Nobody's Child Part 5

VI

BAIRD RECONNOITERS

When he had turned in between the cedars, Baird was glad he had come.

They were set close and now, in their middle-age, stood with branches interlocked, forming a canopy dense enough to shut out the sun. The soughing gloom through which Baird rode was mournful on a March day, but he had some conception of what it must be like in summer, cool and sweet-scented and perpetually whispering. The branches drooped so low in places that they shut out the country, nooks into which one could crawl and, with a tree-trunk and big roots forming a couch, dream away an entire day. And, protected from the dew, sleep through the night as well.... What a trysting place for lovers, thought Baird.

The gigantic hedge ended abruptly at the foot of what had evidently once been a lawn, but overgrown now and too much shaded by locust trees. The Penniman house showed through the trees, a steep-pitched roof broken by dormer windows. Clumps of lilacs topped the bank which partially hid the road from the house, and, as he came up under their shelter, Baird eyed his surroundings keenly. But there appeared to be no one about.

The road pa.s.sed within a few yards of the front porch, yet he saw no one. He could see, a short distance ahead, just beyond where the road forked, leading off to the barn, the gate and sign of which Sam had spoken.

Baird had planned this intrusion upon the Pennimans' privacy; he had no intention of going on, at least until he had searched for the person he wanted to see. He went on to the gate, then dismounted, having decided to attempt the barn first. The wide door, the entrance to the wagon-shed, stood open, and Baird looked in. Beyond was another door through which Baird glimpsed a pile of hay. He stood listening for a moment, then tiptoed across to it, for there were sounds here, a voice humming lightly.

It was the hay-loft he had come upon, a wide s.p.a.ce half filled with hay; the remainder of the floor swept clean, a sweet-scented, airy s.p.a.ce warmed by a broad band of sunlight. Not ten feet from him, beside a basket of eggs, sat a huge collie, forepaws planted, tail impatiently beating the floor, intent on what was pa.s.sing. Baird looked on also.

It was Ann playing in the sun. She was without her cape and hood now; a slender thing in warm brown, some indeterminate garment without a belt, a sheathe-like ap.r.o.n, possibly. She appeared to be playing with the band of sunlight, moving in and out of it, in time to the minor, negroesque thing she was singing:

"Mr. Frog, he went a-courtin', A-hung--a-hung.

Mr. Frog, he went a-courtin', Sword an' pistol by his side, A-hung--a-hung."

The excited collie barked and whined, but Ann went on, absorbed in the joy of motion, a bit of the cake-walk with its suggestion of abandon carrying her the length of the sunlight band; a waltz step backward and forward, from suns.h.i.+ne into shadow; a gliding turn and sweeping courtesy that might have been stolen from the minuet:

"He rode right up to Miss Mousey's den, A-hung--a-hung.

He rode right up to Miss Mousey's den, 'I say, Missy Mouse, is you within?'

A-hung--a-hung.

'Yes, here I sits, an' here I spin, Lift the latch an' do come in.'

A-hung--a-hung."

Her voice leaped suddenly into a joyful note:

"Suh! He took Miss Mousey on his knee, 'Say, Missy Mouse, will you marry me?'

A-hung--_a-hung_!"

She had swept into a pirouette that spun her like a top, stopped abruptly at the hay, and clapped her hands teasingly at the quivering collie: "A-hung, suh--_a-hung_!"

The dog was on her with a bound. The two came down on the hay and rolled over and over, the collie snarling in mock ferocity, Ann rippling with laughter, an ebullition of sheer animal spirits, a child at play, the gaiety Sue deplored.

But Ann was soon spent. She sat up then, flushed, panting and disheveled, the dog held at arm's length. She looked at the animal, for a full moment, into the creature's affectionate eyes, and her laughter died suddenly. She put her arms about the dog's neck and buried her face. "Oh, Prince!" she said, with a sob in her voice, "I reckon you an'

Ben are the only ones that love me."

Baird had watched Ann dance with the delight one feels in a stolen pleasure--she was so utterly pretty and graceful, and so unconscious.

When she rolled about in sheer abandonment on the hay he almost laughed out, in spite of the warmth that rose to his face. But, at the sob in her voice, he felt ashamed, like one caught eavesdropping. Baird was not overburdened with fine feelings, in some respects he was coa.r.s.e-fibered, but there was too much genuine sorrow and longing in the girl's voice.

