The Complete Writings of Charles Dudley Warner Part 34

Phelps loved his mountains. He was the discoverer of Marcy, and caused the first trail to be cut to its summit, so that others could enjoy the n.o.ble views from its round and rocky top. To him it was, in n.o.ble symmetry and beauty, the chief mountain of the globe.

To stand on it gave him, as he said, "a feeling of heaven up-h'istedness." He heard with impatience that Mount Was.h.i.+ngton was a thousand feet higher, and he had a childlike incredulity about the surpa.s.sing sublimity of the Alps. Praise of any other elevation he seemed to consider a slight to Mount Marcy, and did not willingly hear it, any more than a lover hears the laudation of the beauty of another woman than the one he loves. When he showed us scenery he loved, it made him melancholy to have us speak of scenery elsewhere that was finer. And yet there was this delicacy about him, that he never over-praised what he brought us to see, any more than one would over-praise a friend of whom he was fond. I remember that when for the first time, after a toilsome journey through the forest, the splendors of the Lower Au Sable Pond broke upon our vision,--that low-lying silver lake, imprisoned by the precipices which it reflected in its bosom,--he made no outward response to our burst of admiration: only a quiet gleam of the eye showed the pleasure our appreciation gave him. As some one said, it was as if his friend had been admired --a friend about whom he was unwilling to say much himself, but well pleased to have others praise.

Thus far, we have considered Old Phelps as simply the product of the Adirondacks; not so much a self-made man (as the doubtful phrase has it) as a natural growth amid primal forces. But our study is interrupted by another influence, which complicates the problem, but increases its interest. No scientific observer, so far as we know, has ever been able to watch the development of the primitive man, played upon and fas.h.i.+oned by the hebdomadal iteration of "Greeley's Weekly Tri-bune." Old Phelps educated by the woods is a fascinating study; educated by the woods and the Tri-bune, he is a phenomenon.

No one at this day can reasonably conceive exactly what this newspaper was to such a mountain valley as Keene. If it was not a Providence, it was a Bible. It was no doubt owing to it that Democrats became as scarce as moose in the Adirondacks. But it is not of its political aspect that I speak. I suppose that the most cultivated and best informed portion of the earth's surface--the Western Reserve of Ohio, as free from conceit as it is from a suspicion that it lacks anything owes its pre-eminence solely to this comprehensive journal. It received from it everything except a collegiate and a cla.s.sical education,--things not to be desired, since they interfere with the self-manufacture of man. If Greek had been in this curriculum, its best known dictum would have been translated, "Make thyself." This journal carried to the community that fed on it not only a complete education in all departments of human practice and theorizing, but the more valuable and satisfying a.s.surance that there was nothing more to be gleaned in the universe worth the attention of man. This panoplied its readers in completeness. Politics, literature, arts, sciences, universal brotherhood and sisterhood, nothing was omitted; neither the poetry of Tennyson, nor the philosophy of Margaret Fuller; neither the virtues of a.s.sociation, nor of unbolted wheat. The laws of political economy and trade were laid down as positively and clearly as the best way to bake beans, and the saving truth that the millennium would come, and come only when every foot of the earth was subsoiled.

I do not say that Orson Phelps was the product of nature and the Tri-bune: but he cannot be explained without considering these two factors. To him Greeley was the Tri-bune, and the Tri-bune was Greeley; and yet I think he conceived of Horace Greeley as something greater than his newspaper, and perhaps capable of producing another journal equal to it in another part of the universe. At any rate, so completely did Phelps absorb this paper and this personality that he was popularly known as "Greeley" in the region where he lived.

Perhaps a fancied resemblance of the two men in the popular mind had something to do with this transfer of name. There is no doubt that Horace Greeley owed his vast influence in the country to his genius, nor much doubt that he owed his popularity in the rural districts to James Gordon Bennett; that is, to the personality of the man which the ingenious Bennett impressed upon the country. That he despised the conventionalities of society, and was a sloven in his toilet, was firmly believed; and the belief endeared him to the hearts of the people. To them "the old white coat"--an antique garment of unrenewed immortality--was as much a subject of idolatry as the redingote grise to the soldiers of the first Napoleon, who had seen it by the campfires on the Po and on the Borysthenes, and believed that he would come again in it to lead them against the enemies of France. The Greeley of the popular heart was clad as Bennett said he was clad. It was in vain, even pathetically in vain, that he published in his newspaper the full bill of his fas.h.i.+onable tailor (the fact that it was receipted may have excited the animosity of some of his contemporaries) to show that he wore the best broadcloth, and that the folds of his trousers followed the city fas.h.i.+on of falling outside his boots. If this revelation was believed, it made no sort of impression in the country. The rural readers were not to be wheedled out of their cherished conception of the personal appearance of the philosopher of the Tri-bune.

