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MacMillan's Reading Books.

by Anonymous.

PREFACE.

This seems a fitting place in which to explain the general aim of this series of Reading Books. Primarily, it is intended to provide a systematic course for use in schools which are under State inspection; and, with this view, each Book in the series, after the Primer, is drawn up so as to meet the requirements, as set forth in the English and Scotch codes issued by the Committees of Council on Education, of the Standard to which it corresponds.

This special adaptation will not, it is hoped, render the series less useful in other schools. The graduated arrangement of the books, although, perhaps, one to which every teacher may not choose to conform, may yet serve as a test by which to compare the attainments of the pupils in any particular school with those which, according to the codes, may be taken as the average expected from the pupils in schools where the Standard examination is, necessarily, enforced.



The general character of the series is literary, and not technical.

Scientific extracts have been avoided. The teaching of special subjects is separately recognised by the codes, and provided for by the numerous special handbooks which have been published. The separation of the reading cla.s.s from such teaching will prove a gain to both. The former must aim chiefly at giving to the pupils the power of accurate, and, if possible, apt and skilful expression; at cultivating in them a good literary taste, and at arousing a desire of further reading. All this, it is believed, can best be done where no special or technical information has to be extracted from the pa.s.sages read.

In the earlier Books the subject, the language, and the moral are all as direct and simple as possible. As they advance, the language becomes rather more intricate, because a studied simplicity, when detected by the pupil, repels rather than attracts him. The subjects are more miscellaneous; but still, as far as possible, kept to those which can appeal to the minds of scholars of eleven or twelve years of age, without either calling for, or encouraging, precocity. In Books II., III., and IV., a few old ballads and other pieces have been purposely introduced; as nothing so readily expands the mind and lifts it out of habitual and sluggish modes of thought, as forcing upon the attention the expressions and the thoughts of an entirely different time.

The last, or Sixth Book, may be thought too advanced for its purpose.

But, in the first place, many of the pieces given in it, though selected for their special excellence, do not involve any special difficulties; and, in the second place, it will be seen that the requirements of the English Code of 1875 in the Sixth Standard really correspond in some degree to those of the special subject of English literature, formerly recognised by the English, and still recognised by the Scotch Code.

Besides this, the Sixth Book is intended to supply the needs of pupil teachers and of higher cla.s.ses; and to be of interest enough to be read by the scholar out of school-hours, perhaps even after school is done with altogether. To such it may supply the bare outlines of English literature; and may, at least, introduce them to the best English authors. The aim of all the extracts in the book may not be fully caught, as their beauty certainly cannot be fully appreciated, by youths; but they may, at least, serve the purpose of all education--that of stimulating the pupil to know more.

The editor has to return his thanks for the kindness by which certain extracts have been placed at his disposal by the following authors and publishers:--Mr. Ruskin and Mr. William Allingham; Mr. Nimmo (for extract from Hugh Miller's works); Mr. Nelson (for poems by Mr. and Mrs.

Howitt); Messrs. Edmonston and Douglas (for extract from Dasent's "Tales from the Norse"); Messrs. Chapman and Hall (for extracts from the works of Charles d.i.c.kens and Mr. Carlyle); Messrs. Longmans, Green, and Co.

(for extracts from the works of Macaulay and Mr. Froude); Messrs.

Routledge and Co. (for extracts from Miss Martineau's works); Mr. Murray (for extracts from the works of Dean Stanley); and many others.

INTRODUCTION.

Throughout this book, and the next, you will find pa.s.sages taken from the writings of the best English authors. But the pa.s.sages are not all equal, nor are they all such as we would call "the best," and the more you read and are able to judge them for yourselves, the better you will be able to see what is the difference between the best and those that are not so good.

By the best authors are meant those who have written most skilfully in prose and verse. Some of these have written in prose, because they wished to tell us something more fully and freely than they could do if they tied themselves to lines of an equal number of syllables, or ending with the same sound, as men do when they write poetry. Others have written in verse, because they wished rather to make us think over and over again about the same thing, and, by doing so, to teach us, gradually, how much we could learn from one thing; if we think sufficiently long and carefully about it; and, besides this, they knew that rhythmical or musical language would keep longest in our memory anything which they wished to remain there; and by being stored up in our mind, would enrich us in all our lives after.