It made him uncomfortable; he had no right to be there. He drew back into the wagon-shed, uncertain just how to present himself.

Ann solved the difficulty. She came out carrying the basket of eggs and with the collie at her heels. At sight of Baird, the dog barked furiously, and Ann stopped dead; the look she gave Baird was scarcely more friendly than the dog's bark; she was so evidently startled.

"I'm afraid I'm trespa.s.sing," Baird said promptly. "I thought I might come through this way to Westmore, but the gate is locked. I'm sorry I frightened you." He made his apology with the best air possible to him, cap in hand.

Ann quieted the collie, and when she looked at Baird again a smile had dawned in her eyes. "You're a stranger--you couldn't be expected to know about the gate," she said in her soft drawl. "I'll let you through."

"Thank you," Baird said, "but I hate to give you trouble."

Ann said nothing, yet Baird observed that she was not embarra.s.sed. She put down the basket of eggs and led the way, her head carried quite as spiritedly as Judith Westmore bore hers. Not a vestige of the playful child remained; she was collected, polite. And she was lovely. Judith could never have been as pretty--she had never had this girl's ripe lips and warm throat, or her trick of lowered lashes. Baird saw now why her eyes appeared so dark; her lashes were black and the eyelids blue-tinged, giving her eyes both brilliancy and languor. The eyes themselves were a gray-hazel, and, except when surprised or smiling, their expression was wistful, almost melancholy. A facile face, capable of swift changes, and captivating because of it. Baird knew now why he had thought her something more than merely pretty.

He made his observations as he walked on beside her. "It must be a nuisance--having people come through in this way," he remarked, in order to be saying something.

"I don't mind, but grandpa does," Ann answered. "Perhaps when my father comes he will let the gate stay open."

"Your father doesn't live here then?"

"He hasn't been here for a long time--he's coming home to-morrow." There was antic.i.p.ation in her voice.

"I was thinking this morning that if I owned land about here I'd kick at having my crops ridden over as we were doing."

"It's always been done, you see. Around here the best reason for doin'

things is because they've always been done." Her tone was faintly sarcastic; she glanced at him, a swiftly intelligent look.

"She's bright," was Baird's mental comment. Aloud he said, "And in my part of the world the best reason for not doing things is because they've been done before--every one's looking for a newer and better way."

"Your part of the world?" It was the first sign of personal interest she had shown.

Baird was not supersensitive, but he had felt polite antagonism in her manner. He attempted to capture interest. "I came here from Chicago.

Before that I was in Wyoming for a time. I've ranched, and done a lot of other things. I spent two years in South America--got rid of fifty thousand dollars down there and nothing but a year of fever to show for it. I could tell you a few tales that would make your hair rise."

He had won her wide look. "Were you on the Amazon? Are there flowers there that catch insects and snakes that make hoops of themselves an'

chase animals?"

"Yes, I've been on the Amazon--worse luck. I don't know about the hoop-snakes, but I've seen plenty of insects that are flowers and flowers that are insects--everything in nature preys on something else.... How do you come to know about the Amazon?"

"I read a story about it."

"Do you like to read?"

"I like it better than anything else," she said brightly.

They had come to the gate, and she looked at the bag strapped to his saddle, then laughingly at Baird. "Looks funny, doesn't it?" he remarked. "I'm taking my dress clothes over to Westmore--they're having a dinner-dance to-night."

Ann's smile vanished. "Oh--" she said, her face grown wistful. Then with a flash into gaiety she sprang lightly to a notch in the gate-post, swung herself up by the foothold, and took a key from the niche in which it was hidden.

"Here!" Baird exclaimed. "Why didn't you let me do that?... Let me help you!"

Ann looked at him, innate coquetry in her eyes. "If you'll stand aside, suh, I can step down."

Baird answered the look in the fas.h.i.+on natural to him. He took her by the waist, held her up long enough to prove the strength of his arms, then set her down; his lips pressed her cheek and his breath warmed her neck as he did so. "Arms like mine are made for reaching--and for holding," he said.

The color swept into Ann's face, and her eyes widened into brilliancy.

For an instant Baird did not know what to think. Then her lashes dropped and she held the key out to him. "You know where to find it now," she said softly.