That the Tri-bune taught Old Phelps to be more Phelps than he would have been without it was part of the independence-teaching mission of Greeley's paper. The subscribers were an army, in which every man was a general. And I am not surprised to find Old Phelps lately rising to the audacity of criticising his exemplar. In some recently-published observations by Phelps upon the philosophy of reading is laid down this definition: "If I understand the necessity or use of reading, it is to reproduce again what has been said or proclaimed before. Hence, letters, characters, &c., are arranged in all the perfection they possibly can be, to show how certain language has been spoken by the, original author. Now, to reproduce by reading, the reading should be so perfectly like the original that no one standing out of sight could tell the reading from the first time the language was spoken."

This is ill.u.s.trated by the highest authority at hand: I have heard as good readers read, and as poor readers, as almost any one in this region. If I have not heard as many, I have had a chance to hear nearly the extreme in variety. Horace Greeley ought to have been a good reader. Certainly but few, if any, ever knew every word of the English language at a glance more readily than he did, or knew the meaning of every mark of punctuation more clearly; but he could not read proper. 'But how do you know?' says one. From the fact I heard him in the same lecture deliver or produce remarks in his own particular way, that, if they had been published properly in print, a proper reader would have reproduced them again the same way. In the midst of those remarks Mr. Greeley took up a paper, to reproduce by reading part of a speech that some one else had made; and his reading did not sound much more like the man that first read or made the speech than the clatter of a nail factory sounds like a well-delivered speech. Now, the fault was not because Mr. Greeley did not know how to read as well as almost any man that ever lived, if not quite: but in his youth he learned to read wrong; and, as it is ten times harder to unlearn anything than it is to learn it, he, like thousands of others, could never stop to unlearn it, but carried it on through his whole life.

Whether a reader would be thanked for reproducing one of Horace Greeley's lectures as he delivered it is a question that cannot detain us here; but the teaching that he ought to do so, I think, would please Mr. Greeley.

The first driblets of professional tourists and summer boarders who arrived among the Adirondack Mountains a few years ago found Old Phelps the chief and best guide of the region. Those who were eager to throw off the usages of civilization, and tramp and camp in the wilderness, could not but be well satisfied with the aboriginal appearance of this guide; and when he led off into the woods, axe in hand, and a huge canvas sack upon his shoulders, they seemed to be following the Wandering Jew. The contents--of this sack would have furnished a modern industrial exhibition, provisions cooked and raw, blankets, maple-sugar, tinware, clothing, pork, Indian meal, flour, coffee, tea, &c. Phelps was the ideal guide: he knew every foot of the pathless forest; he knew all woodcraft, all the signs of the weather, or, what is the same thing, how to make a Delphic prediction about it. He was fisherman and hunter, and had been the comrade of sportsmen and explorers; and his enthusiasm for the beauty and sublimity of the region, and for its untamable wildness, amounted to a pa.s.sion. He loved his profession; and yet it very soon appeared that he exercised it with reluctance for those who had neither ideality, nor love for the woods. Their presence was a profanation amid the scenery he loved. To guide into his private and secret haunts a party that had no appreciation of their loveliness disgusted him. It was a waste of his time to conduct flippant young men and giddy girls who made a noisy and irreverent lark of the expedition.

And, for their part, they did not appreciate the benefit of being accompanied by a poet and a philosopher. They neither understood nor valued his special knowledge and his shrewd observations: they didn't even like his shrill voice; his quaint talk bored them. It was true that, at this period, Phelps had lost something of the activity of his youth; and the habit of contemplative sitting on a log and talking increased with the infirmities induced by the hard life of the woodsman. Perhaps he would rather talk, either about the woods-life or the various problems of existence, than cut wood, or busy himself in the drudgery of the camp. His critics went so far as to say, "Old Phelps is a fraud." They would have said the same of Socrates. Xantippe, who never appreciated the world in which Socrates lived, thought he was lazy. Probably Socrates could cook no better than Old Phelps, and no doubt went "gumming" about Athens with very little care of what was in the pot for dinner.

