Atlantic Classics Volume I Part 11

We want him, of course. But we deprecate the brevity of this notice.

Also the cook and chambermaid are new, and remarkably inexpert. Brother, however, declines to feel any concern. His confidence in our power to cope with emergencies is flattering if exasperating.

There is nothing in the markets at this time of year. Guests have a malignant facility in choosing such times. We scour the country for forty miles in search of green vegetables. We confide in the fishmonger, who grieves sympathetically over the 'phone, because all crabs are now cold-storage, and he'd be deceiving us if he said otherwise.

Still we are determined to have luncheon prepared in the house. Last time the august judge dined with us we summoned a caterer from a hundred miles away, and though the caterer's food was good, it was late. We love promptness, and we are going to have it. Ladies knew all about efficiency long before Mr. Frederick Taylor. Only they couldn't teach it to servants, and he would find he couldn't either. But every mistress of a house knows how to make short cuts, and is expert at 'record production' in emergencies.

The casual brother says there will be one or two dozen people at luncheon. He will telephone us fifteen minutes before they arrive. Yes, really, that's the best he can do.

So we prepare for one or two dozen people, and they must sit down to luncheon because men hate a buffet meal. We struggle with the problem, how many chickens are required for twelve or twenty-four people? The answer, however, is really obvious. Enough for twenty-four will be enough for twelve.

Day after to-morrow arrives. The gardener comes in to lay hearth-fires and carry tables. We get out china and silver. We make salad and rolls, fruit-cup and cake. We guide the cook's faltering steps over the critical moments of soup and chicken. We do the oysters in our own particular way, which we fancy inimitable. We arrange bushels of flowers in bowls, vases, and baskets, and set them on mantels, tables, book-cases, everywhere that a flower can find a footing. The chauffeur comes in proudly with the flower-holder from the limousine, and we fill it in honor of the distinguished guest.

Then we go outside to see that the approach to the house is satisfactory. The bland old gardener points to the ivy-covered wall, and says with innocent joy, '---- it, ain't that ivory the prettiest thing you ever saw in your life?' And we can't deny that the lawn looks well, with ivy, and cosmos, and innumerable chrysanthemums.

The cook and chambermaid will have to help wait on the table. The chambermaid, who is what the butler contemptuously calls 'an educated n.i.g.g.e.r,' and so knows nothing useful, announces that she has no white uniform. All she has is a cold in her head. We give her a blouse and skirt, wondering why Providence doesn't eliminate the unfit.

We run upstairs to put on our costliest shoes and stockings, and our most perishable gown. The leisurely brother gets us on the wire to say that there will be twenty guests in ten minutes.

Descending, we reset the tables to seat twenty guests, light the wood-fires, toss together twenty mint-juleps, and a few over for luck, repeat our clear instructions to the goggling chambermaid, desperately implore the butler to see that she keeps on the job, drop a last touch of flavoring in the soup, and are sitting by the fire with an air of childish gayety and carelessness when the train of motor-cars draws up to the door.

Here is the judge, courteous and authoritative. Here is his a.s.siduous suite. The room fills with faces well known in every country that an ill.u.s.trated newspaper can penetrate. From the Golden Gate and the Rio Grande, from New York and Alabama, these men have come together, intent on wresting to themselves the control of the Western Hemisphere. Now they are a sort of highly respectable guerillas. To-morrow, very likely, they will be awe-inspiring magnates.

Theoretically we are impressed. Actually they have mannerisms, and some of them wear spectacles. We reflect that the triumvirs very likely had mannerisms, too, and Antony himself might have been glad to own spectacles. We try to feel reverence for the high calling of these men.

We hope they'll like our luncheon.

The butler brings in the juleps and we maintain a detached look, as though those juleps were just a happy thought of the butler himself, and we were as much surprised as anybody. The judge won't have one, but most everybody else will. The newspaper men look love and grat.i.tude at the butler.

That earnest youth is the judge's secretary. The huge, iron-gray man expects to be a governor after November fifth, if dreams come true. The amiable old gentleman who never leaves the judge's side, has come two thousand miles out of pure political enthusiasm, to protect the candidate from a.s.sa.s.sins. He can do it, too, we conclude, when we look past his smiling mouth into his steely eyes.

Here is the campaign manager, business man and man-of-the-world.

This pretty little newspaper-woman from Utah implores us to get an utterance on suffrage from the judge. Just a word. It will save him thousands of votes. Well, she's a dear little thing, but we can't take advantage of our guest.

Luncheon is announced. Brother, slightly apologetic, murmurs that there are twenty-three. Entirely unforeseen. He babbles incoherently.

But it's all right. We women won't come to the table. Voting and eating and things like that are better left to the men anyway. Why should women want to do either, when they have fathers and brothers to do it for them? We can sit in the gallery and watch. It's very nice for us. And exclusive. Nothing promiscuous. Yes, go on. We'll wait.

Whoever is listening to our conversation professes heartbreak at our decision, and edges toward the rapidly filling dining-room.

We sit down to play lady of leisure, in various affected att.i.tudes. We are not going near the kitchen again. The luncheon is simple. Everything is perfectly arranged. The servants can do it all. It's mere machine work.

