The Book of the Thousand Nights and a Night Volume XIII Part 16

A poor woodcutter, about to fell a beech at the back of the scattered ruins of the castle of Dummburg, seeing a monk approach slowly through the forest, hid himself behind a tree. The monk pa.s.sed by and went among the rocks. The woodcutter stole cautiously after him and saw that he stopped at a small door which had never been discovered by the villagers. The monk knocks gently and cries, "Little door, open!" and the door springs open. He also cries, "Little door, shut!" and the door is closed. The woodcutter carefully observes the place, and next Sunday goes secretly and obtains access to the vault by the same means as that employed by the monk. He finds in it "large open vessels and sacks full of old dollars and fine guilders, together with heavy gold pieces, caskets filled with jewels and pearls, costly shrines and images of saints, which lay about or stood on tables of silver in corners of the vault."

He takes but a small quant.i.ty of the coin, and as he is quitting the vault a voice cries, "Come again!" First giving to the church, for behoof of the poor, a tenth of what he had taken, he goes to the town and buys clothes for his wife and children, giving out to his neighbours that he had found an old dollar and a few guilders under the roots of a tree that he had felled. Next Sunday he again visits the vault, this time supplying himself somewhat more liberally from the h.o.a.rd, but still with moderation and discretion, and "Come again!" cries a voice as he is leaving. He now gives to the church two tenths, and resolves to bury the rest of the money he had taken in his cellar. But he can't resist a desire to first measure the gold, for he could not count it. So he borrows for this purpose a corn-measure of a neighbour--a very rich but penurious man, who starved himself, h.o.a.rded up corn, cheated the labourer of his hire, robbed the widow and the orphan, and lent money on pledges. Now the measure had some cracks in the bottom, through which the miser shook some grains of corn into his own heap when selling it to the poor labourer, and into these cracks two or three small coins lodged, which the miser was not slow to discover. He goes to the woodcutter and asks him what it was he had been measuring. "Pine-cones and beans. But the miser holds up the coins he had found in the cracks of the measure, and threatens to inform upon him and have him put to the question if he will not disclose to him the secret of his money. So the woodcutter is constrained to tell him the whole story and much against his will, but not before he had made the miser promise that he would give one-tenth to the church, he conducts him to the vault. The miser enters, with a number of sacks, the woodcutter waiting outside to receive them when filled with treasure. But while the miser is gloating over the enormous wealth before him--even "wealth beyond the dreams of avarice"--a great black dog comes and lays himself down on the sacks. Terrified at the flaming eyes of the dog, the miser crept towards the door but in his fear forgot the proper words, and instead of saying, "Little door, open!" he cried!, "Little door, shut!"

The woodcutter, having waited a long time, approached the door, and knocking gently and crying "Little door, open!" the door sprang open and he entered.

There lay the bleeding body of his wicked neighbour, stretched on his sacks, but the vessels of gold and silver, and diamonds and pearls, sank deeper and deeper into the earth before his eyes, till all had completely vanished.[FN#409]

The resemblance which this North German tale bears to the first part of "All Baba" is striking, and is certainly not merely fortuitous; the fundamental outline of the latter is readily recognisable in the legend of The Dummburg, notwithstanding differences in the details. In both the hero is a poor woodcutter, or f.a.ggot-maker; for the band of robbers a monk is subst.i.tuted in the German legend, and for the "open, sesame" and "shut, sesame," we have "little door, shut," and "little door, open." In both the borrowing of a corn-measure is the cause of the secret being revealed--in the one case, to Kasim, the greedy brother of Ali Baba and in the other, to a miserly old hunks; the fate of the latter and the disappearance of all the treasure are essentially German touches. The subsequent incidents of the tale of Ali Baba, in which the main interest of the narrative is concentrated;--Ali Baba's carrying off the four quarters of his brother's body and having them sewed together, the artifices by which the slave-girl checkmates the robber-chief and his followers in their attempts to discover the man who had learned the secret of the treasure-cave--her marking all the doors in the street and her pouring boiling oil on the robbers concealed in the oil-skins in the courtyard;--these incidents seem to have been adapted, or imitated, from some version of the world-wide story of the Robbery of the Royal Treasury, as told by Herodotus, of Rhampsinitus, King of Egypt, in which the hero performs a series of similar exploits to recover the headless body of his brother and at the same time escape detection. Moreover, the conclusion of the tale of Ali Baba, where we are told he lived in comfort and happiness on the wealth concealed in the robbers' cave, and "in after days he showed the h.o.a.rd to his sons and his sons' sons, and taught them how the door could be caused to open and shut"--this is near akin to the beginning of Herodotus' legend of the treasury: the architect who built it left a stone loose, yet so nicely adjusted that it could not be discovered by any one not in the secret, by removing which he gained access to the royal stores of gold, and having taken what he wanted replaced the stone as before; on his deathbed he revealed the secret to his two sons as a legacy for their future maintenance. The discovery of Ali Baba's being possessed of much money from some coins adhering to the bottom of the corn-measure is an incident of very frequent occurrence in popular fictions; for instance, in the Icelandic story of the Magic Queen that ground out gold or whatever its possessor desired (Powell and Magnusson's collection, second series); in the Indian tale of the Six Brothers (Vernieux's collection) and its Irish a.n.a.logue "Little Fairly;" in the modern Greek popular tale of the Man with Three Grapes (Le Grand's French collection), and a host of other tales, both Western and Eastern. The fate of Ali Baba's rich and avaricious brother, envious of his good luck, finds also many parallels--mutatis mutandis--as in the story of the Magic Queen, already referred to, and the Mongolian tale of the poor man and the Dakinis, the 14th relation of Siddh Kr. Morgiana's counter-device of marking all the doors in the street, so that her master's house should not be recognised, often occurs, in different forms: in my work on Popular Tales and Fictions, vol. ii. pp.

