Trilby Part 11

The good old doctor, who didn't understand a word of English, listened, and heard the Laird's voice, weak and low, but quite clear, and full of heart-felt fervor, intoning, solemnly:

"'Green herbs, red peppers, mussels, saffron, Soles, onions, garlic, roach, and dace-- All these you eat at Terre's Tavern In that one dish of bouillabaisse!'"

"Ah! mais c'est tres bien de sa part, ce brave jeune homme! rendre graces au ciel comme cela, quand le danger est pa.s.se! tres bien, tres bien!"

Sceptic and Voltairian as he was, and not the friend of prayer, the good doctor was touched, for he was old, and therefore kind and tolerant, and made allowances.

And afterwards he said such sweet things to Trilby about it all, and about her admirable care of his patient, that she positively wept with delight--like sweet Alice with hair so brown, whenever Ben Bolt gave her a smile.

All this sounds very goody-goody, but it's true.

So it will be easily understood how the trois Angliches came in time to feel for Trilby quite a peculiar regard, and looked forward with sorrowful forebodings to the day when this singular and pleasant little quartet would have to be broken up, each of them to spread his wings and fly away on his own account, and poor Trilby to be left behind all by herself. They would even frame little plans whereby she might better herself in life, and avoid the many snares and pitfalls that would beset her lonely path in the quartier latin when they were gone.

Trilby never thought of such things as these; she took short views of life, and troubled herself about no morrows.

There was, however, one jarring figure in her little fool's paradise, a baleful and most ominous figure that constantly crossed her path, and came between her and the sun, and threw its shadow over her, and that was Svengali.

He also was a frequent visitor at the studio in the Place St. Anatole, where much was forgiven him for the sake of his music, especially when he came with Gecko and they made music together. But it soon became apparent that they did not come there to play to the three Angliches: it was to see Trilby, whom they both had taken it into their heads to adore, each in a different fas.h.i.+on:

Gecko, with a humble, doglike wors.h.i.+p that expressed itself in mute, pathetic deference and looks of lowly self-depreciation, of apology for his own unworthy existence, as though the only requital he would ever dare to dream of were a word of decent politeness, a glance of tolerance or good-will--a mere bone to a dog.

Svengali was a bolder wooer. When he cringed, it was with a mock humility full of sardonic threats; when he was playful, it was with a terrible playfulness, like that of a cat with a mouse--a weird ungainly cat, and most unclean; a sticky, haunting, long, lean, uncanny, black spider-cat, if there is such an animal outside a bad dream.

It was a great grievance to him that she had suffered from no more pains in her eyes. She had; but preferred to endure them rather than seek relief from him.

So he would playfully try to mesmerize her with his glance, and sidle up nearer and nearer to her, making pa.s.ses and counter-pa.s.ses, with stern command in his eyes, till she would shake and s.h.i.+ver and almost sicken with fear, and all but feel the spell come over her, as in a nightmare, and rouse herself with a great effort and escape.

If Taffy were there he would interfere with a friendly "Now then, old fellow, none of that!" and a jolly slap on the back, which would make Svengali cough for an hour, and paralyze his mesmeric powers for a week.

Svengali had a stroke of good-fortune. He played at three grand concerts with Gecko, and had a well-deserved success. He even gave a concert of his own, which made a furor, and blossomed out into beautiful and costly clothes of quite original color and shape and pattern, so that people would turn round and stare at him in the street--a thing he loved. He felt his fortune was secure, and ran into debt with tailors, hatters, shoemakers, jewellers, but paid none of his old debts to his friends. His pockets were always full of printed slips--things that had been written about him in the papers--and he would read them aloud to everybody he knew, especially to Trilby, as she sat darning socks on the model-throne while the fencing and boxing were in train. And he would lay his fame and his fortune at her feet, on condition that she should share her life with him.

