Bohemians of the Latin Quarter Part 41

As soon as this lucky thought occurred to him, he hastened to put it into execution, hired a piano, and inquired for a pianist. The pianist, it will be remembered, was our friend Schaunard. The Englishman recounted to him his sufferings from the parrot, and what he had already done to come to terms with the actress.

"But milord," said Schaunard, "there is a sure way to rid yourself of this creature--parsley. The chemists are unanimous in declaring that this culinary plant is prussic acid to such birds. Chop up a little parsley, and shake it out of the window on Coco's cage, and the creature will die as certainly as if Pope Alexander VI had invited it to dinner."

"I thought of that myself," said the Englishman, "but the beast is taken good care of. The piano is surer."

Schaunard looked at the other without catching his meaning at once.

"See here," resumed the Englishman, "the actress and her animal always sleep till twelve. Follow my reasoning--"

"Go on. I am at the heels of it."

"I intend to disturb their sleep. The law of the country authorizes me to make music from morning to night. Do you understand?"

"But that will not be so disagreeable to her, if she hears me play the piano all day--for nothing, too. I am a first-rate hand, if I only had a lung gone--."

"Exactly, but I don't want you to make good music. You must only strike on your instrument thus," trying a scale, "and always the same thing without pity, only one scale. I understand medicine a little; that drives people mad. They will both go mad; that is what I look for. Come, Mr. Musician, to work at once. You shall be well paid."

"And so," said Schaunard, who had recounted the above details to his friends, "this is what I have been doing for the last fortnight. One scale continually from seven in the morning till dark. It is not exactly serious art. But then the Englishman pays me two hundred francs a month for my noise; it would be cutting one's throat to refuse such a windfall. I accepted, and in two or three days I take my first month's money."

It was after those mutual confidences that the three friends agreed amongst themselves to profit by the general accession of wealth to give their mistresses the spring outfit that the coquetry of each of them had been wis.h.i.+ng for so long. It was further agreed that whoever pocketed his money first should wait for the others, so that the purchases should be made at the same time, and that Mademoiselle Mimi, Musette, and Phemie should enjoy the pleasure of casting their old skins, as Schaunard put it, together.

Well, two or three days after this council Rodolphe came in first; his dental poem had been paid for; it weighed in eighty francs. The next day Marcel drew from Medicis the price of eighteen corporal's likenesses, at six francs each.

Marcel and Rodolphe had all the difficulty in the world to hide their good fortune.

"It seems to me that I sweat gold," said the poet.

"It is the same with me," said Marcel. "If Schaunard delays much longer, it would be impossible for me to continue to play the part of the anonymous Croesus."

But the very next morning saw Schaunard arrive, splendidly attired in a bright yellow nankeen jacket.

"Good heavens!" exclaimed Phemie, dazzled on seeing her lover so elegantly got up, "where did you find that jacket?"

"I found it amongst my papers," replied the musician, making a sign to his two friends to follow him. "I have drawn the coin," said he, when they were alone. "Behold it," and he displayed a handful of gold.

"Well," exclaimed Marcel, "forward, let us sack the shops. How happy Musette will be."

"How pleased Mimi will be," added Rodolphe. "Come, are you coming Schaunard?"

"Allow me to reflect," replied the musician. "In decking out these ladies with the thousand caprices of fas.h.i.+on, we shall perhaps be guilty of a mistake. Think on it. Are you not afraid that when they resemble the engravings in 'The Scarf of Iris,' these splendors will exercise a deplorable influence upon their characters, and does it suit young fellows like us to behave towards women as if we were aged and wrinkled dotards? It is not that I hesitate about sacrificing fifteen or eighteen francs to dress Phemie; but I tremble. When she has a new bonnet she will not even recognize me, perhaps. She looks so well with only a flower in her hair. What do you think about it, philosopher?" broke off Schaunard, addressing Colline, who had come in within the last few minutes.

"Ingrat.i.tude is the offspring of kindness," observed the philosopher.

"On the other hand," continued Schaunard, "when your mistresses are well dressed, what sort of figure will you cut beside them in your dilapidated costumes? You will look like their waiting maids. I do not speak for myself," he broke off, drawing himself up in his nankeen jacket, "for thank heaven, I could go anywhere now."

However, despite the spirit of opposition shown by Schaunard, it was once more agreed that the next day all the shops of the neighborhood should be ransacked to the advantage of the ladies.

And, indeed, the next day, at the very moment that we have seen, at the beginning of this chapter, Mademoiselle Mimi wakes up very much astonished at Rodolphe's absence, the poet and his two friends were ascending the stairs, accompanied by a shopman from the Deux Magots and a milliner with specimens. Schaunard, who had bought the famous hunting horn, marched before them playing the overture to "The Caravan."

Musette and Phemie, summoned by Mimi, who was living on the lower floor, descended the stairs with the swiftness of avalanches on hearing the news that the bonnets and dresses had been brought for them. Seeing this poor wealth spread out before them, the three women went almost mad with joy. Mimi was seized with a fit of hysterical laughter, and skipped about like a kid, waving a barege scarf. Musette threw her arms around Marcel's neck, with a little green boot in each hand, which she smote together like cymbals. Phemie looked at Schaunard and sobbed. She could only say, "Oh Alexander, Alexander!"

