Dwellers in the Hills Part 9

I led El Mahdi into the shop, and Christian turned when he heard us enter. "Can you tack on a shoe?" said I.

The smith looked us over, took his glowing iron from the forge, struck it a blow or two on the anvil, and plunged it sizzling into the tub of water that stood beside him. Then he came over to the horse. "Fore or hind?" he asked.

"Left hind," I answered; "it's broken."

He went to the corner of the shop and came back with his kit,--a little narrow wooden box on legs, with two places, one for nails and one for the shoeing tools, and a wooden rod above for handle and shoe-rack. He set the box beside him, took up the horse's foot, wiped it on his ap.r.o.n, and tried the shoe with his fingers. Then he took a pair of pincers out of his box, and catching one half of the broken shoe, gave it a wrench.

I turned on him in astonishment. "Stop," I cried, "you will tear the hoof."

"It'll pull loose," he mumbled.

Ump was at the door, tying the Bay Eagle. He came in when he heard me.

"Christian," he said, "cut them nails."

The blacksmith looked up at him. "Who's shoein' this horse?" he growled.

The eyes of the hunchback began to snap. "You're a-doin' it," he said, "an' I'm tellin' you how."

"If I'm a doin' it," growled the blacksmith, "suppose you go to h.e.l.l."

And he gave the shoe another wrench.

I was on him in a moment, and he threw me off so that I fell across the shop against a pile of horseshoes. The hunchback caught up a sledge that lay by the door and threw it. Old Christian was on one knee. He dodged under the horse and held up the kit to ward off the blow. The iron nose of the sledge struck the box and crushed it like a sh.e.l.l, and, pa.s.sing on, bounded off the steel anvil with a bang.

The blacksmith sprang out as the horse jumped, seized the hammer and darted at Ump. I saw the hunchback look around for a weapon. There was none, but he never moved. The next moment his head would have burst like a cracked nut, but in that moment a shadow loomed in the shop door.

There was a mad rush like the sudden swoop of some tremendous hawk. The blacksmith was swept off his feet, carried across the shop, and flattened against the chimney of his forge. I looked on, half dazed by the swiftness of the thing. I did not see that it was Jud until old Christian was gasping under the falling mortar of his chimney, his feet dangling and his sooty throat caught in the giant's fingers, that looked like squeezing iron bolts. The staring eyes of the old man were gla.s.sy, his face was beginning to get black, his mouth opened, and his extended bare arm holding the hammer began to come slowly down.

It rested a moment on the giant's shoulder, then it bent at the elbow, the fingers loosed, and the hammer fell. Old Christian will never be nearer to the pit of his imperial master until he stumbles over its rim.

The hunchback glided by me and clapped his hand on Jud's shoulder. "Drop him," he cried.

The blood of the giant was booming. The desperate savage, pa.s.sed sleeping from his father and his father's father, had awaked, and awaked to kill. I could read the sinister intent in the crouch of his shoulders.

The hunchback shook him. "Jud," he shouted, "Jud, drop him."

The giant turned his head, blinked his eyes for a moment like a man coming out of a sleep, and loosed his hand. The blacksmith slipped to the floor, but he could not stand when he reached it. His knees gave way. He caught the side of the leather bellows, and stumbling around it, sat down on the anvil wheezing like a stallion with the heaves.

Ump stooped and picked up the hammer. Then he turned to the puffing giant. "Jud," he said, "you ain't got sense enough to pour rain-water out of a boot."

"Why?" said Jud.

"Why?" echoed the hunchback, "why? Suppose you had wrung the old blatherskite's neck. How do you reckon we'd get a shoe on this horse?"

CHAPTER X

ON THE CHOOSING OF ENEMIES

It has been suggested by the wise that perhaps every pa.s.sing event leaves its picture on the nearest background, and may hereafter be reproduced by the ingenuity of man. If so, and if genius led us into this mighty gallery of the past, there is no one thing I would rather look at than the face of a youth who stood rubbing his elbows in the shop of old Christian, the blacksmith.

The slides of violent emotion, thrust in when unexpected, work such havoc in a child's face,--that window to the world which half our lives are spent in curtaining!

