Tobogganing on Parnassus - LightNovelsOnl.com
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So any time I'm glad to frisk Two bones to witness Mrs. Fiske.
II
Olga Nethersole
I like little Olga, Her plays are so warm; And if I don't see 'em, They'll do me no harm.
My Puritan training Has kept me from going To dramas in which Little Olga was showing.
But I like little Olga, Her art is so warm; And if I don't see her She'll do me no harm.
Ballade of the Average Reader
I try to touch the public taste, For thus I earn my daily bread.
I try to write what folks will paste In sc.r.a.p books after I am dead.
By Public Craving I am led.
(I' sooth, a most despotic leader) Yet, though I write for Tom and Ned, I've never seen an average reader.
The Editor is good and chaste, But says: (Above the public's head; This is _too_ good; 'twill go to waste.
Write something commonplacer-- Ed.) Write for the average reader, fed By pre-digested near-food's feeder, But though my high ideals have fled, I've never _seen_ an average reader.
How many lines have been erased!
How many fancies have been shed!
How many failures might be traced To this--this average-reader dread!
I've seen an average single bed; I've seen an average garden-weeder; I've seen an average cotton thread-- I've _never_ seen an average _reader_.
L'ENVOI
Most read of readers, if you've read The works of any old succeeder, You know that he, too, must have said: "I've never seen an Average Reader."
Poesy's Guerdon
( * * * I do not believe a single modern English poet is living to-day on the current proceeds of his verse.--From "Literary Taste and How to Form it,"
by Arnold Bennett.)
What time I pen the Mighty Line Suffused with the spark divine As who should say: "By George! That's fine!"
Indignantly do I deny The words of Arnold Bennett. Why, Is this not English verse? say I.
And by the proceeds of that verse-- Such as, _e. g._, these little terc- Ets--is not filled the family purse?
Do we not live on what I sell, Sonnet, ballade, and villanelle?
"We do," She says, "and none too well."
Signal Service
Time-table! Terrible and hard To figure! At some station lonely We see this sign upon the card: [Footnote Asterisk: Train 20: Stops on signal only.]
We read thee wrong; the untrained eye Does not see always with precision.
The train we thought to travel by [Footnote Dagger: Runs only on North-west division.]
Again, undaunted, we look at The hieroglyphs, and as a rule a Small double dagger shows us that [Footnote SmallDoubleDagger: Train does not stop at Ashtabula.]
And when we take a certain line On Tues., Wednes., Thurs., Fri., Sat., or Monday, We're certain to detect the sign: [Footnote SectionMark: $10 extra fare ex. Sunday. ]
Heck Junction--Here she comes! Fft! Whiz!
A scurry--and the train has flitted!
Again we look. We find it--viz., [Footnote DoubleBar: Train does not stop where time omitted.]
Through hieroglyphic seas we wade-- Print is so cold and so unfeeling.
The train we wait at Neverglade [Footnote Paragraph: Connects with C. & A. at Wheeling.]
Now hungrily the sheet we scan, Grimy with travel, thirsty, weary, And then--nothing is sadder than [Footnote PointingHand: No diner on till after Erie.]
Yet, cursed as is every sign, The cussedest that we can quote is This treacherous and deadly line: [Footnote TripleAsterisk: Subject to change without our notice.]
Sporadic Fiction
Why not a poem as they treat The stories in the magazines?
"Eustacia's lips were very sweet.
He stooped to"-and here intervenes A line--italics--telling one Where one may learn the things that he, The n.o.ble hero, had begun.
(_Continuation on page 3_.)
Page 3--oh, here it is--no, here-- "Kiss them. Eustacia hung her head; Whereat he said, 'Eustacia dear'-- And sweetly low Eustacia said:"
(_Continued on page 17_.) Here, just between the corset ad.
And that of Smithers' Canderine.
(Eustacia sweet, you drive me mad.)
"No, no, not that! But let me tell You why I scorn your ardent kiss-- Not that I do not love you well;"
No, Archibald, the reason's this: (_Continued on page 24_.) Turn, turn my leaves, and let me learn Eustacia's fate; I pine for more; Oh, turn and turn and turn and turn!
