Sunny Memories Of Foreign Lands Volume I Part 9

In the afternoon I rode out with the lord provost to see the cathedral.

The lord provost answers to the lord mayor in England. His t.i.tle and office in both countries continue only a year, except in cases of reelection.

As I saw the way to the cathedral blocked up by a throng of people, who had come out to see me, I could not help saying, "What went ye out for to see? a reed shaken with the wind?" In fact, I was so worn out, that I could hardly walk through the building.

It is in this cathedral that part of the scene of Rob Roy is laid. This was my first experience in cathedrals. It was a new thing to me altogether, and as I walked along under the old b.u.t.tresses and battlements without, and looked into the bewildering labyrinths of architecture within, I saw that, with silence and solitude to help the impression, the old building might become a strong part of one's inner life. A grave yard crowded with flat stones lies all around it. A deep ravine separates it from another cemetery on an opposite eminence, rustling with dark pines. A little brook murmurs with its slender voice between.

On this opposite eminence the statue of John Knox, grim and strong, stands with its arm uplifted, as if shaking his fist at the old cathedral which in life he vainly endeavored to battle down.

Knox was very different from Luther, in that he had no conservative element in him, but warred equally against accessories and essentials.

At the time when the churches of Scotland were being pulled down in a general iconoclastic crusade, the tradesmen of Glasgow stood for the defence of their cathedral, and forced the reformers to content themselves with having the idolatrous images of saints pulled down from their niches and thrown into the brook, while, as Andrew Fairservice hath it, "The auld kirk stood as crouse as a cat when the fleas are caimed aff her, and a' body was alike pleased."

We went all through the cathedral, which is fitted up as a Protestant place of wors.h.i.+p, and has a simple and ma.s.sive grandeur about it. In fact, to quote again from our friend Andrew, we could truly say, "Ah, it's a brave kirk, nane o' yere whig-malceries, and curliewurlies, and opensteek hems about it--a' solid, weel-jointed mason wark, that will stand as lang as the warld, keep hands and gun-powther aff it."

I was disappointed in one thing: the painted gla.s.s, if there has ever been any, is almost all gone, and the glare of light through the immense windows is altogether too great, revealing many defects and rudenesses in the architecture, which would have quite another appearance in the colored rays through painted windows--an emblem, perhaps, of the cold, definite, intellectual rationalism, which has taken the place of the many-colored, gorgeous mysticism of former times.

After having been over the church, we requested, out of respect to Baillie Nicol Jarvie's memory, to be driven through the Saut Market. I, however, was so thoroughly tired that I cannot remember any thing about it.

I will say, by the way, that I have found out since, that nothing is so utterly hazardous to a person's strength as looking at cathedrals. The strain upon the head and eyes in looking up through these immense arches, and then the sepulchral chill which abides from generation to generation in them, their great extent, and the variety which tempts you to fatigue which you are not at all aware of, have overcome, as I was told, many before me.

Mr. S. and C----, however, made amends, by their great activity and zeal, for all that I could not do, and I was pleased to understand from them, that part of the old Tolbooth, where Rob Roy and the baillie had their rencontre, was standing safe and sound, with stuff enough in it for half a dozen more stories, if any body could be found to write them.

And Mr. S. insisted upon it, that I should not omit to notify you of this circ.u.mstance.

Well, in consequence of all this, the next morning I was so ill as to need a physician, unable to see any one that called, or to hear any of the letters. I pa.s.sed most of the day in bed, but in the evening I had to get up, as I had engaged to drink tea with two thousand people. Our kind friends Dr. and Mrs. Wardlaw came after us, and Mr. S. and I went in the carriage with them.

Dr. Wardlaw is a venerable-looking old man; we both thought we saw a striking resemblance in him to our friend Dr. Woods, of Andover. He is still quite active in body and mind, and officiates to his congregation with great acceptance. I fear, however, that he is in ill health, for I noticed, as we were pa.s.sing along to church, that he frequently laid his hand upon his heart, and seemed in pain. He said he hoped he should be able to get through the evening, but that when he was not well, excitement was apt to bring on a spasm about the heart; but with it all he seemed so cheerful, lively, and benignant, that I could not but feel my affections drawn towards him. Mrs. Wardlaw is a gentle, motherly woman, and it was a great comfort to have her with me on such an occasion.

Our carriage stopped at last at the place. I have a dim remembrance of a way being made for us through a great crowd all round the house, and of going with Mrs. Wardlaw up into a dressing room, where I met and shook hands with many friendly people. Then we pa.s.sed into a gallery, where a seat was reserved for our party, directly in front of the audience. Our friend Baillie Paton presided. Mrs. Wardlaw and I sat together, and around us many friends, chiefly ministers of the different churches, the ladies and gentlemen of the Glasgow Antislavery Society, and others.

I told you it was a tea party; but the arrangements were altogether different from any I had ever seen. There were narrow tables stretched up and down the whole extent of the great hall, and every person had an appointed seat. These tables were set out with cups and saucers, cakes, biscuit, &c., and when the proper time came, attendants pa.s.sed along serving tea. The arrangements were so accurate and methodical that the whole mult.i.tude actually took tea together, without the least apparent inconvenience or disturbance.