If the summer visitors measured Old Phelps, he also measured them by his own standards. He used to write out what he called "short-faced descriptions" of his comrades in the woods, which were never so flattering as true. It was curious to see how the various qualities which are esteemed in society appeared in his eyes, looked at merely in their relation to the limited world he knew, and judged by their adaptation to the primitive life. It was a much subtler comparison than that of the ordinary guide, who rates his traveler by his ability to endure on a march, to carry a pack, use an oar, hit a mark, or sing a song. Phelps brought his people to a test of their naturalness and sincerity, tried by contact with the verities of the woods. If a person failed to appreciate the woods, Phelps had no opinion of him or his culture; and yet, although he was perfectly satisfied with his own philosophy of life, worked out by close observation of nature and study of the Tri-bune, he was always eager for converse with superior minds, with those who had the advantage of travel and much reading, and, above all, with those who had any original "sp.e.c.k.e.rlation." Of all the society he was ever permitted to enjoy, I think he prized most that of Dr. Bushnell. The doctor enjoyed the quaint and first-hand observations of the old woodsman, and Phelps found new worlds open to him in the wide ranges of the doctor's mind. They talked by the hour upon all sorts of themes, the growth of the tree, the habits of wild animals, the migration of seeds, the succession of oak and pine, not to mention theology, and the mysteries of the supernatural.

I recall the bearing of Old Phelps, when, several years ago, he conducted a party to the summit of Mount Marcy by the way he had "bushed out." This was his mountain, and he had a peculiar sense of owners.h.i.+p in it. In a way, it was holy ground; and he would rather no one should go on it who did not feel its sanct.i.ty. Perhaps it was a sense of some divine relation in it that made him always speak of it as "Mercy." To him this ridiculously dubbed Mount Marcy was always "Mount Mercy." By a like effort to soften the personal offensiveness of the nomenclature of this region, he invariably spoke of Dix's Peak, one of the southern peaks of the range, as "Dixie."

It was some time since Phelps himself had visited his mountain; and, as he pushed on through the miles of forest, we noticed a kind of eagerness in the old man, as of a lover going to a rendezvous. Along the foot of the mountain flows a clear trout stream, secluded and undisturbed in those awful solitudes, which is the "Mercy Brook" of the old woodsman. That day when he crossed it, in advance of his company, he was heard to say in a low voice, as if greeting some object of which he was shyly fond, "So, little brook, do I meet you once more?" and when we were well up the mountain, and emerged from the last stunted fringe of vegetation upon the rock-bound slope, I saw Old Phelps, who was still foremost, cast himself upon the ground, and heard him cry, with an enthusiasm that was intended for no mortal ear, "I'm with you once again!" His great pa.s.sion very rarely found expression in any such theatrical burst. The bare summit that day was swept by a fierce, cold wind, and lost in an occasional chilling cloud. Some of the party, exhausted by the climb, and s.h.i.+vering in the rude wind, wanted a fire kindled and a cup of tea made, and thought this the guide's business. Fire and tea were far enough from his thought. He had withdrawn himself quite apart, and wrapped in a ragged blanket, still and silent as the rock he stood on, was gazing out upon the wilderness of peaks. The view from Marcy is peculiar.

It is without softness or relief. The narrow valleys are only dark shadows; the lakes are bits of broken mirror. From horizon to horizon there is a tumultuous sea of billows turned to stone. You stand upon the highest billow; you command the situation; you have surprised Nature in a high creative act; the mighty primal energy has only just become repose. This was a supreme hour to Old Phelps.

Tea! I believe the boys succeeded in kindling a fire; but the enthusiastic stoic had no reason to complain of want of appreciation in the rest of the party. When we were descending, he told us, with mingled humor and scorn, of a party of ladies he once led to the top of the mountain on a still day, who began immediately to talk about the fas.h.i.+ons! As he related the scene, stopping and facing us in the trail, his mild, far-in eyes came to the front, and his voice rose with his language to a kind of scream.

"Why, there they were, right before the greatest view they ever saw, talkin' about the fas.h.i.+ons!"

Impossible to convey the accent of contempt in which he p.r.o.nounced the word "fas.h.i.+ons," and then added, with a sort of regretful bitterness, "I was a great mind to come down, and leave 'em there."

In common with the Greeks, Old Phelps personified the woods, mountains, and streams. They had not only personality, but distinctions of s.e.x. It was something beyond the characterization of the hunter, which appeared, for instance, when he related a fight with a panther, in such expressions as, "Then Mr. Panther thought he would see what he could do," etc. He was in "imaginative sympathy"

with all wild things. The afternoon we descended Marcy, we went away to the west, through the primeval forests, toward Avalanche and Colden, and followed the course of the charming Opalescent. When we reached the leaping stream, Phelps exclaimed,

"Here's little Miss Opalescent!"

