Monday Mourning Part 5

Tossing my clipboard onto the counter, I pulled a plastic ap.r.o.n from one drawer, gloves and mask from another, donned them, snagged a small metal cart from the corridor, and pushed backward through the double doors.

Bed count.

Six white cards. One red sticker.

Six in residence, one HIV positive.

I located those cards with my initials. LSJML-38426. LSJML-38427. LSJML-38428. Oss.e.m.e.nts. Inconnu. Oss.e.m.e.nts. Inconnu. Bones. Unknown. Bones. Unknown.

Normally, I would have taken the cases sequentially, fully a.n.a.lyzing one before beginning another. But Detective Delightful was due at one-thirty. Antic.i.p.ating Claudel's impatience, I decided to abandon protocol, and do a quick age-s.e.x a.s.sessment of each set of remains.

It was a mistake I would later regret.

Moving from one stainless steel door to a second, then a third, I selected the same bones I'd viewed in the pizza parlor bas.e.m.e.nt, and wheeled them to room four.

After jotting the relevant information onto a case form, I began with 38426, the bones from Dr. Energy's crate.

First the skull.

Gracile muscle attachments. Rounded occiput. Small mastoids. Smooth supraorbital ridges ending in sharp orbital borders.

I switched to a pelvic bone.

Broad, flaring hip blades. Elongated pubic portion with a tiny, elevated ridge coursing across the belly side. Obtuse subpubic angle. Wide sciatic notch.

I checked off these features on the "gender evaluation" page, and penned my conclusion.

Female.

Flipping to the "age evaluation" section, I noted that the basilar suture, the gap between the occipital and sphenoid bones at the base of the skull, had recently fused. That told me the girl was probably in her mid to late teens.

Back to the pelvis.

Throughout childhood, each pelvic half is composed of three separate elements, the ilium, the ischium, and the pubis. In early adolescence, these bones fuse within the hip socket.

This pelvis had seen p.u.b.erty come and go.

I noted furrows running across the pubic symphyses, the faces where the two pelvic halves meet in front. I flipped the bone.

The superior border of the hip blade showed squiggles, indicating the absence of a finis.h.i.+ng crescent of bone. Squiggles were also evident on the ischium, near the point at which the body is supported when sitting.

I felt the familiar cold creep into my belly. I would check the teeth and long bones, but all indicators supported my initial impression.

Dr. Energy's stowaway was a girl who had died in her mid to late teens.

Replacing 38426 on the cart, I turned to the bones I'd selected from 38427. Then 38428.

The world retreated into a different dimension. Phones. Printers. Voices. Carts. All disappeared. Nothing existed but the fragile remains on my table.

I worked straight through lunch, my sense of sadness mounting with each observation.

I am often accused of feeling more warmth toward the dead than toward the living. The charge isn't true. Yes, I grieve for those on my table. But I am also keenly aware of the sorrow visited on those left behind. This case was no exception. I felt great empathy for the families who had loved and lost these girls.

At exactly one thirty-four the phone shrilled. Lowering my mask, I crossed to the desk.

"Dr. Brennan."

"You have finished?" Though he did not identify himself, I knew the voice.

"I have some preliminary information. Room four."

"I am waiting in your office."

Sure, Claudel. That's fine with me. Make yourself at home.

"Would you like to observe what I've found?"

"That will not be necessary."

Claudel's aversion to autopsies is legendary. I used to play on this, think up ruses to force him belowdecks. I no longer bothered.

"I'll need a few minutes to clean up," I said.

"This is probably pointless, anyway."

"I sincerely hope so." I hung up.

Easy. It's Claudel. The man is a throwback.

Drawing a sheet over the table, I stripped off my gloves, scrubbed, and headed upstairs, a growing dread hanging heavy on my mind.

I knew my bones. I knew I was right.

Despite his sanctimonious arrogance, I hoped to G.o.d Claudel was right, too.

5.