164, 165, a number of examples are cited. The pretended merchant's objecting to eat meat cooked with salt, which fortunately aroused Morgiana's suspicions of his real characterfor robber and murderer as he was, he would not be "false to his salt''[FN#410]--recalls an anecdote related by D'Herbelot, which may find a place here, in conclusion: The famous robber Yacb bin Layth, afterwards the founder of a dynasty of Persian monarchs called Soffarides, in one of his expeditions broke into the royal palace and having collected a large quant.i.ty of plunder, was on the point of carrying it off when his foot struck against something which made him stumble. Supposing it not to be an article of value, he put it to his mouth, the better to distinguish it. From the taste he found it was a lump of salt, the symbol and pledge of hospitality, on which he was so touched that he retired immediately without carrying away any part of his booty. The next morning the greatest astonishment was caused throughout the palace on the discovery of the valuables packed up and ready for removal. Yacub was arrested and brought before the prince, to whom he gave a faithful account of the whole affair, and by this means so ingratiated himself with his sovereign that he employed him as a man of courage and ability in many arduous enterprises, in which he was so successful as to be raised to the command of the royal troops, whose confidence in and affection for their general induced them on the prince's death to prefer his interest to that of the heir to the throne, from whence he afterwards spread his extensive conquests.

Since the foregoing was in type I discovered that I had overlooked another German version, in Grimm, which preserves some features of the Arabian tale omitted in the legend of The Dummburg:

There were two brothers, one rich, the other poor. The poor brother, one day wheeling a barrow through the forest, had just come to a naked looking mountain, when he saw twelve great wild men approaching, and he hid himself in a tree, believing them to be robbers. "Semsi mountain, Semsi mountain, open!"

they cried, and the mountain opened, and they went in. Presently they came out, carrying heavy sacks. "Semsi mountain, Semsi mountain, shut thyself!"

they cried; and the mountain closed and they went away. The poor man went up then and cried. "Semsi mountain Semsi mountain, open!" the mountain opens, he goes in, finds a cavern full of gold, silver, and jewels, fills his pockets with gold only, and coming out cries, "Semsi mountain, Semsi mountain, shut thyself!" He returns home and lives happily till his gold is exhausted. Then "he went to his brother to borrow a measure that held a bushel, and brought himself some more." This he does again, and this time the rich brother smears the inside of the bushel with pitch and when he gets it back finds a gold coin sticking to it, so he taxes his poor brother with having treasure and learns the secret. Off he drives, resolved to bring back, not gold, but jewels. He gets in by saying, "Semsi mountain, Semsi mountain, open!" He loads himself with precious stones, but has forgotten the word, and cries only, "Simeli mountain, Simeli mountain, open!" The robbers return and charge him with having twice stolen from them. He vainly protests, "It was not I " and they cut his head off.

Here the twelve wild men represent the forty robbers, and, as in Ali Baba, it is the hero's brother who falls a victim to his own cupidity. In the Arabian tale the hero climbs up into a tree when he sees the robbers approach, in The Dummburg he hides himself behind a tree to watch the proceedings of the monk; and in Grimm's version he hides in a tree. On this last-cited story W. Grimm has the following note: "It is remarkable that this story, which is told in the province of Munster, is told also in the Hartz, about The Dummburg, and closely resembles the Eastern story of 'The Forty Thieves,' where even the rock Sesam, which falls open at the words Semsi and Semeli, recalls the name of the mountain in the German saga. This name for a mountain is, according to a doc.u.ment in Pistorius (3, 642), very ancient in Germany. A mountain in Grabfeld is called Similes and in a Swiss song a Simeliberg is again mentioned. This makes us think of the Swiss word 'Sine!,' for 'sinbel,' round.

In Meier, No. 53, we find 'Open, Simson.' In Prohle's 'Marcher fur die Jugend,' No. 30, where the story is amplified, it is Simsimseliger Mountain.

