Stories in Light and Shadow Part 17

I had carried with me, on that upward climb, a lively recollection of Miss Mannersley as I had known her two years before. I remembered her upright, almost stiff, slight figure, the graceful precision of her poses, the faultless symmetry and taste of her dress, and the atmosphere of a fastidious and wholesome cleanliness which exhaled from her. In the lady I saw before me, half reclining in a rocking-chair, there was none of the stiffness and nicety. Habited in a loose gown of some easy, flexible, but rich material, worn with that peculiarly indolent slouch of the Mexican woman, Mrs. Saltillo had parted with half her individuality. Even her arched feet and thin ankles, the close-fitting boots or small slippers of which were wont to accent their delicacy, were now lost in a short, low-quartered kid shoe of the Spanish type, in which they moved loosely. Her hair, which she had always worn with a certain Greek simplicity, was parted at one side. Yet her face, with its regularity of feature, and small, thin, red-lipped mouth, was quite unchanged; and her velvety brown eyes were as beautiful and inscrutable as ever.

With the same glance I had taken in her surroundings, quite as incongruous to her former habits. The furniture, though of old and heavy mahogany, had suffered from careless alien hands, and was interspersed with modern and unmatchable makes.h.i.+fts, yet preserving the distinctly scant and formal att.i.tude of furnished lodgings. It was certainly unlike the artistic trifles and delicate refinements of her uncle's drawing-room, which we all knew her taste had dictated and ruled. The black and white engravings, the outlined heads of Minerva and Diana, were excluded from the walls for two cheap colored Catholic prints,--a soulless Virgin, and the mystery of the Bleeding Heart. Against the wall, in one corner, hung the only object which seemed a memento of their travels,--a singular-looking upright Indian "papoose-case" or cradle, glaringly decorated with beads and paint, probably an Aztec relic. On a round table, the velvet cover of which showed marks of usage and abusage, there were scattered books and writing materials; and my editorial instinct suddenly recognized, with a thrill of apprehension, the loose leaves of an undoubted ma.n.u.script. This circ.u.mstance, taken with the fact of Donna Urania's hair being parted on one side, and the general negligee of her appearance, was a disturbing revelation.

My wandering eye apparently struck her, for after the first greeting she pointed to the ma.n.u.script with a smile.

"Yes; that is THE ma.n.u.script. I suppose Enriquez told you all about it?

He said he had written."

I was dumfounded. I certainly had not understood ALL of Enriquez's slang; it was always so decidedly his own, and peculiar. Yet I could not recall any allusion to this.

"He told me something of it, but very vaguely," I ventured to say deprecatingly; "but I am afraid that I thought more of seeing my old friend again than of anything else."

"During our stay in Mexico," continued Mrs. Saltillo, with something of her old precision, "I made some researches into Aztec history, a subject always deeply interesting to me, and I thought I would utilize the result by throwing it on paper. Of course it is better fitted for a volume of reference than for a newspaper, but Enriquez thought you might want to use it for your journal."

I knew that Enriquez had no taste for literature, and had even rather depreciated it in the old days, with his usual extravagance; but I managed to say very pleasantly that I was delighted with his suggestion and should be glad to read the ma.n.u.script. After all, it was not improbable that Mrs. Saltillo, who was educated and intelligent, should write well, if not popularly. "Then Enriquez does not begrudge you the time that your work takes from him," I added laughingly. "You seem to have occupied your honeymoon practically."

"We quite comprehend our respective duties," said Mrs. Saltillo dryly; "and have from the first. We have our own lives to live, independent of my uncle and Enriquez's father. We have not only accepted the responsibility of our own actions, but we both feel the higher privilege of creating our own conditions without extraneous aid from our relatives."

It struck me that this somewhat exalted statement was decidedly a pose, or a return of Urania Mannersley's old ironical style. I looked quietly into her brown, near-sighted eyes; but, as once before, my glance seemed to slip from their moist surface without penetrating the inner thought beneath. "And what does Enriquez do for HIS part?" I asked smilingly.

I fully expected to hear that the energetic Enriquez was utilizing his peculiar tastes and experiences by horse-breaking, stock-raising, professional bull-fighting, or even horse-racing, but was quite astonished when she answered quietly:--

"Enriquez is giving himself up to geology and practical metallurgy, with a view to scientific, purely scientific, mining."

Enriquez and geology! In that instant all I could remember of it were his gibes at the "geologian," as he was wont to term Professor Dobbs, a former admirer of Miss Mannersley's. To add to my confusion Mrs.

Saltillo at the same moment absolutely voiced my thought.

"You may remember Professor Dobbs," she went on calmly, "one of the most eminent scientists over here, and a very old Boston friend. He has taken Enriquez in hand. His progress is most satisfactory; we have the greatest hopes of him."