"Ach, himmel, Drilpy!" he would say, "you don't know what it is to be a great pianist like me--hein! What is your Little Billee, with his stinking oil-bladders, sitting mum in his corner, his mahlstick and his palette in one hand, and his twiddling little footle pig's-hair brush in the other! What noise does _he_ make? When his little fool of a picture is finished he will send it to London, and they will hang it on a wall with a lot of others, all in a line, like recruits called out for inspection, and the yawning public will walk by in procession and inspect, and say 'd.a.m.n!' Svengali will go to London _himself_. Ha! ha!

He will be all alone on a platform, and play as n.o.body else can play; and hundreds of beautiful Englanderinnen will see and hear and go mad with love for him--Prinzessen, Comtessen, Serene English Altessen. They will soon lose their Serenity and their Highness when they hear Svengali! They will invite him to their palaces, and pay him a thousand francs to play for them; and after, he will loll in the best arm-chair, and they will sit all round him on footstools, and bring him tea and gin and kuchen and marrons glaces, and lean over him and fan him--for he is tired after playing them for a thousand francs of Chopin! Ha, ha! I know all about it--hein?

"And he will not look at them, even! He will look inward, at his own dream--and his dream will be about Drilpy--to lay his talent, his glory, his thousand francs at her beautiful white feet!

"Their stupid, big, fat, tow-headed, putty-nosed husbands will be mad with jealousy, and long to box him, but they will be afraid. Ach! those beautiful Anglaises! they will think it an honor to mend his s.h.i.+rts, to sew b.u.t.tons on his pantaloons; to darn his socks, as you are doing now for that sacred imbecile of a Scotchman who is always trying to paint toreadors, or that sweating, pig-headed bullock of an Englander who is always trying to get himself dirty and then to get himself clean again!--_e da capo!_

"Himmel! what big socks are those! what potato-sacks!

"Look at your Taffy! what is he good for but to bang great musicians on the back with his big bear's paw! He finds that droll, the bullock!...

[Ill.u.s.tration: t.i.t FOR TAT]

"Look at your Frenchmen there--your d.a.m.ned conceited verfluchte pig-dogs of Frenchmen--Durien, Barizel, Bouchardy! What can a Frenchman talk of, hein? Only himself, and run down everybody else! His vanity makes me sick! He always thinks the world is talking about _him_, the fool! He forgets that there's a fellow called _Svengali_ for the world to talk about! I tell you, Drilpy, it is about _me_ the world is talking--me and n.o.body else--me, me, me!

"Listen what they say in the _Figaro_" (reads it).

"What do you think of that, hein? What would your Durien say if people wrote of _him_ like that?

"But you are not listening, sapperment! great big she-fool that you are--sheep's-head! Dummkopf! Donnerwetter! you are looking at the chimney-pots when Svengali is talking! Look a little lower down between the houses, on the other side of the river! There is a little ugly gray building there, and inside are eight slanting slabs of bra.s.s, all of a row, like beds in a school dormitory, and one fine day you shall lie asleep on one of those slabs--you, Drilpy, who would not listen to Svengali, and therefore lost him!... And over the middle of you will be a little leather ap.r.o.n, and over your head a little bra.s.s tap, and all day long and all night the cold water shall trickle, trickle, trickle all the way down your beautiful white body to your beautiful white feet till they turn green, and your poor, damp, draggled, muddy rags will hang above you from the ceiling for your friends to know you by; drip, drip, drip! But you will have no friends....

"And people of all sorts, strangers, will stare at you through the big plate-gla.s.s windows--Englanders, chiffonniers, painters and sculptors, workmen, pioupious, old hags of washer-women--and say, 'Ah! what a beautiful woman was that! Look at her! She ought to be rolling in her carriage and pair!' And just then who should come by, rolling in his carriage and pair, smothered in furs, and smoking a big cigar of the Havana, but Svengali, who will jump out, and push the canaille aside, and say, 'Ha! ha! that is la grande Drilpy, who would not listen to Svengali, but looked at the chimney-pots when he told her of his manly love, and--'"

"Hi! d.a.m.n it, Svengali, what the devil are you talking to Trilby about?

