Miscellaneous Aphorisms; The Soul of Man Part 10

Humanity will always love Rousseau for having confessed his sins not to a friend but to the world.

Just as those who do not love Plato more than truth cannot pa.s.s beyond the threshold of the Academe, so those who do not love beauty more than truth never know the inmost shrine of art.

There is a fatality about all physical and intellectual distinction: the sort of fatality that seems to dog, through history, the faltering steps of kings. It is better not to be different from one's fellows.

To be born, or at any rate bred, in a handbag, whether it had handles or not, seems to me to display a contempt for the ordinary decencies of family life that reminds one of the worst excesses of the French Revolution.

Vice and virtue are to the artist materials for an art.

There must be a new Hedonism that shall recreate life and save it from that harsh, uncomely Puritanism that is having, in our own day, its curious revival. It must have its service of the intellect, certainly, yet it must never accept any theory or system that will involve the sacrifice of any mode of pa.s.sionate experience. Its aim, indeed, is to be experience itself and not the fruits of experience, bitter or sweet as they may be. Of the aestheticism that deadens the senses, as of the vulgar profligacy that dulls them, it is to know nothing. But it is to teach man to concentrate himself upon the moments of a life that is itself but a moment.

Art never expresses anything but itself. It has an independent life, just as thought has, and develops purely on its own lines. It is not necessarily realistic in an age of realism nor spiritual in an age of faith. So far from being the creation of its time it is usually in direct opposition to it, and the only history that it preserves for us is the history of its own progress.

People who mean well always do badly. They are like the ladies who wear clothes that don't fit them in order to show their piety. Good intentions are invariably ungrammatical.

Man can believe the impossible, but man can never believe the improbable.

When art is more varied nature will, no doubt, be more varied also.

If a man is sufficiently imaginative to produce evidence in support of a lie he might just as well speak the truth at once.

The ancient historians gave us delightful fiction in the form of fact; the modern novelist presents us with dull facts under the guise of fiction.

Nature is no great mother who has home us. She is our own creation. It is in our brain that she quickens to life. Things are because we see them, and what we see and how we see it depends on the arts that have influenced us. To look at a thing is very different from seeing a thing.

One does not see anything until one sees its beauty.

The proper school to learn art in is not life but art.

I won't tell you that the world matters nothing, or the world's voice, or the voice of society. They matter a good deal. They matter far too much.

I wouldn't marry a man with a future before him for anything under the sun.

I am the only person in the world I should like to know thoroughly, but I don't see any chance of it just at present.

Modern memoirs are generally written by people who have entirely lost their memories and have never done anything worth recording.

Education is an admirable thing, but it is well to remember from time to time that nothing that is worth knowing can be taught.

Women are like minors, they live upon their expectations.

Twisted minds are as natural to some people as twisted bodies.

It is the very pa.s.sions about whose origin we deceive ourselves that tyrannise most strongly over us. Our weakest motives are those of whose nature we are conscious. It often happens that when we think we are experimenting on others we are really experimenting on ourselves.

Whenever a man does a thoroughly stupid thing it is always from the n.o.blest motives.

I thought I had no heart. I find I have, and a heart doesn't suit me.

Somehow it doesn't go with modern dress. It makes one look old, and it spoils one's career at critical moments.

I don't play accurately--anyone can play accurately--but I play with wonderful expression. As far as the piano is concerned sentiment is my forte. I keep science for life.

I delight in men over seventy. They always offer one the devotion of a lifetime.

Everybody who is incapable of learning has taken to teaching--that is really what our enthusiasm for education has come to.

Nature hates mind.

From the point of view of form the type of all the arts is the art of the musician. From the point of view of feeling the actor's craft is the type.

Where we differ from each other is purely in accidentals--in dress, manner, tone of voice, religious opinions, personal appearance, tricks of habit, and the like.

The more we study art the less we care for Nature. What art really reveals to us is Nature's lack of design, her curious crudities, her extraordinary monotony, her absolutely unfinished condition.... It is fortunate for us, however, that nature is so imperfect, as otherwise we should have had no art at all. Art is our spirited protest, our gallant attempt to teach Nature her proper place. As for the infinite variety of nature, that is a pure myth. It is not to be found in Nature herself. It resides in the imagination or fancy or cultivated blindness of the man who looks at her.

Facts are not merely finding a footing-place in history but they are usurping the domain of fancy and have invaded the kingdom of romance.

Their chilling touch is over everything. They are vulgarising mankind.

Ordinary people wait till life discloses to them its secrets, but to the few, to the elect, the mysteries of life are revealed before the veil is drawn away. Sometimes this is the effect of art, and chiefly of the art of literature which deals immediately with the pa.s.sions and the intellect. But now and then a complex personality takes the place and a.s.sumes the office of art, is, indeed, in its way a real work of art, Life having its elaborate masterpieces just as poetry has, or sculpture, or painting.

Thinking is the most unhealthy thing in the world, and people die of it just as they die of any other disease.

A cigarette is the perfect type of a perfect pleasure. It is exquisite and it leaves one unsatisfied.

The aim of the liar is simply to charm, to delight, to give pleasure. He is the very basis of civilised society.

It is quite a mistake to believe, as many people do, that the mind shows itself in the face. Vice may sometimes write itself in lines and changes of contour, but that is all. Our faces are really masks given to us to conceal our minds with.

What on earth should we men do going about with purity and innocence? A carefully thought-out b.u.t.tonhole is much more effective.

The only difference between a caprice and a lifelong pa.s.sion is that the caprice lasts a little longer.

People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is.

It is the spectator and not life that art really mirrors.

Nowadays people know the price of everything and the value of nothing.

Conscience and cowardice are really the same things. Conscience is the trade name of the firm--that is all.

In every sphere of life form is the beginning of things. The rhythmic, harmonious gestures of dancing convey, Plato tells us, both rhythm and harmony into the mind. Forms are the food of faith, cried Newman, in one of those great moments of sincerity that make us admire and know the man. He was right, though he may not have known how terribly right he was. The creeds are believed not because they are rational but because they are repeated. Yes; form is everything. It is the secret of life.

Find expression for a sorrow and it will become dear to you. Find expression for a joy and you intensify its ecstasy. Do you wish to love?

Use love's litany and the words will create the yearning from which the world fancies that they spring. Have you a grief that corrodes your heart? Learn its utterance from Prince Hamlet and Queen Constance and you will find that mere expression is a mode of consolation and that form, which is the birth of pa.s.sion, is also the death of pain. And so, to return to the sphere of art, it is form that creates not merely the critical temperament but also the aesthetic instinct that reveals to one all things under the condition of beauty. Start with the wors.h.i.+p of form and there is no secret in art that will not be revealed to you.

It is only the intellectually lost who ever argue.

Nowadays most people die of a sort of creeping common-sense, and discover when it is too late that the only things one never regrets are one's mistakes.

Lady Henry Wotton was a curious woman, whose dresses always looked as if they had been designed in a rage and put on in a tempest. She was usually in love with somebody, and, as her pa.s.sion was never returned, she had kept all her illusions. She tried to look picturesque but only succeeded in being untidy.

Those who go beneath the surface do so at their peril.