The Customs of Old England Part 2

Not only n.o.blemen, but the Princes of the Church had their private chapels, for which the services of children were retained. George Cavendish, in his "Life of Wolsey," gives a glowing account of the Cardinal's palatial appointments, in the course of which he observes: "Now I will declare unto you the officers of his chapel and singing men of the same. First he had there a dean, a great divine, and a man of excellent learning; and a sub-dean, a repeater of the choir, a gospeller and epistler of the singing-priests, and a master of the children [therefore, of course, children]; in the vestry a yeoman and two grooms, besides other retainers that came thither at princ.i.p.al feasts.... And as for the furniture of the chapel it pa.s.seth my weak capacity to declare the number of the costly ornaments and rich jewels that were occupied in the same, for I have seen in procession about the hall forty-four rich copes of one settle worn, besides the candlesticks and other necessary ornaments to the furniture of the same." Such were the sumptuous surroundings in which "children of the chapel" were wont sometimes to perform their office.

An element of distinction enjoyed by peer and prelate was not likely to be absent from the first estate of the realm; and, in point of fact, the phrase "children of the chapel," so far as it is known, is more commonly a.s.sociated with the King's court than any of the castles or episcopal palaces of the land. Certain of the King's "Gentlemen of the Chapel"

seem to have received payment in money, including extraordinary fees, and provided for themselves, whilst others had board and lodging. The following table, though less complete than the Northumberland accounts, throws light on the rate of requital:

_ s. d._

Master of the children, for his wages and board wages 30 0 0

Gospeller, for wages, 13 6 8

Epistoler, " " 13 6 8

Verger, " " 20 0 0

Yeomen of the Vestry {10 0 0 {10 0 0

Children of the Chapel, ten 56 13 4

Another ordinance states that "The Gentlemen of the Chapell, Gospeller, Episteller, and Sergeant of the Vestry shall have from the last day of March forward for their board wages, everie of them, 10_d._ per diem; and the Yeomen and Groomes of the Vestry, everie of them, 2_s._ by the weeke." When not on board wages, they had "Bouche of Court," like the physicians. "Bouche of Court" signified the daily livery or allowance of food, drink, and fuel, and this, in the case of the Master of the Children, exceeded that of the surgeons to the value of about 1 1_s._ per annum. Thus it will be seen that the style "Gentlemen," as applied to the grown-up members of the choir, was not merely complimentary, but indicative of their actual status.

Meals were served at regular hours. "It is ordeyned that the household, when the hall is kept, shall observe certyne times for dinner and souper as followeth: that is to say, the first dynner in eating dayes to begin at tenn of the clock, or somewhat before; and the first souper at foure of the clock on worke dayes."

The duties of the choir also are plainly laid down: "Forasmuch as it is goodly and honourable that there should be alwayes some divine service in the court ... when his grace keepeth court and specially in riding journeys: it is ordeyned that the master of the children and six men ...

shall give their continual attendance in the King's court, and dayly in the absence of the residue of the chappell, to have a ma.s.se of our Lady before noone, and on Sundayes and holy dayes ma.s.se of the day besides our Lady ma.s.se, and an anthem in the afternoone."

It was part of the business of the Master of the Children to instruct his young charges in "grammar, songes, organes, and other vertuous things"; and, on the whole, the lot of the choristers might have been deemed enviable. It is evident, however, that it was not always regarded in that light, for a custom existed of impressing children. This practice was authorized by a precept of Henry VI. in 1454, and one of its victims was Thomas Tusser, afterwards author of "Five Hundred Points of Good Husbandry," who thus alludes to the matter:

There for my voice I must (no choice) Away of force, like posting horse; For sundry men had placards then Such child to take.

Moreover, it has been shrewdly suspected that the whipping-boy, who vicariously atoned for the sins of a prince of the blood--in other words, was thrashed, when he did wrong--was picked from the Children of the Chapel. Certainly Charles I. had such a whipping-boy named Murray; and judging from this instance the expedient was not commended by its results.