There is also a Polish story which is very like it." Dr. Grimm is mistaken in saying that in the Arabian tale the "rock Sesam" falls open at the words Semsi and Semeli: even in his own version, as the brother finds to his cost, the word Simeli does not open the rock. In Ali Baba the word is "Simsim" (Fr.

Sesame), a species of grain, which the brother having forgot, he cries out "Barley." The "Open, Simson" in Meier's version and the "Semsi" in Grimm's story are evidently corruptions of "Simsim," or "Samsam," and seem to show that the story did not become current in Germany through Galland's work.

Dr. N. B. Dennys, in his "Folk-Lore of China, and its Affinities with that of the Aryan and Semitic Races," p. 134, cites a legend of the cave Kw.a.n.g-sio-foo in Kiang-si, which reflects part of the tale of Ali Baba: There was in the neighbourhood a poor herdsman named Chang, his sole surviving relative being a grandmother with whom he lived. One day, happening to pa.s.s near the cave, he overheard some one using the following words: "s.h.i.+h mun kai, Kwai Ku hsen shng lai," Stone door, open; Mr. Kwai Ku is coming. Upon this the door of the cave opened and the speaker entered. Having remained there for some time he came out, and saying, "Stone door, close; Mr. Kwai Ku is going," the door again opened and the visitor departed. Chang's curiosity was naturally excited, and having several times heard the formula repeated, he waited one day until the genie (for such he was) had taken his departure and essayed to obtain an entrance. To his great delight the door yielded, and having gone inside he found himself in a romantic grotto of immense extent. Nothing however in the shape of treasure met his eye, so having fully explored the place he returned to the door, which shut at his bidding, and went home. Upon telling his grandmother of his adventure she expressed a strong wish to see the wonderful cavern; and thither they accordingly went together the next day.

Wandering about in admiration of the scenery, they became separated, and Chang at length, supposing that his grandmother had left, pa.s.sed out of the door and ordered it to shut. Reaching home, he found to his dismay that she had not yet arrived. She must of course have been locked up in the cave, so back he sped and before long was using the magic sentence to obtain access. But alas! the talisman had failed, and poor Chang fell into an agony of apprehension as he reflected that his grandmother would either be starved to death or killed by the enraged genie. While in this perplexity the genie appeared and asked him what was amiss. Chang frankly told him the truth and implored him to open the door. This the genie refused to do, but told him that his grandmother's disappearance was a matter of fate. The cave demanded a victim. Had it been a male, every succeeding generation of his family would have seen one of its members arrive at princely rank. In the case of a woman her descendants would in a similar way possess power over demons. Somewhat comforted to know that he was not exactly responsible for his grandmother's death, Chang returned home and in process of time married. His first son duly became Chang tien s.h.i.+h (Chang, the Master of Heaven), who about A.D. 25 was the first holder of an office which has existed uninterruptedly to the present day.

Ali Khwajah and the Merchant of Baghdad--p. 246.

Precocious Children.--See note at end of the Tale, p. 256.--In the (apocryphal) Arabic Gospel of the Saviour's Infancy is the following pa.s.sage:

"Now in the month of Adar, Jesus, after the manner of a King, a.s.sembled the boys together. They spread their clothes on the ground and he sat down upon them. Then they put on his head a crown made of flowers, and like chamber-servants stood in his presence, on the right and on the left, as if he was a king. And whoever pa.s.sed by that way was forcibly dragged by the boys, saying, 'Come hither and adore the king; then go away.'"

A striking parallel to this is found in the beginning of the Mongolian Tales of Ards.h.i.+ Bords.h.i.+--i.e., the celebrated Indian monarch, Rj Bhoja, as given in Miss Busk's "Sagas from the Far East," p. 252.

"Long ages ago there lived a mighty king called Ards.h.i.+ Bords.h.i.+.[FN#411] In the neighbourhood of his residence was a hill where the boys who were tending the calves were wont to pa.s.s the time by running up and down. But they had also another custom, and it was that whichever of them won the race was king for the day--an ordinary game enough, only that when it was played in this place the Boy-King thus const.i.tuted was at once endowed with such extraordinary importance and majesty that everyone was constrained to treat him as a real king. He had not only ministers and dignitaries among his playfellows, who prostrated themselves before him, and fulfilled all his behests, but whoever pa.s.sed that way could not choose but pay him homage also."[FN#412]

This is followed by an a.n.a.logous story to that of Ah Khwajah and the Merchant of Baghdad, under the t.i.tle of "The False Friend," in which a merchant on a trading journey entrusts a friend with a valuable jewel to give to his wife on his return home, and the friend retaining it for his own use suborns two men to bear witness that they saw him deliver it to the merchant's wife, so the King dismisses the suit. But the Boy-King undertakes to try the case de novo; causes the two witnesses to be confined in separate places, each with a piece of clay which he is required to make into the form of the jewel, and the models are found to be different one from the other, and both from the shape of the jewel as described by the false friend. A similar story occurs in several Indian collections, with a Kz instead of the Boy-King.