"There is no danger of her refusing the presents of Artaxerxes,"

murmured Colline the philosopher.

After the first outbursts of joy were over, when the choices had been made and the bills settled, Rodolphe announced to the three girls that they would have to make arrangements to try on their new things the next morning.

"We will go into the country," said he.

"A fine thing to make a fuss of," exclaimed Musette. "It is not the first time that I have bought, cut out, sewn together, and worn a dress the same day. Besides, we have the night before us, too. We shall be ready, shall we not, ladies?"

"Oh yes! We shall be ready," exclaimed Mimi and Phemie together.

They at once set to work, and for sixteen hours did not lay aside scissors or needle.

The next day was the first of May. The Easter bells had rung in the resurrection of spring a few days before, and she had come eager and joyful. She came, as the German ballad says, light-hearted as the young lover who is going to plant a maypole before the window of his betrothed. She painted the sky blue, the trees green, and all things in bright colors. She aroused the torpid sun, who was sleeping in his bed of mists, his head resting on the snow leaden clouds that served him as a pillow, and cried to him, "Hi! Hi! My friend, time is up, and I am here; quick to work. Put on your fine dress of fresh rays without further delay, and show yourself at once on your balcony to announce my arrival."

Upon which the sun had indeed set out, and was marching along as proud and haughty as some great lord of the court. The swallows, returned from their Eastern pilgrimage, filled the air with their flight, the may whitened the bushes, the violets scented the woods, in which the birds were leaving their nests each with a roll of music under its wings. It was spring indeed, the true spring of poets and lovers, and not the spring of the almanac maker--an ugly spring with a red nose and frozen fingers, which still keeps poor folk s.h.i.+vering at the chimney corner when the last ashes of the last log have long since burnt out. The balmy breeze swept through the transparent atmosphere and scattered throughout the city the first scent of the surrounding country. The rays of the sun, bright and warm, tapped at the windows. To the invalid they cried, "open, we are health," and at the garret of the young girl bending towards her mirror, innocent first love of the most innocent, they said, "open darling, that we may light up your beauty. We are the messengers of fine weather. You can now put on your cotton frock and your straw hat, and lace your smart boots; the groves in which folk foot it are decked with bright new flowers, and the violins are tuning for the Sunday dance. Good morning, my dear!"

When the angelus rang out from the neighboring church, the three hard working coquettes, who had had scarcely time to sleep a few hours, were already before their looking gla.s.ses, giving their final glance at their new attire.

They were all three charming, dressed alike, and wearing on their faces the same glow of satisfaction imparted by the realization of a long cherished wish.

Musette was, above all, dazzlingly beautiful.

"I have never felt so happy," said she to Marcel. "It seems to me that G.o.d has put into this hour all the happiness of my life, and I am afraid that there will be no more left me. Ah bah! When there is no more left, there will still be some more. We have the receipt for making it," she added, gaily kissing him.

As to Phemie, one thing vexed her.

"I am very fond of green gra.s.s and the little birds," said she, "but in the country one never meets anyone, and there will be no one to see my pretty bonnet and my nice dress. Suppose we went into the country on the Boulevards?"

At eight in the morning the whole street was in commotion, due to the blasts from Schaunard's horn giving the signal to start. All the neighbors were at their windows to see the Bohemians go by. Colline, who was of the party, brought up the rear, carrying the ladies' parasols. An hour later the whole of the joyous band were scattered about the fields at Fontenay-aux-Roses.

When they returned home, very late at night, Colline, who during the day had discharged the duties of treasurer, stated that they had omitted to spend six francs, and placed this balance on the table.

"What shall we do with it?" asked Marcel.

"Suppose we invest it in Government stock," said Schaunard.

CHAPTER XVIII

Francine's m.u.f.f

Among the true Bohemians of the real Bohemia I used to know one, named Jacques D. He was a sculptor, and gave promise of great talent. But poverty did not give him time to fulfill this promise. He died of debility in March, 184-, at the Saint Louis Hospital, on bed No. 14 in the Sainte Victoria ward.

I made the acquaintance of Jacques at the hospital, when I was detained there myself by a long illness. Jacques had, as I have said, the makings of a great talent, and yet he was quite una.s.suming about it. During the two months I spent in his company, and during which he felt himself cradled in the arms of Death, I never once heard him complain or give himself up to those lamentations which render the unappreciated artist so ridiculous. He died without att.i.tudinizing. His death brings to my mind, too, one of the most horrible scenes I ever saw in that caravanserai of human sufferings. His father, informed of the event, came to reclaim the body, and for a long time haggled over giving the thirty-six francs demanded by the hospital authorities. He also haggled over the funeral service, and so persistently that they ended by knocking off six francs. At the moment of putting the corpse into the coffin, the male nurse took off the hospital sheet, and asked one of the deceased's friends who was there for money for a shroud. The poor devil, who had not a sou, went to Jacques' father, who got into a fearful rage, and asked when they would finish bothering him.