Last Days of Pompeii Part 11

He had filled his scroll, he had noted the moment and the sign; and, leaning upon his hand, he had surrendered himself to the thoughts which his calculation excited.

'Again do the stars forewarn me! Some danger, then, a.s.suredly awaits me!' said he, slowly; 'some danger, violent and sudden in its nature. The stars wear for me the same mocking menace which, if our chronicles do not err, they once wore for Pyrrhus-for him, doomed to strive for all things, to enjoy none-all attacking, nothing gaining-battles without fruit, laurels without triumph, fame without success; at last made craven by his own superst.i.tions, and slain like a dog by a tile from the hand of an old woman! Verily, the stars flatter when they give me a type in this fool of war-when they promise to the ardour of my wisdom the same results as to the madness of his ambition-perpetual exercise-no certain goal!-the Sisyphus task, the mountain and the stone!-the stone, a gloomy image!-it reminds me that I am threatened with somewhat of the same death as the Epirote. Let me look again. "Beware," say the s.h.i.+ning prophets, "how thou pa.s.sest under ancient roofs, or besieged walls, or overhanging cliffs-a stone hurled from above, is charged by the curses of destiny against thee!" And, at no distant date from this, comes the peril: but I cannot, of a certainty, read the day and hour. Well! if my gla.s.s runs low, the sands shall sparkle to the last. Yet, if I escape this peril-ay, if I escape-bright and clear as the moonlight track along the waters glows the rest of my existence. I see honors, happiness, success, s.h.i.+ning upon every billow of the dark gulf beneath which I must sink at last. What, then, with such destinies beyond the peril, shall I succ.u.mb to the peril? My soul whispers hope, it sweeps exultingly beyond the boding hour, it revels in the future-its own courage is its fittest omen. If I were to perish so suddenly and so soon, the shadow of death would darken over me, and I should feel the icy presentiment of my doom. My soul would express, in sadness and in gloom, its forecast of the dreary Orcus. But it smiles-it a.s.sures me of deliverance.'

As he thus concluded his soliloquy, the Egyptian involuntarily rose. He paced rapidly the narrow s.p.a.ce of that star-roofed floor, and, pausing at the parapet, looked again upon the grey and melancholy heavens. The chills of the faint dawn came refres.h.i.+ngly upon his brow, and gradually his mind resumed its natural and collected calm. He withdrew his gaze from the stars, as, one after one, they receded into the depths of heaven; and his eyes fell over the broad expanse below. Dim in the silenced port of the city rose the masts of the galleys; along that mart of luxury and of labor was stilled the mighty hum. No lights, save here and there from before the columns of a temple, or in the porticoes of the voiceless forum, broke the wan and fluctuating light of the struggling morn. From the heart of the torpid city, so soon to vibrate with a thousand pa.s.sions, there came no sound: the streams of life circulated not; they lay locked under the ice of sleep. From the huge s.p.a.ce of the amphitheatre, with its stony seats rising one above the other-coiled and round as some slumbering monster-rose a thin and ghastly mist, which gathered darker, and more dark, over the scattered foliage that gloomed in its vicinity. The city seemed as, after the awful change of seventeen ages, it seems now to the traveler,-a City of the Dead.'

The ocean itself-that serene and tideless sea-lay scarce less hushed, save that from its deep bosom came, softened by the distance, a faint and regular murmur, like the breathing of its sleep; and curving far, as with outstretched arms, into the green and beautiful land, it seemed unconsciously to clasp to its breast the cities sloping to its margin-Stabiae, and Herculaneum, and Pompeii-those children and darlings of the deep. 'Ye slumber,' said the Egyptian, as he scowled over the cities, the boast and flower of Campania; 'ye slumber!-would it were the eternal repose of death! As ye now-jewels in the crown of empire-so once were the cities of the Nile! Their greatness hath perished from them, they sleep amidst ruins, their palaces and their shrines are tombs, the serpent coils in the gra.s.s of their streets, the lizard basks in their solitary halls. By that mysterious law of Nature, which humbles one to exalt the other, ye have thriven upon their ruins; thou, haughty Rome, hast usurped the glories of Sesostris and Semiramis-thou art a robber, clothing thyself with their spoils! And these-slaves in thy triumph-that I (the last son of forgotten monarchs) survey below, reservoirs of thine all-pervading power and luxury, I curse as I behold! The time shall come when Egypt shall be avenged! when the barbarian's steed shall make his manger in the Golden House of Nero! and thou that hast sown the wind with conquest shalt reap the harvest in the whirlwind of desolation!'

As the Egyptian uttered a prediction which fate so fearfully fulfilled, a more solemn and boding image of ill omen never occurred to the dreams of painter or of poet. The morning light, which can pale so wanly even the young cheek of beauty, gave his majestic and stately features almost the colors of the grave, with the dark hair falling ma.s.sively around them, and the dark robes flowing long and loose, and the arm outstretched from that lofty eminence, and the glittering eyes, fierce with a savage gladness-half prophet and half fiend!

