English Villages Part 11

Preaching not being considered such an important part of the service in pre-Reformation times, pulpits in churches of that period were not so usual as in modern churches. Monastic refectories had pulpits, which the reader occupied when he read to his brethren during meals. Beaulieu Abbey has the most ancient pulpit in this country, which evidently belongs to the thirteenth century.

The churches of Devons.h.i.+re and Norfolk have wooden pulpits of the fifteenth century, which were painted and gilded, the figures of the four doctors of the church--SS. Augustine, Ambrose, Gregory, and Jerome--being the favourite subjects. In 1603 the churchwardens were ordered to provide in every church "a comely and decent pulpit." Hence most of our pulpits date from this period. The sides were panelled and carved with scrollwork; and at the same time a sounding-board was introduced. Occasionally the hour-gla.s.s which regulated the length of the preacher's discourse remains, with its beautiful scroll-worked stand.

The most striking feature of the pre-Reformation Church was the rood-loft, a narrow long gallery above the beautifully decorated screen, which separated the chancel from the nave. In this loft was erected the rood, or figure of our blessed Lord on the cross, together with figures of the Virgin and St. John on each side. Both the screen and the loft were richly panelled and ornamented with tracery and carvings, and before them hung one or more lamps. Sometimes tall candlesticks stood on pillars on each side of the figures. A staircase of stone, constructed in the wall near the chancel-arch, led to the rood-loft, and the blocked-up archway of this rood-stair frequently remains. The priest stood in the rood-loft to read the gospel and epistle, and sometimes preached there; official notices were read, and from it the bishop used to give the Benediction. The rood-cloth, or veil, hid the rood during Lent, and in some churches we have seen the roller which was used to raise this veil. A special altar, called the rood-altar, used to stand under the screen.

[Ill.u.s.tration: EARLY ENGLISH SCREEN, THURCASTON, LEICESTERs.h.i.+RE]

The Reformers played havoc with these old rood-lofts and screens, which were regarded as monuments of idolatry and superst.i.tion. The churchwardens' account-books of many churches bear witness to this destruction. Those of St. Giles', Reading, tell of certain _items_ "for pulling down the rood and carting away the rubbish." Instead of the figure of our Lord they put up the royal arms; and one John Serjente, of Hytchen, is licensed in 1614--

"to paynte in all the Churches and Chappells, within this Realme of England, the Kinges Majesties armes in due forme with helme creste mantell and supporters as they oughte to be--and to wright in fayre text letters the tenn commandments, the beliefe, and the Lord's prayer, with some other fruitefull and profitable sentences of holye scripture."

In spite of this destruction of the ancient roods, several lofts still remain, _e.g._ at Bradninch, Cullompton, Dartmouth, Hartland, Kenton, Ugborough, and Plymtree, in Devons.h.i.+re; in several places in Somersets.h.i.+re, and at Charlton-on-Otmoor (erected in 1485) and Handborough, Oxfords.h.i.+re. A very large number of the old screens remain, ornamented with the arms of Elizabeth or James I.

Proceeding eastward we enter the chancel, so called because it is inclosed with _cancelli_, or the lattice-work of the screen. If the church was formerly connected with some monastery we shall see some beautifully carved wooden stalls with rich canopies over them. The seats are curiously constructed. They can be turned up, and beneath the seats is a projecting bracket of wood, commonly adorned with carved work--animals, birds, leaves, and flowers, and often with grotesque, satirical, and irreverent devices. They are called miserere-stalls, and were used by the monks or canons to lean against during the portions of the long mediaeval services, when they were not allowed to be seated. As this practice was a concession to human weakness or infirmity, the seats were called in France _misericordes_, and in England _misereres_. The subjects of the sculptures are often extremely curious. Domestic scenes, fables, such as the "Fox and the Grapes," demons carrying off monks, "The Seven Deadly Sins," are some of these subjects. Miss Phipson has published a learned work on _Choir Stalls and their Carvings_, which contains reproductions of three hundred of her sketches of curiously wrought _misereres_.

[Ill.u.s.tration: VILLAGE CHURCH IN THE VALE]

The lectern formerly stood in the chancel; and then, as now, was often in the form of a large eagle, emblematic of St. John. Most of these reading-desks belong to the fifteenth and seventeenth centuries, and are made of wood, latten, iron, or stone, as well as of bra.s.s. There is a very curious wooden one at East Hendred, Berks, representing a foot resting on the head of a dragon, emblematic of the word of G.o.d conquering the powers of evil. Ancient wooden double reading-desks are not uncommon. The ornamentation usually denotes the period when they were constructed.

