The Rainbow Part 40

"It is a false front," he said, looking at the golden stone and the twin towers, and loving them just the same. In a little ecstasy he found himself in the porch, on the brink of the unrevealed. He looked up to the lovely unfolding of the stone.

He was to pa.s.s within to the perfect womb.

Then he pushed open the door, and the great, pillared gloom was before him, in which his soul shuddered and rose from her nest. His soul leapt, soared up into the great church. His body stood still, absorbed by the height. His soul leapt up into the gloom, into possession, it reeled, it swooned with a great escape, it quivered in the womb, in the hush and the gloom of fecundity, like seed of procreation in ecstasy.

She too was overcome with wonder and awe. She followed him in his progress. Here, the twilight was the very essence of life, the coloured darkness was the embryo of all light, and the day.

Here, the very first dawn was breaking, the very last sunset sinking, and the immemorial darkness, whereof life's day would blossom and fall away again, re-echoed peace and profound immemorial silence.

Away from time, always outside of time! Between east and west, between dawn and sunset, the church lay like a seed in silence, dark before germination, silenced after death.

Containing birth and death, potential with all the noise and transition of life, the cathedral remained hushed, a great, involved seed, whereof the flower would be radiant life inconceivable, but whose beginning and whose end were the circle of silence. Spanned round with the rainbow, the jewelled gloom folded music upon silence, light upon darkness, fecundity upon death, as a seed folds leaf upon leaf and silence upon the root and the flower, hus.h.i.+ng up the secret of all between its parts, the death out of which it fell, the life into which it has dropped, the immortality it involves, and the death it will embrace again.

Here in the church, "before" and "after" were folded together, all was contained in oneness. Brangwen came to his consummation. Out of the doors of the womb he had come, putting aside the wings of the womb, and proceeding into the light.

Through daylight and day-after-day he had come, knowledge after knowledge, and experience after experience, remembering the darkness of the womb, having prescience of the darkness after death. Then between--while he had pushed open the doors of the cathedral, and entered the twilight of both darkness, the hush of the two-fold silence where dawn was sunset, and the beginning and the end were one.

Here the stone leapt up from the plain of earth, leapt up in a manifold, cl.u.s.tered desire each time, up, away from the horizontal earth, through twilight and dusk and the whole range of desire, through the swerving, the declination, ah, to the ecstasy, the touch, to the meeting and the consummation, the meeting, the clasp, the close embrace, the neutrality, the perfect, swooning consummation, the timeless ecstasy. There his soul remained, at the apex of the arch, clinched in the timeless ecstasy, consummated.

And there was no time nor life nor death, but only this, this timeless consummation, where the thrust from earth met the thrust from earth and the arch was locked on the keystone of ecstasy. This was all, this was everything. Till he came to himself in the world below. Then again he gathered himself together, in transit, every jet of him strained and leaped, leaped clear into the darkness above, to the fecundity and the unique mystery, to the touch, the clasp, the consummation, the climax of eternity, the apex of the arch.

She too was overcome, but silenced rather than tuned to the place. She loved it as a world not quite her own, she resented his transports and ecstasies. His pa.s.sion in the cathedral at first awed her, then made her angry. After all, there was the sky outside, and in here, in this mysterious half-night, when his soul leapt with the pillars upwards, it was not to the stars and the crystalline dark s.p.a.ce, but to meet and clasp with the answering impulse of leaping stone, there in the dusk and secrecy of the roof. The far-off clinching and mating of the arches, the leap and thrust of the stone, carrying a great roof overhead, awed and silenced her.

But yet--yet she remembered that the open sky was no blue vault, no dark dome hung with many twinkling lamps, but a s.p.a.ce where stars were wheeling in freedom, with freedom above them always higher.

The cathedral roused her too. But she would never consent to the knitting of all the leaping stone in a great roof that closed her in, and beyond which was nothing, nothing, it was the ultimate confine. His soul would have liked it to be so: here, here is all, complete, eternal: motion, meeting, ecstasy, and no illusion of time, of night and day pa.s.sing by, but only perfectly proportioned s.p.a.ce and movement clinching and renewing, and pa.s.sion surging its way into great waves to the altar, recurrence of ecstasy.