In these books you will find pieces taken from authors both in prose and verse. But of the authors who have made themselves famous by the books which they have written in our language, many had to be set aside.

Because many writers, though their books are famous, have written so long ago, that the language which they use, though it is really the same language as our own, is yet so old-fas.h.i.+oned that it is not readily understood. By and by, when you are older, you may read these books, and find it interesting to notice how the language is gradually changing; so that, though we can easily understand what our grandfathers or our great grandfathers wrote, yet we cannot understand, without carefully studying it, what was written by our own ancestors a thousand, or even five hundred, years ago.

The first thing, however, that you have to do--and, perhaps, this book may help you to do it--is to learn what is the best way of writing or speaking our own language of the present day. You cannot learn this better than by reading and remembering what has been written by men, who, because they were very great, or because they laboured very hard, have obtained a great command over the language. When we speak of obtaining a command over language we mean that they have been able to say, in simple, plain words, exactly what they mean. This is not so easy a matter as you may at first think it to be. Those who write well do not use roundabout ways of saying a thing, or they might weary us; they do not use words or expressions which might mean one or other of two things, or they might confuse us; they do not use bombastic language, or language which is like a vulgar and too gaudy dress, or they might make us laugh at them; they do not use exaggerated language, or, worse than all, they might deceive us. If you look at many books which are written at the present day, or at many of the newspapers which appear every morning, you will find that those who write them often forget these rules; and after we have read for a short time what they have written, we are doubtful about what they mean, and only sure that they are trying to attract foolish people, who like bombastic language as they like too gaudy dress, and are caring little whether what they write is strictly true or not.

It is, therefore, very important that you should take as your examples those who have written very well and very carefully, and who have been afraid lest by any idle or careless expression they might either lead people to lose sight of what is true, or might injure our language, which has grown up so slowly, which is so dear to us, and the beauty of which we might, nevertheless, so easily throw away.

As you read specimens of what these authors have written, you will find that they excel chiefly in the following ways:

First. They tell us just what they mean; neither more nor less.

Secondly. They never leave us doubtful as to anything we ought to know in order to understand them. If they tell us a story, they make us feel as if we saw all that they tell us, actually taking place.

Thirdly. They are very careful never to use a word unless it is necessary; never to think a word so worthless a thing that it can be dragged in only because it sounds well.

Fourthly. When they rouse our feelings, they do so, not that they may merely excite or amuse us, but that they may make us sympathise more fully with what they have to tell.

In these matters they are mostly alike; but in other matters you will find that they differ from each other greatly. Our language has come from two sources. One of these is the English language as talked by our remote ancestors, the other is the Latin language, which came to us through French, and from which we borrowed a great deal when our language was getting into the form it now has. Many of our words and expressions, therefore, are Old English, while others are borrowed from Latin. Some authors prefer to use, where they can, old English words and expressions, which are shorter, plainer, and more direct; others prefer the Latin words, which are more ornamental and elaborate, and perhaps fit for explaining what is obscure, and for showing us the difference between things that are very like. This is one great contrast; and there are others which you will see for yourselves as you go on. And while you notice carefully what is good in each, you should be careful not to imitate too exactly the peculiarities, which may be the faults, in any one.

INCIDENT IN THE LIFE OF DR. JOHNSON.

