Alone with the Horrors Part 21

As soon as I stepped on the path I felt the breeze. That raised my spirits; the lorries had half deafened me, the grubby light and the clouds of dust had made me feel grimy. Though the gra.s.s was waist high I strode forward, determined to follow the path.

Gra.s.s blurred its meanderings, but I managed to trace it to the far side of the field, only to find that it gave out entirely. I peered about, blinded by smouldering green. Elusive gra.s.shoppers chirred, regular as telephones. Eventually I made my way to the corner where the field met two others. Here the path sneaked through the hedge, almost invisibly. Had it been made difficult to follow?

Beyond the hedge it pa.s.sed close to a pond, whose surface was green as the fields; I slithered on the brink. A dragonfly, its wings wafers of stained ------------------------------------318 gla.s.s, skimmed the pond. The breeze coaxed me along the path, until I reached what I'd thought was the edge of the field, but which proved to be a trough in the ground, about fifteen feet deep.

It wasn't a valley, though its stony floor sloped towards a dark hole ragged with gra.s.s. Its banks were a ma.s.s of gorse and herbs; gorse obscured a dark green mound low down on the far bank. Except that the breeze was urging me, I wouldn't have gone close enough to realise that the mound was a cottage.

It was hardly larger than a room. Moss had blurred its outlines, so that it resembled the banks of the trough; it was impossible to tell where the roof ended and the walls began. Now I could see a window, and I was eager to look in. The breeze guided me forward, caressing and soothing, and I saw where the path led down to the cottage.

I had just climbed down below the edge when the breeze turned cold. Was it the damp, striking upwards from the crack in the earth? The crack was narrower than it had looked, which must be why I was all at once much closer to the cottage--close enough to realise that the cottage must be decaying, eaten away by moss; perhaps that was what I could smell. Inside the cottage a light crept towards the window, a light pale as marsh gas, pale as the face that loomed behind it.

Someone was in there, and I was trespa.s.sing. When I tried to struggle out of the trough, my feet slipped on the path; the breeze was a huge cus.h.i.+on, a softness that forced me backwards. Clutching at gorse, I dragged myself over the edge. n.o.body followed, and by the time I'd fled past the pond I couldn't distinguish the crack in the earth.

I didn't tell my aunt about the incident. Though she insisted I call her Naomi, and let me stay up at night far later than my parents did, I felt she might disapprove. I didn't want her to think that I was still a child. If I hadn't stopped myself brooding about it I might have realised that I felt guiltier than the incident warranted; after all, I had done nothing.

Before long she touched on the subject herself. One night we sat sipping more of the wine we'd had with dinner, something else my parents would have frowned upon if they'd known. Mellowed by wine, I said "That was a nice meal." Without warning, to my dismay which I concealed with a laugh, my voice fell an octave.

"You're growing up." As though that had reminded her, she said "See what you make of this."

From a drawer she produced two small grey dresses, too smartly cut for school. One of her clients had brought them for alteration, her two small ------------------------------------319 daughters clutching each other and giggling at me. Aunt Naomi handed me the dresses. "Look at them closely," she said.

Handling them made me uneasy. As they drooped emptily over my lap they looked unnervingly minute. Strands of a different grey were woven into the material. Somehow I didn't like to touch those strands.

"I know how you feel," my aunt said. "It's the material."

"What about it?"

"The strands of lighter grey--I think they're hair."

I handed back the dresses hastily, pinching them by one corner of the shoulders. "Old f.a.n.n.y Cave made them," she said as though that explained everything.

"Who's f.a.n.n.y Cave?"

"Maybe she's just an old woman who isn't quite right in the head. I wouldn't trust some of the tales I've heard about her. Mind you, I'd trust her even less."

I must have looked intrigued, for she said "She's just an unpleasant old woman, Peter. Take my advice and stay away from her."

"I can't stay away from her if I don't know where she lives," I said slyly.

"In a hole in the ground near a pond, so they tell me. You can't even see it from the road, so don't bother trying."

She took my sudden nervousness for a.s.sent. "I wish Mrs Gibson hadn't accepted those dresses," she mused. "She couldn't bring herself to refuse, she said, when f.a.n.n.y Cave had gone to so much trouble. Well, she said the children felt uncomfortable in them. I'm going to tell her the material isn't good for their skin."