Her soul too was carried forward to the altar, to the threshold of Eternity, in reverence and fear and joy. But ever she hung back in the transit, mistrusting the culmination of the altar. She was not to be flung forward on the lift and lift of pa.s.sionate flights, to be cast at last upon the altar steps as upon the sh.o.r.e of the unknown. There was a great joy and a verity in it. But even in the dazed swoon of the cathedral, she claimed another right. The altar was barren, its lights gone out. G.o.d burned no more in that bush. It was dead matter lying there. She claimed the right to freedom above her, higher than the roof. She had always a sense of being roofed in.

So that she caught at little things, which saved her from being swept forward headlong in the tide of pa.s.sion that leaps on into the Infinite in a great ma.s.s, triumphant and flinging its own course. She wanted to get out of this fixed, leaping, forward-travelling movement, to rise from it as a bird rises with wet, limp feet from the sea, to lift herself as a bird lifts its breast and thrusts its body from the pulse and heave of a sea that bears it forward to an unwilling conclusion, tear herself away like a bird on wings, and in open s.p.a.ce where there is clarity, rise up above the fixed, surcharged motion, a separate speck that hangs suspended, moves this way and that, seeing and answering before it sinks again, having chosen or found the direction in which it shall be carried forward.

And it was as if she must grasp at something, as if her wings were too weak to lift her straight off the heaving motion. So she caught sight of the wicked, odd little faces carved in stone, and she stood before them arrested.

These sly little faces peeped out of the grand tide of the cathedral like something that knew better. They knew quite well, these little imps that retorted on man's own illusion, that the cathedral was not absolute. They winked and leered, giving suggestion of the many things that had been left out of the great concept of the church. "However much there is inside here, there's a good deal they haven't got in," the little faces mocked.

Apart from the lift and spring of the great impulse towards the altar, these little faces had separate wills, separate motions, separate knowledge, which rippled back in defiance of the tide, and laughed in triumph of their own very littleness.

"Oh, look!" cried Anna. "Oh, look how adorable, the faces!

Look at her."

Brangwen looked unwillingly. This was the voice of the serpent in his Eden. She pointed him to a plump, sly, malicious little face carved in stone.

"He knew her, the man who carved her," said Anna. "I'm sure she was his wife."

"It isn't a woman at all, it's a man," said Brangwen curtly.

"Do you think so?--No! That isn't a man. That is no man's face."

Her voice sounded rather jeering. He laughed shortly, and went on. But she would not go forward with him. She loitered about the carvings. And he could not go forward without her. He waited impatient of this counteraction. She was spoiling his pa.s.sionate intercourse with the cathedral. His brows began to gather.

"Oh, this is good!" she cried again. "Here is the same woman--look!--only he's made her cross! Isn't it lovely! Hasn't he made her hideous to a degree?" She laughed with pleasure. "Didn't he hate her? He must have been a nice man! Look at her--isn't it awfully good--just like a shrewish woman. He must have enjoyed putting her in like that.

He got his own back on her, didn't he?"

"It's a man's face, no woman's at all--a monk's--clean shaven," he said.

She laughed with a pouf! of laughter.

"You hate to think he put his wife in your cathedral, don't you?" she mocked, with a tinkle of profane laughter. And she laughed with malicious triumph.

She had got free from the cathedral, she had even destroyed the pa.s.sion he had. She was glad. He was bitterly angry. Strive as he would, he could not keep the cathedral wonderful to him.

He was disillusioned. That which had been his absolute, containing all heaven and earth, was become to him as to her, a shapely heap of dead matter--but dead, dead.

His mouth was full of ash, his soul was furious. He hated her for having destroyed another of his vital illusions. Soon he would be stark, stark, without one place wherein to stand, without one belief in which to rest.

Yet somewhere in him he responded more deeply to the sly little face that knew better, than he had done before to the perfect surge of his cathedral.

Nevertheless for the time being his soul was wretched and homeless, and he could not bear to think of Anna's ousting him from his beloved realities. He wanted his cathedral; he wanted to satisfy his blind pa.s.sion. And he could not any more.

Something intervened.

They went home again, both of them altered. She had some new reverence for that which he wanted, he felt that his cathedrals would never again be to him as they had been. Before, he had thought them absolute. But now he saw them crouching under the sky, with still the dark, mysterious world of reality inside, but as a world within a world, a sort of side show, whereas before they had been as a world to him within a chaos: a reality, an order, an absolute, within a meaningless confusion.

He had felt, before, that could he but go through the great door and look down the gloom towards the far-off, concluding wonder of the altar, that then, with the windows suspended around like tablets of jewels, emanating their own glory, then he had arrived. Here the satisfaction he had yearned after came near, towards this, the porch of the great Unknown, all reality gathered, and there, the altar was the mystic door, through which all and everything must move on to eternity.

