in a new and more terrible form, come back as an avenger.