I should have liked more chance to decide whether I wanted to confess to having gone near f.a.n.n.y Cave's. Still, I felt too guilty to revive the subject or even to show too much interest in the old woman. Two days later I had the chance to see her for myself.

I was mooching about the house, trying to keep out of my aunt's way. There was nowhere downstairs I felt comfortable; her sewing machine chattered in the dining-room, by the table spread with cut-out patterns; dress forms stood in the lounge, waiting for clothes or limbs. From my bedroom window I watched the rain stir the fields into mud, dissolve the fells into mounds of mist. I was glad when the doorbell rang; at least it gave me something to do.

As soon as I opened the door the old woman pushed in. I thought she was impatient for shelter; she wore only a grey dress. Parts of it glistened with rain--or were they patterns of a different grey, symbols of some kind? I ------------------------------------320 found myself squinting at them, trying to make them out, before I looked up at her face.

She was over six feet tall. Her grey hair dangled to her waist. Presumably it smelled of earth; certainly she did. Her leathery face was too small for her body. As it stooped, peering through grey strands at me as though I was merchandise, I thought of a rodent peering from its lair.

She strode into the dining-room. "You've been saying things about me. You've been telling them not to wear my clothes."

"I'm sure n.o.body told you that," my aunt said.

"n.o.body had to." Her voice sounded stiff and rusty, as if she wasn't used to talking to people. "I know when anyone meddles in my affairs."

How could she fit into that dwarfish cottage? I stood in the hall, wondering if my aunt needed help and if I would have the courage to provide it. But now the old woman sounded less threatening than peevish. "I'm getting old. I need someone to look after me sometimes. I've no children of my own."

"But giving them clothes won't make them your children."

Through the doorway I saw the old woman glaring as though she had been found out. "Don't you meddle in my affairs or I'll meddle in yours," she said, and stalked away. It must have been the draught of her movements that made the dress patterns fly off the table, some of them into the fire.

For the rest of the day I felt uneasy, almost glad to be going home tomorrow. Clouds oozed down the fells; swaying curtains of rain enclosed the house, beneath the looming sky. The grey had seeped into the house. Together with the lingering smell of earth it made me feel buried alive.

I roamed the house as though it was a cage. Once, as I wandered into the lounge, I thought two figures were waiting in the dimness, arms outstretched to grab me. They were dress forms, and the arms of their dresses hung limp at their sides; I couldn't see how I had made the mistake.

My aunt did most of the chatting at dinner. I kept imagining f.a.n.n.y Cave in her cottage, her long limbs folded up like a spider's in hiding. The cottage must be larger than it looked, but she certainly lived in a lair in the earth-- in the mud, on a day like this.

After dinner we played cards. When I began to nod sleepily my aunt continued playing, though she knew I had a long coach journey in the morning; perhaps she wanted company. By the time I went to bed the rain had stopped; a cheesy moon hung in a rainbow. As I undressed I heard her pegging clothes on the line below my window.

When I'd packed my case I parted the curtains for a last drowsy look at the view. The fells were a moonlit patchwork, black and white. Why was my ------------------------------------321 aunt taking so long to hang out the clothes? I peered down more sharply. There was no sign of her. The clothes were moving by themselves, dancing and swaying in the moonlight, inching along the line towards the house.

When I raised the sash of the window the night seemed perfectly still, no sign of a breeze. Nothing moved on the lawn except the shadows of the clothes, advancing a little and retreating, almost ritualistically. Hovering dresses waved holes where hands should be, nodded the sockets of their necks.

Were they really moving towards the house? Before I could tell, the line gave way, dropping them into the mud of the lawn. When I heard my aunt's vexed cry I slipped the window shut and retreated into bed; somehow I didn't want to admit what I'd seen, whatever it was. Sleep came so quickly that next day I could believe I'd been dreaming.

I didn't tell my parents; I'd learned to suppress details that they might find worrying. They were uneasy with my aunt--she was too careless of propriety, the time she had taken them tramping the fells she'd mocked them for dressing as though they were going out for dinner. I think the only reason they let me stay with her was to get me out of the polluted Birmingham air.

