The Young Lady's Equestrian Manual Part 2

It will not be inexpedient, under the present head, to make some observations as to which side the lady should take, when riding in company with a gentleman. Adams, a teacher of equitation, and the author of a work on the subject, remarks, that the only inducements for a gentleman to ride on the left of a lady, would be, that, by having his right hand towards her, in case of her needing a.s.sistance, he might, the more readily and efficiently, be enabled to afford it, than if he were on the opposite side; and, should any disarrangement occur in the skirt of her habit, he might screen it until remedied. On the other hand, our author observes, with great good sense, though in terms somewhat homely,--addressing, it is to be noticed, his remarks to gentlemen,--"the inconvenience of riding on the left of the lady, is, that if you ride near, to give her any a.s.sistance, you are liable to rub, or incommode, the lady's legs, and alarm her; and the spur is liable to catch, or tear, the lady's habit: if the roads are dirty, your horse, likewise, bespatters the lady's habit. On the right hand of the lady, these inconveniences do not occur, if you ride ever so close; and you are situated next the carriages, and the various objects you meet, which, in narrow roads, or, pa.s.sing near, might intimidate a lady. For these reasons, I think it most proper to take the right hand of a lady."

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MOUNTING.

On approaching a horse, the skirt of the habit should be gracefully gathered up, and the whip be carried in the right hand.

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It is the groom's duty, when the rider approaches, to gather up the reins with his left hand, smoothly and evenly, the curb rein between, and somewhat tighter than the bridoon, properly dividing them with his fore-finger. The lady advancing, on the near side of the horse, to the saddle, receives them a little more forward than the point of the horse's shoulder, with her right hand, which still retains and pa.s.ses the whip over the saddle to the _off_ or right side. On taking the bridle in this manner, her fore-finger is placed between the reins: the groom then removes his hand, and the lady draws her own back, suffering the reins to glide gently and evenly through her fingers, until she reaches the near crutch of the saddle, which she takes with her right hand, still holding the whip and reins, and places herself close to the near side of the horse, with her back almost turned towards him. The groom now quits his former post, and prepares to a.s.sist her to mount.

The horse being thus left to the lady's government, it is proper, that, in pa.s.sing her hand through the reins she should not have suffered them to become so loose as to prevent her, when her hand is on the crutch, from having a light, but steady bearing on the bit, and thus keeping the horse to his position during the process of mounting. She next places her left foot firmly in the right hand of the groom, or gentleman, in attendance, who stoops to receive it. The lady then puts her left hand on his right shoulder; and, straightening her left knee, bears her weight on the a.s.sistant's hand; which he gradually raises (rising, himself, at the same time) until she is seated on the saddle. During her elevation, she steadies, and even, if necessary, partly a.s.sists herself towards the saddle by her hands; one of which, it will be recollected, is placed on the crutch, and the other on her a.s.sistant's shoulder. It is important that she should keep her foot firm and her knee straight.

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If these directions be well attended to, she will find herself raised to her saddle with but a trifling exertion, either, on her own part, or that of the a.s.sistant. Should the latter be a lad only, or a groom not much accustomed to this part of his business, he should use both hands instead of one;--joining them by the fingers: indeed, this, generally speaking, is the safer mode. The lady, in all cases, should take care that her weight be well balanced on her left foot, from which she should rise as perpendicularly as possible; above all things taking care not to put her foot forward, but keeping it directly under her. The a.s.sistant should not begin to raise her until she has removed her right foot from the ground, and, by strengthening her knee, thrown her weight completely into his hand.

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Having reached the saddle, while her face is still turned to the near side of the horse, and before she places her knee on the pommel, the a.s.sistant puts the lady's left foot in the stirrup, while she removes her hand from the near to the off crutch of the saddle, holding the whip and reins as before directed. She now raises herself on the stirrup by the aid of her right hand, while the a.s.sistant, or the lady herself, with her left hand, draws the habit forward in its place. She then places her right knee between the crutches, and her seat is taken.