I wish to see the face of the lad only if the G.o.ds please. The canvas about it is all tolerably clear,--the smoke-painted shop, and the afternoon sun s.h.i.+ning in to it through the window by the forge; and through the great cracks, vertical sheets of sunlight thrust, wherein the golden dust was dancing; the blacksmith panting on his anvil, his bare arms bowed, and his hands pressed against his body as though to help somehow to get the good air into his lungs, beads of perspiration creeping from under the leather cap and tracing white furrows down his sooty face; Jud leaning against the wall, and Ump squatting near El Mahdi. The horse was not frightened. He jumped to avoid the flying sledge. That was all. I cannot speak of the magnitude of his courage. I can only say that he had the sublime indifference of a Brahmin from the Ganges.

Presently the blacksmith had gotten the air in him, and he arose scowling, picked up his tongs, fished the cart-iron out of the water, thrust it into the coals and began to pump his bellows.

It was an invitation to depart and leave him to his own business. But it was not our intention to depart with a barefooted horse, even if the devil were the blacksmith.

"Christian," said Ump, "you're not through with this horse."

The blacksmith paid no attention. He pumped his bellows with his back toward us.

"Christian!" repeated the hunchback, and his voice was the ugliest thing I have ever heard. It was low and soft and went whistling through the shop. "Do you hear me, Christian?"

The smith turned like an animal that hears a hissing by his heels, threw the tongs on the floor, and glared at Ump. "I won't do it," he snarled.

"Easy, Christian," said the hunchback, with the same wheedling voice that came so strangely through his crooked mouth. "Think about it, man.

The horse is barefoot. We should be much obliged to you."

I do not believe that this man was a coward. It was his boast that he could shoe anything that could walk into his shop, and he lived up to the boast. I give him that due, on my honour. Many a devil walked into that shop wearing the hoof and hide of a horse and came out with iron nailed on his feet; for example, horses like the Black Abbot that fought and screamed when we put a saddle on him first and rolled on the earth until he crushed the saddle-tree and the stirrups into splinters; and horses like El Mahdi that tried to kill the blacksmith as though he were an annoying fly. It was dangerous business, and I do not believe that old Christian was a coward.

But what show had he? An arm's length away was the powerful Jud whose hand had just now held the smith out over the corner of the world; and the hunchback squatted on the floor with the striking hammer in his long fingers, the red glint under his half-closed eyelids, and that dangerous purring speech in his mouth. What show had he?

The man looked up at the roof, blackened with the smoke of half a century, and then down at the floor, and the resolution died in his face. He gathered up his scattered tools and went over to the horse, lifted his foot, cut the nails, and removed the pieces of broken shoe.

Then he climbed on the anvil, and began to move the manufactured shoes that were set in rows along the rafters, looking for a size that would fit.

"Them won't do," said Ump. "You'll have to make a shoe, Christian."

The man got down without a word, seized a bar of iron and thrust it into the coals. Jud caught the pole of his bellows, and pumped it for him.

The smith turned the iron in the coals. When it glowed he took it out, cut off the glowing piece on the chisel in his anvil, caught it up in a pair of tongs and thrust it back into the fire. Then he waited with his hands hanging idly while Jud pulled the pole of the old bellows until it creaked and groaned and the fire spouted sparks.

When the iron was growing fluffy white, the smith caught it up in his tongs, lifted it from the fire, flung off a shower of hissing sparks and began to hammer, drawing it out and beating it around the horn of the anvil until presently it became a rough flat shoe.

The iron was cooling, and he put it back into the coals. When it was hot again, he turned the calks, punched the nail holes and carried it glowing to where the horse stood, held it an instant to the hoof, noted the changes to be made, and thrust it back into the fire.

A moment later the hissing shoe was plunged into a tub of water by the anvil, and then thrown steaming to the floor. Ump picked it up, pa.s.sed his finger over it and then set it against El Mahdi's foot. It was a trifle narrow at the heel, and Ump pitched it back to the smith, spreading his fingers to indicate the defect. Old Christian sprung the calks on the horn of the anvil, and returned the shoe. The hunchback thrust his hand between the calks, raised the shoe and squinted along its surface to see if it were entirely level. Then he nodded his head.

The blacksmith went over to the wall, and began to take down a paper box. The hunchback saw him and turned under the horse. "We can't risk a store nail," he said. "You'll have to make 'em."

For the first time the man spoke. "No iron," he answered.

Ump arose and began to look over the shop. Presently he found an old scythe blade and threw it to the smith. "That'll do," he said; "take the back."

Old Christian broke the strip of iron from the scythe blade and heating it in his forge, made the nails, hammering them into shape, and cutting them from the rod until he had a dozen lying by the anvil. When they were cool, he gathered them in his hand, smoothed the points, and went over to El Mahdi.