"Why don't you say Mr. Opalescent?" some one asked.

"Oh, she's too pretty!" And too pretty she was, with her foam-white and rainbow dress, and her downfalls, and fountainlike uprising. A bewitching young person we found her all that summer afternoon.

This sylph-like person had little in common with a monstrous lady whose adventures in the wildernes Phelps was fond of relating. She was built some thing on the plan of the mountains, and her ambition to explore was equal to her size. Phelps and the other guides once succeeded in raising her to the top of Marcy; but the feat of getting a hogshead of mola.s.ses up there would have been easier. In attempting to give us an idea of her magnitude that night, as we sat in the forest camp, Phelps hesitated a moment, while he cast his eye around the woods: "Waal, there ain't no tree!"

It is only by recalling fragmentary remarks and incidents that I can put the reader in possession of the peculiarities of my subject; and this involves the wrenching of things out of their natural order and continuity, and introducing them abruptly, an abruptness ill.u.s.trated by the remark of "Old Man Hoskins" (which Phelps liked to quote), when one day he suddenly slipped down a bank into a thicket, and seated himself in a wasps' nest: "I hain't no business here; but here I be!"

The first time we went into camp on the Upper Au Sable Pond, which has been justly celebrated as the most prettily set sheet of water in the region, we were disposed to build our shanty on the south side, so that we could have in full view the Gothics and that loveliest of mountain contours. To our surprise, Old Phelps, whose sentimental weakness for these mountains we knew, opposed this. His favorite camping ground was on the north side,--a pretty site in itself, but with no special view. In order to enjoy the lovely mountains, we should be obliged to row out into the lake: we wanted them always before our eyes,--at sunrise and sunset, and in the blaze of noon.

With deliberate speech, as if weighing our arguments and disposing of them, he replied, "Waal, now, them Gothics ain't the kinder scenery you want ter hog down!"

It was on quiet Sundays in the woods, or in talks by the camp-fire, that Phelps came out as the philosopher, and commonly contributed the light of his observations. Unfortunate marriages, and marriages in general, were, on one occasion, the subject of discussion; and a good deal of darkness had been cast on it by various speakers; when Phelps suddenly piped up, from a log where he had sat silent, almost invisible, in the shadow and smoke, "Waal, now, when you've said all there is to be said, marriage is mostly for discipline."

Discipline, certainly, the old man had, in one way or another; and years of solitary communing in the forest had given him, perhaps, a childlike insight into spiritual concerns. Whether he had formulated any creed or what faith he had, I never knew. Keene Valley had a reputation of not ripening Christians any more successfully than maize, the season there being short; and on our first visit it was said to contain but one Bible Christian, though I think an accurate census disclosed three. Old Phelps, who sometimes made abrupt remarks in trying situations, was not included in this census; but he was the disciple of supernaturalism in a most charming form. I have heard of his opening his inmost thoughts to a lady, one Sunday, after a n.o.ble sermon of Robertson's had been read in the cathedral stillness of the forest. His experience was entirely first-hand, and related with unconsciousness that it was not common to all. There was nothing of the mystic or the sentimentalist, only a vivid realism, in that nearness of G.o.d of which he spoke,--"as near some-times as those trees,"--and of the holy voice, that, in a time of inward struggle, had seemed to him to come from the depths of the forest, saying, "Poor soul, I am the way."

In later years there was a "revival" in Keene Valley, the result of which was a number of young "converts," whom Phelps seemed to regard as a veteran might raw recruits, and to have his doubts what sort of soldiers they would make.

"Waal, Jimmy," he said to one of them, "you've kindled a pretty good fire with light wood. That's what we do of a dark night in the woods, you know but we do it just so as we can look around and find the solid wood: so now put on your solid wood."