From afar we observe the soup vanis.h.i.+ng. Then one by one we stammer,--'The mayonnaise--'--'I wonder if the rolls are hot--'--'Cook's coffee is impossible,'--fade silently up the front stair, and scurry down the kitchen-way.

We cover the perishable gown with a huge white ap.r.o.n, we send up a fervent prayer for the costly shoes, and go where we are needed most.

We save the day for good coffee. With the precision of a juggler we rescue plates from the chambermaid, who is overcome by this introduction to the great world and dawdles contemplatively through the pantry door.

Charmed with our proficiency, she stands by our side, and watches us clear a shelf of china in the twinkling of an eye. If she could find a stool, she would sit at our feet, making motion studies. But she couldn't find it if it were already there. She couldn't find anything.

We order her back to the dining-room, where she takes up a strategic position by the window, from which she can idly survey the mob outside, and the hungry men within.

The last coffee-cup has pa.s.sed through the doorway. Cigars and matches are circulating in the butler's capable hands. No more need for us.

We shed the enveloping ap.r.o.ns, disappear from the kitchen, and materialize again, elegantly useless, in the drawing-room. n.o.body can say that luncheon wasn't hot and promptly served.

Chairs begin to clatter. They are rising from the table. A bra.s.s band outside bursts into being.

Brother had foretold that band to us, and we had expressed vivid doubts. He said it would cost eighty dollars. Now eighty dollars in itself is a respectable sum, a sum capable even of exerting some mild fascination, but eighty dollars viewed in relation to a band becomes merely ludicrous.

We said an eighty-dollar band was a thing innately impossible, like free-trade, or a dachshund. Brother attested that the next best grade of band would demand eight hundred. We justly caviled at eight hundred. We inquired, Why any band? Brother claimed that it would make a cheerful noise, and we yielded.

So at this moment the band begins to make a noise. We perceive at once that the price was accurately gauged. It is unquestionably an eighty-dollar band. We begin to believe in dachshunds.

To these supposedly cheerful strains the gentlemen stream into the drawing-room. They beam repletely. They tell us what a fine luncheon it was. They are eloquent about it. All the conditions of their entertainment were ideal, they would have us believe. They imply that we are mighty lucky, in that our men can provide us with such a luxurious existence. They smile with majestic benignity at these fair, but frivolous pensioners on masculine bounty. American women are petted, helpless dolls, anyway. Foreigners have said so. They clasp our useless hands in fervent farewells. They proceed in state to the waiting cars.

They hope we will follow them to the meeting. Oh, yes, we will come, though incapable of apprehending the high problems of government.

Led by the honest band, surrounded by flags, followed by cheers, they disappear in magnificent procession. Now we may straggle to the dining-room and eat cold though matchless oysters, tepid chicken, and in general whatever there is any left of.

The chambermaid has broken a lovely old Minton plate. We are glad we didn't use the coffee-cups that were made in France for Dolly Madison.

She would have enjoyed wrecking those.

We hurry, because we don't want to miss the meeting altogether. We think enviously of the men. In our secret souls, we'd like to campaign. We love to talk better than anything else in the world, and we could make nice speeches, too. But we must do the oysters and the odd jobs, and keep the hearth-fires going, like responsible vestal virgins. It's woman's sphere. Man gave it to her because he didn't want it himself.

The Street

By Simeon Strunsky

It is two short blocks from my office near Park Row to the Subway station where I take the express for Belshazzar Court. Eight months in the year it is my endeavor to traverse this distance as quickly as I can. This is done by cutting diagonally across the street traffic. By virtue of the law governing right-angled triangles I thus save as much as fifty feet and one fifth of a minute of time. In the course of a year this saving amounts to sixty minutes, which may be profitably spent over a two-reel presentation of 'The Moons.h.i.+ner's Bride,' supplemented by an intimate picture of Lumbering in Saskatchewan. But with the coming of warm weather my habits change. It grows more difficult to plunge into the murk of the Subway.

A foretaste of the languor of June is in the air. The turnstile storm-doors in our office building, which have been put aside for brief periods during the first deceptive approaches of spring, only to come back triumphant from Elba, have been definitively removed. The steel-workers pace their girders twenty floors high almost in mid-season form, and their pneumatic hammers scold and chatter through the sultry hours. The soda-fountains are bright with new compounds whose names ingeniously reflect the world's progress from day to day in politics, science, and the arts. From my window I can see the long black steams.h.i.+ps pus.h.i.+ng down to the sea, and they raise vague speculations in my mind about the cost of living in the vicinity of Sorrento and Fontainebleau. On such a day I am reminded of my physician's orders, issued last December, to walk a mile every afternoon on leaving my office. So I stroll up Broadway with the intention of taking my train farther up-town, at Fourteenth Street.

The doctor did not say stroll. He said a brisk walk with head erect, chest thrown out, diaphragm well contracted, and a general aspect of money in the bank. But here enters human perversity. The only place where I am in the mood to walk after the prescribed military fas.h.i.+on is in the open country. Just where by all accounts I ought to be sauntering without heed to time, studying the lovely texts which Nature has set down in the modest type-forms selected from her inexhaustible fonts,--in the minion of ripening berries, in the nonpareil of crawling insect life, the agate of tendril and filament, and the 12-point diamond of the dust,--there I stride along and see little.

