Trilby Part 13

She was more familiar with him than with the other two: it was impossible not to be familiar with the Laird if he liked one, as he was so easy-going and demonstrative, for all that he was such a canny Scot!

Then she had nursed him through his illness; she had often hugged and kissed him before the whole studio full of people--and even when alone with him it had always seemed quite natural for her to do so. It was like a child caressing a favorite young uncle or elder brother. And though the good Laird was the least susceptible of mortals, he would often find these innocent blandishments a somewhat trying ordeal! She had never taken such a liberty with Taffy; and as for Little Billee, she would sooner have died!

So she wrote to the Laird. I give her letter without the spelling, which was often faulty, although her nightly readings had much improved it:

"MY DEAR FRIEND,--I am very unhappy. I was sitting at Carrel's, in the Rue des Potirons, and Little Billee came in, and was so shocked and disgusted that he ran away and never came back.

"I saw it all in his face.

"I sat there because M. Carrel asked me to. He has always been very kind to me--M. Carrel--ever since I was a child; and I would do anything to please him, but never _that_ again.

"He was there too.

"I never thought anything about sitting before. I sat first as a child to M. Carrel. Mamma made me, and made me promise not to tell papa, and so I didn't. It soon seemed as natural to sit for people as to run errands for them, or wash and mend their clothes. Papa wouldn't have liked my doing that either, though we wanted the money badly. And so he never knew.

"I have sat for the altogether to several other people besides--M.

Gerome, Durien, the two Hennequins, and emile Baratier; and for the head and hands to lots of people, and for the feet only to Charles Faure, Andre Besson, Mathieu Dumoulin, and Collinet. n.o.body else.

"It seemed as natural for me to sit as for a man. Now I see the awful difference.

"And I have done dreadful things besides, as you must know--as all the quartier knows. Baratier and Besson; but not Durien, though people think so. n.o.body else, I swear--except old Monsieur Penque at the beginning, who was mamma's friend.

"It makes me almost die of shame and misery to think of it; for that's not like sitting. I knew how wrong it was all along--and there's no excuse for me, none. Though lots of people do as bad, and n.o.body in the quartier seems to think any the worse of them.

"If you and Taffy and Little Billee cut me, I really think I shall go mad and die. Without your friends.h.i.+p I shouldn't care to live a bit. Dear Sandy, I love your little finger better than any man or woman I ever met; and Taffy's and Little Billee's little fingers too.

[Ill.u.s.tration: REPENTANCE]

"What shall I do? I daren't go out for fear of meeting one of you.

Will you come and see me?

"I am never going to sit again, not even for the face and hands. I am going back to be a _blanchisseuse de fin_ with my old friend Angele Boisse, who is getting on very well indeed, in the Rue des Cloitres Ste. Petronille.

"You _will_ come and see me, won't you? I shall be in all day till you do. Or else I will meet you somewhere, if you will tell me where and when; or else I will go and see you in the studio, if you are sure to be alone. Please don't keep me waiting long for an answer.

"You don't know what I'm suffering.

"Your ever-loving, faithful friend,

"TRILBY O'FERRALL."

She sent this letter by hand, and the Laird came in less than ten minutes after she had sent it; and she hugged and kissed and cried over him so that he was almost ready to cry himself; but he burst out laughing instead--which was better and more in his line, and very much more comforting--and talked to her so nicely and kindly and naturally that by the time he left her humble attic in the Rue des Pousse-Cailloux her very aspect, which had quite shocked him when he first saw her, had almost become what it usually was.

The little room under the leads, with its sloping roof and mansard window, was as scrupulously neat and clean as if its tenant had been a holy sister who taught the n.o.ble daughters of France at some Convent of the Sacred Heart. There were nasturtiums and mignonette on the outer window-sill, and convolvulus was trained to climb round the window.

As she sat by his side on the narrow white bed, clasping and stroking his painty, turpentiny hand, and kissing it every five minutes, he talked to her like a father--as he told Taffy afterwards--and scolded her for having been so silly as not to send for him directly, or come to the studio. He said how glad he was, how glad they would all be, that she was going to give up sitting for the figure--not, of course, that there was any real harm in it, but it was better not--and especially how happy it would make them to feel she intended to live straight for the future. Little Billee was to remain at Barbizon for a little while; but she must promise to come and dine with Taffy and himself that very day, and cook the dinner; and when he went back to his picture, "Les Noces du Toreador"--saying to her as he left, "a ce soir donc, mille sacres tonnerres de nong de Dew!"--he left the happiest woman in the whole Latin quarter behind him: she had confessed and been forgiven.

And with shame and repentance and confession and forgiveness had come a strange new feeling--that of a dawning self-respect.

Hitherto, for Trilby, self-respect had meant little more than the mere cleanliness of her body, in which she had always revelled; alas! it was one of the conditions of her humble calling. It now meant another kind of cleanliness, and she would luxuriate in it for evermore; and the dreadful past--never to be forgotten by her--should be so lived down as in time, perhaps, to be forgotten by others.

The dinner that evening was a memorable one for Trilby. After she had washed up the knives and forks and plates and dishes, and put them by, she sat and sewed. She wouldn't even smoke her cigarette, it reminded her so of things and scenes she now hated. No more cigarettes for Trilby O'Ferrall.