He turned his gaze from the city and the ocean; before him lay the vineyards and meadows of the rich Campania. The gate and walls-ancient, half Pelasgic-of the city, seemed not to bound its extent. Villas and villages stretched on every side up the ascent of Vesuvius, not nearly then so steep or so lofty as at present. For, as Rome itself is built on an exhausted volcano, so in similar security the inhabitants of the South tenanted the green and vine-clad places around a volcano whose fires they believed at rest for ever. From the gate stretched the long street of tombs, various in size and architecture, by which, on that side, the city is as yet approached. Above all, rode the cloud-capped summit of the Dread Mountain, with the shadows, now dark, now light, betraying the mossy caverns and ashy rocks, which testified the past conflagrations, and might have prophesied-but man is blind-that which was to come!

Difficult was it then and there to guess the causes why the tradition of the place wore so gloomy and stern a hue; why, in those smiling plains, for miles around-to Baiae and Misenum-the poets had imagined the entrance and thresholds of their h.e.l.l-their Acheron, and their fabled Styx: why, in those Phlegrae, now laughing with the vine, they placed the battles of the G.o.ds, and supposed the daring t.i.tans to have sought the victory of heaven-save, indeed, that yet, in yon seared and blasted summit, fancy might think to read the characters of the Olympian thunderbolt.

But it was neither the rugged height of the still volcano, nor the fertility of the sloping fields, nor the melancholy avenue of tombs, nor the glittering villas of a polished and luxurious people, that now arrested the eye of the Egyptian. On one part of the landscape, the mountain of Vesuvius descended to the plain in a narrow and uncultivated ridge, broken here and there by jagged crags and copses of wild foliage. At the base of this lay a marshy and unwholesome pool; and the intent gaze of Arbaces caught the outline of some living form moving by the marshes, and stooping ever and anon as if to pluck its rank produce.

'Ho!' said he, aloud, 'I have then, another companion in these unworldly night-watches. The witch of Vesuvius is abroad. What! doth she, too, as the credulous imagine-doth she, too, learn the lore of the great stars? Hath she been uttering foul magic to the moon, or culling (as her pauses betoken) foul herbs from the venomous marsh? Well, I must see this fellow-laborer. Whoever strives to know learns that no human lore is despicable. Despicable only you-ye fat and bloated things-slaves of luxury-sluggards in thought-who, cultivating nothing but the barren sense, dream that its poor soil can produce alike the myrtle and the laurel. No, the wise only can enjoy-to us only true luxury is given, when mind, brain, invention, experience, thought, learning, imagination, all contribute like rivers to swell the seas of SENSE!-Ione!'

As Arbaces uttered that last and charmed word, his thoughts sunk at once into a more deep and profound channel. His steps paused; he took not his eyes from the ground; once or twice he smiled joyously, and then, as he turned from his place of vigil, and sought his couch, he muttered, 'If death frowns so near, I will say at least that I have lived-Ione shall be mine!'

The character of Arbaces was one of those intricate and varied webs, in which even the mind that sat within it was sometimes confused and perplexed. In him, the son of a fallen dynasty, the outcast of a sunken people, was that spirit of discontented pride, which ever rankles in one of a sterner mould, who feels himself inexorably shut from the sphere in which his fathers shone, and to which Nature as well as birth no less ent.i.tles himself. This sentiment hath no benevolence; it wars with society, it sees enemies in mankind. But with this sentiment did not go its common companion, poverty. Arbaces possessed wealth which equalled that of most of the Roman n.o.bles; and this enabled him to gratify to the utmost the pa.s.sions which had no outlet in business or ambition. Travelling from clime to clime, and beholding still Rome everywhere, he increased both his hatred of society and his pa.s.sion for pleasure. He was in a vast prison, which, however, he could fill with the ministers of luxury. He could not escape from the prison, and his only object, therefore, was to give it the character of the palace. The Egyptians, from the earliest time, were devoted to the joys of sense; Arbaces inherited both their appet.i.te for sensuality and the glow of imagination which struck light from its rottenness. But still, unsocial in his pleasures as in his graver pursuits, and brooking neither superior nor equal, he admitted few to his companions.h.i.+p, save the willing slaves of his profligacy. He was the solitary lord of a crowded harem; but, with all, he felt condemned to that satiety which is the constant curse of men whose intellect is above their pursuits, and that which once had been the impulse of pa.s.sion froze down to the ordinance of custom. From the disappointments of sense he sought to raise himself by the cultivation of knowledge; but as it was not his object to serve mankind, so he despised that knowledge which is practical and useful. His dark imagination loved to exercise itself in those more visionary and obscure researches which are ever the most delightful to a wayward and solitary mind, and to which he himself was invited by the daring pride of his disposition and the mysterious traditions of his clime. Dismissing faith in the confused creeds of the heathen world, he reposed the greatest faith in the power of human wisdom. He did not know (perhaps no one in that age distinctly did) the limits which Nature imposes upon our discoveries. Seeing that the higher we mount in knowledge the more wonders we behold, he imagined that Nature not only worked miracles in her ordinary course, but that she might, by the cabala of some master soul, be diverted from that course itself. Thus he pursued science, across her appointed boundaries, into the land of perplexity and shadow. From the truths of astronomy he wandered into astrological fallacy; from the secrets of chemistry he pa.s.sed into the spectral labyrinth of magic; and he who could be sceptical as to the power of the G.o.ds, was credulously superst.i.tious as to the power of man.

