The Street of Seven Stars Part 36

Harmony went unwillingly. Nothing she had heard of the Fraulein Le Grande had prepossessed her. Her uneasiness was increased when she found herself obliged to shed her gown and to stand for one terrible moment before the little dressmaker's amused eyes.

"Thou art very lovely, very chic," said Monia. The dress added to rather than relieved Harmony's discomfiture. She donned it in one of the fitting-rooms, made by the simple expedient of curtaining off a corner of the large reception room. The slashed skirt embarra.s.sed her; the low cut made her shrink. Monia was frankly entranced. Above the gold tissue of the bodice rose Harmony's exquisite shoulders. Her hair was gold; even her eyes looked golden. The dressmaker, who wors.h.i.+ped beauty, gave a pull here, a pat there. If only all women were so beautiful in the things she made!

She had an eye for the theatrical also. She posed Harmony behind the curtain, arranged lights, drew down the chiffon so that a bit more of the girl's rounded bosom was revealed. Then she drew the curtain aside and stood smiling.

Le Grande paid the picture the tribute of a second's silence. Then:--

"Exquisite!" she said in English. Then in halting German: "Do not change a line. It is perfect."

Harmony must walk in the gown, turn, sit. Once she caught a glimpse of herself and was startled. She had been wearing black for so long, and now this radiant golden creature was herself. She was enchanted and abashed. The slash in the skirt troubled her: her slender leg had a way of revealing itself.

The ordeal was over at last. The dancer was pleased. She ordered another gown. Harmony, behind the curtain, slipped out of the dress and into her own shabby frock. On the other side of the curtain the dancer was talking. Her voice was loud, but rather agreeable. She smoked a cigarette. Sc.r.a.ps of chatter came to Harmony, and once a laugh.

"That is too pink--something more delicate."

"Here is a shade; hold it to your cheek."

"I am a bad color. I did not sleep last night."

"Still no news, Fraulein?"

"None. He has disappeared utterly. That isn't so bad, is it? I could use more rouge."

"It is being much worn. It is strange, is it not, that a child could be stolen from the hospital and leave no sign!"

The dancer laughed a mirthless laugh. Her voice changed, became nasal, full of venom.

"Oh, they know well enough," she snapped. "Those nurses know, and there's a pig of a red-bearded doctor--I'd like to poison him.

Separating mother and child! I'm going to find him, if only to show them they are not so smart after all."

In her anger she had lapsed into English. Harmony, behind her curtain, had clutched at her heart. Jimmy's mother!

CHAPTER XXIII

Jimmy was not so well, although Harmony's flight had had nothing to do with the relapse. He had found Marie a slavishly devoted subst.i.tute, and besides Peter had indicated that Harmony's absence was purely temporary.

But the breaking-up was inevitable. All day long the child lay in the white bed, apathetic but sleepless. In vain Marie made flower fairies for his pillow, in vain the little mice, now quite tame, played hide-and-seek over the bed, in vain Peter paused long enough in his frantic search for Harmony to buy colored postcards and bring them to him.

He was contented enough; he did not suffer at all; and he had no apprehension of what was coming. He asked for nothing, tried obediently to eat, liked to have Marie in the room. But he did not beg to be taken into the salon, as he once had done. There was a sort of mental confusion also. He liked Marie to read his father's letters; but as he grew weaker the occasional confusing of Peter with his dead father became a fixed idea. Peter was Daddy.

Peter took care of him at night. He had moved into Harmony's adjacent room and dressed there. But he had never slept in the bed. At night he put on his shabby dressing-gown and worn slippers and lay on a haircloth sofa at the foot of Jimmy's bed--lay but hardly slept, so afraid was he that the slender thread of life might snap when it was drawn out to its slenderest during the darkest hours before the dawn. More than once in every night Peter rose and stood, hardly breathing, with the tiny lamp in his hand, watching for the rise and fall of the boy's thin little chest. Peter grew old these days. He turned gray over the ears and developed lines about his mouth that never left him again. He felt gray and old, and sometimes bitter and hard also. The boy's condition could not be helped: it was inevitable, hopeless. But the thing that was eating his heart out had been unnecessary and cruel.

Where was Harmony? When it stormed, as it did almost steadily, he wondered how she was sheltered; when the occasional sun shone he hoped it was bringing her a bit of cheer. Now and then, in the night, when the lamp burned low and gusts of wind shook the old house, fearful thoughts came to him--the ca.n.a.l, with its filthy depths. Daylight brought reason, however. Harmony had been too rational, too sane for such an end.

McLean was Peter's great support in those terrible days. He was young and hopeful. Also he had money. Peter could not afford to grease the machinery of the police service; McLean could and did. In Berlin Harmony could not have remained hidden for two days. In Vienna, however, it was different. Returns were made to the department, but irregularly.

