Mummery Part 10

'I won't have you calling him names. I won't have it. I won't have it,' cried Clara, her feelings finding vent in an outburst of temper.

'And you're not to tell a soul, not even Freeland. I won't have anybody interfering. I will handle this myself because I know more about it than anybody else.... It doesn't help me at all to hear you abusing Charles. It only hurts me.... I've made a mistake, and I am going through with it.'

'But you can't live with him.'

'You live with Freeland.'

'Yes. But we're not married, so n.o.body worries; at least I am married, so is Freeland. That makes it all right. If people are married it is different.'

The complications of the position were beyond Julia's intelligence, and she began to laugh hysterically. Clara laughed, too, but from genuine amus.e.m.e.nt. The world certainly did look very funny from the detachment now forced upon her: deliciously funny, and Charles appeared in her thoughts as a kind of Harlequin dancing through the world, peering into the houses where people were captive, tapping the doors with his wand so that they opened, but no one never came out.

'I'll take you to my lawyer,' said Julia, at last, with a fat sob.

'I want no lawyers,' snapped Clara defiantly. 'Charles hates that woman and she knows it. She won't try to get him back.'

'Yes. But she won't stand you're being with him.'

'Then I'll live alone, and help Charles in my own way.'

'Help yourself first, lovey; then you can help other people.'

'I don't believe it. If you help yourself, you are kept so busy doing it that you don't know the other people are there.'

Of course Julia told Freeland, and in the morning he came tapping at Clara's door. She admitted him. His rather faded, handsome face wore a very serious expression, more serious indeed than was warranted either by the feeling in his heart or the thought in his head. It was a very serious situation, and he had a.s.sumed the appropriate manner....

Clara had slept soundly, and her fund of healthy good spirits made it possible for her to regard the whole complication as, in itself, rather superficial. The sun was s.h.i.+ning in upon the mirror of her dressing-table, upon her silver brushes, upon the portrait of Julia in a silver frame, and upon the new frock which had come only the day before from the dressmaker. With the sun s.h.i.+ning, and the eager thought of Charles in her heart, Clara could have no anxiety. No problem was insoluble, no obstacle, she believed, could be irresistible. Therefore she smiled as Freeland came in treading more heavily than his wont. He stood and looked down at her.

'It's a bad business, kid,' he said, 'a bad, bad business.'

'Is it?'

'He has ruined your life. I feel like shooting him.'

'That wouldn't help me.'

'Can't you see how serious it is? You're neither married nor unmarried.'

'Can't I be just Clara Day?'

Freeland was rather taken aback. He was used to Julia's taking her cue from him. If a woman does not take the line proposed by the man in a situation, a scene, where is he? And, in fact, Freeland did not know where he was. His life had proceeded fairly smoothly from scene to scene and he was not used to being pulled up.

'No, no, kid,' he protested. 'It is too ghastly. Your position is impossible. Charles, d.a.m.n him, can't protect you. The world is hard and cruel.... A man can play the lone hand, but I never heard of its being done by a woman: never.'

'I'm going to see Charles through,' said Clara, 'and you'll see how we shall make this old London of yours wake up.'

'But if there's a scandal....?'

'There shan't be.... And if there is: well ... well...'

Freeland in his turn began to weep. Clara seemed to him so pathetic, so innocent, so oblivious of all the hard facts of the world. She was like a wild bird, flying in ecstasy, flying higher and higher in the pain of her song. Indeed she was a most touching sight lying there in her innocence, full of faith, conscious of danger, busy with wary thoughts, but so eager, vital, and confident that all her belief in Charles and her love for him were based in the deeper and stronger forces of life.... She was roused to battle, and she was profoundly aware that the law and the other devices of society were contrived wholly to frustrate those deeper, stronger forces.... Freeland's sentimental sympathy seemed to her in her happy morning mood weak and irrelevant, yet charming and pathetic. He regarded her as a little girl and was entirely unconscious of all the pa.s.sionate knowledge in her which moved so far and so swiftly beyond his capacity.

'Anything either of us can do,' he said, 'we shall do, always.' He stooped and took her in his arms and kissed her, and large tears fell upon her cheek. Tears came easily to these people: to Clara they came not. Indeed she rather exulted in her peril, which destroyed for her once and for all the superficiality of the life into which she had plunged in order to help Charles to conquer his kingdom, which was worlds away from this world of law and pretence, of spurious emotions and easy tears.

'I can't think how Charles could have done it,' said Freeland, drying his eyes.

'I made him,' said Clara, her eyes dancing with fun and mischief.

VI

BIRDS AND FISHES

For the time being it seemed that the superfluous Kitty had disappeared from the scene. She made no sign, and no attempt was made to trace her. Clara knew perfectly well that she was somewhere in the West End, but in that small crowded area it was possible to avoid meeting.

People quickly fell into a groove and lived between a certain theatre, a certain restaurant, and home, and the light theatre was almost completely severed from the theatre which took itself so seriously.

The legitimate stage had nothing to do with the b.a.s.t.a.r.d frivolity of the houses whose appeal was based on lingerie, pretty faces, and shapely limbs.

As for Charles, he was once again oblivious. He visited Clara at the flat, and had a painful scene with Freeland, who lashed out at him, rolled out a number of hard words, such as 'blackguard,' 'selfish beast,' etc., etc., but was nonplussed when Charles, not at all offended, said quietly,--

'Have you finished?'

'No. What do you propose to do about it? The poor child has no people. Julia and I are father and mother to her. In fact, I regard her as my adopted daughter.'

'I should always let her do exactly as she wished,' said Charles.

