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The Spirit of Rome Part 4

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Then the ceremony of was.h.i.+ng the high-altar: all the canons, priests and choir-boys mounted onto its dais; and, as they pa.s.sed, wiped the great slab with a brush of white shavings dipped in oil and wine; then walked round the church in solemn procession, tiny choir-boys first, purple canons, and, lastly, a tall cardinal with scarlet cap, all with their white mops; a penetrating sweet smell of wine and oil filling the place, and seeming to waken paganism. As they turned again towards the high-altar, its huge twisted gilded columns glimmering in the light of the tapers, lights appeared in the Veronica balcony; priests moved to and fro with a great gold cross in that distant lit-up gloom; the canons fell on their knees, great purple poppies. There was the noise of a rattle; more lights in that balcony, and another gold s.h.i.+ning thing was displayed; the Veronica this time, with (as you guessed) the outline of a bearded face.

It was twilight outside; and St. Peter's, its colonnade, St. Angelo's, the Tiber, looked colossal.

MAUNDY THURSDAY.

XIV.

GOOD FRIDAY.

It was overcast yesterday, and the sun set as we approached this place, the train pa.s.sing through woods of myrtle and lentisk scrub.

Suddenly we came upon green fields lying against the skyline, and full of asphodels--a pale golden-rosy sunset under mists, a pinkish full moon rising in the misty blue opposite; and against this pale, serene sky, the hundreds of asphodels, each distinct like a candlestick, rising out of the green. I never saw such a vision of the Elysian fields.

Here at Anzio we found a Gesu Morto procession winding with a band, and a red-and-white confraternity, through the little fis.h.i.+ng town. At one moment the great black erect Madonna appeared among the torch-light against the deep blue sky, the misty blue moonlit sea.

Much less fine than such processions are in Tuscany; but impressive.

The little boats, with folded lateen sails, near the pier had coloured lanterns slung from the mast to the bowsprit. The sea broke like ruffled silk.

ANZIO, _April_ 17.

XV.

ASPHODELS.

Like Johnson and his wall-fruit, I have never had as many asphodels to look at as I wanted. Ever since I saw them first, rus.h.i.+ng by train through the Maremma, nay ever since I saw them in a photograph of a Sicilian temple, nay perhaps, secretly, since hearing their name, I have felt a longing for them, and a secret sense that I was never going to be shown as many as I want. Here I have. Yesterday morning bicycling inland, along a rising road along which alternate green pastures and sea, and woods of dense myrtle and lentisk scrub overtopped by ilexes and cork-trees, _there were asphodels enough_: deep plantations, little fields, like those of cultivated narcissus, compact ma.s.ses of their pale salmon and grey shot colours and greyish-green leaves, or fringes, each flower distinct against field or sky, on the ledges of rock and the high earth banks. The flowers are rarely perfect when you pick them, some of the starry blossoms having withered and left an untidy fringe instead; but at a distance this half-decay gives them a singular distinction, makes the light fall on the very tips, the silvery buds, sinking the stretching out branches and picking out the pale rose colour with grey. The beauty of the plant is in the candlestick thrust of the branches. The flower has a faint oniony smell, but fresh like box hedge.

ANZIO, EASTER DAY.

XVI.

NETTUNO.

Nettuno, a little castellated town on the rocks; battlemented walls and towers, a house with fortified windows, a sixteenth-century fortress, very beautiful. All manner of vines, weeds and lilac flowers growing in the walls. Men in boots and breeches and brigand hats about, women with outside stays. In the evening a flock of goats being milked. Strings of mules, literally strings, beasts tied together.

Last evening we bicycled beyond Nettuno on the way to Torre Astura, which you see bounding this semicircular gulf, vague great mountains behind. The Cape of Circe, which looks (and surely must have been) an island, came out faint towards evening, a great cliff ending in something like a castle, apparently in the middle of the sea, mysterious. We got, skirting the sea, to a large heath--a heath, black sandy soil, of budding bracken, gra.s.s and asphodels; immense, inexpressibly solemn and fresh; a little wood of cork-trees in the distance, a broken Roman ruin, blue Apennines half hidden in clouds. A few shepherds were going home, looking immense on the flatness, and goats and horses. Song of larks, and suddenly an unexpected booming of surf. Following the sound inexplicably loud, across the deeper black sandy soil, we got to the sea. Most strange against it, a fringe of marshy gra.s.s, of bulrushes! Far off the tower of Astura, and the faint Cape of Circe among mists. It began to rain.

ANZIO, _Easter_.

XVII.

TORRE ASTURA.

Yesterday evening bicycled farther in the direction of Torre Astura, which seemed quite near in its solitude. The dunes were covered with thick bushes of lentisk, myrtle and similar shrubs; every step bruised some scented thing. Along the sands, black, hard and full of coloured sh.e.l.ls, was a strip of bulrushes. The sea, which is tame and messy in the artificial bay formed by the pier of Anzio, was fresh and rus.h.i.+ng; the wind swept the brown dark sand like smoke along the ground.

Monte Circeo was quite distinct, blue and white its summit an overhanging rock, no castle. Inland stretched the fields of asphodels and the deep woods.

We found in the morning a lane or road gone to ruin, running high up from Anzio to Nettuno, and entirely under splendid overarching ilexes; a sunk lane, with here and there a glimpse of blue sea among the evergreen branches.

ANZIO, _April_ 19.

SPRING 1899.

I.

THE WALLS.

Drove from Porta Angelica to Porta Portese; an immense round, possible, conceivable, only in Rome. I see for the first time the _outside_ of the Vatican, galleries and gardens, realising the sort of fortified town it is, a Rome within Rome. And a fortified one: that long pa.s.sage (Hall of the Ariadne) between the Belvedere and the Rotunda has battlements (oddly enough, Ghibelline); there are towers and counterforts I cannot identify; and then the immense b.u.t.tressed walls, with their green vegetation, and slabs and coats of arms of Medicis, Roveres; with the clipped ilexes of the gardens, the pines and bays overtopping, on and on. And in a gap, suddenly, and close enough to take one's breath away, the immensity of St. Peter's and the Cupola.

And that this town, which is the Vatican and St. Peter's, these centres of so much life, should, as a fact, look on one side straight onto forsaken roads, and the most desolate of countries! Such a thing is impossible except in Rome; and even in Rome I never suspected it.

Continuing outside the walls, we come to the little church of San Pancrazio, on an empty road hedged with reed-tied dry thorns: the little porched doorway leading into an atrium which is an olive garden, big old trees set orderly, and a pillar with the cross; outside at least, a solemn little basilica, making one think of Ravenna.

We drove, apparently for miles, up and down, round and round, between two immediately successive gates, San Pancrazio and Portese. Green slopes, dry vineyards with almond blossom among the criss-cross canes, brakes of reeds; here and there rows of little triumphal bay-trees in flower over the walls; great overhanging ornamental gateways, leading to nothing; and, at long intervals, mouldering little villas and _trattorie_, with mulberry-trees clipped into umbrellas. Rome totally disappeared, hidden, heaven knows where, in this country of which there seems an unlimited amount: always more green slopes, more dry vineyards, more distant Campagna. And yet, seemingly close by, the great bells of St. Peter's ring out the thanksgiving service for the Pope.

Antonia said, "Shall we go for a minute into St. Peter's? It will be all lit up."

And, in that endless emptiness, the words sounded absurd. St. Peter's?

Rome? Where?

_March_ 13.

II.

PALAZZO CENCI.

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