Should the back part of the habit at this time, or afterwards, in the course of the ride, require any arrangement, the lady raises herself in the stirrup, by strengthening her knee, and, with her left hand, disposes her habit to her satisfaction.

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THE REINS.

Pupils, during their first lessons, may arrange the reins in the following manner:--The right hand is removed from the crutch of the saddle; the reins are separated, and one is held in each hand, pa.s.sing up between the third and fourth fingers, the ends being brought over the fore-fingers, and held in their places by closing the thumbs upon them, and shutting the hands: these should be on a level with each other, at a little distance apart, three inches from the body, or thereabouts, with the knuckles of the little fingers in a line with the elbow. By slightly advancing the hands, or even relaxing the hold of the reins, the horse, if well trained, will go forward. The left hand is raised to turn to the near or left side, and the right hand to turn in an opposite direction.

By slightly raising and approaching both hands toward the body, the horse may be made to stop. When either rein is acted on, to turn the horse, the other should be a little slackened, or the hand which holds it relaxed.

As soon as the pupil has pa.s.sed her noviciate in the art, she holds both reins in the left hand. Some ladies separate them by the third and fourth fingers; others, by one of these fingers only; and many, by the fourth and little finger: but the greater number use the latter alone for this purpose, pa.s.sing the off or right rein over it, and bringing the near or left rein up beneath it. The reins are carried flat upon each other up through the hand, near the middle joint of the fore-finger, and the thumb is placed upon them so that their ends fall down in front of the knuckles. The elbow should neither be squeezed close to the side, nor thrust out into an awkward and unnatural position; but be carried easily and gracefully, at a moderate distance from the body. The thumb should be uppermost, and the hand so placed that the lower part of it be nearer the waist than the upper; the wrist should be slightly rounded, the little finger in a line with the elbow, and the nails turned towards the rider.

With the reins in this position, the lady, if she wish her horse to advance, brings her thumb towards her, until the knuckles are uppermost, and the nails over the horse's shoulder: the reins, by this simple motion, are slackened sufficiently to permit him to move forward. After he is put in motion, the rider's hand should return to the first position, gradually; or it may be slightly advanced, and the thumb turned upwards immediately.

To direct a horse to the left, let the thumb, which in the first position is uppermost, be turned to the right, the little finger to the left, and the back of the hand brought upwards. This movement is performed in a moment, and it will cause the left rein to hang slack, while the right is tightened so as to press against the horse's neck.

To direct the horse to the right, the hand should quit the first position, the nails be turned upwards, the little finger brought in towards the right, and the thumb moved to the left: the left rein will thus press the neck, while the right one is slackened.

To stop the horse, or make him back, the nails should be turned, from the first position, upwards, the knuckles be reversed, and the wrist be rounded as much as possible.

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THE SEAT AND BALANCE.

The body should always be in a situation, as well to preserve the balance, as to maintain the seat.

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One of the most common errors committed by ladies on horseback, who have not been properly taught to ride is hanging by the near crutch, so that, instead of being gracefully seated in the centre of the saddle, with the head in its proper situation, and the shoulders even, the body is inclined to the left, the head is brought to the right by an inelegant bend of the neck, the right shoulder is elevated, and the left depressed.

To correct or avoid these and similar faults, is important. All the rider's movements should harmonize with the paces of the animal: her position should be at once easy to herself and to her horse; and alike calculated to ensure her own safety and give her a perfect command over the animal. If she sit in a careless, ungraceful manner, the action of her horse will be the reverse of elegant. A lady seldom appears to greater advantage than when mounted on a fine horse, if her deportment be graceful, and her positions correspond with his paces and att.i.tudes; but the reverse is the case, if, instead of acting with, and influencing the movements of the horse, she appear to be tossed to and fro, and overcome by them. She should rise, descend, advance, and stop _with_, and not _after_ the animal. From this harmony of motion result ease, elegance, and the most brilliant effect. The lady should sit in such a position, that the weight of the body may rest on the centre of the saddle. One shoulder should not be advanced more than the other. Neither must she bear any weight on the stirrup, nor hang by the crutch towards the near side. She ought not to suffer herself to incline forward, but partially backward. If she bend forward, her shoulders will, most probably, be rounded, and her weight thrown too much upon the horse's withers: in addition to these disadvantages, the position will give her an air of timid _gaucherie_. Leaning a little backward, on the contrary, tends to bring the shoulders in, keeps the weight in its proper bearing, and produces an appearance of graceful confidence.