'Will you leave her alone then?'

'Certainly.'

Freeland regarded that as a triumph, but Clara was furious with him for interfering, and she scolded him until he promised that in future he would not say a word.

'What are you going to do?' he asked.

'I need a holiday from Charles,' she said--a new idea to Freeland, whose conception of love was besotted devotion--'and I am going to live alone for a time.'

Out she went, and before the day was done she had found a furnished apartment in the dingy region of narrow streets behind Leicester Square, and for a time she was entirely absorbed in this new acquisition. It was her own, her very own. It was at the top of the house, and looked out over roofs and chimneys westward so that she had the London sunset for comfort and companions.h.i.+p: more than enough, sweeter intimacy than any she had yet found among human beings, whose shallow business and fussy importance always hurt and exasperated her.... More clearly than ever she knew that there was only Charles and his work that mattered to her at all. She saw him occasionally and knew that he was entirely happy. He wrote to her every day and his plans were maturing famously. Lord Verschoyle was more and more interested, and as his lords.h.i.+p's interest grew so there waxed with it Charles's idea of his immense wealth. That worried Clara, who wanted her genius to prove himself in order to command and not to crave support. But Charles was elated with the success of his advertising campaign, and at the growth of his prestige among the artists....

'Such a combination has never been known. We shall simply overwhelm the public.'

Clara's answer to this was to see that his relations with Sir Henry Butcher were not neglected. The explosion produced by Kitty's intervention had split their efforts, so that Charles was now working through Lord Verschoyle, she through Sir Henry Butcher, and once again she was embarked upon a battle with Charles for the realisation of his dreams--not upon paper, which perfectly satisfied him--but in terms of life in which alone she could feel that her existence was honourable.

She kept a tight enough hold of Charles to see that he worked at _The Tempest_, but, as she was no longer with him continually, she could not check his delighted absorption in his committee. This was properly and duly const.i.tuted. It had a chairman, Professor Laverock, and Mr Clott acted also as its secretary in an honorary capacity, his emoluments from Charles being more than sufficient for his needs. It met regularly once a month in studios and drawing-rooms. The finest unofficialised brains in London were gathered together, and nervous men eyed each other suspiciously and anxiously until Charles appeared, with Mr Clott fussing and moving round him like a tug round a great liner.

His presence vitalised the a.s.sembly; the suppressed idealism in his supporters came bubbling to the surface. Poets whose works were ignored by the great public, musicians whose compositions were ousted by Germans, Russians, Frenchmen, and Poles from the concert-rooms of London, dramatists whose plays were only produced on Sunday evenings, art critics who had acclaimed Charles's exhibition, all in his presence were conscious of a solidarity proof against all jealousy and disappointment; Charles, famous in Paris, Berlin, Moscow, New York, moved among them like a kindling wind.

He would arrive with his arms full of papers, while Mr Clott in a little black bag carried the essential doc.u.ments--minute-book, agenda, suggestions, plans. For some months the Committee accomplished nothing but resolutions to invite and co-opt other members, but it seemed impossible to lure any really successful person into the net. No actor-manager, no Royal Academician, no poet with a healthy circulation could be found to give practical expression to his sympathy, though admiration for Mr Mann's work and the high reputation he had won for British Art on the Continent oozed from them all in letters of great length, which were read to the Committee until its members, most of them rather simple souls, were bewildered.

The accretion of Lord Verschoyle made a great difference. He attended in person, a shy, elegant young man, educated at Eton, and in the Guards for the gentle art of doing nothing. He owned a large area of London, and his estates were managed by a board which he was not even expected to attend, and he was a good young man. He wanted to spend money and to infuriate his trustees, but he did not know how to do it.

Women bored him. He had a yacht, but loathed it, and kept it in harbour, and only spent on it enough money to keep it from rusting away. He maintained a stable, but would not bet or attend any other meeting than Ascot. He had some taste in art, but only cared for modern pictures, which he could buy for fifty or a hundred pounds.

Indeed he was much too nice for his altogether exceptional opportunities for wasting money, for he loathed vulgarity, and the only people who could tell him how to waste his wealth--stable-touts, art-dealers, women of the West End--were essentially vulgar, and he could not endure their society.... He had five houses, but all he needed was an apartment of three rooms, and he was haunted and made miserable by the idea, not without a fairly solid foundation, that young women and their mammas wished to marry him for his money.... He longed to know a young woman who had no mamma, but none ever came his way. Society was full of mammas, and of ladies eager to push the fortunes of their husbands and lovers. He was turned to as a man of power, but in his heart he knew that no human being was ever more helpless, more miserably at the mercy of his trustees, agents, and servants.... He had been approached many times by persons interested in plays, theatres, and schemes, but being that rare and unhappy creature, a rich man with good taste, he had avoided them as hotly as the mammas of Mayfair and Belgravia.

He met Charles at his exhibition and was introduced to him. Charles at once bellowed at him at the top of his voice on the great things that would be achieved through the realisation of his dreams, and Lord Verschoyle had in his society the exhilarated sense of playing truant, and wanted more of it. He was hotly pursued at the moment by Lady Tremenheer, who had two daughters, and he longed ardently to disgrace himself, but so perfect was his taste that he could not do it--in the ordinary way. Charles was outrageous, but so famous as to carry it off, and Verschoyle seized upon the great artist as the way of escape, well knowing that art ranked with dissipation in the opinion of his trustees. With one stone he could kill all his birds. He promised by letter, being most careful to get his wicked indiscretion down in writing, his whole-hearted support of Charles's scheme.