And now we approach the high altar of the church, made of stone, covered with a beautifully worked frontal and cloth, and inclosed at the sides with curtains suspended on iron rods projecting from the wall. A crucifix hangs above the altar, and two candlesticks stand, one on each side. The furniture and accessories of the altar in pre-Reformation times were numerous. There was the pyx, a box or vessel of precious metal, in which the Host was reverently preserved for the purpose of giving communion to the sick and infirm. There were two small cruets or vessels for containing the wine and water used in Holy Communion, one engraved with the letter "V" (_vinum_), and the other "A" (_aqua_). An _osculatorium_, or pax tablet, of ivory or wood, overlaid with gold, was used for giving the kiss of peace during the High Ma.s.s just before the reception of the Host. Of church plate generally we shall write in a subsequent chapter.

[Ill.u.s.tration: NORMAN PISCINA, ROMSEY CHURCH, HANTS]

On the south we see the piscina, which is contained in a beautifully carved niche--a hollow basin with a stone drain, wherein the priest washed his hands before consecrating the elements, and poured the water from the rinsed chalice. Above it in the niche was the credence, a shelf of stone, on which were placed the chalice and paten and all things necessary for the celebration. In some churches there is a separate credence table. On the north side was the aumbry, or locker, where the sacred vessels, altar linen, and service books were kept, guarded by a strong wooden door. The doors have usually disappeared, but a very large number of churches have the hole in the wall which was formerly the aumbry.

On the south side are the sedilia, or stone seats, for the a.s.sistant clergy, frequently with canopies richly carved, and usually three in number. Opposite to the sedilia in the north wall is a large arch, within which the holy sepulchre was set up at Easter. This was a wooden structure made for the deposition of the consecrated elements of the Eucharist from the evening of Good Friday until the morning of Easter Day; during which time it was watched by a quasi-guard, after the manner of our Lord's sepulchre. The books of St. Lawrence, Reading, record:--

"Anno 1498. In primis payed for Wakyng of the Sepulchre viii'd."

"Anno 1510. It. payed to Walter Barton to the new Sepulchur iiii'li xiii's x'd."

As this sum of money was a considerable one at that period, the sepulchre must have been an object of unusual magnificence. Sometimes it was a permanent structure of stone, carved with figures of soldiers watching the tomb of our Lord. Behind the altar was the reredos. In village churches these screens were made up of recessed stone panels, surrounded by sculptured wallflowers and other devices; but in large churches they were very ornate, enriched with niches, statues, tabernacle-work, and other adornments. Many of them were destroyed at the Reformation, together with the stone altars. Some were covered up and concealed by plaster, in order to preserve them from iconoclastic violence. They were buried and forgotten, until by some happy accident their existence was revealed in modern times. Nearly all large churches, and some village churches, especially those connected with a monastery, had shrines, or receptacles for the body or relics of a saint. Some of them were fixed, and made of stone or wood, adorned with rich tabernacle-work, such as the shrine of St. Cuthbert at Durham, or of St.

Frideswide at Oxford; and others were portable, shaped like coped boxes, covered with precious metal, enamels, and engraving. Sculptured stones in the walls of our churches often mark the spot in the building where relics were stored.

It is evident from the existence of niches and piscinas in other parts of the church, besides in the south wall near the high altar, that there formerly existed many altars in the sacred building. At the east end of each aisle we usually find these indications of the existence of an altar, which belonged to a chantry chapel, separated from the rest of the church by a screen. Here a priest said Ma.s.s daily for the soul of the founder of the chantry, his ancestors, and posterity. Ancient stone altars still remain in some of our churches. Sometimes they have been removed from their place, and used as tombstones, or in paving the floor of the church. They can be recognised by the five crosses engraved on them, one at each corner, and one in the centre of the stone.

Hagioscopes, or squints, are openings in the thickness of the wall, enabling wors.h.i.+ppers in the chantry chapels to witness the elevation of the Host at the high altar. They are usually plain; but in some churches we find these curious apertures moulded and decorated with architectural designs.

Pre-Reformation churches had several wooden images of saints, most of which were destroyed by the iconoclastic zeal of the Reformers or Puritans. The brackets on which these figures stood often remain, though the images have disappeared.

[Ill.u.s.tration: LOW SIDE WINDOW, DALLINGTON CHURCH, NORTHAMPTONs.h.i.+RE]

Low side windows, commonly called "Lepers' windows," are very frequently found in our churches, and usually on the south wall of the chancel.

