O Pioneers! Part 16

"Perhaps I am. What do you want me to do? Sit round and cry all day? When I've cried until I can't cry any more, then--then I must do something else."

"Are you sorry for me?" he persisted.

"No, I'm not. If I were big and free like you, I wouldn't let anything make me unhappy. As old Napoleon Brunot said at the fair, I wouldn't go lovering after no woman. I'd take the first train and go off and have all the fun there is."

"I tried that, but it didn't do any good. Everything reminded me.

The nicer the place was, the more I wanted you." They had come to the stile and Emil pointed to it persuasively. "Sit down a moment, I want to ask you something." Marie sat down on the top step and Emil drew nearer. "Would you tell me something that's none of my business if you thought it would help me out? Well, then, tell me, PLEASE tell me, why you ran away with Frank Shabata!"

Marie drew back. "Because I was in love with him," she said firmly.

"Really?" he asked incredulously.

"Yes, indeed. Very much in love with him. I think I was the one who suggested our running away. From the first it was more my fault than his."

Emil turned away his face.

"And now," Marie went on, "I've got to remember that. Frank is just the same now as he was then, only then I would see him as I wanted him to be. I would have my own way. And now I pay for it."

"You don't do all the paying."

"That's it. When one makes a mistake, there's no telling where it will stop. But you can go away; you can leave all this behind you."

"Not everything. I can't leave you behind. Will you go away with me, Marie?"

Marie started up and stepped across the stile. "Emil! How wickedly you talk! I am not that kind of a girl, and you know it. But what am I going to do if you keep tormenting me like this!" she added plaintively.

"Marie, I won't bother you any more if you will tell me just one thing. Stop a minute and look at me. No, n.o.body can see us.

Everybody's asleep. That was only a firefly. Marie, STOP and tell me!"

Emil overtook her and catching her by the shoulders shook her gently, as if he were trying to awaken a sleepwalker.

Marie hid her face on his arm. "Don't ask me anything more. I don't know anything except how miserable I am. And I thought it would be all right when you came back. Oh, Emil," she clutched his sleeve and began to cry, "what am I to do if you don't go away? I can't go, and one of us must. Can't you see?"

Emil stood looking down at her, holding his shoulders stiff and stiffening the arm to which she clung. Her white dress looked gray in the darkness. She seemed like a troubled spirit, like some shadow out of the earth, clinging to him and entreating him to give her peace. Behind her the fireflies were weaving in and out over the wheat. He put his hand on her bent head. "On my honor, Marie, if you will say you love me, I will go away."

She lifted her face to his. "How could I help it? Didn't you know?"

Emil was the one who trembled, through all his frame. After he left Marie at her gate, he wandered about the fields all night, till morning put out the fireflies and the stars.

III

One evening, a week after Signa's wedding, Emil was kneeling before a box in the sitting-room, packing his books. From time to time he rose and wandered about the house, picking up stray volumes and bringing them listlessly back to his box. He was packing without enthusiasm. He was not very sanguine about his future. Alexandra sat sewing by the table. She had helped him pack his trunk in the afternoon. As Emil came and went by her chair with his books, he thought to himself that it had not been so hard to leave his sister since he first went away to school. He was going directly to Omaha, to read law in the office of a Swedish lawyer until October, when he would enter the law school at Ann Arbor. They had planned that Alexandra was to come to Michigan--a long journey for her--at Christmas time, and spend several weeks with him.

Nevertheless, he felt that this leave-taking would be more final than his earlier ones had been; that it meant a definite break with his old home and the beginning of something new--he did not know what. His ideas about the future would not crystallize; the more he tried to think about it, the vaguer his conception of it became.

But one thing was clear, he told himself; it was high time that he made good to Alexandra, and that ought to be incentive enough to begin with.

As he went about gathering up his books he felt as if he were uprooting things. At last he threw himself down on the old slat lounge where he had slept when he was little, and lay looking up at the familiar cracks in the ceiling.

"Tired, Emil?" his sister asked.

"Lazy," he murmured, turning on his side and looking at her. He studied Alexandra's face for a long time in the lamplight. It had never occurred to him that his sister was a handsome woman until Marie Shabata had told him so. Indeed, he had never thought of her as being a woman at all, only a sister. As he studied her bent head, he looked up at the picture of John Bergson above the lamp.