By the time I was due for my next visit I was more than ready. My voice had broken, my body had grown unfamiliar, I felt clumsy, ungainly, neither a man nor myself. My parents didn't help. They'd turned wistful as soon as my voice began to change; my mother treated visitors to photographs of me as a baby. She and my father kept telling me to concentrate on my studies and examining my school books as if p.o.r.nography might lurk behind the covers. They seemed relieved that I attended a boys' school, until my father started wondering nervously if I was "particularly fond" of any of the boys. After nine months of this sort of thing I was glad to get away at Easter.

As soon as the coach moved off I felt better. In half an hour it left behind the Midlands hills, reefs built of red brick terraces. Lancas.h.i.+re seemed so flat that the glimpses of distant hills might have been mirages. After a couple of hours the fells began, great deceptively gentle monsters that slept at the edges of lakes blue as ice, two sorts of stillness. At least I would be free for a week.

But I was not, for I'd brought my new feelings with me. I knew that as soon as I saw my aunt walking upstairs. She had always seemed much younger than my mother, though there were only two years between them, and I'd been vaguely aware that she often wore tight jeans; now I saw how round her bottom was. I felt breathless with guilt in case she guessed what I was thinking, yet I couldn't look away.

At dinner, whenever she touched me I felt a shock of excitement, too strange and uncontrollable to be pleasant. Her skirts were considerably ------------------------------------322 shorter than my mother's. My feelings crept up on me like the wine, which seemed to be urging them on. Half my conversation seemed fraught with double meanings. At last I found what I thought was a neutral subject. "Have you seen f.a.n.n.y Cave again?" I said.

"Only once." My aunt seemed reluctant to talk about her. "She'd given away some more dresses, and Mrs Gibson referred the mother to me. They were nastier than the others--I'm sure she would have thrown them away even if I hadn't said anything. But old f.a.n.n.y came storming up here, just a few weeks ago. When I wouldn't let her in she stood out there in the pouring rain, threatening all sorts of things."

"What sorts of things?"

"Oh, just unpleasant things. In the old days they would have burned her at the stake, if that's what they used to do. Anyway," she said with a frown to close the subject, "she's gone now."

"Dead, you mean?" I was impatient with euphemisms.

"n.o.body knows for sure. Most people think she's in the pond. To tell you the truth, I don't think anyone's anxious to look."

Of course I was. I lay in bed and imagined probing the pond that n.o.body else dared search, a dream that seemed preferable to the thoughts that had been tormenting me recently as I tried to sleep. Next day, as I walked to the path, I peeled myself a fallen branch.

Bypa.s.sing the pond, I went first to the cottage. I could hear what sounded like a mult.i.tude of flies down in the trough. Was the cottage more overgrown than when I'd last seen it? Was that why it looked shrunken by decay, near to collapse? The single dusty window made me think of a dulling eye, half-engulfed by moss; the facade might have been a dead face that was falling inwards. Surely the flies were attracted by wild flowers--but I didn't want to go down into the crack; I hurried back to the pond.

Flies swarmed there too, b.u.mbling above the sc.u.m. As I approached they turned on me. They made the air in front of my face seem dark, oppressive, infected. Nevertheless I poked my stick through the green skin and tried to sound the pond while keeping back from the slippery edge.

The depths felt muddy, soft and clinging. I poked for a while, until I began to imagine what I sought to touch. All at once I was afraid that something might grab the branch, overbalance me, drag me into the opaque depths. Was it a rush of sweat that made my clothes feel heavy and obstructive? As I shoved myself back, a breeze clutched them, hindering my retreat. I fled, skidding on mud, and saw the branch sink lethargically. A moment after it vanished the slime was unbroken. ------------------------------------323 That night I told Aunt Naomi where I'd been. I didn't think she would mind; after all, f.a.n.n.y Cave was supposed to be out of the way. But she bent lower over her sewing, as if she didn't want to hear. "Please don't go there again," she said. "Now let's talk about something else."

"Why?" At that age I had no tact at all.

"Oh, for heaven's sake. Because I think she probably died on her way home from coming here. That's the last time anyone saw her. She must have been in such a rage that she slipped at the edge of the pond--I told you it was pouring with rain. Well, how was I to know what had happened?"

