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Hitherto we have been speaking mainly of the position of the wife in Greece. It is necessary now to say a few words about that cla.s.s of women who were called in the Greek tongue Hetaerae; and who are by some supposed to have represented, intellectually at least, a higher level of culture than the other members of their s.e.x. In exceptional cases, this, no doubt, was the fact. Aspasia, for example, the mistress of Pericles, was famous for her powers of mind. According to Plato she was an accomplished rhetorician, and the real composer of the celebrated funeral oration of Pericles; and Plutarch a.s.serts that she was courted and admired by the statesmen and philosophers of Greece. But Aspasia cannot be taken as a type of the Hetaerae of Greece. That these women, by the variety and freedom of their life, may and must have acquired certain qualities of character and mind that could hardly be developed in the seclusion of the Greek home, may readily be admitted; we know, for example, that they cultivated music and the power of conversation; and were welcome guests at supper-parties. But we have no evidence that the relations which they formed rested as a rule on any but the simplest physical basis. The real distinction, under this head, between the Greek point of view and our own, appears to lie rather in the frankness with which this whole cla.s.s of relations was recognised by the Greeks. There were temples in honour of Aphrodite Pandemos, the G.o.ddess of illicit love, and festivals celebrated in her honour; statues were erected of famous courtesans, of Phryne for example, at Delphi, between two kings; and philosophers and statesmen lived with their mistresses openly, without any loss of public reputation. Every man, said the orator Demosthenes, requires besides his wife at least two mistresses; and this statement, made as a matter of course in open court, is perhaps the most curious ill.u.s.tration we possess of the distinction between the Greek civilisation and our own, as regards not the fact itself but the light in which it was viewed.
Section 10. Friends.h.i.+p.
From what has been said about the Greek view of women, it might naturally have been supposed that there can have been little place in their life for all that we designate under the term "romance." Personal affection, as we have seen, was not the basis of married life; and relations with Hetaerae appear to have been, in this respect, no finer or higher than similar relations in our own times. Nevertheless, it would be a mistake to conclude, from these conditions, that the element of romance was absent from Greek life. The fact is simply that with them it took a different form, that of pa.s.sionate friends.h.i.+p between men.
Such friends.h.i.+ps, of course, occur in all nations and at all times, but among the Greeks they were, we might say, an inst.i.tution. Their ideal was the development and education of the younger by the older man, and in this view they were recognised and approved by custom and law as an important factor in the state. In Sparta, for example, it was the rule that every boy had attached to him some elder youth by whom he was constantly attended, admonished, and trained, and who shared in public estimation the praise and blame of his acts; so that it is even reported that on one occasion a Spartan boy having cried out in a fight, not he himself but his friend was fined for the lapse of self-control. The custom of Sparta existed also in Crete. But the most remarkable instance of the deliberate dedication of this pa.s.sion to political and military ends is that of the celebrated "Theban band," a troop consisting exclusively of pairs of lovers, who marched and fought in battle side by side, and by their presence and example inspired one another to a courage so constant and high that "it is stated that they were never beaten till the battle at Chaeronea: and when Philip, after the fight, took a view of the slain, and came to the place where the three hundred that fought his phalanx lay dead together, he wondered, and understanding that it was the band of lovers, he shed tears, and said, "Perish any man who suspects that these men either did or suffered anything that was base." [Footnote: Plutarch, Pelopidas. ch. 18.--Ed. by Clough.]
Greek legend and history, in fact, resounds with the praises of friends.
Achilles and Patroclus, Pylades and Orestes, Harmodius and Aristogeiton, Solon and Peisistratus, Socrates and Alcibiades, Epaminondas and Pelopidas,--these are names that recall at once all that is highest in the achievement and all that is most romantic in the pa.s.sion of Greece.
For it was the prerogative of this form of love, in its finer manifestations, that it pa.s.sed beyond persons to objective ends, linking emotion to action in a life of common danger and toil. Not only, nor primarily, the physical sense was touched, but mainly and in chief the imagination and intellect. The affection of Achilles for Patroclus is as intense as that of a lover for his mistress, but it has in addition a body and depth such as only years of common labour could impart.