"And how soon do you both hope to have some practical results of his study?" I could not help asking a little mischievously; for I somehow resented the plural p.r.o.noun in her last sentence.

"Very soon," said Mrs. Saltillo, ignoring everything but the question.

"You know Enriquez's sanguine temperament. Perhaps he is already given to evolving theories without a sufficient basis of fact. Still, he has the daring of a discoverer. His ideas of the oolitic formation are not without originality, and Professor Dobbs says that in his conception of the Silurian beach there are gleams that are distinctly precious."

I looked at Mrs. Saltillo, who had reinforced her eyes with her old piquant pince-nez, but could detect no irony in them. She was prettily imperturbable, that was all. There was an awkward silence. Then it was broken by a bounding step on the stairs, a wide-open fling of the door, and Enriquez pirouetted into the room: Enriquez, as of old, unchanged from the crown of his smooth, coal-black hair to the tips of his small, narrow Arabian feet; Enriquez, with his thin, curling mustache, his dancing eyes set in his immovable face, just as I had always known him!

He affected to lapse against the door for a minute, as if staggered by a resplendent vision. Then he said:--

"What do I regard? Is it a dream, or have I again got them--thees jimjams? My best friend and my best--I mean my ONLY--wife! Embrace me!"

He gave me an enthusiastic embrace and a wink like sheet-lightning, pa.s.sed quickly to his wife, before whom he dropped on one knee, raised the toe of her slipper to his lips, and then sank on the sofa in simulated collapse, murmuring, "Thees is too mooch of white stone for one day!"

Through all this I saw his wife regarding him with exactly the same critically amused expression with which she had looked upon him in the days of their strange courts.h.i.+p. She evidently had not tired of his extravagance, and yet I feel as puzzled by her manner as then. She rose and said: "I suppose you have a good deal to say to each other, and I will leave you by yourselves." Turning to her husband, she added, "I have already spoken about the Aztec ma.n.u.script."

The word brought Enriquez to his feet again. "Ah! The little old n.i.g.g.e.r--you have read?" I began to understand. "My wife, my best friend, and the little old n.i.g.g.e.r, all in one day. Eet is perfect!"

Nevertheless, in spite of this ecstatic and overpowering combination, he hurried to take his wife's hand; kissing it, he led her to a door opening into another room, made her a low bow to the ground as she pa.s.sed out, and then rejoined me.

"So these are the little old n.i.g.g.e.rs you spoke of in your note," I said, pointing to the ma.n.u.script. "Deuce take me if I understood you!"

"Ah, my leetle brother, it is YOU who have changed!" said Enriquez dolorously. "Is it that you no more understand American, or have the 'big head' of the editor? Regard me! Of these Aztecs my wife have made study. She have pursued the little n.i.g.g.e.r to his cave, his grotto, where he is dead a thousand year. I have myself a.s.sist, though I like it not, because thees mummy, look you, Pancho, is not lively. And the mummy who is not dead, believe me! even the young lady mummy, you shall not take to your heart. But my wife"--he stopped, and kissed his hand toward the door whence she had flitted--"ah, SHE is wonderful! She has made the story of them, the peecture of them, from the life and on the instant!

You shall take them, my leetle brother, for your journal; you shall announce in the big letter: 'Mooch Importance. The Aztec, He is Found.'

'How He Look and Lif.' 'The Everlasting n.i.g.g.e.r.' You shall sell many paper, and Urania shall have scoop in much spondulics and rocks.

Hoop-la! For--you comprehend?--my wife and I have settled that she shall forgif her oncle; I shall forgif my father; but from them we take no cent, not a red, not a scad! We are independent! Of ourselves we make a Fourth of July. United we stand; divided we shall fall over! There you are! Bueno!"

It was impossible to resist his wild, yet perfectly sincere, extravagance, his dancing black eyes and occasional flash of white teeth in his otherwise immovable and serious countenance. Nevertheless, I managed to say:--

"But how about yourself, Enriquez, and this geology, you know?"

His eyes twinkled. "Ah, you shall hear. But first you shall take a drink. I have the very old Bourbon. He is not so old as the Aztec, but, believe me, he is very much liflier. Attend! Hol' on!" He was already rummaging on a shelf, but apparently without success; then he explored a buffet, with no better results, and finally attacked a large drawer, throwing out on the floor, with his old impetuosity, a number of geological specimens, carefully labeled. I picked up one that had rolled near me. It was labeled "Conglomerate sandstone." I picked up another: it had the same label.

"Then you are really collecting?" I said, with astonishment.

"Ciertamente," responded Enriquez,--"what other fool shall I look? I shall relate of this geology when I shall have found this beast of a bottle. Ah, here he have hide!" He extracted from a drawer a bottle nearly full of spirits,--tippling was not one of Enriquez's vices. "You shall say 'when.' 'Ere's to our n.o.ble selfs!"