The cultivation of magic, carried at that day to a singular height among the would-be wise, was especially Eastern in its origin; it was alien to the early philosophy of the Greeks; nor had it been received by them with favor until Ostanes, who accompanied the army of Xerxes, introduced, amongst the simple credulities of h.e.l.las, the solemn superst.i.tions of Zoroaster. Under the Roman emperors it had become, however, naturalized at Rome (a meet subject for Juvenal's fiery wit). Intimately connected with magic was the wors.h.i.+p of Isis, and the Egyptian religion was the means by which was extended the devotion to Egyptian sorcery. The theurgic, or benevolent magic-the goetic, or dark and evil necromancy-were alike in pre-eminent repute during the first century of the Christian era; and the marvels of Faustus are not comparable to those of Apollonius. Kings, courtiers, and sages, all trembled before the professors of the dread science. And not the least remarkable of his tribe was the most formidable and profound Arbaces. His fame and his discoveries were known to all the cultivators of magic; they even survived himself. But it was not by his real name that he was honored by the sorcerer and the sage: his real name, indeed, was unknown in Italy, for 'Arbaces' was not a genuinely Egyptian but a Median appellation, which, in the admixture and unsettlement of the ancient races, had become common in the country of the Nile; and there were various reasons, not only of pride, but of policy (for in youth he had conspired against the majesty of Rome), which induced him to conceal his true name and rank. But neither by the name he had borrowed from the Mede, nor by that which in the colleges of Egypt would have attested his origin from kings, did the cultivators of magic acknowledge the potent master. He received from their homage a more mystic appellation, and was long remembered in Magna Graecia and the Eastern plain by the name of 'Hermes, the Lord of the Flaming Belt'. His subtle speculations and boasted attributes of wisdom, recorded in various volumes, were among those tokens 'of the curious arts' which the Christian converts most joyfully, yet most fearfully, burnt at Ephesus, depriving posterity of the proofs of the cunning of the fiend.

The conscience of Arbaces was solely of the intellect-it was awed by no moral laws. If man imposed these checks upon the herd, so he believed that man, by superior wisdom, could raise himself above them. 'If (he reasoned) I have the genius to impose laws, have I not the right to command my own creations? Still more, have I not the right to control-to evade-to scorn-the fabrications of yet meaner intellects than my own?' Thus, if he were a villain, he justified his villainy by what ought to have made him virtuous-namely, the elevation of his capacities.

Most men have more or less the pa.s.sion for power; in Arbaces that pa.s.sion corresponded exactly to his character. It was not the pa.s.sion for an external and brute authority. He desired not the purple and the fasces, the insignia of vulgar command. His youthful ambition once foiled and defeated, scorn had supplied its place-his pride, his contempt for Rome-Rome, which had become the synonym of the world (Rome, whose haughty name he regarded with the same disdain as that which Rome herself lavished upon the barbarian), did not permit him to aspire to sway over others, for that would render him at once the tool or creature of the emperor. He, the Son of the Great Race of Rameses-he execute the orders of, and receive his power from, another!-the mere notion filled him with rage. But in rejecting an ambition that coveted nominal distinctions, he but indulged the more in the ambition to rule the heart. Honoring mental power as the greatest of earthly gifts, he loved to feel that power palpably in himself, by extending it over all whom he encountered. Thus had he ever sought the young-thus had he ever fascinated and controlled them. He loved to find subjects in men's souls-to rule over an invisible and immaterial empire!-had he been less sensual and less wealthy, he might have sought to become the founder of a new religion. As it was, his energies were checked by his pleasures. Besides, however, the vague love of this moral sway (vanity so dear to sages!) he was influenced by a singular and dreamlike devotion to all that belonged to the mystic Land his ancestors had swayed. Although he disbelieved in her deities, he believed in the allegories they represented (or rather he interpreted those allegories anew). He loved to keep alive the wors.h.i.+p of Egypt, because he thus maintained the shadow and the recollection of her power. He loaded, therefore, the altars of Osiris and of Isis with regal donations, and was ever anxious to dignify their priesthood by new and wealthy converts. The vow taken-the priesthood embraced-he usually chose the comrades of his pleasures from those whom he made his victims, partly because he thus secured to himself their secrecy-partly because he thus yet more confirmed to himself his peculiar power. Hence the motives of his conduct to Apaecides, strengthened as these were, in that instance, by his pa.s.sion for Ione.

He had seldom lived long in one place; but as he grew older, he grew more wearied of the excitement of new scenes, and he had sojourned among the delightful cities of Campania for a period which surprised even himself. In fact, his pride somewhat crippled his choice of residence. His unsuccessful conspiracy excluded him from those burning climes which he deemed of right his own hereditary possession, and which now cowered, supine and sunken, under the wings of the Roman eagle. Rome herself was hateful to his indignant soul; nor did he love to find his riches rivalled by the minions of the court, and cast into comparative poverty by the mighty magnificence of the court itself. The Campanian cities proffered to him all that his nature craved-the luxuries of an unequalled climate-the imaginative refinements of a voluptuous civilization. He was removed from the sight of a superior wealth; he was without rivals to his riches; he was free from the spies of a jealous court. As long as he was rich, none pried into his conduct. He pursued the dark tenour of his way undisturbed and secure.

It is the curse of sensualists never to love till the pleasures of sense begin to pall; their ardent youth is frittered away in countless desires-their hearts are exhausted. So, ever chasing love, and taught by a restless imagination to exaggerate, perhaps, its charms, the Egyptian had spent all the glory of his years without attaining the object of his desires. The beauty of to-morrow succeeded the beauty of to-day, and the shadows bewildered him in his pursuit of the substance. When, two years before the present date, he beheld Ione, he saw, for the first time, one whom he imagined he could love. He stood, then, upon that bridge of life, from which man sees before him distinctly a wasted youth on the one side, and the darkness of approaching age upon the other: a time in which we are more than ever anxious, perhaps, to secure to ourselves, ere it be yet too late, whatever we have been taught to consider necessary to the enjoyment of a life of which the brighter half is gone.