And in the city, where I should swing along briskly, I lounge. What is there on Broadway to linger over? On Broadway, Nature has used her biggest, fattest type-forms. Tall, flat, building fronts, brazen with many windows and ribbed with commercial gilt lettering six feet high; shrieking proclamations of auction sales written in letters of fire on vast canva.s.ses; railway posters in scarlet and blue and green; rotatory barber-poles striving at the national colors and producing vertigo; banners, escutcheons, crests, in all the primary colors--surely none of these things needs poring over. And I know them with my eyes closed. I know the windows where lithe youths in gymnasium dress demonstrate the virtue of home exercises; the windows where other young men do nothing but put on and take off patent reversible near-linen collars; where young women deftly roll cigarettes; where other young women whittle at sticks with miraculously stropped razors. I know these things by heart, yet I linger over them in flagrantly unhygienic att.i.tudes, my shoulders bent forward and my chest and diaphragm in a position precisely the reverse of that prescribed by the doctor.

Perhaps the thing that makes me linger before these familiar sights is the odd circ.u.mstance that in Broadway's shop-windows Nature is almost never herself, but is either supernatural or artificial. Nature, for instance, never intended that razors should cut wood and remain sharp; that linen collars should keep on getting cleaner the longer they are worn; that gla.s.s should not break; that ink should not stain; that gauze should not tear; that an object worth five dollars should sell for $1.39; but all these things happen in Broadway windows. Williams, whom I meet now and then, who sometimes turns and walks up with me to Fourteenth Street, pointed out to me the other day how strange a thing it was that the one street which has become a synonym for 'real life' to all good suburban Americans is not real at all, but is crowded either with miracles or with imitations.

The windows on Broadway glow with wax fruits and with flowers of muslin and taffeta drawn by bounteous Nature from her storehouses in Parisian garret workshops. Broadway's ostrich feathers have been plucked in East Side tenements. The huge cigars in the tobacconist's windows are of wood. The enormous bottles of champagne in the saloons are of cardboard, and empty. The tall scaffoldings of proprietary medicine bottles in the drug shops are of paper. 'Why,' said Williams, 'even the jewelry sold in the j.a.panese auction stores is not genuine, and the sellers are not j.a.panese.'

This bustling mart of commerce, as the generation after the Civil War used to say, is only a world of illusion. Artificial flowers, artificial fruits, artificial limbs, tobacco, rubber, silks, woolens, straws, gold, silver. The young men and women who manipulate razors and elastic cords are real, but not always. Williams and I once stood for a long while and gazed at a young woman posing in a drug-shop window, and argued whether she was alive. Ultimately she winked and Williams gloated over me. But how do I know her wink was real? At any rate the great ma.s.s of human life in the windows is artificial. The ladies who smile out of charming morning costumes are obviously of lining and plaster. Their smug Herculean husbands in pajamas preserve their equanimity in the severest winter weather only because of their wire-and-plaster const.i.tution. The baby reposing in its beribboned crib is china and excelsior. Illusion everywhere.

But the Broadway crowd is real. You only have to buffet it for five minutes to feel, in eyes and arms and shoulders, how real it is. When I was a boy and was taken to the circus it was always an amazing thing to me that there should be so many people in the street moving in a direction away from the circus. Something of this sensation still besets me whenever we go down in the Subway from Belshazzar Court to hear Caruso. The presence of all the other people on our train is simple enough. They are all on their way to hear Caruso. But what of the crowds in the trains that flash by in the opposite direction? It is not a question of feeling sorry for them. I try to understand and I fail. But on Broadway on a late summer afternoon the obverse is true. The natural thing is that the living tide as it presses south shall beat me back, halt me, eddy around me. I know that there are people moving north with me, but I am not acutely aware of them. This onrush of faces converges on me alone. It is I against half the world.

And then suddenly out of the surge of faces one leaps out at me. It is Williams, whose doctor has told him that the surest way of fighting down the l.u.s.t for tobacco is to walk down from his office to the ferry every afternoon. Williams and I salute each other after the fas.h.i.+on of Broadway, which is to exchange greetings backward over the shoulder.

This is the first step in an elaborate minuet. Because we have pa.s.sed each other before recognition came, our hands fly out backward. Now we whirl half around, so that I who have been moving north face the west, while Williams, who has been traveling south, now looks east. Our clasped hands strain at each other as we stand there poised for flight after the first greeting. A quarter of a minute perhaps, and we have said good-bye.

But if the critical quarter of a minute pa.s.ses, there ensues a change of geographical position which corresponds to a change of soul within us. I suddenly say to myself that there are plenty of trains to be had at Fourteenth Street. Williams recalls that another boat will leave Battery Place shortly after the one he is bound for. So the tension of our outstretched arms relaxes. I, who have been facing west, complete the half circle and swing south. Williams veers due north, and we two men stand face to face. The beat and clamor of the crowd fall away from us like a well-trained stage mob. We are in Broadway, but not of it.