A curious instance of precocity is related in the Third Book of the "Masnavi"

(see ante p. 365), of which Mr. E. H. Whinfield gives an outline in his admirable and most useful abridgment of that work: The boys wished to obtain a holiday, and the sharpest of them suggested that when the master came into school each boy should condole with him on his alleged sickly appearance.

Accordingly, when he entered, one said, "O master, how pale you are looking!

and another said, You are looking very ill to-day, and so on. The master at first answered that there was nothing the matter with him, but as one boy after another continued a.s.suring him that he looked very ill, he was at length deluded into imagining that he must really be ill. So he returned to his house, making the boys follow him there, and told his wife that he was not well, bidding her mark how pale he was. His wife a.s.sured him he was not looking pale, and offered to convince him by bringing a mirror, but he refused to look at it, and took to his bed. He then ordered the boys to begin their lessons; but they a.s.sured him that the noise made his head ache, and he believed them, and dismissed them to their homes, to the annoyance of their mothers.

Another example of juvenile cleverness is found in a Persian collection of anecdotes ent.i.tled "Lat'yif At-Taw'yif," by 'Al ibn Husain Al-Va'iz Al-Ks.h.i.+f: One day Nrshrvn saw in a dream that he was drinking with a frog out of the same cup. When he awoke he told this dream to his vazr, but he knew not the interpretation of it. The king grew angry and said, "How long have I maintained thee, that if any difficulty should arise thou mightest unloose the knot of it, and if any matter weighed on my heart thou shouldst lighten it? Now I give thee three days, that thou mayest find out the meaning of this dream, and remove the trouble of my mind; and if, within that s.p.a.ce, thou art not successful, I will kill thee." The vazr went from the presence of Nrshrvn confounded and much in trouble. He gathered together all the sages and interpreters of dreams, and told the matter to them, but they were unable to explain it; and the vazr resigned his soul to death. But this story was told in the city, and on the third day he heard that there was a mountain, ten farsangs distant from the city, in which was a cave, and in this cave a sage who had chosen the path of seclusion, and lived apart from mankind, and had turned his face to the wall. The vazr set out for this place of retirement, saying to himself, "Perhaps he will be able to lay a plaster on my wound, and relieve it from the throbbings of care." So he mounted his horse, and went to find the sage. At the moment he arrived at the hill a company of boys were playing together. One of them cried out with a loud voice, "The vazr is running everywhere in search of an interpreter, and all avails him nothing; now the interpretation of the dream is with me, and the truth of it is clear to me." When these words reached the ears of the vazr he drew in the reins, and calling the boy to him asked him, "What is thy name? He replied, "Buzurjmibr." The vazr said "All the sages and interpreters have failed in loosing the knot of this difficulty--how dost thou, so young in years, pretend to be able to do it? He replied, "All the world is not given to every one."

The vazr said, "If thou speakest truth, explain." Said the boy "Take me to the monarch, that I may there unloose the knot of this difficulty." The vazr said, "If thou shouldst fail, what then will come of it?" The boy replied, "I will give up my own blood to the king, that they may slay me instead of thee."

The vazr took the boy with him, returned, and told the whole matter to the king and produced the boy in his presence. The king was very angry, and said, "All the wise men and dream interpreters of the court were unable to satisfy me, and thou bringest me a child, and expectest that he shall loose the knot of the difficulty." The vazr bowed his head. And Buzurjmihr said, "Look not upon his youth, but see whether he is able to expound the mystery or not." The king then said, "Speak." He replied, "I cannot speak in this mult.i.tude." So those who were present retired, and the monarch and the youth were left alone.

Then said the youth, "A stranger has found entrance into thy seraglio, and is dishonouring thee, along with a girl who is one of thy concubines." The king was much moved at this interpretation, and looked from one of the wise men to another, and at length said to the boy, "This is a serious matter thou hast a.s.serted; how shall this matter be proceeded in, and in what way fully known?"

The boy replied, "Command that every beautiful woman in thy seraglio pa.s.s before thee unveiled, that the truth of this matter may be made apparent." The king ordered them to pa.s.s before him as the boy had said, and considered the face of each one attentively. Among them came a young girl extremely beautiful, whom the king much regarded. When she came opposite to him, a shuddering as of palsy, fell upon her, and she shook from head to foot, so that she was hardly able to stand. The king called her to him, and threatening her greatly, bade her speak the truth. She confessed that she loved a handsome slave and had privately introduced him into the seraglio. The king ordered them both to be impaled, and turning to the rewarding of Buzurjmihr, he made him the object of his special bounty.

This story has been imported into the "History of the Seven Wise Masters of Rome," the European form of the Book of Sindibd, where the prince discovers to his father the paramour of his step-mother, the empress, in the person of a young man disguised as one of her maid-servants, and its presence in the work is quite inconsistent with the lady's violent l.u.s.t after the young prince.