Perhaps her resentment concealed a need for rea.s.surance, but I was unable to help, for I was struggling with the idea that she had been partly responsible for someone's death. Was nothing in my life to be trusted? I was so deep in brooding that I was hardly able to look at her when she cried out.

Presumably her needle had slipped on the thimble; she'd driven the point beneath one of her nails. Yet as she hurried out, furiously sucking her finger, I found that my gaze was drawn to the dress she had been sewing. As she'd cried out--of course it must have been then, not before--the dress had seemed to twist in her hands, jerking the needle.

When I went to bed I couldn't sleep. The room smelled faintly of earth; was that something to do with spring? The wardrobe door kept opening, though it had never behaved like that before, and displaying my clothes suspended batlike in the dark. Each time I got up to close the door their shapes looked less familiar, more unpleasant. Eventually I managed to sleep, only to dream that dresses were waddling limblessly through the doorway of my room, towards the bed.

The next day, Sunday, my aunt suggested a walk on the fells. I would have settled for Skiddaw, the easiest of them, but it was already swarming with walkers like fleas. "Let's go somewhere we'll be alone," Aunt Naomi said, which excited me in ways I'd begun to enjoy but preferred not to define, in case that scared the excitement away.

We climbed Grisedale Pike. Most of it was gentle, until just below the summit we reached an almost vertical scramble up a narrow spiky ridge. I clung there with all my limbs, trapped thousands of feet above the countryside, afraid to go up or down. I was almost hysterical with self-disgust; I'd let my half-admitted fantasies lure me up here, when all my aunt had wanted was to enjoy the walk without being crowded by tourists. Eventually I managed to clamber to the summit, my face blazing.

As we descended, it began to rain. By the time we reached home we were soaked. I felt suffocated by the smell of wet earth, the water flooding down ------------------------------------324 my face, the dangling locks of sodden hair that wouldn't go away. I hurried upstairs to change.

I had just about finished--undressing had felt like peeling wallpaper, except that I was the wall--when my aunt called out. Though she was in the next room, her voice sounded m.u.f.fled. Before I could go to her she called again, nearer to panic. I hurried across the landing, into her room.

The walls were streaming with shadows. The air was dark as mud, in which she was struggling wildly. A shapeless thing was swallowing her head and arms. When I switched on the light I saw it was nothing; she'd become entangled in the jumper she was trying to remove, that was all.

"Help me," she cried. She sounded as if she was choking, yet I didn't like to touch her; apart from her bra, her torso was naked. What was wrong with her, for G.o.d's sake? Couldn't she take off her jumper by herself? Eventually I helped her as best I could without touching her. It seemed glued to her, by the rain, I a.s.sumed. At last she emerged, red-faced and panting.

Neither of us said much at dinner. I thought her unease was directed at me, at the way I'd let her struggle. Or was she growing aware of my new feelings? That night, as I drifted into sleep, I thought I heard a jangling of hangers in the wardrobe. Perhaps it was just the start of a dream.

The morning was dull. Clouds swallowed the tops of the fells. My aunt lit fires in the downstairs rooms. I loitered about the house for a while, hoping for a glimpse of customers undressing, until the dimness made me claustrophobic. Firelight set the shadows of dress forms dancing spastically on the walls; when I stood with my back to the forms their shadows seemed to raise their arms.

I caught a bus to Keswick, for want of something to do. The bus had pa.s.sed f.a.n.n.y Cave's path before I thought of looking. I glanced back sharply, but a bend in the road intervened. Had I glimpsed a scarecrow by the pond, its sleeves fluttering? But it had seemed to rear up: it must have been a bird.

In Keswick I followed leggy girls up the narrow hilly streets, dawdled nervously outside pubs, and wondered if I looked old enough to risk buying a drink. When I found myself in the library, leafing desultorily through broken paperbacks, I went home. There was nothing by the pond that I could see, though closer to Aunt Naomi's house something grey was flapping in the gra.s.s--litter, I supposed.

The house seemed more oppressive than ever. Though my aunt tended to use whichever room she was in for sewing, she was generally tidy; now the house was crowded with half-finished clothes, lolling on chairs, their necks ------------------------------------325 yawning. When I tried to chat at dinner my voice sounded m.u.f.fled by the presence of so much cloth.