An American music student was missing. There were thousands of American music students in the city: one fell over them in the coffee-houses.

McLean offered a reward and followed up innumerable music students.

The alternating hope and despair was most trying. Peter became old and haggard; the boy grew thin and white. But there was this difference, that with Peter the strain was c.u.mulative, hour on hour, day on day.

With McLean each night found him worn and exhausted, but each following morning he went to work with renewed strength and energy. Perhaps, after all, the iron had not struck so deep into his soul. With Peter it was a life-and-death matter.

Clinics and lectures had begun again, but he had no heart for work. The little household went on methodically. Marie remained; there had seemed nothing else to do. She cooked Peter's food--what little he would eat; she nursed Jimmy while Peter was out on the long search; and she kept the apartment neat. She was never intrusive, never talkative. Indeed, she seemed to have lapsed into definite silence. She deferred absolutely to Peter, adored him, indeed, from afar. She never ate with him, in spite of his protests.

The little apartment was very quiet. Where formerly had been music and Harmony's soft laughter, where Anna Gates had been wont to argue with Peter in loud, incisive tones, where even the prisms of the chandelier had once vibrated in response to Harmony's violin, almost absolute silence now reigned. Even the gate, having been repaired, no longer creaked, and the loud altercations between the Portier and his wife had been silenced out of deference to the sick child.

On the day that Harmony, in the gold dress, had discovered Jimmy's mother in the American dancer Peter had had an unusually bad day. McLean had sent him a note by messenger early in the morning, to the effect that a young girl answering Harmony's description had been seen in the park at Schonbrunn and traced to an apartment near by.

Harmony had liked Schonbrunn, and it seemed possible. They had gone out together, McLean optimistic, Peter afraid to hope. And it had been as he feared--a pretty little violin student, indeed, who had been was.h.i.+ng her hair, and only opened the door an inch or two.

McLean made a lame apology, Peter too sick with disappointment to speak.

Then back to the city again.

He had taken to making a daily round, to the master's, to the Frau Professor Bergmeister's, along the Graben and the Karntnerstra.s.se, ending up at the Doctors' Club in the faint hope of a letter. Wrath still smouldered deep in Peter; he would not enter a room at the club if Mrs. Boyer sat within. He had had a long hour with Dr. Jennings, and left that cheerful person writhing in abas.e.m.e.nt. And he had held a stormy interview with the Frau Schwarz, which left her humble for a week, and exceedingly nervous, being of the impression from Peter's manner that in the event of Harmony not turning up an American gunboat would sail up the right arm of the Danube and bombard the Pension Schwarz.

Schonbrunn having failed them, McLean and, Peter went back to the city in the street-car, neither one saying much. Even McLean's elasticity was deserting him. His eyes, from much peering into crowds, had taken on a strained, concentrated look.

Peter was shabbier than ever beside the other man's ultrafas.h.i.+onable dress. He sat, bent forward, his long arms dangling between his knees, his head down. Their common trouble had drawn the two together, or had drawn McLean close to Peter, as if he recognized that there were degrees in grief and that Peter had received almost a death-wound. His old rage at Peter had died. Harmony's flight had proved the situation as no amount of protestation would have done. The thing now was to find the girl; then he and Peter would start even, and the battle to the best man.

They had the car almost to themselves. Peter had not spoken since he sat down. McLean was busy over a notebook, in which he jotted down from day to day such details of their search as might be worth keeping. Now and then he glanced at Peter as if he wished to say something, hesitated, fell to work again over the notebook. Finally he ventured.

"How's the boy?"

"Not so well to-day. I'm having a couple of men in to see him to-night.

He doesn't sleep."

"Do you sleep?"

"Not much. He's on my mind, of course."

That and other things, Peter.

"Don't you think--wouldn't it be better to have a nurse. You can't go like this all day and be up all night, you know. And Marie has him most of the day." McLean, of course, had known Marie before. "The boy ought to have a nurse, I think."

"He doesn't move without my hearing him."

"That's an argument for me. Do you want to get sick?"

Peter turned a white face toward McLean, a face in which exasperation struggled with fatigue.

"Good Lord, boy," he rasped, "don't you suppose I'd have a nurse if I could afford it?"

"Would you let me help? I'd like to do something. I'm a useless cub in a sick-room, but I could do that. Who's the woman he liked in the hospital?"

"Nurse Elisabet. I don't know, Mac. There's no reason why I shouldn't let you help, I suppose. It hurts, of course, but--if he would be happier--"

"That's settled, then," said McLean. "Nurse Elisabet, if she can come.

And--look here, old man. I 've been trying to say this for a week and haven't had the nerve. Let me help you out for a while. You can send it back when you get it, any time, a year or ten years. I'll not miss it."