There is a similar tale in the Hebrew version, "Mishl Sandabar," but the disguised youth is not detected. Vatsyayana, in his "Kma Sutra" (or Aphorisms of Love), speaks of it as a common practice in India thus to smuggle men into the women's apartments in female attire. In the Introduction to the "Kath Sarit Sgara," Vararuchi relates how King Yogananda saw his queen leaning out of a window and asking questions of a Bhman guest that was looking up. That trivial circ.u.mstance threw the king into a pa.s.sion, and he gave orders that the Brhman should be put to death) for jealousy interferes with discernment.

Then as that Brhman was being led off to the place of execution in order that he should be put to death, a fish in the market laughed aloud, though it was dead. The king hearing it immediately prohibited for the present the execution of the Brhman, and asked Vararuchi the reason why the fish laughed. He desired time to think over the matter and learned from the conversation of a rkshas with her children that the fish said to himself, "All the king's wives are dissolute, for in every part of his harem there are men dressed up as women, and nevertheless while those escape, an innocent Brahmn is to be put to death;" and this tickled the fish so that he laughed. Mr. Tawney says that Dr. Liebrecht, in "Orient und Occident," vol. i. p. 341, compares this story with one in the old French romance of Merlin. There Merlin laughs because the wife of Julius C sar had twelve young men disguised as ladies-in-waiting. Benfey, in a note on Liebrecht's article, compares with the story of Merlin one by the Countess d'Aulnois, No. 36 of Basile's "Pentamerone," Straparola, iv. 1, and a story in the "Suka Saptati." In this some cooked fish laugh so that the whole town hears them; the reason being the same as in the above story and in that of Merlin. In a Kashmr version, which has several other incidents and bears a close resemblance to No. 4 of M.

Legrand's "Recueil de Contes Populaires Grecs," to the story of "The Clever Girl" in Professor T. F. Crane's "Italian Popular Tales," and to a fable in the Talmud, the king requires his vazr to inform him within six months why the fish laughed in presence of the queen. The vazr sends his son abroad until the king's anger had somewhat cooled--for himself he expects nothing but death. The vazr's son learns from the clever daughter of a farmer that the laughing of the fish indicates that there is a man in the palace unknown to the king. He hastens home and tells his father the secret, who at once communicates it to the king. All the female attendants in the palace are called together and ordered to jump across the mouth of a pit which he has caused to be dug: the man would betray his s.e.x in the trial. Only one person succeeded and he was found to be a man.[FN#413] Thus was the queen satisfied, and the faithful old vazr saved, and his son, of course, married the farmer's clever daughter.

Prince Ahmad and the Peri Banu--p. 256.

How, in the name of all that is wonderful--how has it happened that this ever-delightful tale is not found in any text of The Nights? And how could it be supposed for a moment that Galland was capable of conceiving such a tale-- redolent, as it is, of the East and of Fairyland? Not that Fairyland where "True Thomas," otherwise ycleped Thomas the Rymer, otherwise Thomas of Erceldoune, pa.s.sed several years in the bewitching society of the Fairy Queen, years which appeared to him as only so many moments: but Eastern Fairyland, with all its enchanting scenes; where priceless gems are as plentiful as "autumnal leaves which strong the brooks in Vallombrosa;" where, in the royal banqueting hall, illuminated with hundreds of wax candles, in candelabra of the finest amber and the purest crystal are bands of charming damsels, fairest of form and feature, who play on sweet- toned instruments which discourse heart-ravis.h.i.+ng strains of melody;--meanwhile the beauteous Per Bn is seated on a throne adorned with diamonds and rubies and emeralds, and pearls and other gems, and by her side is the thrice-happy Prince Ahmad, who feels himself amply indemnified for the loss of his fair cousin Princess Nr-en-Nihr. Auspicious was that day when he shot the arrow which the enamoured Per Bn caused to be wafted through the air much farther than arm of flesh could ever send the feathered messenger! And when the Prince feels a natural longing to visit his father in the land of mortals from time to time, behold the splendid cavalcade issue from the portals of the fairy palace--the gallant jinn-born cavaliers, mounted on superb steeds with gorgeous housings, who accompany him to his father's capital. But alas! the brightest sky is sooner or later overcast--human felicity is--etc., etc. The old king's mind is poisoned against his n.o.ble son by the whisperings of a malignant and envious minister--a snake in the gra.s.s--a fly in the ointment of Prince Ahmad's beat.i.tude! And to think of the old witch gaining access to the fairy palace-- it was nothing less than an atrocity! And the tasks which she induces the king to set Prince Ahmad to perform--but they are all accomplished for him by his fairy bride. The only thing to regret--the fatal blemish in the tale--is the slaughter of the old king. Shabbar did right well to dash into the smallest pieces the wicked vazr and the foul witch and all who aided and abetted them, but "to kill a king!" and a well-meaning if soft-headed king, who was, like many better men, led astray by evil counsellors!

