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"Well?"
"It rests with him."
He had a sense of being met and baffled. Always--always she had baffled him, even in those old first married days.
"It's a mad notion," he said.
"It is."
"If you had only--! Well--they might have been--" he did not finish that sentence "brother and sister and all this saved," but he saw her shudder as if he had, and stung by the sight he crossed over to the window. Out there the trees had not grown--they couldn't, they were old!
"So far as I'm concerned," he said, "you may make your mind easy. I desire to see neither you nor your son if this marriage comes about.
Young people in these days are--are unaccountable. But I can't bear to see my daughter unhappy. What am I to say to her when I go back?"
"Please say to her as I said to you, that it rests with Jon."
"You don't oppose it?"
"With all my heart; not with my lips."
Soames stood, biting his finger.
"I remember an evening--" he said suddenly; and was silent. What was there--what was there in this woman that would not fit into the four corners of his hate or condemnation? "Where is he--your son?"
"Up in his father's studio, I think."
"Perhaps you'd have him down."
He watched her ring the bell, he watched the maid come in.
"Please tell Mr. Jon that I want him."
"If it rests with him," said Soames hurriedly, when the maid was gone, "I suppose I may take it for granted that this unnatural marriage will take place; in that case there'll be formalities. Whom do I deal with--Herring's?"
Irene nodded.
"You don't propose to live with them?"
Irene shook her head.
"What happens to this house?"
"It will be as Jon wishes."
"This house," said Soames suddenly: "I had hopes when I began it.
If they live in it--their children! They say there's such a thing as Nemesis. Do you believe in it?"
"Yes."
"Oh! You do!"
He had come back from the window, and was standing close to her, who, in the curve of her grand piano, was, as it were, embayed.
"I'm not likely to see you again," he said slowly. "Will you shake hands"--his lip quivered, the words came out jerkily--"and let the past die." He held out his hand. Her pale face grew paler, her eyes so dark, rested immovably on his, her hands remained clasped in front of her. He heard a sound and turned. That boy was standing in the opening of the curtains. Very queer he looked, hardly recognisable as the young fellow he had seen in the Gallery off Cork Street--very queer; much older, no youth in the face at all--haggard, rigid, his hair ruffled, his eyes deep in his head. Soames made an effort, and said with a lift of his lip, not quite a smile nor quite a sneer:
"Well, young man! I'm here for my daughter; it rests with you, it seems--this matter. Your mother leaves it in your hands."
The boy continued staring at his mother's face, and made no answer.
"For my daughter's sake I've brought myself to come," said Soames. "What am I to say to her when I go back?"
Still looking at his mother, the boy said, quietly:
"Tell Fleur that it's no good, please; I must do as my father wished before he died."
"Jon!"
"It's all right, Mother."
In a kind of stupefaction Soames looked from one to the other; then, taking up hat and umbrella which he had put down on a chair, he walked toward the curtains. The boy stood aside for him to go by. He pa.s.sed through and heard the grate of the rings as the curtains were drawn behind him. The sound liberated something in his chest.
'So that's that!' he thought, and pa.s.sed out of the front door.
VIII.--THE DARK TUNE
As Soames walked away from the house at Robin Hill the sun broke through the grey of that chill afternoon, in smoky radiance. So absorbed in landscape painting that he seldom looked seriously for effects of Nature out of doors--he was struck by that moody effulgence--it mourned with a triumph suited to his own feeling. Victory in defeat. His emba.s.sy had come to naught. But he was rid of those people, had regained his daughter at the expense of--her happiness. What would Fleur say to him?
Would she believe he had done his best? And under that sunlight faring on the elms, hazels, hollies of the lane and those unexploited fields, Soames felt dread. She would be terribly upset! He must appeal to her pride. That boy had given her up, declared part and lot with the woman who so long ago had given her father up! Soames clenched his hands.
Given him up, and why? What had been wrong with him? And once more he felt the malaise of one who contemplates himself as seen by another--like a dog who chances on his refection in a mirror and is intrigued and anxious at the unseizable thing.
Not in a hurry to get home, he dined in town at the Connoisseurs. While eating a pear it suddenly occurred to him that, if he had not gone down to Robin Hill, the boy might not have so decided. He remembered the expression on his face while his mother was refusing the hand he had held out. A strange, an awkward thought! Had Fleur cooked her own goose by trying to make too sure?
He reached home at half-past nine. While the car was pa.s.sing in at one drive gate he heard the grinding sputter of a motor-cycle pa.s.sing out by the other. Young Mont, no doubt, so Fleur had not been lonely. But he went in with a sinking heart. In the cream-panelled drawing-room she was sitting with her elbows on her knees, and her chin on her clasped hands, in front of a white camellia plant which filled the fireplace. That glance at her before she saw him renewed his dread. What was she seeing among those white camellias?
"Well, Father!"
Soames shook his head. His tongue failed him. This was murderous work!
He saw her eyes dilate, her lips quivering.
"What? What? Quick, Father!"
"My dear," said Soames, "I--I did my best, but--" And again he shook his head.
Fleur ran to him, and put a hand on each of his shoulders.
"She?"