In the Sunday Bible cla.s.ses of the period Phelps was a perpetual anxiety to the others, who followed closely the printed lessons, and beheld with alarm his discursive efforts to get into freer air and light. His remarks were the most refres.h.i.+ng part of the exercises, but were outside of the safe path into which the others thought it necessary to win him from his "sp.e.c.k.e.rlations." The cla.s.s were one day on the verses concerning "G.o.d's word" being "written on the heart," and were keeping close to the sh.o.r.e, under the guidance of "Barnes's Notes," when Old Phelps made a dive to the bottom, and remarked that he had "thought a good deal about the expression, 'G.o.d's word written on the heart,' and had been asking himself how that was to be done; and suddenly it occurred to him (having been much interested lately in watching the work of a photographer) that, when a photograph is going to be taken, all that has to be done is to put the object in position, and the sun makes the picture; and so he rather thought that all we had got to do was to put our hearts in place, and G.o.d would do the writin'."

Phelps's theology, like his science, is first-hand. In the woods, one day, talk ran on the Trinity as being nowhere a.s.serted as a doctrine in the Bible, and some one suggested that the attempt to pack these great and fluent mysteries into one word must always be more or less unsatisfactory. "Ye-es," droned Phelps: "I never could see much sp.e.c.k.e.rlation in that expression the Trinity. Why, they'd a good deal better say Legion."

The sentiment of the man about nature, or his poetic sensibility, was frequently not to be distinguished from a natural religion, and was always tinged with the devoutness of Wordsworth's verse. Climbing slowly one day up the Balcony,--he was more than usually calm and slow,--he espied an exquisite fragile flower in the crevice of a rock, in a very lonely spot.

"It seems as if," he said, or rather dreamed out, "it seems as if the Creator had kept something just to look at himself."

To a lady whom he had taken to Chapel Pond (a retired but rather uninteresting spot), and who expressed a little disappointment at its tameness, saying, of this "Why, Mr. Phelps, the princ.i.p.al charm of this place seems to be its loneliness,"

"Yes," he replied in gentle and lingering tones, and its nativeness.

"It lies here just where it was born."

Rest and quiet had infinite attractions for him. A secluded opening in the woods was a "calm spot." He told of seeing once, or rather being in, a circular rainbow. He stood on Indian Head, overlooking the Lower Lake, so that he saw the whole bow in the sky and the lake, and seemed to be in the midst of it; "only at one place there was an indentation in it, where it rested on the lake, just enough to keep it from rolling off." This "resting" of the sphere seemed to give him great comfort.

One Indian-summer morning in October, some ladies found the old man sitting on his doorstep smoking a short pipe.

He gave no sign of recognition except a twinkle of the eye, being evidently quite in harmony with the peaceful day. They stood there a full minute before he opened his mouth: then he did not rise, but slowly took his pipe from his mouth, and said in a dreamy way, pointing towards the brook,--

"Do you see that tree?" indicating a maple almost denuded of leaves, which lay like a yellow garment cast at its feet. "I've been watching that tree all the morning. There hain't been a breath of wind: but for hours the leaves have been falling, falling, just as you see them now; and at last it's pretty much bare." And after a pause, pensively: "Waal, I suppose its hour had come."

This contemplative habit of Old Phelps is wholly unappreciated by his neighbors; but it has been indulged in no inconsiderable part of his life. Rising after a time, he said, "Now I want you to go with me and see my golden city I've talked so much about." He led the way to a hill-outlook, when suddenly, emerging from the forest, the spectators saw revealed the winding valley and its stream. He said quietly, "There is my golden city." Far below, at their feet, they saw that vast a.s.semblage of birches and "popples," yellow as gold in the brooding noonday, and slender spires rising out of the glowing ma.s.s. Without another word, Phelps sat a long time in silent content: it was to him, as Bunyan says, "a place desirous to be in."

Is this philosopher contented with what life has brought him?

Speaking of money one day, when we had asked him if he should do differently if he had his life to live over again, he said, "Yes, but not about money. To have had hours such as I have had in these mountains, and with such men as Dr. Bushnell and Dr. Shaw and Mr.

Twich.e.l.l, and others I could name, is worth all the money the world could give." He read character very well, and took in accurately the boy nature. "Tom" (an irrepressible, rather overdone specimen),--"

Tom's a nice kind of a boy; but he's got to come up against a snubbin'-post one of these days."--"Boys!" he once said: "you can't git boys to take any kinder notice of scenery. I never yet saw a boy that would look a second time at a sunset. Now, a girl will some times; but even then it's instantaneous,--comes an goes like the sunset. As for me," still speaking of scenery, "these mountains about here, that I see every day, are no more to me, in one sense, than a man's farm is to him. What mostly interests me now is when I see some new freak or shape in the face of Nature."