With an earnestness and a patience which he had never before commanded for his pleasures, Arbaces had devoted himself to win the heart of Ione. It did not content him to love, he desired to be loved. In this hope he had watched the expanding youth of the beautiful Neapolitan; and, knowing the influence that the mind possesses over those who are taught to cultivate the mind, he had contributed willingly to form the genius and enlighten the intellect of Ione, in the hope that she would be thus able to appreciate what he felt would be his best claim to her affection: viz, a character which, however criminal and perverted, was rich in its original elements of strength and grandeur. When he felt that character to be acknowledged, he willingly allowed, nay, encouraged her, to mix among the idle votaries of pleasure, in the belief that her soul, fitted for higher commune, would miss the companions.h.i.+p of his own, and that, in comparison with others, she would learn to love herself. He had forgot, that as the sunflower to the sun, so youth turns to youth, until his jealousy of Glaucus suddenly apprised him of his error. From that moment, though, as we have seen, he knew not the extent of his danger, a fiercer and more tumultuous direction was given to a pa.s.sion long controlled. Nothing kindles the fire of love like the sprinkling of the anxieties of jealousy; it takes then a wilder, a more resistless flame; it forgets its softness; it ceases to be tender; it a.s.sumes something of the intensity-of the ferocity-of hate.

Arbaces resolved to lose no further time upon cautious and perilous preparations: he resolved to place an irrevocable barrier between himself and his rivals: he resolved to possess himself of the person of Ione: not that in his present love, so long nursed and fed by hopes purer than those of pa.s.sion alone, he would have been contented with that mere possession. He desired the heart, the soul, no less than the beauty, of Ione; but he imagined that once separated by a daring crime from the rest of mankind-once bound to Ione by a tie that memory could not break, she would be driven to concentrate her thoughts in him-that his arts would complete his conquest, and that, according to the true moral of the Roman and the Sabine, the empire obtained by force would be cemented by gentler means. This resolution was yet more confirmed in him by his belief in the prophecies of the stars: they had long foretold to him this year, and even the present month, as the epoch of some dread disaster, menacing life itself. He was driven to a certain and limited date. He resolved to crowd, monarch-like, on his funeral pyre all that his soul held most dear. In his own words, if he were to die, he resolved to feel that he had lived, and that Ione should be his own.

Chapter IX

WHAT BECOMES OF IONE IN THE HOUSE OF ARBACES. THE FIRST SIGNAL OF THE WRATH OF THE DREAD FOE.

WHEN Ione entered the s.p.a.cious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and pa.s.sionless features the marble so well portrayed: Their look, with the reach of past ages, was wise, And the soul of eternity thought in their eyes.

The tall AEthiopian slave grinned as he admitted her, and motioned to her to proceed. Half-way up the hall she was met by Arbaces himself, in festive robes, which glittered with jewels. Although it was broad day without, the mansion, according to the practice of the luxurious, was artificially darkened, and the lamps cast their still and odor-giving light over the rich floors and ivory roofs.

'Beautiful Ione,' said Arbaces, as he bent to touch her hand, 'it is you that have eclipsed the day-it is your eyes that light up the halls-it is your breath which fills them with perfumes.'

'You must not talk to me thus,' said Ione, smiling, 'you forget that your lore has sufficiently instructed my mind to render these graceful flatteries to my person unwelcome. It was you who taught me to disdain adulation: will you unteach your pupil?'

There was something so frank and charming in the manner of Ione, as she thus spoke, that the Egyptian was more than ever enamoured, and more than ever disposed to renew the offence he had committed; he, however, answered quickly and gaily, and hastened to renew the conversation.

He led her through the various chambers of a house, which seemed to contain to her eyes, inexperienced to other splendor than the minute elegance of Campanian cities, the treasures of the world.

In the walls were set pictures of inestimable art, the lights shone over statues of the n.o.blest age of Greece. Cabinets of gems, each cabinet itself a gem, filled up the interstices of the columns; the most precious woods lined the thresholds and composed the doors; gold and jewels seemed lavished all around. Sometimes they were alone in these rooms-sometimes they pa.s.sed through silent rows of slaves, who, kneeling as she pa.s.sed, proffered to her offerings of bracelets, of chains, of gems, which the Egyptian vainly entreated her to receive.

'I have often heard,' said she, wonderingly, 'that you were rich; but I never dreamed of the amount of your wealth.'

'Would I could coin it all,' replied the Egyptian, 'into one crown, which I might place upon that snowy brow!'

'Alas! the weight would crush me; I should be a second Tarpeia,' answered Ione, laughingly.

'But thou dost not disdain riches, O Ione! they know not what life is capable of who are not wealthy. Gold is the great magician of earth-it realizes our dreams-it gives them the power of a G.o.d-there is a grandeur, a sublimity, in its possession; it is the mightiest, yet the most obedient of our slaves.'