Having thus blown off the steam--I mean to say, having thus ventilated the enthusiasm engendered by again reading the tale of Prince Ahmad and the Per Bn, I am now in a fitter frame of mind for the business of examining some versions and variants of it, for though the tale has not yet been found in Arabic, it is known from the banks of Ganga to the snow-clad hills and vales of Iceland--that strange land whose heart is full of the fiercest fires. This tale, like that of Zayn al-Asnm, comprises two distinct stories, which have no necessary connection, to wit, (1) the adventures of the Three Princes, each in quest of the rarest treasure, wherewith to win the beautiful Princess Nr-en-Nihr; and (2) the subsequent history of the third Prince and the Per Bn. The oldest known form of the story concludes with the recovery of the lady--not from death's door, but from a giant who had carried her off, and the rival claims of the heroes to the hand of the lady are left undecided: certainly a most unsatisfactory ending, though it must be confessed the case was, as the priest found that of Paddy and the stolen pullet, somewhat "abstruse." In the "Vetlapanchavinsati," or Twenty-five Tales of a Vampyre (concerning which collection see Appendix to the preceding volumes, p. 230), the fifth recital is to this purpose:

There was a Brhman in Ajjayini (Oojein) whose name was Harisvamin; he had a son named Devasvamin and a daughter far famed for her wondrous beauty and rightly called Somaprabha (Moonlight). When the maiden had attained marriageable age, she declared to her parents that she was only to be married to a man who possessed heroism, or knowledge, or magic power. It happened soon after this that Harisvamin was sent by the king on state business to the Dekkan, and while there a young Brhman, who had heard the report of Somaprabha's beauty, came to him as a suitor for the hand of his daughter.

Harisvamin informed him of the qualifications which her husband must possess, and the Brhman answered that he was endowed with magic power, and having shown this to the father's satisfaction, he promised to give him his daughter on the seventh day from that time. In like manner, at home, the son and the wife of Harisvamin had, unknown to each other, promised Somaprabha to a young man who was skilled in the use of missile weapons and was very brave, and to a youth who possessed knowledge of the past, the present, and the future; and the marriage was also fixed to take place on the seventh day. When Harisvamin returned home he at once told his wife and son of the contract he has entered into with the young Brhman, and they in their turn acquainted him of their separate engagements, and all were much perplexed what course to adopt in the circ.u.mstances.

On the seventh day the three suitors arrived, but Somaprabha was found to have disappeared in some inexplicable manner. The father then appealed to the man of knowledge, saying, "Tell me where my daughter is gone?" He replied, "She has been carried off by a rkshasa to his habitation in the Vindhya forest."

Then quoth the man of magic power "Be of good cheer, for I will take you in a moment where the possessor of knowledge says she is." And forthwith he prepared a magic chariot that could fly through the air, provided all sorts of weapons, and made Harisvamin, the man of knowledge, and the brave man enter it along with himself, and in a moment carried them to the dwelling of the rkshasa. Then followed a wonderful fight between the brave man and the rkshasa, and in a short time the hero cut off his head, after which they took Somaprabha into the chariot and quickly returned to Harisvamin's house. And now arose a great dispute between the three suitors. Said the man of knowledge, "If I had not known where the maiden was how could she have been discovered?" The man of magic argued, "If I had not made this chariot that can fly through the air, how could you all have come and returned in a moment?"

Then the brave man said, "If I had not slain the rkshasa, how could the maiden have been rescued?" While they were thus wrangling Harisvamin remained silent, perplexed in mind. The Vampyre, having told this story to the King, demanded to know to whom the maiden should have been given. The King replied, "She ought to have been given to the brave man; for he won her by the might of his arm and at the risk of his life, slaying that rkshasa in combat. But the man of knowledge and the man of magic power were appointed by the Creator to serve as his instruments." The perplexed Harisvamin would have been glad, no doubt, could he have had such a logical solution of the question as this of the sagacious King Trivikramasena--such was his six-syllabled name.

The Hind version ("Baytl Pachsi") corresponds with the Sanskrit, but in the Tamil version the father, after hearing from each of the three suitors an account of his accomplishments, promises to give his daughter to "one of them." Meanwhile a giant comes and carries off the damsel. There is no difference in the rest of the story.

In the Persian Parrot-Book ("Tt Nma" ) where the tale is also found [FN#414]--it is the 34th recital of the loquacious bird in the India Office MS. No. 2573, the 6th in B. Gerrans' partial translation, 1792, and the 22nd in Kderi's abridgment--the first suitor says that his art is to discover anything lost and to predict future events; the second can make a horse of wood which would fly through the air; and the third was an unerring archer.