Members of the choir were expected to be persons of exemplary life and conversation, to ensure which state of things there was a weekly visitation by the Dean. Every Friday he sought out and avoided from office "all rascals and hangers upon thys courte." The tone of discipline, to conclude from the poems of Hugh Rhodes, was undoubtedly high; and, whatever difficulties he may have encountered in training the boys to his own high standards, his "Book of Nurture" must always possess considerable value as a reflex of the moral and social ideals of a Master of the Children in the sixteenth century.

Rhodes's successor in the days of Elizabeth was Richard Edwards, a man of literary taste and the compiler of a "Paradise of Dainty Devices."

The Master had now a salary of forty pounds a year; the Gentlemen nineteen pence a day, in addition to board and clothing; and the Children received largesse at high feasts and on occasions when their services were used for purposes apart from their ordinary duties. In this way the Chapel Royal is closely connected with the rise of the English drama. Edwards wrote light pieces for the children to act before Her Majesty, and, encouraged by success, fell to composing set comedies, which were also performed by the boys, under his instructions, in the presence of the Court.

We have limited our retrospect mainly to the Tudor period. As an extension of the subject would call for more s.p.a.ce than we have at our disposal, those who desire more information concerning the "Children of the Chapel" will do well to consult a recent work ent.i.tled "The King's Musick" (edited by H. C. de Lafontaine: Novello & Co.), which carries on the record into the age of the Stuarts. Entries cited in this excellent compilation relate to eminent English composers. In December, 1673, for example, there was a "warrant to pay Henry Purcell, late one of the children of his Majesty's Chappell Royall, whose voyce is changed and gone from the Chappell, the sum of 30 by the year, to commence Michaelmas, 1673." This was in consequence of the sensible custom of retaining as supernumeraries boys who had given evidence of musical ability. Such is certainly true of Purcell, who, at the early age of eleven, had shown promise of his future career by an ode called "The Address of the Children of the Chapel Royal to the King and their Master, Captain Cooke, on His Majestie's Birthday, A.D. 1670, composed by Master Purcell, one of the Children of the said Chapel."

ECCLESIASTICAL

CHAPTER V

THE BOY-BISHOP

Mention has been made of Hugh Rhodes and his "Book of Nurture." It is pretty evident that this master of music was attached to the older form of faith, since he published in Queen Mary's reign a poem bearing the extravagant t.i.tle: "The Song of the Chyld-Bysshop, as it was songe before the Queen's Maiestie in her priuie chamber at her mannour of Saint James in the feeldes on Saynt Nicholas' Day and Innocents' Day this yeare now present by the chylde bisshop of Poules church with his company. Londini in aedibus Johannis Cawood typographi reginae, 1555."

This effusion Warton derides as a "fulsome panegyric" on the Queen's devotion; and the censure is not wholly unjust, since the author, without much regard for accuracy, likens that least lovable of our sovereigns to Judith, Esther, and the Blessed Virgin. Meanwhile, who or what was the "Chyld-Bysshop," or, as he is usually styled, the Boy-Bishop?

In the first place it may be noted that the Latin equivalent of the phrase was not, as might be expected, _Episcopus puerilis_, but _Episcopus puerorum_, suggesting that the boy, if boy he was, was elevated above his compeers and possessed perhaps some jurisdiction over them. There is no question of the access of dignity, but the amount of authority enjoyed by him would have depended on the humour of his fellows, and boys are not always docile subjects even of rulers of their own election. This, however, is a minor consideration, since the Boy-Bishop, when we first make his acquaintance, has already emerged from the obscurity of school and playground, and made good his claim to the homage of superiors in age and station. Hence the term "Boy-Bishop"

appears to define more accurately than its Latin a.n.a.logue the rank and privileges of the immature prelate.

It seems to lie in the nature of things that the Boy-Bishop was originally an inst.i.tution of the boys themselves, the chief figure in a game in which they aped, as children so commonly do, the procedure of their elders, and that, in course of time, those elders, for reasons deemed good and sufficient, extended their patronage to the innocent parade, and made it a const.i.tuent of their own festal round.