The artful Arbaces sought to dazzle the young Neapolitan by his treasures and his eloquence; he sought to awaken in her the desire to be mistress of what she surveyed: he hoped that she would confound the owner with the possessions, and that the charms of his wealth would be reflected on himself. Meanwhile, Ione was secretly somewhat uneasy at the gallantries which escaped from those lips, which, till lately, had seemed to disdain the common homage we pay to beauty; and with that delicate subtlety, which woman alone possesses, she sought to ward off shafts deliberately aimed, and to laugh or to talk away the meaning from his warming language. Nothing in the world is more pretty than that same species of defence; it is the charm of the African necromancer who professed with a feather to turn aside the winds.

The Egyptian was intoxicated and subdued by her grace even more than by her beauty: it was with difficulty that he suppressed his emotions; alas! the feather was only powerful against the summer breezes-it would be the sport of the storm.

Suddenly, as they stood in one hall, which was surrounded by draperies of silver and white, the Egyptian clapped his hands, and, as if by enchantment, a banquet rose from the floor-a couch or throne, with a crimson canopy, ascended simultaneously at the feet of Ione-and at the same instant from behind the curtains swelled the invisible and softest music.

Arbaces placed himself at the feet of Ione-and children, young and beautiful as Loves, ministered to the feast.

The feast was over, the music sank into a low and subdued strain, and Arbaces thus addressed his beautiful guest: 'Hast thou never in this dark and uncertain world-hast thou never aspired, my pupil, to look beyond-hast thou never wished to put aside the veil of futurity, and to behold on the sh.o.r.es of Fate the shadowy images of things to be? For it is not the past alone that has its ghosts: each event to come has also its spectrum-its shade; when the hour arrives, life enters it, the shadow becomes corporeal, and walks the world. Thus, in the land beyond the grave, are ever two impalpable and spiritual hosts-the things to be, the things that have been! If by our wisdom we can penetrate that land, we see the one as the other, and learn, as I have learned, not alone the mysteries of the dead, but also the destiny of the living.'

'As thou hast learned!-Can wisdom attain so far?'

'Wilt thou prove my knowledge, Ione, and behold the representation of thine own fate? It is a drama more striking than those of AEschylus: it is one I have prepared for thee, if thou wilt see the shadows perform their part.'

The Neapolitan trembled; she thought of Glaucus, and sighed as well as trembled: were their destinies to be united? Half incredulous, half believing, half awed, half alarmed by the words of her strange host, she remained for some moments silent, and then answered: 'It may revolt-it may terrify; the knowledge of the future will perhaps only embitter the present!'

'Not so, Ione. I have myself looked upon thy future lot, and the ghosts of thy Future bask in the gardens of Elysium: amidst the asphodel and the rose they prepare the garlands of thy sweet destiny, and the Fates, so harsh to others, weave only for thee the web of happiness and love. Wilt thou then come and behold thy doom, so that thou mayest enjoy it beforehand?'

Again the heart of Ione murmured 'Glaucus'; she uttered a half-audible a.s.sent; the Egyptian rose, and taking her by the hand, he led her across the banquet-room-the curtains withdrew as by magic hands, and the music broke forth in a louder and gladder strain; they pa.s.sed a row of columns, on either side of which fountains cast aloft their fragrant waters; they descended by broad and easy steps into a garden. The eve had commenced; the moon was already high in heaven, and those sweet flowers that sleep by day, and fill, with ineffable odorous, the airs of night, were thickly scattered amidst alleys cut through the star-lit foliage; or, gathered in baskets, lay like offerings at the feet of the frequent statues that gleamed along their path.

'Whither wouldst thou lead me, Arbaces?' said Ione, wonderingly.

'But yonder,' said he, pointing to a small building which stood at the end of the vista. 'It is a temple consecrated to the Fates-our rites require such holy ground.'

They pa.s.sed into a narrow hall, at the end of which hung a sable curtain. Arbaces lifted it; Ione entered, and found herself in total darkness.

'Be not alarmed,' said the Egyptian, 'the light will rise instantly.' While he so spoke, a soft, and warm, and gradual light diffused itself around; as it spread over each object, Ione perceived that she was in an apartment of moderate size, hung everywhere with black; a couch with draperies of the same hue was beside her. In the centre of the room was a small altar, on which stood a tripod of bronze. At one side, upon a lofty column of granite, was a colossal head of the blackest marble, which she perceived, by the crown of wheat-ears that encircled the brow, represented the great Egyptian G.o.ddess. Arbaces stood before the altar: he had laid his garland on the shrine, and seemed occupied with pouring into the tripod the contents of a brazen vase; suddenly from that tripod leaped into life a blue, quick, darting, irregular flame; the Egyptian drew back to the side of Ione, and muttered some words in a language unfamiliar to her ear; the curtain at the back of the altar waved tremulously to and fro-it parted slowly, and in the aperture which was thus made, Ione beheld an indistinct and pale landscape, which gradually grew brighter and clearer as she gazed; at length she discovered plainly trees, and rivers, and meadows, and all the beautiful diversity of the richest earth. At length, before the landscape, a dim shadow glided; it rested opposite to Ione; slowly the same charm seemed to operate upon it as over the rest of the scene; it took form and shape, and lo!-in its feature and in its form Ione beheld herself!

Then the scene behind the spectre faded away, and was succeeded by the representation of a gorgeous palace; a throne was raised in the centre of its hall, the dim forms of slaves and guards were ranged around it, and a pale hand held over the throne the likeness of a diadem.