But now, somehow, sadly and disillusioned, he realized that the doorway was no doorway. It was too narrow, it was false.

Outside the cathedral were many flying spirits that could never be sifted through the jewelled gloom. He had lost his absolute.

He listened to the thrushes in the gardens and heard a note which the cathedrals did not include: something free and careless and joyous. He crossed a field that was all yellow with dandelions, on his way to work, and the bath of yellow glowing was something at once so sumptuous and so fresh, that he was glad he was away from his shadowy cathedral.

There was life outside the Church. There was much that the Church did not include. He thought of G.o.d, and of the whole blue rotunda of the day. That was something great and free. He thought of the ruins of the Grecian wors.h.i.+p, and it seemed, a temple was never perfectly a temple, till it was ruined and mixed up with the winds and the sky and the herbs.

Still he loved the Church. As a symbol, he loved it. He tended it for what it tried to represent, rather than for that which it did represent. Still he loved it. The little church across his garden-wall drew him, he gave it loving attention.

But he went to take charge of it, to preserve it. It was as an old, sacred thing to him. He looked after the stone and woodwork, mending the organ and restoring a piece of broken carving, repairing the church furniture. Later, he became choir-master also.

His life was s.h.i.+fting its centre, becoming more superficial.

He had failed to become really articulate, failed to find real expression. He had to continue in the old form. But in spirit, he was uncreated.

Anna was absorbed in the child now, she left her husband to take his own way. She was willing now to postpone all adventure into unknown realities. She had the child, her palpable and immediate future was the child. If her soul had found no utterance, her womb had.

The church that neighboured with his house became very intimate and dear to him. He cherished it, he had it entirely in his charge. If he could find no new activity, he would be happy cheris.h.i.+ng the old, dear form of wors.h.i.+p. He knew this little, whitewashed church. In its shadowy atmosphere he sank back into being. He liked to sink himself in its hush as a stone sinks into water.

He went across his garden, mounted the wall by the little steps, and entered the hush and peace of the church. As the heavy door clanged to behind him, his feet re-echoed in the aisle, his heart re-echoed with a little pa.s.sion of tenderness and mystic peace. He was also slightly ashamed, like a man who has failed, who lapses back for his fulfilment.

He loved to light the candles at the organ, and sitting there alone in the little glow, practice the hymns and chants for the service. The whitewashed arches retreated into darkness, the sound of the organ and the organ-pedals died away upon the unalterable stillness of the church, there were faint, ghostly noises in the tower, and then the music swelled out again, loudly, triumphantly.

He ceased to fret about his life. He relaxed his will, and let everything go. What was between him and his wife was a great thing, if it was not everything. She had conquered, really. Let him wait, and abide, wait and abide. She and the baby and himself, they were one. The organ rang out his protestation. His soul lay in the darkness as he pressed the keys of the organ.

To Anna, the baby was a complete bliss and fulfilment. Her desires sank into abeyance, her soul was in bliss over the baby.

It was rather a delicate child, she had trouble to rear it. She never for a moment thought it would die. It was a delicate infant, therefore it behoved her to make it strong. She threw herself into the labour, the child was everything. Her imagination was all occupied here. She was a mother. It was enough to handle the new little limbs, the new little body, hear the new little voice crying in the stillness. All the future rang to her out of the sound of the baby's crying and cooing, she balanced the coming years of life in her hands, as she nursed the child. The pa.s.sionate sense of fulfilment, of the future germinated in her, made her vivid and powerful. All the future was in her hands, in the hands of the woman. And before this baby was ten months old, she was again with child. She seemed to be in the fecund of storm life, every moment was full and busy with productiveness to her. She felt like the earth, the mother of everything.

Brangwen occupied himself with the church, he played the organ, he trained the choir-boys, he taught a Sunday-school cla.s.s of youths. He was happy enough. There was an eager, yearning kind of happiness in him as he taught the boys on Sundays. He was all the time exciting himself with the proximity of some secret that he had not yet fathomed.

In the house, he served his wife and the little matriarchy.

She loved him because he was the father of her children. And she always had a physical pa.s.sion for him. So he gave up trying to have the spiritual superiority and control, or even her respect for his conscious or public life. He lived simply by her physical love for him. And he served the little matriarchy, nursing the child and helping with the housework, indifferent any more of his own dignity and importance. But his abandoning of claims, his living isolated upon his own interest, made him seem unreal, unimportant.