"Achilles wept, remembering his dear comrade, nor did sleep that conquereth all take hold of him, but he kept turning himself to this side and to that, yearning for Patroclus' manhood and excellent valour, and all the toils he achieved with him and the woes he bare, cleaving the battles of men and the grievous waves. As he thought thereon he shed big tears, now lying on his side, now on his back, now on his face; and then anon he would arise upon his feet and roam wildly beside the beach of the salt sea." [Footnote: Iliad XXIV. 3.--Translated by Lang, Leaf and Myers.] That is the ideal spirit of Greek comrades.h.i.+p--each supporting the other in his best efforts and aims, mind a.s.sisting mind and hand hand, and the end of the love residing not in an easy satisfaction of itself but in the development and perfecting of the souls in which it dwelt.
Of such a love we have a record in the elegies of Theognis, in which the poet has embodied, for the benefit of Kurnus his friend, the ripe experience of an eventful life. The poems for the most part are didactic in character, consciously and deliberately aimed at the instruction and guidance of the man to whom they are addressed; but every now and again the pa.s.sion breaks through which informs and inspires this virile intercourse, and in such a pa.s.sage as the following gives us the key to this and to all the finer friends.h.i.+ps of the Greeks:--
"Lo, I have given thee wings wherewith to fly Over the boundless ocean and the earth; Yea, on the lips of many shalt thou lie, The comrade of their banquet and their mirth.
Youths in their loveliness shall bid thee sound Upon the silver flute's melodious breath; And when thou goest darkling underground Down to the lamentable house of death, Oh yet not then from honour shalt thou cease But wander, an imperishable name, Kurnus, about the seas and sh.o.r.es of Greece, Crossing from isle to isle the barren main.
Horses thou shalt not need, but lightly ride Sped by the Muses of the violet crown, And men to come, while earth and sun abide, Who cherish song shall cherish thy renown.
Yea, I have given thee wings, and in return Thou givest me the scorn with which I burn."
[Footnote: Theognis 237.]
It was his insistence on friends.h.i.+p as an incentive to a n.o.ble life that was the secret of the power of Socrates. Listen, for example, to the account which Plutarch gives of his influence upon the young Alcibiades:
"Alcibiades, listening now to language entirely free from every thought of unmanly fondness and silly displays of affection, finding himself with one who sought to lay open to him the deficiencies of his mind, and repress his vain and foolish arrogance,
'Dropped like the craven c.o.c.k his conquered wing.'
He esteemed these endeavours of Socrates as most truly a means which the G.o.ds made use of for the care and preservation of youth, and began to think meanly of himself, and to admire him; to be pleased with his kindness, and to stand in awe of his virtue; and, unawares to himself, there became formed in his mind that reflex image and reciprocation of love, or Anteros, that Plato talks of..... Though Socrates had many and powerful rivals, yet the natural good qualities of Alcibiades gave his affection the mastery. His words overcame him so much, as to draw tears from his eyes, and to disturb his very soul. Yet sometimes he would abandon himself to flatterers, when they proposed to him varieties of pleasure, and would desert Socrates; who then would pursue him, as if he had been a fugitive slave. He despised every one else, and had no reverence or awe for any but him." [Footnote: Plut. Alc. ch. 4.--Ed. by Clough.] The relation thus established may be further ill.u.s.trated by the following graceful little anecdote. Socrates and Alcibiades were fellow- soldiers at Potidaea and shared the same tent. In a stiff engagement both behaved with gallantry. At last Alcibiades fell wounded, and Socrates, standing over him, defended and finally saved him. For this he might fairly have claimed the customary prize of valour; but he insisted on resigning it to his friend, as an incentive to his "ambition for n.o.ble deeds."