Their object has been, and is, much disputed among antiquaries. The vulgar idea is that poor lepers used to come to this window to see the celebration of the Ma.s.s; but unfortunately it is quite impossible in many cases to see the high altar through this window, and moreover lepers were not allowed to enter a churchyard. Another idea is that they were used as confessionals, the priest in the church hearing the confession of the penitent who knelt on the gra.s.s in the churchyard.

A more inconvenient arrangement could not have been devised; and this idea might be at once dismissed, were it not that one of Henry's commissioners for suppressing monasteries and chantries wrote: "We think it best that the place where these friars have been wont to hear outward confession of all-comers at certain times of the year, be walled up, and that use to be done for ever." It appears that sometimes at any rate the low side windows were used for this purpose. However, I am inclined to think that they were intended for the use of the anchorites or recluses, who dwelt in churches. The windows were not glazed, but had iron bars on the outside, and a wooden shutter on the inside of the church. These windows were probably their means of communication with the outside world.

Many village churches then, as now, had no vestry. Where a _vestiarium_ existed it was usually on the north side of the chancel, and its contents were more elaborate than the plain surplice stole and hood of recent times. In the vestry press we should find an alb of fine white linen, somewhat similar to a surplice, ornamented with "apparels,"

_i.e._ embroidery, on the cuffs and skirts; a girdle made of white silk embroidered with colours; an amice, or oblong piece of fine linen, worn on the head or as a collar; a stole with embroidered ends; a maniple, or strip of ornamented linen worn by the priest in his left hand during celebrations; dalmatic, chasuble and other vestments which the ornate ritual of the mediaeval church required.

Before the Reformation the appearance of our churches was certainly splendid, and differed much from the Puritan simplicity of later times.

The walls were covered with mural paintings. The windows, soon to be

"Shorn of their gla.s.s of a thousand colourings, Through which the deepened glories once could enter,"

were then resplendent with stained gla.s.s. Above, the rood looked down on all the wors.h.i.+ppers. Everywhere there was beautifully carved woodwork, gilded and painted, tombs of knights and dames all painted and adorned, altars with rich embroidered hangings. The floor was composed of encaustic tiles, and had many memorial bra.s.ses. Armour, crests, and banners hung upon the walls. Lights burned before numerous images, and the whole appearance of our churches was gorgeous and magnificent.

Many changes have taken place since. Coatings of whitewash hide the mural paintings. Sacrilegious hands "have broken down all the carved work with axes and hammers." The stone altars have disappeared, and instead we have "an honest table decently covered." Reading-pews for the clergy were set up, and in the last century the hideous "three decker,"

which hid the altar and utterly disfigured the sacred building. Instead of the low open seats great square high pews filled the nave. Hideous galleries were erected which obstructed the windows and hid the architectural beauties of former days. The old timber roofs were covered, and low flat ceilings subst.i.tuted. Bra.s.ses were torn up and sold by dishonest churchwardens, and old monuments broken and defaced.

The old stained-gla.s.s windows were destroyed. The Communion table was taken from the east end of the chancel, and seats erected round it.

Crosses were defaced everywhere, and crucifixes destroyed. Puritan profanation and wanton destruction devastated our churches to a degree which has never been equalled since the hordes of heathens and barbaric Danish invaders carried fire and sword into the sanctuaries of G.o.d.

[Ill.u.s.tration: READING-PEW, SEVENTEENTH CENTURY, LANGLEY CHAPEL, SALOP]

Much harm was done by the Goths and Vandals of the nineteenth century.

Many old churches, replete with a thousand memories of the past, were pulled down entirely, and modern structures of "Victorian Gothic" style erected in their place, which can have none of the precious a.s.sociations which the old churches had. Much harm was done to the old features of many churches by so-called "restoration," carried out by men ignorant of architecture and antiquities. But we are learning better now. The Society of Antiquaries has done much to prevent injudicious restoration and the destruction of our old churches, and if any inc.u.mbent and his paris.h.i.+oners are thinking of restoring their church, they cannot do better than to consult the secretaries of that learned body, who will show how best to preserve the interesting memorials of the past which time has spared.

CHAPTER XV

CHURCH PLATE

Spoliation--Few remains of pre-Reformation plate--Testimony of inventories--Plate found in graves of bishops--Characteristics of chalices in different periods--Inscriptions--Devices on patens-- Censers--Pyx--Monstrance--Chrismatory--Pax--Sacring bell--Elizabethan chalice--Bridal cup--Post-Reformation plate--Hall marks.