In the Persian "Sindibd Nma," a princess, while amusing herself in a garden with her maidens, is carried away by a demon to his cave in the mountains. The king proclaims that he will give his daughter in marriage to whoever should bring her back. Four brothers offer themselves for the undertaking: one is a guide who has travelled over the world; the second is a daring robber, who would take the prey even from the lion's mouth; the third is a brave warrior; and the fourth is a skilful physician. The guide leads the three others to the demons' cave, the robber steals the damsel while the demon is absent; the physician, finding her at death's door, restored her to perfect health; while the warrior puts to flight a host of demons who sallied out of the cave.

The Sanskrit story has undergone a curious transformation among the Kalmuks.

In the 9th Relation of Siddh Kr (a Mongolian version of the Vampyre Tales) six youths are companions: an astrologer, a smith, a doctor, a mechanic, a painter, and a rich man's son. At the mouth of a great river each plants a tree of life and separates, taking different roads, having agreed to meet again at the same spot, when if the tree of any of them is found to be withered it will be a token that he is dead. The rich man's son marries a beautiful girl, who is taken from him by the Khan, and the youth is at the same time put to death by the Khan's soldiers and buried under a great rock.

When the four other young men meet at the time and place appointed they find the tree of the rich youth withered. Thereupon the astrologer by his art discovers where the youth is buried; the smith breaks the rock asunder; the physician restores the youth to life, and he tells them how the Khan had robbed him of his wife and killed him. The mechanic then constructs a flying chariot in the form of Garuda--the bird of Vishnu; the counterpart of the Arabian rukh--which the painter decorates, and when it is finished the rich youth enters it and is swiftly borne through the air to the roof of the Khan's dwelling, where he alights. The Khan, supposing the machine to be a real Garuda, sends the rich youth's own wife to the roof with some food for it.

Could anything have been more fortunate? The youth takes her into the wooden Garuda and they quickly arrive at the place where his companions waited for his return. When they beheld the marvellous beauty of the lady the five skilful men instantly fell in love with her, and began to quarrel among themselves, each claiming the lady as his by right, and drawing their knives they fought and slew one another. So the rich youth was left in undisputed possession of his beautiful bride.

Coming back to Europe we find the primitive form of the story partly preserved in a Greek popular version given in Hahn's collection: Three young men are in love with the same girl, and agree to go away and meet again at a given time, when he who shall have learned the best craft shall marry the girl. They meet after three years' absence. One has become a famous astronomer; the second is so skilful a physician that he can raise the dead, and the third can run faster than the wind. The astronomer looks at the girl's star and knows from its trembling that she is on the point of death. The physician prepares a medicine which the third runs off with at the top of his speed, and pours it down the girl's throat just in time to save her life--though, for the matter of that, she might as well have died, since the second suitor was able to resuscitate the dead!

But the German tale of the Four Clever Brothers, divested of the preliminary incidents which have been brought into it from different folk-tales, more nearly approaches the form of the original, as we may term the Sanskrit story for convenience' sake: A poor man sends his four sons into the world, each to learn some craft by which he might gain his own livelihood. After travelling together for some time they came to a place where four roads branched off and there they separated, each going along one of the roads, having agreed to meet at the same spot that day four years. One learns to be an excellent astronomer and, on quitting, his master gives him a telescope,[FN#415] saying, "With this thou canst see whatever takes place either on earth or in heaven, and nothing can remain concealed from thee." Another becomes a most expert thief. The third learns to be a sharpshooter and gets from his master a gun which would never fail him: whatever he aimed at he was sure to hit. And the youngest becomes a very clever tailor and is presented by his master with a needle, which could sew anything together, hard or soft. At the end of the four years they met according to agreement, and returning together to their father's house, they satisfied the old man with a display of their abilities Soon after this the king's daughter was carried off by a dragon, and the king proclaimed that whoever brought her back should have her to wife. This the four clever brothers thought was a fine chance for them, and they resolved to liberate the king's daughter. The astronomer looked through his telescope and saw the princess far away on a rock in the sea and the dragon watching beside her.

Then they went and got a s.h.i.+p from the king, and sailed over the sea till they came to the rock, where the princess was sitting and the dragon was asleep with his head in her lap. The hunter feared to shoot lest he should kill the princess. Then the thief crept up the rock and stole her from under the dragon so cleverly that the monster did not awake. Full of joy, they hurried off with her and sailed away. But presently the dragon awoke and missing the princess flew after them through the air. Just as he was hovering above the s.h.i.+p to swoop down upon it, the hunter shot him through the heart and he tumbled down dead, but falling on the vessel his carcase smashed it into pieces. They laid hold of two planks and drifted about till the tailor with his wonderful needle sewed the planks together, and then they collected the fragments of the s.h.i.+p which the tailor also sewed together so skilfully that their s.h.i.+p was again sea-worthy, and they soon got home in safety. The king was right glad to see his daughter and told the four brothers they must settle among themselves which of them should have her to wife. Upon this they began to wrangle with one another. The astronomer said, "If I had not seen the princess, all your arts would have been useless, so she is mine." The thief claimed her, because he had rescued her from the dragon; the hunter, because he had shot the monster; and the tailor, because he had sewn the s.h.i.+p together and saved them all from drowning. Then the king decreed: "Each of you has an equal right, and as all of you cannot have her, none of you shall; but I will give to each as a reward half a kingdom," with which the four clever brothers were well contented.