The head should be in an easy, natural position: that is, neither drooping forward nor thrown back; neither leaning to the right nor to the left. The bust should be elegantly developed, by throwing back the shoulders, advancing the chest, and bending the back part of the waist inward. The elbows should be steady, and kept in an easy, and apparently unconstrained position, near the sides. The lower part of the arm should form a right angle with the upper part, which ought to descend almost perpendicularly from the shoulder. The position of the hands, when both are occupied with the reins, or when the reins are held in one only, we have already noticed: the right arm and hand, in the latter case, may depend, easily, from the shoulder, and the whip be held in the fingers, with the lash downward, between two fingers and the thumb. The whip may also be carried in the right hand, in the manner adopted by gentlemen: the lady is not restricted to any precise rules in this respect, but may vary the position of her whip arm as she may think fit, so that she do not permit it to appear ungraceful. She must, however, take care that the whip be so carried, that its point do not tickle or irritate the flank of the horse.

The stirrup is of very little use except to support the left foot and leg, and to a.s.sist the rider to rise in the trot: generally speaking, therefore, as we have already remarked, none of the weight of the body should be thrown upon the stirrup. The left leg must not be cramped up, but a.s.sume an easy and comfortable position: it should neither be forced out, so as to render the general appearance ungraceful, and the leg itself fatigued; nor, should it be pressed close to the horse, except when used as an aid; but descend gracefully by his side, without bearing against it.

Although hanging by the left crutch of the saddle, over the near side, is not only inelegant, but objectionable in many important respects, the near crutch, properly used, is a lady's princ.i.p.al dependence on horseback. The right knee being pa.s.sed over the near crutch, the toes being slightly depressed, and the leg pressed against the fore part of the saddle, the pommel is grasped, and the rider well secured in the possession of her seat. It is said, that when a lady, while her horse is going at a smart trot, can lean over, on the right side, far enough to see the horse's shoe, she may be supposed to have established a correct seat; which, we repeat, she should spare no pains to acquire. In some of the schools, a pupil is often directed to ride without the stirrup, and, with her arms placed behind her, while the master holds the long rein, and urges the horse to various degrees of speed, and in different directions, in order to settle her firmly and gracefully on the saddle,--to convince her that there is security without the stirrup,--and to teach her to accompany, with precision and ease, the various movements of the horse.

Nothing can be more detrimental to the grace of a lady's appearance on horseback, than a bad position: a recent author says, it is a sight that would spoil the finest landscape in the world. What can be much more ridiculous, than the appearance of a female, whose whole frame, through mal-position, seems to be the sport of every movement of the horse? If the lady be not mistress of her seat, and be unable to maintain a proper position of her limbs and body, so soon as her horse starts into a trot, she runs the risk of being tossed about on the saddle, like the Halcyon of the poets in her frail nest,--

"Floating upon the boisterous rude sea."

If the animal should canter, his fair rider's head will be jerked to and fro as "a vexed weatherc.o.c.k;" her drapery will be blown about, instead of falling gracefully around her; and her elbows rise and fall, or, as it were, flap up and down like the pinions of an awkward nestling endeavouring to fly. To avoid such disagreeable similes being applied to her, the young lady, who aspires to be a good rider, should, even from her first lesson in the art, strive to obtain a proper deportment on the saddle. She ought to be correct, without seeming stiff or formal: and easy, without appearing slovenly. The position we have described, subject to occasional variations, will be found, by experience, to be the most natural and graceful mode of sitting a horse:--it is easy to the rider and her steed; and enables the former to govern the actions of the latter so effectually, in all ordinary cases, as to produce that harmony of motion, which is so much and so deservedly admired.