A new actor now appeared; he was clothed from head to foot in a dark robe-his face was concealed-he knelt at the feet of the shadowy Ione-he clasped her hand-he pointed to the throne, as if to invite her to ascend it.

The Neapolitan's heart beat violently. 'Shall the shadow disclose itself?' whispered a voice beside her-the voice of Arbaces.

'Ah, yes!' answered Ione, softly.

Arbaces raised his hand-the spectre seemed to drop the mantle that concealed its form-and Ione shrieked-it was Arbaces himself that thus knelt before her.

'This is, indeed, thy fate!' whispered again the Egyptian's voice in her ear. 'And thou art destined to be the bride of Arbaces.'

Ione started-the black curtain closed over the phantasmagoria: and Arbaces himself-the real, the living Arbaces-was at her feet.

'Oh, Ione!' said he, pa.s.sionately gazing upon her, 'listen to one who has long struggled vainly with his love. I adore thee! The Fates do not lie-thou art destined to be mine-I have sought the world around, and found none like thee. From my youth upward, I have sighed for such as thou art. I have dreamed till I saw thee-I wake, and I behold thee. Turn not away from me, Ione; think not of me as thou hast thought; I am not that being-cold, insensate, and morose, which I have seemed to thee. Never woman had lover so devoted-so pa.s.sionate as I will be to Ione. Do not struggle in my clasp: see-I release thy hand. Take it from me if thou wilt-well be it so! But do not reject me, Ione-do not rashly reject-judge of thy power over him whom thou canst thus transform. I, who never knelt to mortal being, kneel to thee. I, who have commanded fate, receive from thee my own. Ione, tremble not, thou art my queen-my G.o.ddess-be my bride! All the wishes thou canst form shall be fulfilled. The ends of the earth shall minister to thee-pomp, power, luxury, shall be thy slaves. Arbaces shall have no ambition, save the pride of obeying thee. Ione, turn upon me those eyes-shed upon me thy smile. Dark is my soul when thy face is hid from it: s.h.i.+ne over me, my sun-my heaven-my daylight!-Ione, Ione-do not reject my love!'

Alone, and in the power of this singular and fearful man, Ione was not yet terrified; the respect of his language, the softness of his voice, rea.s.sured her; and, in her own purity, she felt protection. But she was confused-astonished: it was some moments before she could recover the power of reply.

'Rise, Arbaces!' said she at length; and she resigned to him once more her hand, which she as quickly withdrew again, when she felt upon it the burning pressure of his lips. 'Rise! and if thou art serious, if thy language be in earnest...'

'If!' said he tenderly.

'Well, then, listen to me: you have been my guardian, my friend, my monitor; for this new character I was not prepared-think not,' she added quickly, as she saw his dark eyes glitter with the fierceness of his pa.s.sion-'think not that I scorn-that I am untouched-that I am not honored by this homage; but, say-canst thou hear me calmly?'

'Ay, though thy words were lightning, and could blast me!'

'I love another!' said Ione, blus.h.i.+ngly, but in a firm voice.

'By the G.o.ds-by h.e.l.l!' shouted Arbaces, rising to his fullest height; 'dare not tell me that-dare not mock me-it is impossible!-Whom hast thou seen-whom known? Oh, Ione, it is thy woman's invention, thy woman's art that speaks-thou wouldst gain time; I have surprised-I have terrified thee. Do with me as thou wilt-say that thou lovest not me; but say not that thou lovest another!'

'Alas!' began Ione; and then, appalled before his sudden and unlooked-for violence, she burst into tears.

Arbaces came nearer to her-his breath glowed fiercely on her cheek; he wound his arms round her-she sprang from his embrace. In the struggle a tablet fell from her bosom on the ground: Arbaces perceived, and seized it-it was the letter that morning received from Glaucus. Ione sank upon the couch, half dead with terror.

Rapidly the eyes of Arbaces ran over the writing; the Neapolitan did not dare to gaze upon him: she did not see the deadly paleness that came over his countenance-she marked not his withering frown, nor the quivering of his lip, nor the convulsions that heaved his breast. He read it to the end, and then, as the letter fell from his hand, he said, in a voice of deceitful calmness: 'Is the writer of this the man thou lovest?'

Ione sobbed, but answered not.

'Speak!' he rather shrieked than said.

'It is-it is!

'And his name-it is written here-his name is Glaucus!'

Ione, clasping her hands, looked round as for succour or escape.

'Then hear me,' said Arbaces, sinking his voice into a whisper; 'thou shalt go to thy tomb rather than to his arms! What! thinkest thou Arbaces will brook a rival such as this puny Greek? What! thinkest thou that he has watched the fruit ripen, to yield it to another! Pretty fool-no! Thou art mine-all-only mine: and thus-thus I seize and claim thee!' As he spoke, he caught Ione in his arms; and, in that ferocious grasp, was all the energy-less of love than of revenge.

But to Ione despair gave supernatural strength: she again tore herself from him-she rushed to that part of the room by which she had entered-she half withdrew the curtain-he had seized her-again she broke away from him-and fell, exhausted, and with a loud shriek, at the base of the column which supported the head of the Egyptian G.o.ddess. Arbaces paused for a moment, as if to regain his breath; and thence once more darted upon his prey.