The story has a.s.sumed a droll form among the Albanians, in which no fewer than seven remarkably endowed youths play their parts in rescuing a king's daughter from the Devil, who had stolen her out of the palace. One of the heroes could hear far off; the second could make the earth open; the third could steal from any one without his knowing it; the fourth could throw an object to the end of the world; the fifth could erect an impregnable tower; the sixth could bring down anything however high it might be in the air and the seventh could catch whatever fell from any height. So they set off together, and after travelling along way, the first lays his ear to the ground. "I hear him," he says. Then the second causes the earth to open, and down they go, and find the Devil sound asleep, snoring like thunder, with the princess clasped to his breast.

The third youth steals her without waking the fiend. Then the fourth takes off the Devil's shoes and flings them to the end of the world, and off they all go with the princess. The Devil wakes and goes after them, but first he must find his shoes--though what need he could have for shoes it is not easy to say; but mayhap the Devil of the Albanians is minus horns, hoof and tail! This gives the fifth hero time to erect his impregnable tower before the fiend returns from the end of the world. When he comes to the tower he finds all his skill is naught, so he has recourse to artifice, which indeed has always been his forte. He begs piteously to be allowed one last look of his beloved princess.

They can't refuse him so slight a favour, and make a tiny hole in the tower wall, but, tiny as it is, the Devil is able to pull the princess through it and instantly mounts on high with her. Now is the marksman's opportunity: he shoots at the fiend and down he comes, "like a hundred of bricks" (as we don't say in the cla.s.sics), at the same time letting go the princess, who is cleverly caught by the seventh hero, and is none the worse for her aerial journey. The princess chooses the seventh for her husband, as he is the youngest and best looking, but her father the king rewards his companions handsomely and all are satisfied.

The charming history of Prince Ahmad and his fairy bride is "conspicuous from its absence" in all these versions, but it re-appears in the Italian collection of Nerucci: "Novelle Popolari Montalesi," No. xl., p. 335, with some variations from Galland's story:

A certain king had three daughters, and a neighbouring king had three sons, who were much devoted to the chase. They arrived at the city of the first king, and all fell in love with his daughter[FN#416] and wanted to marry her.

Her father said it was impossible to content them all, but if one of them would ask her, and if he pleased her, he would not oppose the marriage. They could not agree which it was to be, and her father proposed that they should all travel, and the one who at the end of six months brought the most beautiful and wonderful present should marry her. They set out in different directions and at the end of six months they meet by appointment at a certain inn. The eldest brings a magic carpet on which he is wafted whithersoever he will. (It goes a hundred miles in a day.) The second brings a telescope which shows whatever is happening a hundred miles away. The youngest brings three stones of a grape, one of which put into the mouth of a person who is dying restores him to life. They at once test the telescope by wis.h.i.+ng to see the princess, and they find her dying--at the last gasp indeed. By means of the carpet they reach the palace m time to save her life with one of the grape-stones. Each claims the victory. Her father, almost at his wits' end to decide the question, decrees that they shall shoot with the crossbow, and he who shoots farthest shall win the princess. The second brother shoots farther than the first; but the youngest shoots so far that they cannot find where kits arrow has fallen. He persists in the search and falls down a deep hole, from the bottom of which he can scarcely see a speck of the sky. There an ogre (mago) appears to him and also a bevy of young fairy maidens of extreme beauty. They lead him to a marvellous palace, give him refreshments and provide him with a room and a bed, where every night one of the fairies bears him company. He spends his days in pleasure until the king's daughter is almost forgotten. At last he begins to think he ought to learn what has become of his brothers, his father, and the lady. The chief fairy however, tries to dissuade him warning him that evil will befall him if he return to his brothers. He persists, and she tells him that the princess is given to his eldest brother, who reigns in his father-in-law's stead the latter having died, and that his own father is also dead; and she warns him again not to go.

But he goes. His eldest brother says that he thought he was dead "in that hole." The hero replies that, on the contrary, he fares so well with a bevy of young and beautiful fairies that he does not even envy him, and would not change places with him for all the treasures in the world. His brother, devoured by rage, demands that the hero bring him within eight days a pavilion of silk which will lodge three hundred soldiers, otherwise he will destroy his palace of delights. The hero, affrighted, returns to the fairies and relates his brother's threats. The chief fairy says, "Didn't I tell you so? You deserve that I should leave you to your fate; but, out of pity for your youth, I will help you." And he returns to his brother within eight days with the required pavilion. But his brother is not satisfied: he demands another silk pavilion for 600 soldiers, else he will lay waste the abode of the fairies.