In literature it may be said that Old Phelps prefers the best in the very limited range that has been open to him. Tennyson is his favorite among poets an affinity explained by the fact that they are both lotos-eaters. Speaking of a lecture-room talk of Mr. Beecher's which he had read, he said, "It filled my cup about as full as I callerlate to have it: there was a good deal of truth in it, and some poetry; waal, and a little spice, too. We've got to have the spice, you know." He admired, for different reasons, a lecture by Greeley that he once heard, into which so much knowledge of various kinds was crowded that he said he "made a reg'lar gobble of it." He was not without discrimination, which he exercised upon the local preaching when nothing better offered. Of one sermon he said, "The man began way back at the creation, and just preached right along down; and he didn't say nothing, after all. It just seemed to me as if he was tryin' to git up a kind of a fix-up."

Old Phelps used words sometimes like algebraic signs, and had a habit of making one do duty for a season together for all occasions.

"Sp.e.c.k.e.rlation" and "callerlation" and "fix-up" are specimens of words that were prolific in expression. An unusual expression, or an unusual article, would be charactcrized as a "kind of a scientific literary git-up."

"What is the program for tomorrow?" I once asked him. "Waal, I callerlate, if they rig up the callerlation they callerlate on, we'll go to the Boreas." Starting out for a day's tramp in the woods, he would ask whether we wanted to take a "reg'lar walk, or a random scoot,"--the latter being a plunge into the pathless forest. When he was on such an expedition, and became entangled in dense brush, and maybe a network of "slash" and swamp, he was like an old wizard, as he looked here and there, seeking a way, peering into the tangle, or withdrawing from a thicket, and muttering to himself, "There ain't no sp.e.c.k.e.rlation there." And when the way became altogether inscrutable,--"Waal, this is a reg'lar random scoot of a rigmarole."

As some one remarked, "The dictionary in his hands is like clay in the hands of the potter." "A petrifaction was a kind of a hard-wood chemical git-up."

There is no conceit, we are apt to say, like that born of isolation from the world, and there are no such conceited people as those who have lived all their lives in the woods. Phelps was, however, unsophisticated in his until the advent of strangers into his life, who brought in literature and various other disturbing influences. I am sorry to say that the effect has been to take off something of the bloom of his simplicity, and to elevate him into an oracle. I suppose this is inevitable as soon as one goes into print; and Phelps has gone into print in the local papers. He has been bitten with the literary "git up." Justly regarding most of the Adirondack literature as a "perfect fizzle," he has himself projected a work, and written much on the natural history of his region. Long ago he made a large map of the mountain country; and, until recent surveys, it was the only one that could lay any claim to accuracy. His history is no doubt original in form, and unconventional in expression. Like most of the writers of the seventeenth century, and the court ladies and gentlemen of the eighteenth century, he is an independent speller. Writing of his work on the Adirondacks, he says, "If I should ever live to get this wonderful thing written, I expect it will show one thing, if no more; and that is, that every thing has an opposite. I expect to show in this that literature has an opposite, if I do not show any thing els. We could not enjoy the blessings and happiness of riteousness if we did not know innicuty was in the world: in fact, there would be no riteousness without innicuty." Writing also of his great enjoyment of being in the woods, especially since he has had the society there of some people he names, he adds, "And since I have Literature, Siance, and Art all spread about on the green moss of the mountain woods or the gravell banks of a cristle stream, it seems like finding roses, honeysuckels, and violets on a crisp brown cliff in December. You know I don't believe much in the religion of seramony; but any riteous thing that has life and spirit in it is food for me." I must not neglect to mention an essay, continued in several numbers of his local paper, on "The Growth of the Tree," in which he demolishes the theory of Mr.

Greeley, whom he calls "one of the best vegetable philosophers,"

about "growth without seed." He treats of the office of sap: "All trees have some kind of sap and some kind of operation of sap flowing in their season," the dissemination of seeds, the processes of growth, the power of healing wounds, the proportion of roots to branches, &c. Speaking of the latter, he says, "I have thought it would be one of the greatest curiosities on earth to see a thrifty growing maple or elm, that had grown on a deep soil interval to be two feet in diameter, to be raised clear into the air with every root and fibre down to the minutest thread, all entirely cleared of soil, so that every particle could be seen in its natural position. I think it would astonish even the wise ones." From his instinctive sympathy with nature, he often credits vegetable organism with "instinctive judgment." "Observation teaches us that a tree is given powerful instincts, which would almost appear to amount to judgment in some cases, to provide for its own wants and necessities."

Here our study must cease. When the primitive man comes into literature, he is no longer primitive.

VI