The balance is conducive to the ease, elegance, and security of the rider:--it consists in a foreknowledge of the direction which any given motion of the horse will impart to the body, and a ready adaptation of the whole frame to the proper position, before the animal has completed his change of att.i.tude or action;--it is that disposition of the person, in accordance with the movements of the horse, which prevents it from an undue inclination, forward or backward, to the right or to the left.

By the direction and motion of the horse's legs the balance is governed.

If the animal be either standing still, or merely walking straight-forward, the body should be preserved in the simple position which we have directed the lady to a.s.sume on taking her seat. Should it be necessary to apply the whip, so as to make the animal quicken his pace, or to pull him in suddenly, the body must be prepared to accommodate itself to the animal's change of action. When going round a corner at a brisk pace, or riding in a circle, the body should lean back rather more than in the walking position: to the same extent that the horse bends inward, must the body lean in that direction. If a horse shy at any object, and either turn completely and suddenly round, or run on one side only, the body should, if possible, keep time with his movements, and adapt itself so as to turn or swerve with him; otherwise, the balance will be lost, and the rider be in danger of falling, on the side from which the animal starts. In no case, let it be remembered, should the rider endeavour to a.s.sist herself in preserving her balance, by pulling at the reins.

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AIDS AND DEFENCES.

All such motions of the body, the hands, the legs, and the whip, as either indicate the rider's wishes, or, in some degree, a.s.sist the horse to fulfil them, are, in the art of riding, denominated _aids_; and those movements of the rider which tend to save the animal from disuniting himself, or running into danger, may, properly enough, be cla.s.sed under the same t.i.tle: while such as act for the preservation of the rider, against the attempts of the horse, when headstrong or vicious, are termed _defences_.

The aids of the hand are considered the most important: all the other actions of the rider tending, princ.i.p.ally, to a.s.sist the bridle-hand and carry its operations into complete effect. There should be a perfect harmony in the aids; and all of them ought to be governed by those of the rein. In many instances, the power of a movement performed by the hand may be destroyed by the omission of a correct accompanying aid or defence, with the body, or the leg. Thus:--if a horse rear, it is useless for the rider to afford him a slack rein, if she do not also lean forward, in order, by throwing her weight on his fore-parts, to bring him down, and also to save herself from falling backward over his haunches. Should the rider, when her horse rises, slacken the reins, but retain her usual position on the saddle, if he rear high, she must necessarily be thrown off her balance; and then, if she hang on the bit, in order to save herself from falling, there is great danger of her pulling the horse backward.

The aids and defences of the body are numerous: we shall attempt to describe a few of them; the residue must be acquired by practice, and the lady's own observation. When the rider indicates by her hand that she wishes the horse to advance, the body should be inclined forward in a slight degree; and the left leg (with the whip, also, if the animal be sluggish, or not well trained) pressed to his side. Should she, by pulling the rein towards her, or turning the wrist in the manner we have before directed, communicate her desire to stop, her body ought, at the same time, to be thrown back, with gentleness, or otherwise, in proportion to the severity of the action of the hand against the horse's inclination to increase his speed contrary to the will of his rider, or when he leaps, kicks, or plunges. If a horse rear, the rider should lean forward more than in the aid for the advance: but care must be taken, in this case, to perform the defence with discretion, especially with a pony, or galloway; for, should the animal rise suddenly, and the rider throw herself abruptly forward, it is not improbable that he might give her a violent blow on the face with the top of his head.

We have already mentioned, in a previous part of our treatise, the direction which the body should take when riding in a circle, turning a corner, or acting as a defence against the danger attendant upon a horse's shying. In the first case, the aid of the body, if properly performed, will carry with it the aid of the hand, the leg, and even the whip, if it be held near the horse's side. We will explain this by an example:--Suppose the rider wishes to turn a corner on her left; she inclines a little towards it, drawing her left shoulder in, and thrusting her right shoulder rather forward: the bridle-hand will thus be drawn back on the near side, the off rein will consequently act on the horse's neck, and the left leg be pressed close against the near side; so that all the necessary aids for effecting her object, are performed by one natural and easy movement.