When he had drunk, I picked up another fragment of his collection. It had the same label. "You are very rich in 'conglomerate sandstone,'" I said. "Where do you find it?"

"In the street," said Enriquez, with great calmness.

"In the street?" I echoed.

"Yes, my friend! He ees call the 'cobblestone,' also the 'pouding-stone,' when he ees at his home in the country. He ees also a small 'boulder.' I pick him up; I crack him; he made three separate piece of conglomerate sandstone. I bring him home to my wife in my pocket. She rejoice; we are happy. When comes the efening, I sit down and make him a label; while my wife, she sit down and write of the Aztec. Ah, my friend, you shall say of the geology it ees a fine, a BEAUTIFUL study; but the study of the wife, and what shall please her, believe me, ees much finer! Believe your old Uncle 'Ennery every time!

On thees question he gets there; he gets left, nevarre!"

"But Professor Dobbs, your geologian, what does HE say to this frequent recurrence of the conglomerate sandstone period in your study?" I asked quickly.

"He say nothing. You comprehend? He ees a profound geologian, but he also has the admiration excessif for my wife Urania." He stopped to kiss his hand again toward the door, and lighted a cigarette. "The geologian would not that he should break up the happy efening of his friends by thees small detail. He put aside his head--so; he say, 'A leetle freestone, a leetle granite, now and then, for variety; they are building in Montgomery Street.' I take the hint, like a wink to the horse that has gone blind. I attach to myself part of the edifice that is erecting himself in Montgomery Street. I crack him; I bring him home. I sit again at the feet of my beautiful Urania, and I label him 'Freestone,' 'Granite;' but I do not say 'from Parrott's Bank'--eet is not necessary for our happiness."

"And you do this sort of thing only because you think it pleases your wife?" I asked bluntly.

"My friend," rejoined Enriquez, perching himself on the back of the sofa, and caressing his knees as he puffed his cigarette meditatively, "you have ask a conundrum. Gif to me an easier one! It is of truth that I make much of these thing to please Urania. But I shall confess all.

Behold, I appear to you, my leetle brother, in my camisa--my s.h.i.+rt! I blow on myself; I gif myself away."

He rose gravely from the sofa, and drew a small box from one of the drawers of the wardrobe. Opening it, he discovered several specimens of gold-bearing quartz, and one or two scales of gold. "Thees," he said, "friend Pancho, is my own geology; for thees I am what you see. But I say nothing to Urania; for she have much disgust of mere gold,--of what she calls 'vulgar mining,'--and believe me, a fear of the effect of 'speculation' upon my temperamento--you comprehend my complexion, my brother? Reflect upon it, Pancho! I, who am the filosofo, if that I am anything!" He looked at me with great levity of eye and supernatural gravity of demeanor. "But eet ees the jealous affection of the wife, my friend, for which I make play to her with the humble leetle pouding-stone rather than the gold quartz that affrights."

"But what do you want with them, if you have no shares in anything and do not speculate?" I asked.

"Pardon! That ees where you slip up, my leetle friend." He took from the same drawer a clasped portfolio, and unlocked it, producing half a dozen prospectuses and certificates of mining shares. I stood aghast as I recognized the names of one or two extravagant failures of the last ten years,--"played-out" mines that had been galvanized into deceptive life in London, Paris, and New York, to the grief of shareholders abroad and the laughter of the initiated at home. I could scarcely keep my equanimity. "You do not mean to say that you have any belief or interest in this rubbish?" I said quickly.

"What you call 'rubbish,' my good Pancho, ees the rubbish that the American speculator have dump himself upon them in the shaft, the rubbish of the advertis.e.m.e.nt, of the extravagant expense, of the salary, of the a.s.sessment, of the 'freeze-out.' For thees, look you, is the old Mexican mine. My grandfather and hees father have both seen them work before you were born, and the American knew not there was gold in California."

I knew he spoke truly. One or two were original silver mines in the south, worked by peons and Indian slaves, a rope windla.s.s, and a venerable donkey.

"But those were silver mines," I said suspiciously, "and these are gold specimens."

"They are from the same mother," said the imperturbable Enriquez,--"the same mine. The old peons worked him for SILVER, the precious dollar that buy everything, that he send in the galleon to the Philippines for the silk and spice! THAT is good enough for HIM! For the gold he made nothing, even as my leetle wife Urania. And regard me here! There ees a proverb of my father's which say that 'it shall take a gold mine to work a silver mine,' so mooch more he cost. You work him, you are lost!

Naturalmente, if you turn him round, if it take you only a silver mine to work a gold mine, you are gain. Thees ees logic!"

The intense gravity of his face at this extraordinary deduction upset my own. But as I was never certain that Enriquez was not purposely mystifying me, with some ulterior object, I could not help saying a little wickedly:--