CLAUDEL WAS SEATED FACING MY DESK, BROWS, NOSE, AND mouth pointing south. He did not rise or greet me when I entered. I returned his cordiality. mouth pointing south. He did not rise or greet me when I entered. I returned his cordiality.

"You have finished?"

"No, Monsieur Claudel. I have not finished. I have hardly begun." I sat. "But I have made some disturbing observations."

Claudel curled his fingers in a "give it to me" gesture.

"Based on cranial and pelvic features, I can tell you that skeleton 38426 is that of a female who died in her mid to late teens. a.n.a.lysis of the long bones will allow me to narrow that age estimate, but it's obvious that the basilar suture has only recently fused, the iliac crest-"

"I do not need an anatomy lesson."

How about my heel up your a.s.s?

"The victim is young." Chilly.

"Go on."

"They're all young."

Claudel's brows angled up in a question.

"Females. In their teens or barely past."

"Cause of death?"

"That will require a detailed examination of each skeleton."

"People die."

"Not usually as kids."

"Racial background?"

"Uncertain at this point." Though I had yet to verify ancestry, cranio-facial details suggested all three were white.

"So it's possible we've dug up Pocahontas and her court."

I bit back a response. I would not let Claudel goad me into a premature statement.

"While the bones from the crate and those from the northeastern depression retain no soft tissue, those from the bundled burial show traces of adipocere. Grave wax. I am not convinced these deaths took place in the distant past."

Claudel spread both hands, palms up. "Five years, ten, a century?"

"A determination of time since death will require further study. At this point I would not write these burials off as historic or prehistoric."

"I do not require instruction on how to prepare my reports. What exactly are you telling me?"

"I'm telling you we just recovered three dead girls from a pizza parlor bas.e.m.e.nt. At this stage of inquiry, it is not appropriate to conclude that the remains are of great antiquity."

For several seconds Claudel and I glared at each other. Then he reached into a breast pocket, extracted a Ziploc baggie, and tossed it onto the desktop.

Slowly, I dropped my eyes.

The baggie contained three round items.

"Feel free to remove them."

Unzipping the baggie, I dropped the objects onto my palm. Each was a flat metal disk measuring slightly over an inch in diameter. Though corroded, I could see that each disk had a female silhouette engraved on the front, an eyelet on the back. The initials ST were etched beside each eyelet.

I looked a question at Claudel.

"With some persuasion, the Prince of Pizza admitted to liberating certain items while crating the bones."

"b.u.t.tons?"

Claudel nodded.

"They were buried with the skeleton?"

"The gentleman is a little vague on provenance. But yes, they are b.u.t.tons. And it's obvious they are old."

"How can you be certain they're old?"

"I can't. Dr. Antoinette Legault at the McCord could."

The McCord Museum of Canadian History houses over a million artifacts, with more than sixteen thousand of those belonging to the clothing and apparel collection.

"Legault is a b.u.t.ton expert?"

Claudel ignored my question. "The b.u.t.tons were manufactured in the nineteenth century."

Before I could reply, Claudel's cell phone warbled. Without excusing himself, he rose and stepped into the hall.

My eyes went back to the b.u.t.tons. Did they mean the skeletons had been in the ground a century or more?

In less than a minute, Claudel was back.

"Something important has come up."

I was being dismissed.

I have a temper. I admit that. Sometimes I lose it. Claudel's condescension was prodding me toward one of those times. I had rushed through a preliminary evaluation to accommodate his schedule on the a.s.sumption that this investigation was of immediate priority, and now he was brus.h.i.+ng me aside after a cursory inquiry.

"Meaning this case is not not important?" important?"

Claudel lowered his chin and looked at me, a picture of infinitely strained patience.

"I am a police officer, not a historian."

"And I am a scientist, not a conjecturer."

"These artifacts"-he flapped a hand at the b.u.t.tons-"belong to another century."

"Three dead girls now belong to this one." I rose abruptly.

Claudel's body stiffened. His eyes crimped.