Another ill.u.s.tration of the power of this pa.s.sion to evoke and stimulate courage is given in the story of Cleomachus, narrated by Plutarch. In a battle between the Chalcidians and the Eretrians, the cavalry of the former being hard pressed, Cleomachus was called upon to make a diversion. He turned to his friend and asked him if he intended to be a spectator of the struggle; the youth replied in the affirmative, and embracing his friend, with his own hands buckled on his helmet; whereupon Cleomachus charged with impetuosity, routed the foe and died gloriously fighting. And thenceforth, says Plutarch, the Chalcidians, who had previously mistrusted such friends.h.i.+ps, cultivated and honoured them more than any other people.
So much indeed were the Greeks impressed with the manliness of this pa.s.sion, with its power to prompt to high thought and heroic action, that some of the best of them set the love of man for man far above that of man for woman. The one, they maintained, was primarily of the spirit, the other primarily of the flesh; the one bent upon shaping to the type of all manly excellence both the body and the soul of the beloved, the other upon a pa.s.sing pleasure of the senses. And they noted that among the barbarians, who were subject to tyrants, this pa.s.sion was discouraged, along with gymnastics and philosophy, because it was felt by their masters that it would be fatal to their power; so essentially was it the prerogative of freedom, so incompatible with the nature and the status of a slave.
It is in the works of Plato that this view is most completely and exquisitely set forth. To him, love is the beginning of all wisdom; and among all the forms of love, that one in chief, which is conceived by one man for another, of which the main operation and end is in the spirit, and which leads on and out from the pa.s.sion for a particular body and soul to an enthusiasm for that highest beauty, wisdom, and excellence, of which the most perfect mortal forms are but a faint and inadequate reflection. Such a love is the initiation into the higher life, the spring at once of virtue, of philosophy, and of religion.
Always operative in practice in Greek life it was not invented but interpreted by Plato. The philosopher merely gave an ideal expression to what was stirring in the heart of every generous youth; and the pa.s.sage which we have selected for quotation may be taken as representative not only of the personality of Plato, but of the higher aspect of a characteristic phase of Greek civilisation.
"And now, taking my leave of you, I will rehea.r.s.e a tale of love which I heard from Diotima of Mantineia, a woman wise in this and in many other kinds of knowledge. She was my instructress in the art of love, and I shall repeat to you what she said to me: 'On the birthday of Aphrodite there was a feast of the G.o.ds, at which the G.o.d Poros or Plenty, who is the son of Metis or Discretion, was one of the guests. When the feast was over, Penia or Poverty, as the manner is on such occasions, came about the doors to beg. Now Plenty, who was the worse for nectar (there was no wine in those days), went into the garden of Zeus and fell into a heavy sleep; and Poverty considering her own straitened circ.u.mstances, plotted to have a child by him, and accordingly she lay down at his side and conceived Love, who partly because he is naturally a lover of the beautiful, and because Aphrodite is herself beautiful, and also because he was born on her birthday, is her follower and attendant. And as his parentage is, so also are his fortunes. In the first place he is always poor, and anything but tender and fair, as the many imagine him; and he is rough and squalid, and has no shoes, nor a house to dwell in; on the bare earth exposed he lies under the open heaven, in the streets, or at the doors of houses, taking his rest; and like his mother he is always in distress. Like his father too, whom he also partly resembles, he is always plotting against the fair and good; he is bold, enterprising, strong, a mighty hunter, always weaving some intrigue or other, keen in the pursuit of wisdom, fertile in resources; a philosopher at all times, terrible as an enchanter, sorcerer, sophist. He is by nature neither mortal nor immortal, but alive and flouris.h.i.+ng at one moment when he is in plenty, and dead at another moment, and again alive by reason of his father's nature. But that which is always flowing in is always flowing out, and so he is never in want and never in wealth; and, further, he is in a mean between ignorance and knowledge. The truth of the matter is this: No G.o.d is a philosopher or seeker after wisdom, neither do the ignorant seek after wisdom. For herein is the evil of ignorance, that he who is neither good nor wise is nevertheless satisfied with himself: he has no desire for that of which he feels no want.' 'But who then, Diotima,' I said, 'are the lovers of wisdom, if they are neither the wise nor the foolish?' 'A child may answer that question,' she replied; 'they are those who are in a mean between the two; Love is one of them.