"No," he thought to himself, "she didn't get it there. I suppose I am more like that."

"Alexandra," he said suddenly, "that old walnut secretary you use for a desk was father's, wasn't it?"

Alexandra went on st.i.tching. "Yes. It was one of the first things he bought for the old log house. It was a great extravagance in those days. But he wrote a great many letters back to the old country. He had many friends there, and they wrote to him up to the time he died. No one ever blamed him for grandfather's disgrace.

I can see him now, sitting there on Sundays, in his white s.h.i.+rt, writing pages and pages, so carefully. He wrote a fine, regular hand, almost like engraving. Yours is something like his, when you take pains."

"Grandfather was really crooked, was he?"

"He married an unscrupulous woman, and then--then I'm afraid he was really crooked. When we first came here father used to have dreams about making a great fortune and going back to Sweden to pay back to the poor sailors the money grandfather had lost."

Emil stirred on the lounge. "I say, that would have been worth while, wouldn't it? Father wasn't a bit like Lou or Oscar, was he? I can't remember much about him before he got sick."

"Oh, not at all!" Alexandra dropped her sewing on her knee. "He had better opportunities; not to make money, but to make something of himself. He was a quiet man, but he was very intelligent. You would have been proud of him, Emil."

Alexandra felt that he would like to know there had been a man of his kin whom he could admire. She knew that Emil was ashamed of Lou and Oscar, because they were bigoted and self-satisfied. He never said much about them, but she could feel his disgust. His brothers had shown their disapproval of him ever since he first went away to school. The only thing that would have satisfied them would have been his failure at the University. As it was, they resented every change in his speech, in his dress, in his point of view; though the latter they had to conjecture, for Emil avoided talking to them about any but family matters. All his interests they treated as affectations.

Alexandra took up her sewing again. "I can remember father when he was quite a young man. He belonged to some kind of a musical society, a male chorus, in Stockholm. I can remember going with mother to hear them sing. There must have been a hundred of them, and they all wore long black coats and white neckties. I was used to seeing father in a blue coat, a sort of jacket, and when I recognized him on the platform, I was very proud. Do you remember that Swedish song he taught you, about the s.h.i.+p boy?"

"Yes. I used to sing it to the Mexicans. They like anything different." Emil paused. "Father had a hard fight here, didn't he?" he added thoughtfully.

"Yes, and he died in a dark time. Still, he had hope. He believed in the land."

"And in you, I guess," Emil said to himself. There was another period of silence; that warm, friendly silence, full of perfect understanding, in which Emil and Alexandra had spent many of their happiest half-hours.

At last Emil said abruptly, "Lou and Oscar would be better off if they were poor, wouldn't they?"

Alexandra smiled. "Maybe. But their children wouldn't. I have great hopes of Milly."

Emil s.h.i.+vered. "I don't know. Seems to me it gets worse as it goes on. The worst of the Swedes is that they're never willing to find out how much they don't know. It was like that at the University. Always so pleased with themselves! There's no getting behind that conceited Swedish grin. The Bohemians and Germans were so different."

"Come, Emil, don't go back on your own people. Father wasn't conceited, Uncle Otto wasn't. Even Lou and Oscar weren't when they were boys."

Emil looked incredulous, but he did not dispute the point. He turned on his back and lay still for a long time, his hands locked under his head, looking up at the ceiling. Alexandra knew that he was thinking of many things. She felt no anxiety about Emil. She had always believed in him, as she had believed in the land. He had been more like himself since he got back from Mexico; seemed glad to be at home, and talked to her as he used to do. She had no doubt that his wandering fit was over, and that he would soon be settled in life.

"Alexandra," said Emil suddenly, "do you remember the wild duck we saw down on the river that time?"

His sister looked up. "I often think of her. It always seems to me she's there still, just like we saw her."

"I know. It's queer what things one remembers and what things one forgets." Emil yawned and sat up. "Well, it's time to turn in."

He rose, and going over to Alexandra stooped down and kissed her lightly on the cheek. "Good-night, sister. I think you did pretty well by us."

Emil took up his lamp and went upstairs. Alexandra sat finis.h.i.+ng his new nights.h.i.+rt, that must go in the top tray of his trunk.