My aunt drank more than usual, and seemed not to care if I did too. My drinking made the light seem yellowish, suffocated. Soon I felt very sleepy. "Stay down a little longer," my aunt mumbled, jerking herself awake, when I made to go to bed. I couldn't understand why she didn't go herself. I chatted mechanically, about anything except what might be wrong. Firelight brought clothes nodding forward to listen.

At last she muttered "Let's go to bed." Of course she meant that unambiguously, yet it made me nervous. As I undressed hastily I heard her below me in the kitchen, opening the window a notch for air. A moment later the patch of light from the kitchen went out. I wished it had stayed lit for just another moment, for I'd glimpsed something lying beneath the empty clothesline.

Was it a nightdress? But I'd never seen my aunt hang out a nightdress, nor pyjamas either. It occurred to me that she must sleep naked. That disturbed me so much that I crawled into bed and tried to sleep at once, without thinking.

I dreamed I was buried, unable to breathe, and when I awoke I was. Blankets, which felt heavy as collapsed earth, had settled over my face. I heaved them off me and lay trying to calm myself, so that I would sink back into sleep--but by the time my breathing slowed I realised I was listening.

The room felt padded with silence. Dimness draped the chair and dressing-table, blurring their shapes; perhaps the wardrobe door was ajar, for I thought I saw vague forms hanging ominously still. Now I was struggling to fall asleep before I could realise what was keeping me awake. I drew long slow breaths to lull myself, but it was no use. In the silence between them I heard something sodden creeping upstairs.

I lay determined not to hear. Perhaps it was the wind or the creaking of the house, not the sound of a wet thing slopping stealthily upstairs at all. Perhaps if I didn't move, didn't make a noise, I would hear what it really was-- but in any case I was incapable of moving, for I'd heard the wet thing flop on the landing outside my door.

For an interminable pause there was silence, thicker than ever, then I heard my aunt's door open next to mine. I braced myself for her scream. If she screamed I would go to her. I would have to. But the scream never came; there was only the sound of her pulling something sodden off the floor. Soon I heard her padding downstairs barefoot, and the click of a lock.

Everything was all right now. Whatever it had been, she'd dealt with it. ------------------------------------326 Perhaps wallpaper had fallen on the stairs, and she'd gone down to throw it out. Now I could sleep--so why couldn't I? Several minutes pa.s.sed before I was conscious of wondering why she hadn't come back upstairs.

I forced myself to move. There was nothing to fear, nothing now outside my door--but I got dressed to delay going out on the landing. The landing proved to be empty, and so did the house. Beyond the open front door the prints of Aunt Naomi's bare feet led over the moist lawn towards the road.

The moon was doused by clouds. Once I reached the road I couldn't see my aunt's tracks, but I knew instinctively which way she'd gone. I ran wildly towards f.a.n.n.y Cave's path. Hedges, mounds of congealed night, boxed me in. The only sound I could hear was the ringing of my heels on the asphalt.

I had just reached the gap in the hedge when the moon swam free. A woman was following the path towards the pond, but was it my aunt? Even with the field between us I recognised the grey dress she wore. It was f.a.n.n.y Cave's.

I was terrified to set foot on the path until the figure turned a bend and I saw my aunt's profile. I plunged across the field, tearing my way through the gra.s.s. It might have been quicker to follow the path, for by the time I reached the gap into the second field she was nearly at the pond.

In the moonlight the surface of the pond looked milky, fungoid. The sc.u.m was broken by a rock, plastered with strands of gra.s.s, close to the edge towards which my aunt was walking. I threw myself forward, gra.s.s slas.h.i.+ng my legs.

When I came abreast of her I saw her eyes, empty except for two shrunken reflections of the moon. I knew not to wake a sleepwalker, and so I caught her gently by the shoulders, though my hands wanted to shake, and tried to turn her away from the pond.

She wouldn't turn. She was pulling towards the sc.u.mmy water, or f.a.n.n.y Cave's dress was, for the drowned material seemed to writhe beneath my hands. It was pulling towards the rock whose eyes glared just above the sc.u.m, through glistening strands which were not gra.s.s but hair.