They all talked of Little Billee. She heard about the way he had been brought up, about his mother and sister, the people he had always lived among. She also heard (and her heart alternately rose and sank as she listened) what his future was likely to be, and how rare his genius was, and how great--if his friends were to be trusted. Fame and fortune would soon be his--such fame and fortune as fell to the lot of very few--unless anything should happen to spoil his promise and mar his prospects in life, and ruin a splendid career; and the rising of the heart was all for him, the sinking for herself. How could she ever hope to be even the friend of such a man? Might she ever hope to be his servant--his faithful, humble servant?

Little Billee spent a month at Barbizon, and when he came back it was with such a brown face that his friends hardly knew him; and he brought with him such studies as made his friends "sit up."

The crus.h.i.+ng sense of their own hopeless inferiority was lost in wonder at his work, in love and enthusiasm for the workman.

[Ill.u.s.tration: CONFESSION]

Their Little Billee, so young and tender, so weak of body, so strong of purpose, so warm of heart, so light of hand, so keen and quick and piercing of brain and eye, was their master, to be stuck on a pedestal and looked up to and bowed down to, to be watched and warded and wors.h.i.+pped for evermore.

When Trilby came in from her work at six, and he shook hands with her and said "Hullo, Trilby!" her face turned pale to the lips, her under-lip quivered, and she gazed down at him (for she was among the tallest of her s.e.x) with such a moist, hungry, wide-eyed look of humble craving adoration that the Laird felt his worst fears were realized, and the look Little Billee sent up in return filled the manly bosom of Taffy with an equal apprehension.

Then they all four went and dined together at le pere Trin's, and Trilby went back to her _blanchisserie de fin_.

Next day Little Billee took his work to show Carrel, and Carrel invited him to come and finish his picture "The Pitcher Goes to the Well" at his own private studio--an unheard-of favor, which the boy accepted with a thrill of proud grat.i.tude and affectionate reverence.

So little was seen for some time of Little Billee at the studio in the Place St. Anatole des Arts, and little of Trilby; a _blanchisseuse de fin_ has not many minutes to spare from her irons. But they often met at dinner. And on Sunday mornings Trilby came to repair the Laird's linen and darn his socks and look after his little comforts, as usual, and spend a happy day. And on Sunday afternoons the studio would be as lively as ever, with the fencing and boxing, the piano-playing and fiddling--all as it used to be.

And week by week the friends noticed a gradual and subtle change in Trilby. She was no longer slangy in French, unless it were now and then by a slip of the tongue, no longer so facetious and droll, and yet she seemed even happier than she had ever seemed before.

Also, she grew thinner, especially in the face, where the bones of her cheeks and jaw began to show themselves, and these bones were constructed on such right principles (as were those of her brow and chin and the bridge of her nose) that the improvement was astonis.h.i.+ng, almost inexplicable.

Also, she lost her freckles as the summer waned and she herself went less into the open air. And she let her hair grow, and made of it a small knot at the back of her head, and showed her little flat ears, which were charming, and just in the right place, very far back and rather high; Little Billee could not have placed them better himself.

Also, her mouth, always too large, took on a firmer and sweeter outline, and her big British teeth were so white and even that even Frenchmen forgave them their British bigness. And a new soft brightness came into her eyes that no one had ever seen there before. They were stars, just twin gray stars--or rather planets just thrown off by some new sun, for the steady mellow light they gave out was not entirely their own.

Favorite types of beauty change with each succeeding generation. These were the days of Buckner's aristocratic Alb.u.m beauties, with lofty foreheads, oval faces, little aquiline noses, heart-shaped little mouths, soft dimpled chins, drooping shoulders, and long side ringlets that fell over them--the Lady Arabellas and the Lady Clementinas, Musidoras and Medoras! A type that will perhaps come back to us some day.

May the present scribe be dead!

Trilby's type would be infinitely more admired now than in the fifties.

Her photograph would be in the shop-windows. Sir Edward Burne-Jones--if I may make so bold as to say so--would perhaps have marked her for his own, in spite of her almost too exuberant joyousness and irrepressible vitality. Rossetti might have evolved another new formula from her; Sir John Millais another old one of the kind that is always new and never sates nor palls--like Clytie, let us say--ever old and ever new as love itself!

Trilby's type was in singular contrast to the type Gavarni had made so popular in the Latin quarter at the period we are writing of, so that those who fell so readily under her charm were rather apt to wonder why.

Moreover, she was thought much too tall for her s.e.x, and her day, and her station in life, and especially for the country she lived in. She hardly looked up to a bold gendarme! and a bold gendarme was nearly as tall as a "dragon de la garde," who was nearly as tall as an average English policeman. Not that she was a giantess, by any means. She was about as tall as Miss Ellen Terry--and that is a charming height, _I_ think.

[Ill.u.s.tration: "ALL AS IT USED TO BE"]

One day Taffy remarked to the Laird: "Hang it! I'm blest if Trilby isn't the handsomest woman I know! She looks like a grande dame masquerading as a grisette--almost like a joyful saint at times. She's lovely! By Jove! I couldn't stand her hugging me as she does you! There'd be a tragedy--say the slaughter of Little Billee."

"Ah! Taffy, my boy," rejoined the Laird, "when those long sisterly arms are round my neck it isn't _me_ she's hugging."

"And then," said Taffy, "what a trump she is! Why, she's as upright and straight and honorable as a man! And what she says to one about one's self is always so pleasant to hear! That's Irish, I suppose. And, what's more, it's always true."

"Ah, that's Scotch!" said the Laird, and tried to wink at Little Billee, but Little Billee wasn't there.