In tracing the migration of the custom from the precincts to the interior of the church we must not forget the tradition of the Roman Saturnalia, with the season and spirit of which it accorded, and to which the Christian festival, with its greater purity and decorum, may have been prescribed as an antidote. The pagan holiday was held on December 17th, and as the Sigillaria formed a continuation of it, the joyous celebration endured a whole week. The Boy-Bishop's term of office was yet longer, extending from St. Nicholas' Day (December 6th) to Holy Innocents' Day (December 28th).

The distinctive feature of the Saturnalia was the inversion of ordinary relations.h.i.+ps; the world was turned upside down, and the licence that prevailed, by dint of long usage and inviolable sentiment, imparted to the merry-making a rough and even immoral character. Slaves a.s.sumed the position of masters, and masters of slaves; and the general nature of the observance is aptly described by the patron deity in Lucian's play on the subject: "During my reign of a week no one may attend to his business, but only to drinking, singing, playing, making imaginary kings, playing servants at table with their masters."

The advent of Christianity was impotent to arrest the annual scenes of disorder; and, in some form or another--sometimes tolerated, sometimes the object of the Church's anathema--the tradition held its own down through the Dark Ages, and we meet with the substance of the Saturnalia, during the centuries immediately preceding the Reformation, in the burlesque festivals with which the rule of the Boy-Bishop has been often identified. We shall see presently how far this judgment is correct. An example will, no doubt, readily recur to the reader from a source to which we owe so many impressions of the Middle Ages, some true, others false or at least exaggerated--we mean the historical romances of Sir Walter Scott. That writer has introduced into "The Abbot" an Abbot of Unreason, and he explains in a note that "The Roman Catholic Church connived at the frolics of the rude vulgar, who, in almost all Catholic countries, enjoyed, or at least a.s.sumed, the privilege of making some Lord of the Revels, who, under the name of the Abbot of Unreason, the Boy-Bishop, or the President of Fools, occupied the churches, profaned the holy places by a mock imitation of the sacred rites, and sang indecent parodies of the hymns of the church." The last touch, at any rate, may be safely challenged as untrue, and the whole picture has the appearance of being largely overdrawn. This is certainly the case as regards England, though there is evidence that on the Continent the Boy-Bishop celebration was, at certain times and in certain places, not free from objectionable features. In 1274 the Council of Salzburg was moved to prohibit the "noxii ludi quos vulgaris eloquentia Episcopus puerorum appellat" on the ground that they had produced great enormities. Probably this sentence referred to the accessories, such as immoral plays, but it is quite possible that the Boy-Bishop ceremonies themselves had degenerated into a farce. As the _Rex Stultorum_ festival was prohibited at Beverly Minster in 1371, we must conclude that similar extravagance and profanity had crept into Yuletide observances in this country. The festival of the Boy-Bishop, however, was conducted with a decency hardly to be expected in view of its apparent a.s.sociations. It would seem, indeed, to have been an impressive and edifying function, and that reasonable exception can be taken to it only on the score of childishness, and the absence of any warrant from Scripture, apart from the rather doubtful sanction of St. Paul's words, "The elder shall serve the younger."

There are weighty considerations on the other side. The mediaeval Church derived stores of strength from its sympathetic att.i.tude towards women and children and the illiterate; and there was a sensible loss of vitality and interest when the ministry of the Church was curtailed to suit the common sense of a handful of statesmen, scholars, and philosophers. At the time the festival was abolished, opinion was divided even among the leaders of reform. Thus Archbishop Strype openly favoured the custom, holding that it "gave a spirit to the children,"

and was an encouragement to them to study in the hope of attaining some day the real mitre. Broadly speaking, then, the Boy-Bishop festival is evidence of the tender condescension of Holy Mother Church to little children, and it does not stand alone. At Eyton, Rutlands.h.i.+re, and elsewhere, children were allowed to play in church on Holy Innocents'

Day, possibly in the same way as at the "Burial of the Alleluia" in a church at Paris, where a chorister whipped a top, on which the word "Alleluia" was inscribed, from one end of the choir to the other. As Mr.