You're making her sick; can't you see? Leave off, and go to the piano, man, or I'll come and slap you on the back again!"

Thus would that sweating, pig-headed bullock of an Englander stop Svengali's love-making and release Trilby from bad quarters of an hour.

Then Svengali, who had a wholesome dread of the pig-headed bullock, would go to the piano and make impossible discords, and say: "Dear Drilpy, come and sing 'Pen Polt'! I am thirsting for those so beautiful chest notes! Come!"

Poor Trilby needed little pressing when she was asked to sing, and would go through her lamentable performance, to the great discomfort of Little Billee. It lost nothing of its grotesqueness from Svengali's accompaniment, which was a triumph of cacophony, and he would encourage her--"Tres pien, tres pien, ca y est!"

When it was over, Svengali would test her ear, as he called it, and strike the C in the middle and then the F just above, and ask which was the highest; and she would declare they were both exactly the same. It was only when he struck a note in the ba.s.s and another in the treble that she could perceive any difference, and said that the first sounded like pere Martin blowing up his wife, and the second like her little G.o.dson trying to make the peace between them.

She was quite tone-deaf, and didn't know it; and he would pay her extravagant compliments on her musical talent, till Taffy would say: "Look here, Svengali, let's hear _you_ sing a song!"

And he would tickle him so masterfully under the ribs that the creature howled and became quite hysterical.

Then Svengali would vent his love of teasing on Little Billee, and pin _his_ arms behind his back and swing him round, saying: "Himmel! what's this for an arm? It's like a girl's!"

"It's strong enough to paint!" said Little Billee.

"And what's this for a leg? It's like a mahlstick!"

"It's strong enough to kick, if you don't leave off!"

And Little Billee, the young and tender, would let out his little heel and kick the German's s.h.i.+ns; and just as the German was going to retaliate, big Taffy would pin _his_ arms and make him sing another song, more discordant than Trilby's--for he didn't dream of kicking Taffy; of that you may be sure!

Such was Svengali--only to be endured for the sake of his music--always ready to vex, frighten, bully, or torment anybody or anything smaller and weaker than himself--from a woman or a child to a mouse or a fly.

Part Third

"Par deca, ne dela la mer Ne scay dame ni damoiselle Qui soit en tous biens parfaits telle-- C'est un songe que d'y penser: Dieu! qu'il fait bon la regarder!"

One lovely Monday morning in late September, at about eleven or so, Taffy and the Laird sat in the studio--each opposite his picture, smoking, nursing his knee, and saying nothing. The heaviness of Monday weighed on their spirits more than usual, for the three friends had returned late on the previous night from a week spent at Barbizon and in the forest of Fontainebleau--a heavenly week among the painters: Rousseau, Millet, Corot, Daubigny, let us suppose, and others less known to fame this day. Little Billee, especially, had been fascinated by all this artistic life in blouses and sabots and immense straw hats and panamas, and had sworn to himself and to his friends that he would some day live and die there--painting, the forest as it is, and peopling it with beautiful people out of his own fancy--leading a healthy out-door life of simple wants and lofty aspirations.

At length Taffy said: "Bother work this morning! I feel much more like a stroll in the Luxembourg Gardens and lunch at the Cafe de l'Odeon, where the omelets are good and the wine isn't blue."

"The very thing I was thinking of myself," said the Laird.

[Ill.u.s.tration: THE HAPPY LIFE]

So Taffy slipped on his old shooting-jacket and his old Harrow cricket cap, with the peak turned the wrong way, and the Laird put on an old great-coat of Taffy's that reached to his heels, and a battered straw hat they had found in the studio when they took it; and both sallied forth into the mellow suns.h.i.+ne on the way to Carrel's. For they meant to seduce Little Billee from his work, that he might share in their laziness, greediness, and general demoralization.