At that instant the curtain was rudely torn aside, the Egyptian felt a fierce and strong grasp upon his shoulder. He turned-he beheld before him the flas.h.i.+ng eyes of Glaucus, and the pale, worn, but menacing, countenance of Apaecides. 'Ah,' he muttered, as he glared from one to the other, 'what Fury hath sent ye hither?'

'Ate,' answered Glaucus; and he closed at once with the Egyptian. Meanwhile, Apaecides raised his sister, now lifeless, from the ground; his strength, exhausted by a mind long overwrought, did not suffice to bear her away, light and delicate though her shape: he placed her, therefore, on the couch, and stood over her with a brandis.h.i.+ng knife, watching the contest between Glaucus and the Egyptian, and ready to plunge his weapon in the bosom of Arbaces should he be victorious in the struggle. There is, perhaps, nothing on earth so terrible as the naked and unarmed contest of animal strength, no weapon but those which Nature supplies to rage. Both the antagonists were now locked in each other's grasp-the hand of each seeking the throat of the other-the face drawn back-the fierce eyes flas.h.i.+ng-the muscles strained-the veins swelled-the lips apart-the teeth set-both were strong beyond the ordinary power of men, both animated by relentless wrath; they coiled, they wound, around each other; they rocked to and fro-they swayed from end to end of their confined arena-they uttered cries of ire and revenge-they were now before the altar-now at the base of the column where the struggle had commenced: they drew back for breath-Arbaces leaning against the column-Glaucus a few paces apart.

'O ancient G.o.ddess!' exclaimed Arbaces, clasping the column, and raising his eyes toward the sacred image it supported, 'protect thy chosen-proclaim they vengeance against this thing of an upstart creed, who with sacrilegious violence profanes thy resting-place and a.s.sails thy servant.'

As he spoke, the still and vast features of the G.o.ddess seemed suddenly to glow with life; through the black marble, as through a transparent veil, flushed luminously a crimson and burning hue; around the head played and darted coruscations of livid lightning; the eyes became like b.a.l.l.s of lurid fire, and seemed fixed in withering and intolerable wrath upon the countenance of the Greek. Awed and appalled by this sudden and mystic answer to the prayer of his foe, and not free from the hereditary superst.i.tions of his race, the cheeks of Glaucus paled before that strange and ghastly animation of the marble-his knees knocked together-he stood, seized with a divine panic, dismayed, aghast, half unmanned before his foe! Arbaces gave him not breathing time to recover his stupor: 'Die, wretch!' he shouted, in a voice of thunder, as he sprang upon the Greek; 'the Mighty Mother claims thee as a living sacrifice!' Taken thus by surprise in the first consternation of his superst.i.tious fears, the Greek lost his footing-the marble floor was as smooth as gla.s.s-he slid-he fell. Arbaces planted his foot on the breast of his fallen foe. Apaecides, taught by his sacred profession, as well as by his knowledge of Arbaces, to distrust all miraculous interpositions, had not shared the dismay of his companion; he rushed forward-his knife gleamed in the air-the watchful Egyptian caught his arm as it descended-one wrench of his powerful hand tore the weapon from the weak grasp of the priest-one sweeping blow stretched him to the earth-with a loud and exulting yell Arbaces brandished the knife on high. Glaucus gazed upon his impending fate with unwinking eyes, and in the stern and scornful resignation of a fallen gladiator, when, at that awful instant, the floor shook under them with a rapid and convulsive throe-a mightier spirit than that of the Egyptian was abroad!-a giant and crus.h.i.+ng power, before which sunk into sudden impotence his pa.s.sion and his arts. IT woke-it stirred-that Dread Demon of the Earthquake-laughing to scorn alike the magic of human guile and the malice of human wrath. As a t.i.tan, on whom the mountains are piled, it roused itself from the sleep of years, it moved on its tortured couch-the caverns below groaned and trembled beneath the motion of its limbs. In the moment of his vengeance and his power, the self-prized demiG.o.d was humbled to his real clay. Far and wide along the soil went a hoa.r.s.e and rumbling sound-the curtains of the chamber shook as at the blast of a storm-the altar rocked-the tripod reeled, and high over the place of contest, the column trembled and waved from side to side-the sable head of the G.o.ddess tottered and fell from its pedestal-and as the Egyptian stooped above his intended victim, right upon his bended form, right between the shoulder and the neck, struck the marble ma.s.s! The shock stretched him like the blow of death, at once, suddenly, without sound or motion, or semblance of life, upon the floor, apparently crushed by the very divinity he had impiously animated and invoked!

'The Earth has preserved her children,' said Glaucus, staggering to his feet. 'Blessed be the dread convulsion! Let us wors.h.i.+p the providence of the G.o.ds!' He a.s.sisted Apaecides to rise, and then turned upward the face of Arbaces; it seemed locked as in death; blood gushed from the Egyptian's lips over his glittering robes; he fell heavily from the arms of Glaucus, and the red stream trickled slowly along the marble. Again the earth shook beneath their feet; they were forced to cling to each other; the convulsion ceased as suddenly as it came; they tarried no longer; Glaucus bore Ione lightly in his arms, and they fled from the unhallowed spot. But scarce had they entered the garden than they were met on all sides by flying and disordered groups of women and slaves, whose festive and glittering garments contrasted in mockery the solemn terror of the hour; they did not appear to heed the strangers-they were occupied only with their own fears. After the tranquillity of sixteen years, that burning and treacherous soil again menaced destruction; they uttered but one cry, 'THE EARTHQUAKE! THE EARTHQUAKE!' and pa.s.sing unmolested from the midst of them, Apaecides and his companions, without entering the house, hastened down one of the alleys, pa.s.sed a small open gate, and there, sitting on a little mound over which spread the gloom of the dark green aloes, the moonlight fell on the bended figure of the blind girl-she was weeping bitterly.