Evelyn White points out, this "quickening of golden praise," by its union of religious service and child's play, exactly reproduces the conditions of the Boy-Bishop festival. Certain it is that the festival was extraordinarily popular. There was hardly a church or school throughout the country in which it was not observed, and if we turn to the Northumberland Book cited in the foregoing chapter we shall find that provision was made for its celebration in the chapels of the n.o.bility as well. The inventory is as follows:

"_Imprimis_, myter well garnished with perle and precious stones with nowches of silver and gilt before and behind.

"_Item_, iiij rynges of silver and gilt with four redde precious stones in them.

"_Item_, j pontifical with silver and gilt, with a blew stone in hytt.

"_Item_, j owche broken silver and gilt, with iiij precious stones and a perle in the myddes.

"_Item_, A Crosse with a staf of coper and gilt with the ymage of St. Nicholas in the myddes.

"_Item_, j vesture redde with lyons of silver with brydds of gold in the orferores of the same.

"_Item_, j albe to the same, with stars in the paro.[2]

"_Item_, j white cope stayned with cristells and orferes redde sylk with does of gold and white napkins about their necks.

"_Item_, j stayned cloth of the ymage of St. Nicholas.

"_Item_, iiij copes blue sylk with red orferes trayled with whitt braunches and flowers.

"_Item_, j tabard of skarlett and a hodde thereto lyned with whitt sylk.

"_Item_, A hode of Scarlett lyned with blue sylk."

There is an entry in the book showing upon what terms the custom was observed in the house of a great n.o.ble. When chapel was kept for St.

Nicholas--St. Nicholas was, of course, the patron saint of boys--6_s._ 8_d._ was a.s.signed to the Master of the Children for one of the latter.

When, on the contrary, St. Nicholas "com out of the towne where my lord lyeth and my lord kepe no chapel," the amount is reduced to 3_s._ 4_d._

Abbeys, cathedrals, and parish churches were equally forward in their recognition of the custom, and strove to celebrate it on a scale of the utmost splendour and magnificence. A list of ornaments for St. Nicholas contained in a Westminster inventory of the year 1388 comprises a mitre, gloves, surplice, and rochet for the Boy-Bishop, together with two albs, a cope embroidered with griffins and other beasts and playing fountains, a velvet cope with the new arms of England, a second mitre and a ring.

In 1540 mention occurs of the "vj^th mytre for St. Nicholas bisshope,"

and "a great blewe cloth with kyngs on horsse back for the St. Nicholas cheyre." At St. Paul's Cathedral twenty-eight copes were employed not only for the Boy-Bishop and his company, but for the Feast of Fools. The earliest inventory of the church--that of 1245--speaks of a mitre, the gift of John de Belemains, Prebendary of Chiswick, and a rich pastoral staff for the use of the Boy-Bishop. At York Minster were kept a "cope of tissue" for the Boy-Bishop, and ten for his attendants, while an inventory made in 1536 at Lincoln refers to "a coope of rede velvett with rolles and clowdes ordeyned for the barne bisshop with this scripture THE HYE WAY IS BEST." Typical of many other places, the custom was observed at Winchester, Durham, Salisbury, and Exeter Cathedrals; at the Temple Church, London (1307); St. Benet-Fynck; St.

Mary Woolnoth; St. Catherine, near the Tower of London; St. Peter Cheap; St. Mary-at-Hill, Billingsgate; Rotherham; Sandwich, St. Mary; Norwich, St. Andrew's and St. Peter Mancroft; Elsing College, Winchester; Eton and Winchester Colleges; Magdalen College, Oxford, and King's College, Cambridge; Witchingham, Norfolk (1547); Great St. Mary, Cambridge (1503); Hadleigh, Suffolk; North Elmham, Norfolk (1547). When the goods of Great St. Mary, Cambridge, were sold, in May 1560, among the rest were the following: "_It._ ye rede cote and qwood yt St. Nicholas dyd wer the color red. _It._ the vestement and cope yt Seynt Nicholas dyd wer. Also albs for the children."