For wisdom is a most beautiful thing, and Love is of the beautiful; and therefore Love is also a philosopher or lover of wisdom, and being a lover of wisdom is in a mean between the wise and the ignorant. And of this too his birth is the cause; for his father is wealthy and wise, and his mother poor and foolish. Such, my dear Socrates, is the nature of the spirit Love.'
"I said: 'O thou stranger woman, thou sayest well; but, a.s.suming Love to be such as you say, what is the use of him to man?'
"'That, Socrates,' she replied, 'I will attempt to unfold: of his nature and birth I have already spoken; and you acknowledge that Love is of the beautiful. But some one will say: Of the beautiful in what, Socrates and Diotima? or rather let me put the question more clearly, and ask: When a man loves the beautiful, what does he desire?'
"I answered her, 'That the beautiful may be his.'
"'Still,' she said, 'the answer suggests a further question: What is given by the possession of beauty?'
"'To what you have asked,' I said, 'I have no answer ready.'
"'Then,' she said, 'let me put the word "good" in the place of "beautiful," and repeat the question once more: If he who loves, loves the good, what is it then that he loves?'
"'The possession of the good,' I said.
"'And what does he gain who possesses the good?'
"'Happiness,' I replied; 'there is less difficulty in answering that question.'
"'Yes,' she said, 'the happy are made happy by the acquisition of good things. Nor is there any need to ask why a man desires happiness; the answer is already final.'
"'You are right,' I said.
"'And is this wish and this desire common to all? and do all men always desire their own good, or only some men?--what say you?'
"'All men,' I replied; 'the desire is common to all.'
"'Then,' she said, 'the simple truth is that men love the good.'
"'Yes,' I said.
"'To which must be added that they love the possession of the good?'
"'That must be added too.'
"'Then love,' she said, may be described generally as the love of the everlasting possession of the good?'
"'That is most true.'
"'Then if this be the nature of love, can you tell me further,' she said, 'what is the manner of the pursuit? what are they doing who show all this eagerness and heat which is called love? and what is the object which they have in view? Answer me.'
"'Nay, Diotima,' I replied, 'if I had known, I should not have wondered at your wisdom, neither should I have come to learn from you about this very matter.'
"'Well,' she said, 'I will teach you:--The object which they have in view is birth in beauty, whether of body or soul.'
"'I do not understand you,' I said; 'the oracle requires an explanation.'
"'I will make my meaning clearer,' she replied. 'I mean to say, that all men are bringing to the birth in their bodies and in their souls. There is a certain age at which human nature is desirous of procreation-- procreation which must be in beauty and not in deformity; and this procreation is the union of man and woman, and is a divine thing: for conception and generation are an immortal principle in the mortal creature, and in the inharmonious they can never be. But the deformed is always inharmonious with the divine, and the beautiful harmonious.
Beauty, then, is the destiny or G.o.ddess of parturition who presides at birth, and therefore, when approaching beauty, the conceiving power is propitious, and diffusive, and benign, and begets and bears fruit: at the sight of ugliness she frowns and contracts and has a sense of pain, and turns away, and shrivels up, and not without a pang refrains from conception. And this is the reason why, when the hour of conception arrives, and the teeming nature is full, there is such a flutter and ecstasy about beauty whose approach is the alleviation of the pain of travail. For love, Socrates, is not as you imagine, the love of the beautiful only.'
"'What then?'
"'The love of generation and of birth in beauty.'
"'Yes,' I said.
"'Yes indeed,' she replied.
"'But why of generation?'
"'Because to the mortal creature, generation is a sort of eternity and immortality,' she replied; 'and if, as has been already admitted, love is of the everlasting possession of the good, all men will necessarily desire immortality together with good: wherefore love is of immortality.'