There was a gentle, subdued murmur of conversation all over the house, the sociable clinking of teacups and teaspoons, while the entertainment was going on. It seemed to me such an odd idea, I could not help wondering what sort of a teapot that must be, in which all this tea for two thousand people was made. Truly, as Hadji Baba says, I think they must have had the "father of all teakettles" to boil it in. I could not help wondering if old mother Scotland had put two thousand teaspoonfuls of tea for the company, and one for the teapot, as is our good Yankee custom.

We had quite a sociable time up in our gallery. Our tea table stretched quite across the gallery, and we drank tea "in sight of all the people."

By _we_, I mean a great number of ministers and their wives, and ladies of the Antislavery Society, besides our party, and the friends whom I have mentioned before. All seemed to be enjoying themselves.

After tea they sang a few verses of the seventy-second psalm in the old Scotch version.

"The people's poor ones he shall judge, The needy's children save; And those shall he in pieces break, Who them oppressed have.

For he the needy shall preserve, When he to him doth call; The poor, also, and him that hath No help of man at all.

Both from deceit and violence Their soul he shall set free; And in his sight right precious And dear their blood shall be.

Now blessed be the Lord, our G.o.d, The G.o.d of Israel, For he alone doth wondrous works, In glory that excel.

And blessed be his glorious name To all eternity; The whole earth let his glory fill: Amen; so let it be."

When I heard the united sound of all the voices, giving force to these simple and pathetic words, I thought I could see something of the reason why that rude old translation still holds its place in Scotland.

The addresses were, many of them, very beautiful; the more so for the earnest and religious feeling which they manifested. That of Dr.

Wardlaw, in particular, was full of comfort and encouragement, and breathed a most candid and catholic spirit. Could our friends in America see with what earnest warmth the religious heart of Scotland beats towards them, they would be willing to suffer a word of admonition from those to whom love gives a right to speak. As Christians, all have a common interest in what honors or dishonors Christianity, and an ocean between us does not make us less one church.

Most of the speeches you will see recorded in the papers. In the course of the evening there was a second service of grapes, oranges, and other fruits, served round in the same quiet manner as the tea. On account of the feeble state of my health, they kindly excused me before the exercises of the evening were over.

The next morning, at ten o'clock, we rode with a party of friends to see some of the _notabilia_. First, to Bothwell Castle, of old the residence of the Black Douglas. The name had for me the quality of enchantment. I cannot understand nor explain the nature of that sad yearning and longing with which one visits the mouldering remains of a state of society which one's reason wholly disapproves, and which one's calm sense of right would think it the greatest misfortune to have recalled; yet when the carriage turned under the shadow of beautiful ancient oaks, and Mr. S. said, "There, we are in the grounds of the old Black Douglas family!" I felt every nerve s.h.i.+ver. I remembered the dim melodies of the Lady of the Lake. Bothwell's lord was the lord of this castle, whose beautiful ruins here adorn the banks of the Clyde.

Whatever else we have or may have in America, we shall never have the wild, poetic beauty of these ruins. The present n.o.ble possessors are fully aware of their worth as objects of taste, and, therefore, with the greatest care are they preserved. Winding walks are cut through the grounds with much ingenuity, and seats or arbors are placed at every desirable and picturesque point of view.

To the thorough-paced tourist, who wants to _do_ the proprieties in the shortest possible time, this arrangement is undoubtedly particularly satisfactory; but to the idealist, who would like to roam, and dream, and feel, and to come unexpectedly on the choicest points of view, it is rather a damper to have all his raptures prearranged and foreordained for him, set down in the guide book and proclaimed by the guide, even though it should be done with the most artistic accuracy.

Nevertheless, when we came to the arbor which commanded the finest view of the old castle, and saw its gray, ivy-clad walls, standing forth on a beautiful point, round which swept the brown, dimpling waves of the Clyde, the indescribable sweetness, sadness, wildness of the whole scene would make its voice heard in our hearts. "Thy servants take pleasure in her dust, and favor the stones thereof," said an old Hebrew poet, who must have felt the inexpressibly sad beauty of a ruin. All the splendid phantasmagoria of chivalry and feudalism, knights, ladies, banners, glittering arms, sweep before us; the cry of the battle, the noise of the captains, and the shouting; and then in contrast this deep stillness, that green, clinging ivy, the gentle, rippling river, those weeping birches, dipping in its soft waters--all these, in their quiet loveliness, speak of something more imperishable than brute force.

The ivy on the walls now displays a trunk in some places as large as a man's body. In the days of old Archibald the Grim, I suppose that ivy was a little, weak twig, which, if he ever noticed, he must have thought the feeblest and slightest of all things; yet Archibald has gone back to dust, and the ivy is still growing on. Such force is there in gentle things.

I have often been dissatisfied with the admiration, which a poetic education has woven into my nature, for chivalry and feudalism; but, on a closer examination, I am convinced that there is a real and proper foundation for it, and that, rightly understood, this poetic admiration is not inconsistent with the spirit of Christ.