BOOK THE THIRD

Chapter I

THE FORUM OF THE POMPEIANS. THE FIRST RUDE MACHINERY BY WHICH THE NEW ERA OF THE WORLD WAS WROUGHT.

IT was early noon, and the forum was crowded alike with the busy and the idle. As at Paris at this day, so at that time in the cities of Italy, men lived almost wholly out of doors: the public buildings, the forum, the porticoes, the baths, the temples themselves, might be considered their real homes; it was no wonder that they decorated so gorgeously these favorite places of resort-they felt for them a sort of domestic affection as well as a public pride. And animated was, indeed, the aspect of the forum of Pompeii at that time! Along its broad pavement, composed of large flags of marble, were a.s.sembled various groups, conversing in that energetic fas.h.i.+on which appropriates a gesture to every word, and which is still the characteristic of the people of the south. Here, in seven stalls on one side the colonnade, sat the money-changers, with their glittering heaps before them, and merchants and seamen in various costumes crowding round their stalls. On one side, several men in long togas were seen bustling rapidly up to a stately edifice, where the magistrates administered justice-these were the lawyers, active, chattering, joking, and punning, as you may find them at this day in Westminster. In the centre of the s.p.a.ce, pedestals supported various statues, of which the most remarkable was the stately form of Cicero. Around the court ran a regular and symmetrical colonnade of Doric architecture; and there several, whose business drew them early to the place, were taking the slight morning repast which made an Italian breakfast, talking vehemently on the earthquake of the preceding night as they dipped pieces of bread in their cups of diluted wine. In the open s.p.a.ce, too, you might perceive various petty traders exercising the arts of their calling. Here one man was holding out ribands to a fair dame from the country; another man was vaunting to a stout farmer the excellence of his shoes; a third, a kind of stall-restaurateur, still so common in the Italian cities, was supplying many a hungry mouth with hot messes from his small and itinerant stove, while-contrast strongly typical of the mingled bustle and intellect of the time-close by, a schoolmaster was expounding to his puzzled pupils the elements of the Latin grammar.' A gallery above the portico, which was ascended by small wooden staircases, had also its throng; though, as here the immediate business of the place was mainly carried on, its groups wore a more quiet and serious air.

Every now and then the crowd below respectfully gave way as some senator swept along to the Temple of Jupiter (which filled up one side of the forum, and was the senators' hall of meeting), nodding with ostentatious condescension to such of his friends or clients as he distinguished amongst the throng. Mingling amidst the gay dresses of the better orders you saw the hardy forms of the neighboring farmers, as they made their way to the public granaries. Hard by the temple you caught a view of the triumphal arch, and the long street beyond swarming with inhabitants; in one of the niches of the arch a fountain played, cheerily sparkling in the sunbeams; and above its cornice rose the bronzed and equestrian statue of Caligula, strongly contrasting the gay summer skies. Behind the stalls of the money-changers was that building now called the Pantheon; and a crowd of the poorer Pompeians pa.s.sed through the small vestibule which admitted to the interior, with panniers under their arms, pressing on towards a platform, placed between two columns, where such provisions as the priests had rescued from sacrifice were exposed for sale.

At one of the public edifices appropriated to the business of the city, workmen were employed upon the columns, and you heard the noise of their labor every now and then rising above the hum of the mult.i.tude: the columns are unfinished to this day!

All, then, united, nothing could exceed in variety the costumes, the ranks, the manners, the occupations of the crowd-nothing could exceed the bustle, the gaiety, the animation-where pleasure and commerce, idleness and labor, avarice and ambition, mingled in one gulf their motley rus.h.i.+ng, yet harmonius, streams.

Facing the steps of the Temple of Jupiter, with folded arms, and a knit and contemptuous brow, stood a man of about fifty years of age. His dress was remarkably plain-not so much from its material, as from the absence of all those ornaments which were worn by the Pompeians of every rank-partly from the love of show, partly, also, because they were chiefly wrought into those shapes deemed most efficacious in resisting the a.s.saults of magic and the influence of the evil eye. His forehead was high and bald; the few locks that remained at the back of the head were concealed by a sort of cowl, which made a part of his cloak, to be raised or lowered at pleasure, and was now drawn half-way over the head, as a protection from the rays of the sun. The color of his garments was brown, no popular hue with the Pompeians; all the usual admixtures of scarlet or purple seemed carefully excluded. His belt, or girdle, contained a small receptacle for ink, which hooked on to the girdle, a stilus (or implement of writing), and tablets of no ordinary size. What was rather remarkable, the cincture held no purse, which was the almost indispensable appurtenance of the girdle, even when that purse had the misfortune to be empty!

It was not often that the gay and egotistical Pompeians busied themselves with observing the countenances and actions of their neighbors; but there was that in the lip and eye of this bystander so remarkably bitter and disdainful, as he surveyed the religious procession sweeping up the stairs of the temple, that it could not fail to arrest the notice of many.

'Who is yon cynic?' asked a merchant of his companion, a jeweller.