During the last visit Dr. Johnson paid to Lichfield, the friends with whom he was staying missed him one morning at the breakfast-table. On inquiring after him of the servants, they understood he had set off from Lichfield at a very early hour, without mentioning to any of the family whither he was going. The day pa.s.sed without the return of the ill.u.s.trious guest, and the party began to be very uneasy on his account, when, just before the supper-hour, the door opened, and the doctor stalked into the room. A solemn silence of a few minutes ensued, n.o.body daring to inquire the cause of his absence, which was at last relieved by Johnson addressing the lady of the house in the following manner:--"Madam, I beg your pardon for the abruptness of my departure from your house this morning, but I was constrained to it by my conscience. Fifty years ago, madam, on this day, I committed a breach of filial piety, which has ever since lain heavy on my mind, and has not till this day been expiated. My father, as you recollect, was a bookseller, and had long been in the habit of attending Lichfield market, and opening a stall for the sale of his books during that day.

Confined to his bed by indisposition, he requested me, this time fifty years ago, to visit the market, and attend the stall in his place. But, madam, my pride prevented me from doing my duty, and I gave my father a refusal. To do away the sin of this disobedience, I this day went in a post-chaise to Lichfield, and going into the market at the time of high business, uncovered my head, and stood with it bare an hour before the stall which my father had formerly used, exposed to the sneers of the standers-by and the inclemency of the weather--a penance by which I hope I have propitiated Heaven for this only instance, I believe, of contumacy towards my father."

Warner's _Tour in the Northern Counties_.

[Notes: _Dr. Samuel Johnson_, born 1709, died 1784 By hard and unaided toil he won his way to the front rank among the literary men of his day.

He deserves the honour of having been the first to free literature from the thraldom of patronage.

_Filial piety_. Piety is used here not in a religious sense, but in its stricter sense of dutifulness. In Virgil "the Pious Aneas" means "Aneas who showed dutifulness to his father."]

THE OLD PHILOSOPHER AND THE YOUNG LADY.

"Alas!" exclaimed a silver-headed sage, "how narrow is the utmost extent of human knowledge! I have spent my life in acquiring knowledge, but how little do I know! The farther I attempt to penetrate the secrets of nature, the more I am bewildered and benighted. Beyond a certain limit all is but conjecture: so that the advantage of the learned over the ignorant consists greatly in having ascertained how little is to be known.

"It is true that I can measure the sun, and compute the distances of the planets; I can calculate their periodical movements, and even ascertain the laws by which they perform their sublime revolutions; but with regard to their construction, to the beings which inhabit them, their condition and circ.u.mstances, what do I know more than the clown?-- Delighting to examine the economy of nature in our own world, I have a.n.a.lyzed the elements, and given names to their component parts. And yet, should I not be as much at a loss to explain the burning of fire, or to account for the liquid quality of water, as the vulgar, who use and enjoy them without thought or examination?--I remark, that all bodies, unsupported, fall to the ground, and I am taught to account for this by the law of gravitation. But what have I gained here more than a term? Does it convey to my mind any idea of the nature of that mysterious and invisible chain which draws all things to a common centre?--Pursuing the track of the naturalist, I have learned to distinguish the animal, the vegetable, and the mineral kingdoms, and to divide these into their distinct tribes and families;--but can I tell, after all this toil, whence a single blade of gra.s.s derives its vitality?--Could the most minute researches enable me to discover the exquisite pencil that paints the flower of the field? and have I ever detected the secret that gives their brilliant dye to the ruby and the emerald, or the art that enamels the delicate sh.e.l.l?--I observe the sagacity of animals--I call it instinct, and speculate upon its various degrees of approximation to the reason of man; but, after all, I know as little of the cogitations of the brute as he does of mine. When I see a flight of birds overhead, performing their evolutions, or steering their course to some distant settlement, their signals and cries are as unintelligible to me as are the learned languages to an unlettered mechanic: I understand as little of their policy and laws as they do of 'Blackstone's Commentaries.'

"Alas! then, what have I gained by my laborious researches but an humbling conviction of my weakness and ignorance! Of how little has man, at his best estate, to boast! What folly in him to glory in his contracted powers, or to value himself upon his imperfect acquisitions!"

"Well!" exclaimed a young lady, just returned from school, "my education is at last finished: indeed, it would be strange if, after five years'

hard application, anything were left incomplete. Happily, it is all over now, and I have nothing to do but exercise my various accomplishments.

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