For, let us consider what it is we admire in these Douglases, for instance, who, as represented by Scott, are perhaps as good exponents of the idea as any. Was it their hardness, their cruelty, their hastiness to take offence, their fondness for blood and murder? All these, by and of themselves, are simply disgusting. What, then, do we admire? Their courage, their fort.i.tude, their scorn of lying and dissimulation, their high sense of personal honor, which led them to feel themselves the protectors of the weak, and to disdain to take advantage of unequal odds against an enemy. If we read the book of Isaiah, we shall see that some of the most striking representations of G.o.d appeal to the very same principles of our nature.

The fact is, there can be no reliable character which has not its basis in these strong qualities. The beautiful must ever rest in the arms of the sublime. The gentle needs the strong to sustain it, as much as the rock flowers need rocks to grow on, or yonder ivy the rugged wall which it embraces. When we are admiring these things, therefore, we are only admiring some sparkles and glimmers of that which is divine, and so coming nearer to Him in whom all fulness dwells.

After admiring at a distance, we strolled through the ruins themselves.

Do you remember, in the Lady of the Lake, where the exiled Douglas, recalling to his daughter the images of his former splendor, says,--

"When Blantyre hymned, her holiest lays, And Bothwell's walls flung back the praise"?

These lines came forcibly to my mind, when I saw the mouldering ruins of Blantyre priory rising exactly opposite to the castle, on the other side of the Clyde.

The banks of the River Clyde, where we walked, were thick set with Portuguese laurel, which I have before mentioned as similar to our rhododendron. I here noticed a fact with regard to the ivy which had often puzzled me; and that is, the different shapes of its leaves in the different stages of its growth. The young ivy has this leaf; but when it has become more than a century old every trace and indentation melts away, and it a.s.sumes this form, which I found afterwards to be the invariable shape of all the oldest ivy, in all the ruins of Europe which I explored.

This ivy, like the spider, takes hold with her hands in kings' palaces, as every twig is furnished with innumerable little clinging fingers, by which it draws itself close, as it were, to the very heart of the old rough stone.

Its clinging and beautiful tenacity has given rise to an abundance of conceits about fidelity, friends.h.i.+p, and woman's love, which have become commonplace simply from their appropriateness. It might, also, symbolize that higher love, unconquerable and unconquered, which has embraced this ruined world from age to age, silently spreading its green over the rents and fissures of our fallen nature, giving "beauty for ashes, and garments of praise for the spirit of heaviness."

There is a modern mansion, where the present proprietor of the estate lives. It was with an emotion partaking of the sorrowful, that we heard that the Douglas line, as such, was extinct, and that the estate had pa.s.sed to distant connections. I was told that the present Lord Douglas is a peaceful clergyman, quite a different character from old Archibald the Grim.

The present residence is a plain mansion, standing on a beautiful lawn, near the old castle. The head gardener of the estate and many of the servants came out to meet us, with faces full of interest. The gardener walked about to show us the localities, and had a great deal of the quiet intelligence and self-respect which, I think, is characteristic of the laboring cla.s.ses here. I noticed that on the green sweep of the lawn, he had set out here and there a good many daisies, as embellishments to the gra.s.s, and these in many places were defended by sticks bent over them, and that, in one place, a bank overhanging the stream was radiant with yellow daffodils, which appeared to have come up and blossomed there accidentally. I know not whether these were planted there, or came up of themselves.

We next went to the famous Bothwell bridge, which Scott has immortalized in Old Mortality. We walked up and down, trying to recall the scenes of the battle, as there described, and were rather mortified, after we had all our a.s.sociations comfortably located upon it, to be told that it was not the same bridge--it had been newly built, widened, and otherwise made more comfortable and convenient.

Of course, this was evidently for the benefit of society, but it was certainly one of those cases where the poetical suffers for the practical. I comforted myself in my despondency, by looking over at the old stone piers underneath, which were indisputably the same. We drove now through beautiful grounds, and alighted at an elegant mansion, which in former days belonged to Lockhart, the son-in-law of Scott. It was in this house that Old Mortality was written.

As I was weary, the party left me here, while they went on to see the Duke of Hamilton's grounds. Our kind hostess showed me into a small study, where she said Old Mortality was written. The window commanded a beautiful view of many of the localities described. Scott was as particular to consult for accuracy in his local descriptions as if he had been writing a guide book.

He was in the habit of noting down in his memorandum book even names and characteristics of the wild flowers and gra.s.ses that grew about a place.

When a friend once remarked to him, that he should have supposed his imagination could have supplied such trifles, he made an answer that is worth remembering by every artist--that no imagination could long support its freshness, that was not nourished by a constant and minute observation of nature.

Craignethan Castle, which is the original of Tillietudlem, we were informed, was not far from thence. It is stated in Lockhart's Life of Scott, that the ruins of this castle excited in Scott such delight and enthusiasm, that its owner urged him to accept for his lifetime the use of a small habitable house, enclosed within the circuit of the walls.