It seemed there was only one thing to do. I grabbed the neck of the dress and tore it down. The material was rotten, and tore easily. I dragged it from my aunt's body and flung it towards the pond. Did it land near the edge, then slither into the water? All I knew was that when I dared to look the sc.u.m was unbroken.

My aunt stood there naked and unaware until I draped my anorak around her. That seemed to rouse her. She stared about for a moment, then down at herself. "It's all right, Naomi," I said awkwardly. ------------------------------------327 She sobbed only once before she controlled herself, but I could see that the effort was cruel. "Come on, quickly," she said in a voice older and harsher than I'd ever heard her use, and strode home without looking at me.

Next day we didn't refer to the events of the night; in fact, we hardly spoke. No doubt she had lain awake all night as I had, as uncomfortably aware of me as I was of her. After breakfast she said that she wanted to be left alone, and asked me to go home early. I never visited her again; she always found a reason why I couldn't stay. I suspect the reasons served only to prevent my parents from questioning me.

Before I went home I found a long branch and went to the pond. It didn't take much probing for me to find something solid but repulsively soft. I drove the branch into it again and again, until I felt things break. My disgust was so violent it was beyond defining. Perhaps I already knew deep in myself that since the night I undressed my aunt I would never be able to touch a woman. ------------------------------------328 ------------------------------------329

Hearing Is Believing

I Suddenly Suddenly he he wasn wasn 'that on the bus home after a frustrating day at work, but in Greece, in a taverna by the sea. The sky was a block of solid blue; over the plucking of bouzoukis he heard people smas.h.i.+ng their empty gla.s.ses. Now sunset was turning the sea into lava, and someone like Anthony Quinn was dancing, arms outstretched, at the edge of the taverna, where waves lapped the stones. 'that on the bus home after a frustrating day at work, but in Greece, in a taverna by the sea. The sky was a block of solid blue; over the plucking of bouzoukis he heard people smas.h.i.+ng their empty gla.s.ses. Now sunset was turning the sea into lava, and someone like Anthony Quinn was dancing, arms outstretched, at the edge of the taverna, where waves lapped the stones.

Wells emerged from the daydream several streets nearer home. If he couldn't recall having pa.s.sed through them, that was hardly surprising; beyond the streaming windows of the bus all the streets looked half-erased by rain, smudges and blotches of dull colour. Around him people coughed and sputtered with February chills. No wonder he preferred to antic.i.p.ate his trip to Greece, the Greece of a film in which a tyc.o.o.n married an American president's widow.

He ran home as though he were trying to b.u.t.t the rain aside. The pavements were quivering mirrors of slate. At the top of the hill, rain scrambled over the ruin of the factory. Last week he'd seen the hundred-foot chimney standing for an instant on an explosion of dust before buckling, keeling over, taking with it two hundred jobs.

His house sounded hollow. Except for his bedroom and the living-room, most of it was uncarpeted. Bare scruffy plaster overlooked the stairs, littered the boards of the spare room. That was the way his father had left the house, which was still preferable to Wells's old flat--more of an investment, for one thing. Soon Wells must get on with decorating.

But not tonight: he'd already done enough work for one day, if not for several. When he'd eaten dinner the living-room fire was blazing; flames s.n.a.t.c.hed at the fur of soot on the back of the chimney. Most of his furniture was crowded into the room, including the Yamaha stereo system, the most expensive item in the house.

He sat with a large Scotch while something by Delius wandered, gentle and vague as the firelight. The coughs of the audience were so far back in the ------------------------------------330 stereo arc that they seemed embedded in the wall. At the end of the music, the applause made the room sound huge and deep. He could almost see the flock of hands fly up clapping.

A soprano began singing German, which Wells neither understood nor found evocative. He imagined the conductor's black-and-white plumage, his gestures at the singer as part of an elaborate mating ritual. Eventually Wells got up and fiddled with the dial. Here was a police call, here was a burst of Chinese, here was a message from a s.h.i.+p out on the Irish Sea. And here was someone whispering beside him, so close that he started back, and the rain came pouring in through the roof.

The voice had a background of rain, that was all. There were two voices, speaking just loudly enough to be heard over the downpour. He couldn't understand what they were saying; even the sound of the language was unfamiliar--not Eastern European, not an Oriental language. Yet he was so impressed by the vividness of the stereo that he sat down to listen.