We have already mourned over the wanton destruction of much that was of intense interest and value in our churches; but the most systematic robbery and spoliation of our church goods at the time of the Reformation were carried out in the matter of church plate. Henry VIII.

stripped our cathedrals and conventual churches of almost all that was valuable, and the unscrupulous commissioners of Edward VI. performed a like office for our parish churches and chantries. A large number of the old chalices were also melted down and converted into Communion cupsduring the reigns of Edward VI. and Elizabeth. Hence of all the vast store of church plate which our churches possessed before the Reformation, at the present time throughout all England only thirty-four chalices and seventy-three patens remain. It is true that not all the ancient vessels fell into the hands of the commissioners of the king. In the churchwardens' account books of the period we read of sundry sales of church plate. Evidently the paris.h.i.+oners had some presentiment of the coming spoliation; so they sold their valuables, and kept the proceeds of the sale for "the paving of the streets," or other parochial necessities.

The ancient inventories of church goods show the deplorable loss of the valuables of the church which has taken place. Thus at the church of St.

Lawrence, Reading, in the year 1517, the inventory tells us of the following: a cross of silver and gilt; a censer of silver gilt; another censer; a s.h.i.+p of silver for holding incense; another s.h.i.+p of silver; two candlesticks of silver; two books bound in silver; two basins of silver; a pyx of silver gilt, with a silver pin; a monstrance of silver gilt; a silver gilt chrismatory for the holy oil; a pax; two cruets; a bell; a chalice, with a crucifix enamelled on the foot and the Trinity on the paten; another chalice, with a crucifix engraved on the foot and a hand on the paten; another chalice similarly described; another similar to first chalice; and two others, with a crucifix on the foot and a vernicle, or _vera icon_ (a representation of our Lord's face miraculously delineated on the napkin of St. Veronica). All these vessels were made of silver or silver gilt. Nor were these all the treasures. There were several reliquaries of silver gilt containing parts of the holy cross; a gridiron, with a bone of St. Lawrence, and other articles contained in silver boxes; and many books bound with silver clasps. The total weight of silver in this church amounted to seven hundred ounces.

Village churches were, of course, less sumptuously furnished than this important town church, which being situated under the shadow of one of the largest and most important abbeys in the kingdom, would receive many costly gifts and benefactors. But the inventories of village churches show that there was no lack of plate, rich altar hangings, copes, and vestments, which helped to swell the goodly heap of spoil. In country churches in Oxfords.h.i.+re there were silver chalices and patens, pyxes, censers, candlesticks, chrismatories, crosses, sanctus bells, and other articles of plate.

It was the practice in mediaeval times to place in the coffin of a bishop a chalice and paten; hence some of the earliest specimens of church plate which we possess have been recovered from episcopal graves.[3] The Rites of Durham enjoin that on the death of a bishop he was to be buried "with a little chalice of silver, other metal, or wax" aid upon his breast within the coffin.[4] Most of these were made of pewter or lead, but some have been found of silver gilt, latten, and tin. It is perhaps scarcely necessary for our present purposes to describe these early specimens of sacred vessels, as the number of them is so limited; and few of my readers will be able to discover any mediaeval examples amongst the plate of their own church. However, I will point out a few peculiarities of the plate of each period.

The earliest chalice, used in the church of Berwick St. James, Wilts, until a few years ago, and now in the British Museum, dates from the beginning of the thirteenth century. Its bowl is broad and shallow, the stem and knot (by which the vessel was held) and foot being plain and circular. Then the makers (from 1250 to 1275) fas.h.i.+oned the stem and knot separately from the bowl and foot, and shaped them polygonally.

During the remaining years of the century the foot was worked into ornate lobes. Then the bowl is deepened and made more conical. About 1350 the custom arose of laying the chalice on its side on the paten to drain at the ablutions at Ma.s.s; and as the round-footed chalices would have a tendency to roll, the foot was made hexagonal for stability.

Henceforth all the mediaeval chalices were fas.h.i.+oned with a six-sided foot. By degrees the bowl became broader and shallower, and instead of the base having six points, its form is a s.e.xfoil without any points.

Several old chalices are engraved with the inscription--

Calicem salutaris accipiam et nomen Domini inbocabo.

[Ill.u.s.tration: CHALICE AND PATEN, SANDFORD, OXFORDs.h.i.+RE _Circa_ A.D. 1301]

In one of the compartments of the base there was a representation of a crucifix, or the Virgin, or ihc, or xpc.

The usual devices on ancient patens were the _Ma.n.u.s Dei_, or hand of G.o.d, in the act of blessing; on later ones the vernicle, or face of our Lord; the Holy Trinity; the Holy Lamb; the sacred monogram. The oldest paten in existence is that found at Chichester Cathedral in a coffin, and its date is about the year 1180. In the centre is a rude engraving of the _Agnus Dei_, and it bears the inscription--